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Recording Academy Details Global Expansion Efforts in Africa and the Middle East

The Recording Academy is extending its efforts to support music creators on a global scale. The Academy has agreements with Ministries of Culture and key stakeholders across the Middle East and Africa to collaborate on a framework to bolster the Academy’s presence and services in these rapidly growing music regions, the organization announced Tuesday (June 11).

“This is exciting because music is one of humanity’s greatest natural resources,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “It is critical that the people who dedicate themselves to creating music have support, resources and opportunities, no matter where they are from.”

This global expansion marks a significant shift from the Recording Academy’s original charter. The organization was founded in 1957 as the National Academy of Recording Arts & Sciences.

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The Academy is working with the Ministries of Culture in Kenya, Kingdom of Saudi Arabia (KSA) and Nigeria, the Department of Culture and Tourism in Abu Dhabi for the United Arab Emirates (UAE), the Rwanda Development Board (RDB), and the Ministry of Sports, Arts and Culture in South Africa. Additionally, MOUs (memoranda of understanding) have been signed with Ghana and the Ivory Coast.

For the past two years, Academy leaders have traveled throughout these regions, participating in listening sessions, receiving high-level briefings, tours and demonstrations, and obtaining insight directly from both governmental ministries and music creators.

The Academy intends to publish a series of reports highlighting its research and insights into these music markets.

“The Recording Academy is dedicated to supporting music creators around the world,” Panos A. Panay, Recording Academy president, said in a statement. “Our expansion efforts into these fast-growing regions reflect our commitment to fostering a truly global music community, where creators at every stage of their careers and from every corner of the world have the resources and support they need to thrive.”

(Panay was born Panayiotis Andreas Panayiotou in Cyprus, which may be a further sign of the Academy’s increasing global reach. Before joining the Academy, Panay was senior vp of global strategy & innovation at Berklee College of Music.)

The Academy characterizes this exploration into the Middle East and Africa as only the first phase of plans to support music creators abroad. It comes in the same year that the Academy celebrates the 25th anniversary of the Latin Grammy Awards, and seven months after the Latin Grammys were held outside of the United States (in Seville, Spain) for the first time. Last year, the Recording Academy also partnered with the U.S. State Department on an initiative to promote peace through music.

Through these newly-announced collaborations, the Academy looks to explore several key initiatives, including:

  • Championing music creators at all levels, providing them with a platform and advocacy.
  • Empowering creators through enhanced training. Through its online learning platform, GRAMMY GO, the Academy will look to provide educational programs and resources specifically tailored to the needs of music creators in these regions.
  • Producing original content that celebrates the rich musical heritage and dynamic emerging scenes of Africa and the Middle East.
  • Enhancing support for existing and future members. The Academy argues that cross-cultural learning will benefit all music creators.
  • Advocating for strong Intellectual Property (IP) legislation and protections for music creators.
  • Fueling the music economy by collaborating with partners to develop and strengthen the creative economy in Africa and the Middle East.

The Recording Academy supplied quotes from four of its members:

John Legend, a 12-time Grammy winner and a former trustee of the Recording Academy, said: “I’m excited to see the Recording Academy taking these meaningful steps to globalize our mission and reach.  Music knows no borders. It’s global and transcends cultural, political and language barriers. I’m so glad that the Recording Academy, the leading organization serving music creators, is evolving to be a more global organization.”

Angélique Kidjo, a five-time Grammy winner and a current trustee of the Recording Academy, said: “The Recording Academy is accelerating its efforts to serve music people everywhere, and Africa is ready with open arms. We are a continent of music and young, passionate music makers. I’m proud to see the Academy forming partnerships with Nigeria, Kenya, Rwanda, South Africa, and no doubt, more to come!”

Davido, a three-time Grammy nominee, said: “As an African musician, I’m excited about the Recording Academy’s expansion into Africa and the Middle East. It acknowledges our vibrant talent and the global influence of African music. This initiative offers a platform for creators, elevating our cultural expressions and uniting us through music.”

Kat Graham, actress/singer (The Vampire Diaries, the upcoming Michael Jackson biopic Michael) and a former trustee of the Recording Academy, said: “As a Goodwill Ambassador for the UN Refugee Agency, I’ve seen firsthand how interconnected our world is. I applaud the Recording Academy for expanding its activities to Africa and the Middle East, two of the fastest-growing regions. This visionary move will amplify the role music can play as a force for good in the world while showcasing diverse voices and fostering cultural unity on a global scale.”

Ed Sheeran Says He Has Absolutely No Notes on Olivia Rodrigo’s Two Albums: ‘Un-Skippable’

Ed Sheeran knows a thing or two about writing popular songs thanks to his more than two dozen top 10 singles on the Billboard Hot 100. He also knows a great song by another artist when he hears it, which might explain why during a recent visit to the Therapuss with Jake Shane podcast Sheeran was more than happy to rain some praise on two of his favorite songwriters.

When host Shane asked if Sheeran remembered the video for Lana Del Rey’s debut single, “Video Games,” Sheeran enthusiastically recalled that it came out around the same time as his debut song, “A Team” and that, in a word, LDR’s track was “incredible.”

“I just [think] that song’s just kind of like the perfect debut song isn’t it?” Sheeran said of “Video Games.” Then, asked to name another flawless debut song, Ed said, without hesitation, Olivia Rodrigo’s “Drivers License,” as well as Britney Spears’ “Baby One More Time,” commenting, “there is no better debut song,” dubbing Britney’s signature track one of the “top two or three best songs ever written.”

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Sheeran — who repeatedly displayed a savant-level knowledge of other artist’s timelines and debut singles — went on to say that not only is “Drivers License” a “great” song, but both of Rodrigo’s albums, Sour and Guts, are, in his estimation, “un-skippable… it’s just, as a record, just a great record.” Among the other songs Sheeran had no notes on were Katy Perry’s “I Kissed a Girl.”

Listen to Sheeran on Therapuss here (LDR/Britney/Rodrigo) talk begins at 38:50 mark).

Eminem Does His Own Stunts in ‘Houdini’ Video Behind-The-Scenes Footage: ‘That’s Actually Not Easy’

Lest you think Eminem doesn’t suffer for his art, Slim Shady pulled back the curtain on Monday (June 10) to provide fans with a behind-the-scenes peek at the making of the video for his “Houdini” single. The minute-long clip starring the rapper’s not-so-super alter ego, Rapboy, features the caption, “I do my own stunts. #Houdini video shoot behind the scenes – don’t try this at home!!!”

It opens with Rapboy doing a series of jumps off a bed onto a crash pad, repeatedly face-planting on the black mat you don’t see in the finished product. He then does another round of face plants — this time from a kneeling position — onto a dusty rug while complaining to the director about his motivation. “Oh, you want me to smash my f–king face!?,” video veteran Marshall says, adamantly noting that he can’t be responsible for what his cape does when his mug hits the dirt.

“Don’t do the recoil,” director Rich Lee counsels Em, as the Rock and Roll Hall of Famer argues, “that’s my head bouncing off the carpet!” Lee, however, begs to differ and shows Em on an iPad that he is, in fact, bobbing his head as he drops to the ground. “Can you make my nose not as f–king pointy?” the MC asks while changing the subject while viewing the playback.

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Cut to one of the oldest tricks in the book as Rapboy “climbs” a building and gets blown around by a wind machine, appearing to struggle mightily against gravity while actually just standing on a slight incline shot from the side. “Holy s–t, that’s actually not easy,” a winded Em, 51, says after repeated takes. “I need a break.”

The rest of the clip consists of Em doing multiple takes of set-ups where he does tuck-and-rolls and practices a fight scene. It ends with a blonde-haired Marshall kicking a door open so hard he loses one of his shoes.

The video that makes nods to Em’s 2009 “Without Me” visual features cameos from Dr. Dre, Snoop Dogg and 50 Cent, as well as Marshall’s three kids — Hailie, Alaina and Stevie — as well as former SNL star Pete Davidson. The song is the first single off Eminem’s upcoming 12th album, The Death of Slim Shady (Coup De Grâce), which is expected out this summer.

In the meantime, Eminem landed his 23rd career top 10 debut when “Houdini” entered the Billboard Hot 100 at No. 2, kept out of the top spot by Post Malone and Morgan Wallen’s “I Had Some Help,” which has been at the peak for four consecutive weeks. The “Houdini” debut is the rapper’s highest-charting single since “The Monster” featuring Rihanna spent four week at No. 1 in December 2013-January 2014.

Watch the “Houdini” BTS video below.

Billie Eilish Soars From a Whisper to a Scream During ‘The Greatest’ on ‘Late Show’

Billie Eilish unwrapped the live debut of the soaring ballad “The Greatest” on The Late Show on Monday night (June 10), performing the Hit Me Hard and Soft album track accompanied by her brother/producer Finneas on acoustic guitar. The moodily lit performance opened with the singer shrouded in darkness sitting on a stool as Finneas finger picked notes and she whisper sang, “And you don’t wanna know/ How alone I’ve been/ Let you come and go/ Whatever state I’m in.”

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Wearing one of her patented outfits comprised of an oversized jersey with striped tie, baggy plaid shorts and sneakers, Eilish eventually stood up as the song began to pick up pace and she gripped the mic with both hands as she leaned into the soaring, self-congratulatory chorus: “Man, am I the greatest/ My congratulations/ All my love and patience/ All my admiration/ All the times I waited/ For you to want me naked/ Made it look painless/ Man, am I the greatest.”

With the green stage lights flashing, Finneas switched to electric guitar and the band cranked up as Eilish howled “Man am I the greatest” and “I waited” before the arrangement got small again and she dropped back into her feathery falsetto and sighed, “I shouldn’t have to say it/ You could’ve been the greatest.”

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Eilish dropped the video for the album track “Chihiro” last week in which she sprinted through an abandoned building, chasing elusive Paper Towns actor Nat Wolff before they briefly tussle and then make nice.

Watch Eilish perform “The Greatest” on The Late Show below.


https://youtube.com/watch?v=hDtGsVB3y3I&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

KCON 2024 LA Adds NCT 127 to Lineup, Jeon Somi & K-Drama Stars as Hosts

Just as tickets went on sale for KCON 2024 in Los Angeles, the K-pop mega festival and convention announced a special surprise guest to its lineup as well as three noteworthy names as hosts.

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For its first KCON Los Angeles since first hitting its stage in 2017, NCT 127 has been announced as part of a “special lineup” for the fest, joining previously announced stars like ZICO, ENHYPEN, P1Harmony, NMIXX, A.C.E and more. A graphic announcing the group’s involvement featured seven members of the group — Johnny, Yuta, Doyoung, Jaehyun, Jungwoo, Mark and Haechan — as leader Taeyong began fulfilling his mandatory South Korean military service in March, and Taeil was announced to enlist this year as well and may begin his service by the July performance.

KCON also revealed the three hosts that will hold MC duties for the live taping of M Countdown, the weekly live performance program on the K-pop music channel Mnet, which occasionally goes abroad for live tapings.

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Rowoon, the Korean-drama actor Rowoon and former member of boy band SF9, will host Friday, July 26, marking his first appearance at KCON LA since 2019. Solo star Jeon Somi is the M Countdown host for Saturday, July 27, to mark her long-awaited return to L.A. and first time back at KCON since 2016 when she first performed with her former girl group, I.O.I. Finally, top K-drama actor Kim Soo Hyun will host on Sunday, June 28.

Notably, KCON’s central featuring of stars like Kim Soo Hyun and Rowoon marks a move back towards featuring more actors from Korea as it did in past iterations during the ’10s despite the prominence of K-dramas and Korean cinema, arguably growing more prominent in the post-pandemic years.

Tickets for KCON’s general onsale opened this afternoon, June 10, local time. KCON 2024 Los Angeles takes place across Los Angeles’ Crypto.com Arena, LA Convention Center and Gilbert Lindsay Plaza from July 26-28.

Funkmaster Flex Goes on Rant Against ‘Million Dollar Baby’: ‘Sounds Like a Shoe Store’

Hot 97’s Funkmaster Flex — who’s been a staple on New York City airwaves for decades — isn’t feeling Tommy Richman’s “Million Dollar Baby.”

In fact, the legendary DJ went on an epic rant about how much he doesn’t like the song and went as far as to call those who do like it “clowns.”

“If you’re someone that likes this song, you are a clown,” Flex said. “This song… I don’t know what the rest of his songs sound like. I don’t even know who Tommy Richman is. Sounds like a shoe store. Now we’re gonna document this hot garbage. We’re gonna play it now, I know you want to hear it. I wonder if this is big in the club.”

He then says, “See this part is deceiving like it might be a good song,” when talking over the song’s intro. Adding, “Watch the terrible part as it comes in… where you hear the tin can drums,” as the beat starts to build and Tommy Richman’s voice can be heard.

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Another user posted what sounds like another rant as Flex plays the record again. This time the DJ tells his listeners that he’s going to play a record suitable for New York in order to “bring us back from the depths of Hell, from the depths of garbage” and then adds that the song “sounds like it was made on a Casio machine.” Flex also says the song makes him question why he’s a DJ and questions whether he’s “aged out” before acknowledging how big the record is.

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You can hear the listeners being both appalled and entertained by what Flex is saying in both recordings.

Check ’em out below.

This rant comes at an opportune time for the Virginia singer, since he’s making an announcement Tuesday on his Instagram Story. A few days ago, he dropped a teaser on his IG for his next single with the caption, “Devil is a lie.” So maybe this announcement has something to do with that.

Million Dollar Baby” currently sits at No. 3 on the Billboard Hot 100 and has been on the charts for the last five weeks, peaking at No. 2.

Seems like a lot of clownery is going on.

Don Toliver to Stream ‘Fortnite’ Collab ‘Hardstone’ on Twitch

Don Toliver is rolling out his new album Hardstone Psycho with the help of Fortnite.

On Monday (June 10), the artist out of Houston is dropping his collab Hardstone with Epic Games — the company behind Fortnite. The special event has been described as an “8v8 turf war between two rival biker gangs (Hardstone & Wolves M.C.)… featuring music from Don Toliver’s new album, a fully custom map, immersive gameplay, & more.”

Last Thursday, Toliver posted the trailer to Fortnite‘s Hardstone gameplay that clearly matches up with the biker themes found in the three singles he’s dropped while promoting the album.

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And he also announced “Don Toliver’s Hardstone Psycho Steam” on Twitch via his Instagram page, which is happening later Monday at 5:30 p.m. ET:

Toliver recently scored a Billboard Hot 100 hit with the third single to Hardstone Psycho “Attitude” featuring Cash Cobain and Charlie Wilson. So far the song has peaked at No. 96 and is his ninth chart entry as a lead artist. The first two singles “Bandit” and “Deep in the Water” also charted, with the former earning the artist his first top 10 hit as a lead artist.

If you remember, his Cactus Jack label boss Travis Scott also had an exclusive collab with the gaming giant. In 2020, Scott had a live performance within the game as a giant avatar entitled Astronomical. The 10-minute performance set a record for Fortnite‘s largest-ever in-game gathering. The event drew 27.7 million unique players over the course of five airings in three days.

Let the battle for Psycho Valley begin.

Stevie Nicks Soars Through a Night of Songs & Stories at Mohegan Sun: 5 Best Moments

At 76 years old, Stevie Nicks — who breezily brought up her age a few times on stage Sunday night (June 9) — maintains the distinct, strong vocal performance for which she’s become iconic. She carries it through a showtime of about two hours, with a 15-song set and several stories spanning her fascinating journey in rock ‘n’ roll.

Nicks brought her headlining tour to the Mohegan Sun Arena, a well-designed, 10,000-seat venue in southeastern Connecticut that’s within the Mohegan Sun casino/entertainment complex owned by the Mohegan Tribe.

She has plenty to play, and so much to say — and with the life experience she’s had as an entertainer for so many years, rightly so. On Sunday Nicks was a lively conversationalist, letting her sense of humor shine while telling the crowd about her early days with Fleetwood Mac in the 1970s, how her debut solo album hit No. 1 on the Billboard 200 in 1981, and what’s currently on her mind in 2024.

Who wouldn’t want to hear what Stevie Nicks has to say? This January it’ll be 50 years since the 1975 lineup of Fleetwood Mac (with Nicks) came to be, a musical ride that followed humble beginnings alongside eventual Mac co-star Lindsey Buckingham with the Buckingham Nicks project, and preceded the ascent of her solo career.

Nicks’ concert at Mohegan Sun Arena featured setlist staples like “Dreams,” “Stop Draggin’ My Heart Around,” “Stand Back,” “Leather and Lace,” “Rhiannon,” “Gypsy” and an encore of “Landslide,” a beautiful tribute to late best friend and bandmate Christine McVie. Mixed in with the chart-toppers were the singer-songwriter’s stories, almost like mini lessons on the history of Nicks’ path.

During a quick restroom break my husband overheard someone making small-talk wisecracks at the urinal: “She talks a lot, huh?” I grew up with a parent who’d listen to Fleetwood Mac albums on repeat. I could listen to her voice telling stories 100 times over and still find it soothing. We didn’t find the bathroom joke funny, but it was amusing timing.

As though she could sense what someone, somewhere, was saying, a charming Nicks was actually on stage poking fun at herself: “I’m trying, I’m making a big effort to shorten down my stories. My stories are starting to become as long as the show,” she quipped at the start of a 13-minute introduction to her performance of 1982 single “Gypsy.”

“Every time I do it, I mess up,” she said. “I take a part off, it’s impossible to understand where I’ve stopped and where I should start up again. I’m only sharing this with you because it’s part of the fun of being my age.”

“I’m so old … What’s everybody gonna say to me? ‘Stop! You can’t do this anymore!’ I’ll say, ‘OK. Fine. I’ll just go home and be alone in a rocking chair with my dog Lily,” Nicks said with a grin.

Below, see five of the best moments from Stevie Nicks’ concert at Mohegan Sun Arena. Nicks is currently on tour through June 21 in North America, then heading to Europe in July. See the full tour date list on her official website.

Watch TikToker Harry Daniels Serenade a Confused Charlie Puth With Taylor Swift’s Name-Drop

Taylor Swift declared Charlie Puth should be a bigger artist on her song “The Tortured Poets Department,” but the “Attention” singer would probably declare himself confused after his latest fan encounter.

In a hilarious new TikTok from serial serenader Harry Daniels, Puth looks totally baffled as the creator approaches him from behind a fence and starts singing Swift’s lyrics on “Tortured Poets” — in which she gives the “See You Again” musician a big shout-out.

“You smoked then ate seven bars of chocolate/ We declared Charlie Puth should be a bigger artist,” Daniels sings in an exaggerated tone.

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“What is this?” Puth says, looking lost. But Daniels had already walked away.

The TikToker is known for surprising musicians with spontaneous performances of their songs. In April, for instance, he made the rounds at Coachella and sang for Katy PerryGwen StefaniParis HiltonTyga, Becky GReneé Rapp and Wallows’ Dylan Minnette.

The video comes nearly two months after Swift surprised fans (and Puth) by including him in the lyrics to the title track of her latest album The Tortured Poets Department, which recently nabbed a seventh week at No. 1 on the Billboard 200. It took some time before the “Light Switch” artist properly responded to the shout-out, but in May, he revealed that the recognition inspired him to release a new song of his own titled “Hero.”

“I’ve never put out a song like this before,” he wrote on Instagram last month. “It’s very different for me, but I want to thank @taylorswift for letting me know musically that I just couldn’t keep this on my hard drive any longer.”

“My new song HERO is about when you see someone you love hurting themselves, ruining the things in their life that are good, but you just can’t save them,” he added at the time. “I’m very excited to share my next album with you, especially this song because it’s a great representation of what’s to come.”

Watch Daniels sing for Charlie Puth below.

LL Cool J Announces ‘Saturday Night Special’ Single — and a New Album ‘Coming in the Fall’

LL Cool J hasn’t released an album since 2013’s Authentic, but the drought should be ending at some point later this year. The Radio rapper on June 7 announced plans for his first single of the year, “Saturday Night Special,” which will be arriving on June 14.

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“In case you missed it, new single ‘Saturday Night Special,’” he said in the clip while posted up in the studio with shades on and his signature Yankee fitted cap. “It’s coming June 14. Go to the link in the bio. Sign up to the pre-save it. Ya know what I mean?”

The surprises didn’t stop there, as LL promised that his long-awaited next “album’s coming in the fall.”

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The New York native continued: “It’s the real deal, baby. It’s go time. ‘Saturday Night Special’ is the first single. I’ll let you know about the features. Couple of days … Hit the link in the bio, you’ll be able to find out a little sooner. Tracklisting for the album is coming. Album will be out in the fall. Yo, it’s on, baby.”

LL Cool J had a busy 2023 as he was part of the 50th anniversary of hip-hop tribute performance at the Grammy Awards and hit the road for The F.O.R.C.E. Live Tour.

The 56-year-old was continually teasing an album throughout last year, which he says is executive-produced by Q-Tip, but hasn’t yet gone through with releasing it. He also didn’t make it clear if this is the same LP.

LL previously raved about the project and working with Q-Tip at the 2023 Grammys. “I know all the tricks,” he told E! News at the time. “I got this covered. I think honestly and sincerely, that Q-Tip as a producer is unbelievable and what he did on this record for me, I think is amazing. So the world will decide.”

He continued: “The album, I think, is really, really special. I think it’s something it’s modern without chasing. It’s a whole new thing. I can’t wait for the people to see it.”

LL’s last album, Authentic, was released in 2013 and debuted at No. 23 on the Billboard 200. Find his announcementbelow.