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Megan Thee Stallion Unveils ‘MEGAN’ Tracklist Featuring UGK, GloRilla & Victoria Monét

Megan Thee Stallion’s anticipated MEGAN album is just one week away from hitting streaming services, and she teased the Hotties by serving up the appetizing tracklist for the LP.

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The H-Town rapper released the tracklist for the 18-song set on social media on Friday (June 21) and the project is loaded with versatile guests. Meg will team up with the Grammy-winning Victoria Monét for a moody collab on “Spin.”

She connects the generations of Houston as old school meets new school with UGK appearing on the album. It’s unclear if “Paper Together” invites a Bun B solo appearance or features posthumous vocals from the late Pimp C, who Meg is a massive fan of.

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Other features include her Hot Girl Summer tourmate GloRilla, 41’s Kyle Richh and Yuki Chiba. One of the song titles recalls a 2010s Billboard Hot 100 hit. David Guetta’s “Where Them Girls At” arrived in 2011 alongside Nicki Minaj and Flo Rida, which reached a peak of No. 14 on the Hot 100.

MEGAN is filled with previously-released serpentine-themed singles such as No. 1 hit “HISS,” “BOA” and album closer “COBRA.”

The Houston Hottie looks at this album as a “rebirth” of sorts after closing the book on the Tory Lanez shooting, which saw him sentenced to 10 years behind bars last August.

“This is music I would like if I wasn’t Megan Thee Stallion. I don’t want to say I’m tapping into other genres. I’m just tapping into other sounds. But it’s still very much Megan Thee Stallion. It won’t feel like I went so left. It’ll feel true to me,” she told L’OFFICIEL of the project. “You’ll almost be like, ‘I wouldn’t have thought she would’ve rapped over that, but this sounds great.’”

The 29-year-old wraps up the North American leg of her Hot Girl Summer Tour this weekend with a pair of shows in Los Angeles and Las Vegas.

Find the MEGAN tracklist ahead of the album’s June 28 arrival below.

Permanent Jon Bon Jovi Hologram Installed at Singer’s New Nashville Bar & Venue

Jon Bon Jovi‘s newly opened, five-story bar and music venue in downtown Nashville, JBJ’s Nashville, has permanently installed a new hologram unit featuring the iconic singer.

The unit, which features Jon Bon Jovi as a 4K hologram, was installed by Proto Inc. in partnership with the venue and Big Plan Holdings. Later this year, a second Proto unit will be installed with more members of his namesake band, Bon Jovi, appearing in hologram form. JBJ’s Nashville will also have the ability to beam in surprise guests as live holograms that can be seen and heard by fans in the club, just as if they were there in person.

This is the first time a Proto hologram unit has been permanently installed in a dedicated music venue or restaurant.

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A Proto hologram unit featuring Jon Bon Jovi was used in January when the singer was honored during the MusiCares Person of the Year event during Grammy weekend in Los Angeles. Other artists who have used Proto include Kane Brown, Walker Hayes, Jewel, Elton John, Olivia Rodrigo, Tanya Tucker and will.I.am. Proto units have also been installed at Jimmy Kimmel’s Comedy Club in Las Vegas, Four Seasons Hotels & Resorts’ Beverly Wilshire hotel, JFK Terminal 4 and more.

“This innovative addition of the Proto Hologram of Jon at JBJ’s exemplifies the commitment to delivering unforgettable experiences here on Broadway,” said Matthew Bongiovi of Bon Jovi Management in a statement.

Jon Bon Jovi

Jon Bon Jovi

Courtesy Photo

“The enthusiastic response online to Jon’s Proto hologram highlights the excitement for what we bring to the table,” added Josh Joseph, founder/CEO of Big Plan Holdings. “JBJ’s Nashville is positioning itself as a leader in groundbreaking live events.”

“I’m thrilled to see Jon Bon Jovi integrating Proto Hologram technology into JBJs Nashville,” said David Nussbaum, founder of Proto Hologram. “Our technology transforms live performances into a ‘Runaway’ experience, allowing artists like Jon Bon Jovi to connect with their audiences in a way that’s never been possible before. It’s an honor to be part of such an innovative project, and I can’t wait for fans to experience the magic firsthand.”

Earlier this month, Bon Jovi played a surprise, five-song set at the grand opening of JBJ’s Nashville. The 37,000-square-foot venue features a stage on the ground floor and walls featuring photos of the group that span its three-decade career.

June also saw the release of Bon Jovi’s new album, Forever, and the Hulu series Thank You, Goodnight — The Bon Jovi Story.

What Happened to RIIZE’s Seventh Member, Seunghan? The Group’s Controversy Explained

RIIZE rightfully has been recognized as a potential next-generation leader in K-pop‘s ongoing international crossover, in large part thanks to its refreshing embrace of approachability. But the way its label, K-pop giant SM Entertainment, has handled a controversy involving one of the group’s original members has provided a high-stakes window into the ongoing tension between South Korean artists balancing the demands of international careers with the country’s more traditional, accepted social norms. 

When SM introduced RIIZE’s lineup in July 2023 via 27 casual Instagram photos that wouldn’t look out of place on any influencer’s page, it set a bar for how its seven members – Shotaro, Eunseok, Sungchan, Wonbin, Seunghan, Sohee and Anton – intended to connect with fans online in a relatable way; as Eunseok explained it during RIIZE’s interview in Los Angeles for Billboard’s recent digital cover story, the group wanted to share “a lot of pictures of our daily life and intimate [moments] on social media.”

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But only six members of RIIZE participated in the cover. Interviews for the piece occurred almost exactly six months after SM announced that Seunghan would “halt activities” with RIIZE following an August 2023 leak of private, pre-RIIZE photos and videos that showed him kissing an unidentified woman in a bed and smoking a cigarette. Though tame by Western standards, the content went viral in South Korea, a country which has undergone rapid modernization but remains socially conservative — values that extend to the parasocial relationships fans have with South Korean music stars. Some fans condemned Seunghan’s actions – which they deemed inappropriate for a K-pop idol – and protested for his removal even before the highly anticipated boy band’s debut.



Ahead of releasing RIIZE’s critically acclaimed single “Get a Guitar” at the top of September, Seunghan, then 19, took to the group’s Instagram account on Aug. 30 to “sincerely apologize to the fans who are supporting RIIZE,” saying that he “caused damage to our team through personal matters…all out of my carelessness.” Adding that he hadn’t addressed the situation sooner out of fear and nervousness, Seunghan said he “reflected a lot” and vowed to “put the team first” by being more careful both on and off the stage. 

But across the influential Korean websites and forums dedicated to discussing – and, more often than not, tearing down – K-pop celebrities, criticisms of Seunghan continued even after “Get a Guitar” and October’s follow-up “Talk Saxy” began to earn them accolades.

On Nov. 22, 2023, SM Entertainment uploaded a notice that Seunghan was “feeling severely apologetic and is reflecting on himself for causing disappointment and commotion to not only the team and members but also to fans due to issues regarding his personal life that are leaked and circulated.”

While SM did note the content leaks were maliciously edited — calling it “severe defamation” and promising legal action — the label still settled on “the indefinite suspension of [Seunghan’s] activities.” According to its statement at the time, Seunghan also “relayed his intention to halt activities”; the label “judged that it is too difficult for him to continue activities through this situation.” On the same day, through RIIZE’s Weverse account, Seunghan shared in a handwritten letter that he was “deeply reflecting” on his “careless actions from the past” and apologized to the group’s fans (known as BRIIZE), RIIZE members and label staff. 

RIIZE’s members did not mention Seunghan when speaking with Billboard or at their concert in Los Angeles, and a non-SM representative made multiple requests that Billboard not mention Seunghan in the interview for the digital cover story. SM Entertainment did respond to questions about Seunghan’s status with the band, and the company has not provided an update about the legal actions it is taking on Seunghan’s behalf. SM’s company website still lists Seunghan as an artist and a member of RIIZE. Upon the publication of Billboard’s digital cover about RIIZE, popular English-language websites covering Korean entertainment reported on Seunghan’s mention in the story. Koreaboo noted that it “accurately mentioned Seunghan as a current member, something some media sources have not done since his indefinite hiatus began,” which TheUBJ.com echoed, saying Seunghan is “often omitted by other media.” The sites hint at how, in South Korea, K-pop media coverage tends to be heavily screened by management teams, requiring questions before interviews and text approval before publication. (Billboard‘s editorial policy does not allow subjects to review questions or exercise editorial input.)

Now, as they attempt to reach RIIZE’s burgeoning international fanbase, the various parties involved in the group — SM Entertainment, SM’s new majority shareholder Kakao and RIIZE’s U.S. label partner RCA Records — are facing a different group of fans: those demanding an explanation for Seunghan’s situation and an update on his future with RIIZE.

At press time, nearly 19,000 had signed a petition titled “Upholding Artists’ Dignity: A Call to SM Entertainment” calling for legal action regarding the “privacy breach” as well as an “immediate end to Seunghan’s ‘indefinite hiatus.’” During RIIZE’s May 20 fan-concert at L.A.’s Peacock Theater, a small but mighty crew began to chant “RIIZE is seven” and “Seunghan” before the band returned for its encore; similar chants erupted during RIIZE’s fan-concert days earlier in Mexico City. In late May, a behind-the-scenes video from an interview with RIIZE at the Tecate Emblema festival went viral, showing a member of the group’s team requesting that a host modify a question that mentioned “six in the group.” Some fans are even calling for a boycott of RIIZE’s music until a clarification.

Across its three decades as a leader in K-pop, SM Entertainment has acquired plenty of experience negotiating such situations. At two different times in his career, Super Junior’s Kangin was charged with DUIs. He initially took a two-and-a-half-year break from the boy band and went on another hiatus before ultimately withdrawing from Super Junior after his second offense; he remains signed to SM today as a solo act and actor. 

More recently, in 2018, SM introduced Lucas as a member of NCT by way of the boy band’s China-based splinter unit WayV; Lucas was also a part of SM supergroup SuperM. In August 2021, multiple women claiming to have had relationships with the star alleged he had cheated on them and/or subjected them to alleged “gaslighting.” Lucas quickly stepped out of the public eye before officially leaving NCT and WayV in 2023 — although he remained signed to SM and made his solo debut with the EP Renegade in April.

On the other side of the spectrum, SM also stood by Chen of EXO when “scores of protesters” took to the streets to demand he leave the group after the singer announced in January 2020 his plans to marry his girlfriend as well as the fiancée’s pregnancy.

Like Lucas, artists who exit groups and their labels after behavior deemed unsavory by K-pop standards do often successfully return as soloists, though they rarely achieve the same commercial success as their prior groups. While no official news has been shared yet regarding Seunghan’s future, rumors of the 20-year-old attending a Korean “cram school,” possibly in preparation for college exams, have surfaced. While some K-pop stars pursue both music and their studies (all seven members of BTS have university degrees), some wonder if this hints at his exit from entertainment altogether.

For now — even as Seunghan’s future with RIIZE hangs in the balance and fans protest his minimally-explained absence — RIIZE still seems to still be living up to its name. The group’s latest single, “Boom Boom Bass,” released on June 17, has already racked more than 12 million views for its official music video, and RIIZING – The 1st Mini Album (released June 18) has already sold more than one million physical copies globally, according to South Korea’s real-time album sales website Hanteo Chart. Make of it what you will: on album track “Talk Saxy,” Seunghan’s vocals are still there. 



Watch This NFL Player Shout Out Taylor Swift While Impersonating Travis Kelce

Travis Kelce seems to have a particular way of speaking and a few popular catchphrases, and his fellow NFL players had a field day impersonating him in a hilarious Instagram video.

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In the clip, a series of football stars — including Kelce himself — did their best impressions of the Kansas City Chiefs tight end, using his commonly expressed phrases like “Alright now” and “To party.” Kelce added a few of his own idiosyncrasies to the mix, including his apparent interest in doing the stanky leg dance.

However, Philadelphia Eagles star C.J. Uzomah took it a step further, and imitated Kelce talking to his girlfriend, multi-Grammy winning superstar Taylor Swift. “Hey Taylor, how you doing?”

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Swift and Kelce’s real life “Love Story” began back in July, when the football player tried to give a friendship bracelet to Swift during her Eras Tour stop in Kansas City. Since then, the singer has attended countless Chiefs football games and the duo have stepped out together on dates on multiple occasions.

In February, Kelce took a moment during his New Heights podcast to shout out Swift’s history-making night at the Grammy Awards this week, in which she became the first artist to win album of the year four times. “She’s unbelievable,” he said. “She’s re-writing the history books herself, and I told her I’d have to hold up my end of the bargain and come home with some hardware too.”

Mark Morrison’s ‘The Equalizer’ Synch Leads Top TV Songs Chart

Mark Morrison’s “Return of the Mack” snags top honors on Billboard’s Top TV Songs chart, powered by Tunefind (a Songtradr company), for May 2024, appearing at No. 1 after a synch in The Equalizer.

Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of May 2024.

“Return of the Mack” can be heard in the eighth episode of the CBS drama’s fourth season; it premiered May 5.

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In May 2024, the song earned 17.9 million official on-demand U.S. streams and sold 3,000 downloads, according to Luminate.

“Return of the Mack” was a No. 2 hit on the Billboard Hot 100 for Morrison in 1997, peaking in June of that year.

The song previously crowned Top TV Songs in November 2015 when it received a synch in Netflix’s Master of None.

“Return of the Mack” reigns over Brandi Carlile’s “The Story,” which places at No. 2 after being heard in the third season premiere of MAX’s Hacks on May 2.

“The Story,” Carlile’s breakthrough hit (it peaked at No. 3 on the Adult Alternative Airplay chart in 2007), accrued 2.1 million streams and 2,000 downloads in May 2024.

Amazon Prime Video’s newly premiered miniseries Maxton Hall boasts a strong start on Top TV Songs in its first appearance, ranking at Nos. 5 and 7 with Amber Run’s “I Found” and SYML’s “Where’s My Love,” respectively. The German-language series premiered each of its six episodes on May 9.

“I Found” earned 4.3 million streams and 1,000 downloads in May 2024, while “Where’s My Love” received 9.2 million steams.

See the full top 10 below, also featuring music from The Veil, Welcome to Wrexham, Pretty Little Liars and Clarkson’s Farm.

Rank, Song, Artist, Show (Network)
1. “Return of the Mack,” Mark Morrison, The Equalizer (CBS)
2. “The Story,” Brandi Carlile, Hacks (MAX)
3. “Angel,” Massive Attack, The Veil (FX)
4. “Black Betty,” Ram Jam, Welcome to Wrexham (FX)
5. “I Found,” Amber Run, Maxton Hall (Amazon Prime Video)
6. “School’s Out,” Alice Cooper, Pretty Little Liars (Freeform)
7. “Where’s My Love,” SYML, Maxton Hall (Amazon Prime Video)
8. “Fire for You,” Cannons, Pretty Little Liars (Freeform)
9. “Golden Brown,” The Stranglers, Clarkson’s Farm (Amazon Prime Video)
10. “Voices Carry,” ‘Til Tuesday, Pretty Little Liars (Freeform)

Beyonce Talks ‘Breaking Down Barriers’ With ‘Cowboy Carter,’ Thanks Fans Who ‘Trusted Me’ Throughout the Process

Beyoncé is reflecting on the cultural impact she made with her country album, Cowboy Carter.

“When you are breaking down barriers, not everyone is ready and open for a shift. But when I see Shaboozey tearing the charts up and all the beautiful female country singers flying to new heights, inspiring the world, that is exactly what motivates me,” the superstar shared in a lengthy statement to The Hollywood Reporter.

“There was a time in my life when charts and sales excited and motivated me. Once you have challenged yourself and poured every ounce of your life, your pain, your growth and your dreams into your art, it’s impossible to go backward,” she continued. “I’m very grateful and humbled for the extraordinary success of the new album.”

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The album did incredibly well on the charts. Cowboy Carter also launches at No. 1 on Billboard’s Top Country Albums, Americana/Folk Albums and Top Album Sales charts. She’s the first Black woman ever to have led the Top Country Albums list, dating to its January 1964 inception.

Bey concluded, “I’m honored to introduce so many people to the roots of so many genres. I’m so thrilled that my fans trusted me. The music industry gatekeepers are not happy about the idea of bending genres, especially coming from a Black artist and definitely not a woman.”

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Bey introduced her Cowboy Carter era with a pair of country singles — “16 Carriages” and Billboard Hot 100 chart-topper “Texas Hold ‘Em” — released during the 2024 Super Bowl. The 27-track album features a whopping list of star-studded collaborators, including Miley CyrusPost MaloneDolly PartonWillie Nelson, Linda Martell, Tanner Adell, Willie JonesRaphael SaadiqThe-DreamShaboozey and more.

“This album has been over five years in the making,” Bey wrote of the project on Instagram earlier this month. “It was born out of an experience that I had years ago where I did not feel welcomed…and it was very clear that I wasn’t. But, because of that experience, I did a deeper dive into the history of Country music and studied our rich musical archive. It feels good to see how music can unite so many people around the world, while also amplifying the voices of some of the people who have dedicated so much of their lives educating on our musical history.”

Victony Turns ‘Life’s Lemons Into Powerful Art’ With ‘Stubborn’ Debut Album

It’s been three years since the near-fatal car accident that claimed the life of one of Victony’s close friends, and he carries the burden of the traumatic crash with him every day. 

The Afropop sensation’s perspective on life forever shifted since the April 2021 wreck, which saw him have to re-learn how to walk following intensive surgery and physical therapy. 

Music was always there for Vic – born Anthony Victory – and he further poured that resilience into his creative process while crafting Stubborn, the 23-year-old’s debut LP, which hit streaming services on Friday (June 21).

“It represents overcoming adversity and transforming life’s ‘lemons’ into powerful art,” Victony tells Billboard of his new album. “I hope that when people listen to the album, they feel a sense of shared experience and inspiration to find strength and hope in their own journeys.”

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Victony invites a versatile squad of collaborators into the fold, for some of which it’s their first time getting their feet wet in the Afrobeats scene. Teezo Touchdown, Saint JHN, Asake, Shallipoppi, and Shorae are among Stubborn’s special guests. 

Teezo and Vic hop into a time machine and bring fans to the dancefloor for the disco-tinged “Slow Down,” an undoubted standout showing off his versatility as an artist on the project. “We vibed instantly, and the session was full of experimentation,” the Nigerian artist adds of working with Teezo. “We wanted to create something that made people move, but also felt profound.”

Teezo

Teezo

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Saint JHN sped up Vic’s creative process in what he’s crowned as the “quickest” artist he’s ever recorded with following an initial run-in in Los Angeles. “Tiny Apartment” tells a candid story of intimacy, an aspect of life that Ghetto Lenny is no stranger to exploring with his art.  

Victony will look to bring increased visibility to the global Afropop scene, but he sees it as more of an “opportunity than pressure” to deliver. 

Take a look deeper into the album’s credits and fans will notice Olamide Baddo is listed. Vic made it a point to show his appreciation for the influential African rapper and mentor, who helped him piece the project together. 

The “Soweto” singer will reunite with his Outlaws for a North American trek in support of his debut this summer. The Stubborn Tour kicks off in Boston on Aug. 8 and will run through NYC, Toronto, Chicago, Dallas, Los Angeles and more. 

Stream Stubborn below. 

Mustard Taps Travis Scott for Soulful New Single ‘Parking Lot’: Listen

Mustard is wasting no time riding the wave of his and Kendrick Lamar’s No. 1 record “Not Like Us” becoming the topic of conversation once again after the latter’s Pop Out concert on Juneteenth.

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The L.A. producer is gearing up to drop his fifth studio album, Faith of a Mustard Seed, in July and on Friday (June 21), he dropped off the lead single, “Parking Lot” featuring Travis Scott. Over soulful production provided by Mustard, of course, Travis raps about enjoying a woman’s company in a parking lot during the summer.

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Mustard teased the song recently with an Instagram Reel of the two artists working on the track in the studio.

The video features a clip of Mustard trying to get Travis in the studio, saying, “I found the one. I need you, bruh. ‘Whole Lotta Lovin” times 30,” in reference to their 2016 collab.



Mustard also posted a carousel of images of him and Travis during a shoot before the song went live on streaming services.

Hopefully, this means a video will be coming soon.

Both have been in the news recently for very different reasons. Mustard was part of the Pop Out concert put on by Kendrick Lamar to celebrate L.A.’s rich hip-hop culture. The producer was one of the openers and brought out 310babii, Blxst, Ty Dolla $ign, Dom Kennedy, Steve Lacey, Tyler, the Creator, Roddy Ricch and YG. Mustard also did a tribute dedicated to the late Nipsey Hussle.

Travis Scott, on the other hand, had a recent run-in with the law when he was arrested in Miami and charged with disorderly intoxication and trespassing. The Houston rapper poked fun at the arrest and made T-shirts featuring his mugshot.

Friday Dance Music Guide: The Week’s Best New Tracks From Zedd & Bea Miller, TSHA, Rüfüs du Sol & More

This week in dance music: the queen Charli XCX ascended to No. 1 on Dance/Electronic Albums with Brat, tracks from which also currently make up a third of Hot Dance/Electronic Songs chart, and Lorne Padman was named president of Steve Aoki’s venerable Dim Mak label.

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It’s also a big day for big name releases. These are the best new dance tracks of the week.

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Zedd feat. Bea Miller, “Out of Time”



It’s been [checks watch] nine years since Zedd’s last studio album True Colors, and while he’s released a flurry of singles since — including his 2018 Maren Morris collab “The Middle,” which hit No. 5 on the Hot 100 — the album cycle is finally rumbling back to life for the artist born Anton Zaslavski. The lead single from his forthcoming Telos, coming August 30 through Interscope Records, is “Out of Time,” an urgent, elegant affair that leans hard into indie pop (a realm his buddy Porter Robinson is also currently exploring) while maintaining a firm electronic backbone. It all serves as a foundation for Bea Miller to go HAM on vocals, with the whole production building to a place that’s more a crescendo than a drop. The Telos tour starts September 6 in Los Angeles.

TSHA & Rose Gray, “Girls”



With the bouncy, punchy, electro-flavored “girls” TSHA delivers the lead single from her second album Sad Girl, coming in September via Ninja Tune. A collaboration with singer/songwriter Rose Grey, the song rides the line between pop bop and the kind of blissful dancefloor track that facilitates getting out of your head and fully into physical motion. So it shall be all summer long for TSHA, who’s playing a run of dates across the U.S. and Europe — which includes Michigan’s Electric Forest this weekend, and a residency at Hï Ibiza through the end of August.

Rüfüs du Sol, “Music Is Better”



Three years after Surrender, which won a Grammy for best dance/electronic album, the Rüfüs trinity is back with music that, like a dancefloor ouroboros, is about the joys of music itself. “Music sounds better when we’re together,” sing’s the Aussie trio’s Tyrone Lindqvist, with the sentiment melding with the group’s signature lush melodic house. The single comes after a surprise Rüfüs set at SoCal’s Lightning in a Bottle last month and ahead of the group’s only currently announced show, a headlining slot at Portola in San Francisco this September.

Jamie xx feat. Robyn, “Life”



Dance royalty Robyn swaggers onto Jamie xx’s forthcoming album, In Waves, with their brassy, Latin-leaning “Life.” Sophisticated yet unapologetically fun, the song is the third single from the LP and one which the U.K. producers says he “made pretty fast (for me) and loved it from day one. When I first heard Robyn’s vocal it was at 6am after finishing playing at Pacha in Ibiza, it was the perfect moment. Robyn and I have spent time working together and hanging out for some years now, it’s always a joy and always inspiring, I’m so glad and grateful that she is a part of In Waves. Thank you Robyn for bringing this track to life!”

Purple Disco Machine & Chromeo, “Heartbreaker”



Both Chromeo and Purple Disco Machine have managed to make the camp factor of their respective public images work, given that their music has always been great enough to support the kooky but intellectual brands of fun. So, putting these two acts together is something you’d expect to totally work, and it does. On “Heartbreaker,” PDM’s slick disco fuses with Chromeo’s modern funk, with the three guys together leaning into pop while also keeping it nuanced and characteristically groovy. “He brought this demo to us, and it basically produced itself,” Chromeo says of working with the German producer. “We hope that our lyrical twists and synth touches add a little chrome je-ne-sais-quoi to his winning formula.”

“Working with Chromeo on my album is a real moment for me in my career,” adds Purple Disco Machine, who also just announced a new album coming in September. “Both as a ‘fanboy,’ as I’ve followed these guys for years and they are a real influence on Purple Disco Machine, but also as a ‘producer,’ as 10 years ago I couldn’t even dream about a day when I would go into the studio with Dave and Patrick and make a record together. And…probably only these guys could get me singing and dancing in a video!”   

John Summit & Kaskade feat. Julia Church, “Resonate”



Call it bromance, call it mentorship, call it power in numbers, but the musical tag team of John Summit and Kaskade firms up today with the duo’s first collaborative single, “Resonate.” Coming after Summit opened for Kx5 at the Coliseum in 2022 and then played b2b with Kaskade at Hard Summer 2023, the song hails from Summit’s forthcoming LP, Comfort in Chaos, falling in the same dreamy, progressive house singalong sonic wheelhouse as the album’s previously released tracks. Vocals here come from Julia Church, who also sings on Comfort In Chaos‘ previously released Sub Focus collab “Go Back.” Summit is also headlining Madison Square Garden next weekend.

Mind Against, “Love Seeking”



The Italian duo give a warm and experimental take on disco with their latest, “Love Seeking.” Out on DJ Tennis’ Life & Death label, the song is like a very cold glass of rosé at 6:00 p.m. on a summer Friday, slowing down midway before warming back up to a warm, sensual swirl that’s the sonic and spiritual opposite of the duo’s typically dark and more pummeling output, but which proves they can do both equally well.

Diddy Deleted All His Instagram Posts, Including His Cassie Apology

Diddy is looking for a clean slate. The Bad Boy CEO has scrubbed his entire Instagram account, which included an apology to Cassie following the disturbing video leak of him abusing his ex in a L.A. hotel.

The mogul’s 20 million followers noticed Diddy had deleted all of the posts from his account earlier this week without any comment. While some side-eyed Diddy, others claimed this was not atypical behavior from theCEO when it comes to his social media activity

“For years, maybe, decades, Mr. Diddy has changed up his Instagram, Twitter, …, accounts … It’s nothing new for him to remove, publicly visible, posts … Wrong Right Sorry,” one person wrote to X.

Lost in the Instagram purge is the aforementioned apology video in which Diddy admitted to being “disgusted” with his behavior. “It’s so difficult to reflect on the darkest times in your life, but sometimes you got to do that,” Diddy said. “I was f—ed up. I mean, I hit rock bottom. But I make no excuses. My behavior on that video is inexcusable. I take full responsibility for my actions in that video. I’m disgusted. I was disgusted then when I did it, I’m disgusted now.”

Cassie accused Diddy of rape, sexual assault and more in a sprawling lawsuit in November. The two parties would settle the dispute less than 24 hours and terms were not disclosed. CNN shared a March 2016 video last month that saw Diddy physically abusing Cassie outside an L.A. hotel elevator bank and dragging her across the floor.

Following the backlash from the leaked footage and the myriad of sexual misconduct lawsuits piling up at Diddy’s desk, NYC Mayor Adams had the decorated music executive return the key to New York City he had been awarded. It’s the first time that an honoree has been requested to return the key.

The mayor’s office said Sean Combs returned the key after Adams sent letters to his offices in New York and California on June 4. City Hall received the key June 10. “I strongly condemn these actions and stand in solidarity with all survivors of domestic and gender-based violence,” Adams wrote in a letter.

Combs has denied all of the misconduct allegations against him.