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It’s hard to pin down the most iconic Madonna look when you consider her four-decade career, but near (if not at) the top of that list has to be the cone-bra corset Jean Paul Gaultier created for her globe-trotting Blond Ambition World Tour in 1990. Explore Explore See latest videos, charts and news See latest […]

Illinois-based merch company SCP owes more than $4 million to over 300 clients including Mitski and Brent Faiyaz after abruptly shutting down operations last week, according to internal documents obtained by Billboard. And with plans to file for chapter 7 bankruptcy on Friday, it’s unlikely those clients will ever recover all the money they’re owed. 

Some of SCP’s other clients included Father John Misty, Chappell Roan, T-Pain, Finneas, Brand New and Carly Rae Jepsen; record labels Loma Vista Recordings and Triple Crown Records; Pharrell Williams‘ Something in the Water music festival; and online content creators such as the Dungeons & Daddies podcast and YouTubers Team Edge.  

On Dec. 17, SCP locked its roughly 150 staff members out of their emails before informing them in a mass email sent to their personal email addresses that they were all being laid off and the business was being permanently shut down the week before Christmas, according to the company’s former head of record label services Eric Weinberg.

Clients, meanwhile, largely learned of the closure by word of mouth until SPC leadership sent an official email on Dec. 19 informing them that the company would be shutting down. Clients who did not owe SCP money were told they would receive a secure folder containing their available e-commerce and customer data, as well as artwork files, and that they would be informed when their remaining merchandise in the warehouse was available for pickup — to be arranged at their own cost — in Batavia, Ill., where SPC was based, about 45 miles outside Chicago.

Any act that owed SCP money would be required to pay that back before collecting any of their remaining merchandise. The deadline to do so is end of day Thursday, but a member of SCP leadership says that if clients haven’t already been in contact with the company about payment, it’s now too late to get that process started. According to the internal documents obtained by Billboard, nearly 600 clients had outstanding balances with SCP for a total of $3.4 million owed.

Clients’ webstores run through SCP were also unexpectedly shut down, while they scrambled to figure out how to retrieve their merchandise from the company’s warehouse. Those clients who were owed money for sales handled during the year’s busiest shopping season were left wondering whether they would ever be paid. Clients including Mitski, Milky Chance, TV Girl, Polyphia and Something in the Water are all owed hundreds of thousands of dollars, according to the internal documents, while dozens of others, including Chappell Roan, Ninja Sex Party, Bruno Major, Mutemath, T-Pain, Lizzy McAlpine and record label Tzadik, are owed in the tens of thousands. Their customers have been left in the lurch, too, with an unknown number waiting for merch that may never arrive. According to an email SCP sent to clients obtained by Billboard, none of those customers will receive refunds for unfulfilled orders.

In a Dec. 18 post on LinkedIn, SCP owner Stevie Hopkins said the company planned to file for chapter 7 bankruptcy. “I ask for everyone’s patience as time is of the essence for me and my team to organize and transition to an orderly winddown and put all available resources into fulfilling obligations to all constituencies,” he wrote at the time.

One music manager who represents three SCP artist clients says rumors that the company was in financial trouble began spreading a few weeks ago, but that he “didn’t really take it too seriously” because the business seemed to be “operating as normal.” He only became aware of the company’s dissolution on Dec. 18 after a colleague flagged a LinkedIn post by his point person at SCP indicating that she no longer worked there. He then texted the employee, who informed him that the company’s entire staff had been let go. After receiving the Dec. 19 SCP email to clients, the manager says he reached out to Hopkins regarding an invoice and was informed that the company was planning to file for bankruptcy. 

“I just don’t know how something like this would happen,” says the manager, whose three artists are each owed “in the many tens” of thousands of dollars. “Everyone has been on tour the last two years. It’s been so busy, and I think they’ve been killing it.”  

While SCP leadership would not comment on the circumstances that led to SCP’s closure, Hopkins addressed the issue briefly in the Dec. 18 LinkedIn post, saying the company had been struggling to stay afloat for nearly a year. According to Weinberg and a member of SCP leadership, the business made staffing cuts in February when dozens of employees were let go.  Weinberg says there were additional smaller layoffs that followed over the course of the year, which the member of SCP leadership characterized as “additional terminations, operational changes or resignations,” adding that “a few departments” were “downsized” over the summer, “but very minimal.”   

As news of the shutdown spread, SCP clients began posting about the issues on social media, with some claiming they hadn’t been paid for merch sales stretching as far back as April. One artist manager tells Billboard that their act hadn’t been paid for webstore income from October through December and that they’re currently owed $40,000, with $16,000 of that coming from unfulfilled pre-orders for special edition vinyl records that “were both expensive to us and the customer,” he says. 

“Those are currently being manufactured still, so we have to fulfill when they’re done. So, we lose out on all the earnings, most of which would be covering the expensive cost to make it,” says the manager, who drove a cargo van from New Jersey to the SCP warehouse in Batavia this week to retrieve his artist’s merch. 

Weinberg says that over the last several months, payment delays had become increasingly common, and he received “tons” of emails from concerned clients wondering why they hadn’t been paid yet. “So many people were experiencing that,” he says, noting that he and his colleagues were unaware of the company’s financial issues because account management and department heads did not have access “to anything regarding statements or overdue invoices or anything like that.”

SCP leadership declined to comment on the claim that SCP was months behind on payments to clients. 

Several clients tell Billboard that they’ve set dates to pick up their merchandise from SCP’s warehouse this week, with some hiring companies like Merchtable, Overcast Merch, Downright Merch and Seen Merch to pick up and move the inventory. Only about seven to 15 employees as well as friends and family of Hopkins and SCP leadership have been on hand to prepare those orders. Staff from the other merch companies have also helped lighten the workload by packing orders in the warehouse and communicating with clients for orders they’ve been hired to pick up, according to the member of SCP leadership. A final deadline has been set for noon CST Friday to pick up merch. According to Weinberg, several employees were brought back following the layoffs to help clients retrieve their inventory after SCP got bank approval to temporarily extend its payroll, but most of them left the job shortly after reporting for work at the SCP warehouse on Dec. 18.

“The entire warehouse staff walked out on them Monday morning,” Weinberg says. “All the people that they asked to come in and help clean things up, came in, checked in, saw the mess and what they wanted them to do and just walked out on them…and made it even more difficult to get things in order for anyone who came by to pick up their stuff if they could.” The member of SCP leadership tells Billboard “there were some people who chose not to return” to work but would not comment on the number of those employees “as I do not know those details.”

In an updated LinkedIn post on Sunday, Hopkins claimed that “at least 50%” of inventory for clients with zero debt to SCP had been moved out of the warehouse up to that point.

Under federal bankruptcy law, in chapter 7 cases a trustee is appointed by the U.S. Trustee’s Office to oversee the debtor’s estate in a bankruptcy proceeding. Once a company files its chapter 7 petition, all its assets — including merchandise that remains in its warehouse — become property of the estate and the trustee appointed to the case assumes control of the company’s estate, including all of its assets. Once that happens, the trustee is responsible for the disposition of any inventory, which is then liquidated on the open market, likely for much lower prices than it would have fetched under normal circumstances. The revenue from those sales is then put into a pool of money to be spread among a company’s various creditors.

SCP creditors may not get more than “cents on the dollar” in terms of what they’re owed, says Brian Lohan, a partner at law firm Arnold & Porter who focuses on bankruptcy and restructuring. In typical chapter 7 cases, he says, “creditors often do not get full recovery. If the labels or artists are able to get their merchandise back prior to the filing, that will help them mitigate losses going forward. But if their merchandise has been sold by SCP prior to the filing and they are owed money on account of that inventory, or any inventory is still in possession of SCP at the time of its filing … they’re going to be standing in line as a general unsecured creditor just like everybody else that is owed money.” 

According to the member of SCP leadership, based on what they’ve learned during this process, SCP’s bankruptcy case is more nuanced than most due to the fact that it involves licensed merchandise. Due to those licenses, they say, clients should still have the right to recover their merchandise from the warehouse even after the trustee takes over, provided they pay their outstanding balances. They add that they’ve also learned there’s a possibility the trustee will decide that the effort of dealing with the merchandise isn’t worth the potential money it would bring in, at which point they would abandon the merch back to SCP leadership to return it to the clients. “That is what we believe based on our understanding of what the process will be,” says the member of SCP leadership.

Following the liquidation, secured creditors — lenders who loaned money to SCP under agreements secured by a lien on the company’s assets — must be paid off with the value of their collateral. The bankruptcy trustee must also be paid, further diminishing the available pool of money for SCP’s various unsecured creditors, a category that includes artists and labels but also customers, vendors and laid-off employees.  

For unsecured creditors, priority is given to certain claims by employees for unpaid wages, as well as creditors who sold goods to SCP “in the ordinary course of business,” Lohan says — most likely vendors. Those creditors are “entitled to receive a priority unsecured claim for the value of its goods received by the debtor within 20 days of the bankruptcy filing,” he adds. 

Chapter 7 bankruptcy cases “can take anywhere from months to years” to resolve, Lohan notes. “However, even on the short end, distributions to creditors on account of their claims will take several months,” he adds, noting that the process includes resolving “potential litigation against various parties” involved. 

While artists and their teams face the slog of retrieving remaining merchandise and — hopefully — some of their sales money owed, they also must figure out what happens to their merch moving forward. That means new opportunities for SCP’s competitors.  

“There’s already like five merch companies that have emailed me being like, ‘Do you need new merch solutions?’” says one manager. “Word is out.” 

SCP Merchandising, an Illinois-based merch company used by artists including Mitski, Father John Misty and Carly Rae Jepsen, has shut down, according to a member of SCP leadership still on-site after the company laid off its staff over the weekend.
Based on accounts from multiple former SCP employees on LinkedIn, the company’s employees were abruptly laid off on Sunday evening (Dec. 17). The source tells Billboard that the company will most likely file for bankruptcy and that there is no process yet for clients to retrieve their merchandise, but that those with outstanding balances will not be able to do so until they pay those off with SCP or a potential bankruptcy trustee. They add that priority will be given to clients who have no balance due as well as those who are arranging for payment of unpaid bills.

The source notes that the company plans to send out an email Tuesday (Dec. 19) to clients who do not owe money to figure out pickup or shipping arrangements for their inventory; clients with outstanding balances must first make a payment and then reach out to SCP once that’s been done in order to coordinate receiving their stock. The source says those who still owe “should know that they are in debt to SCP” as the company has been sending past-due statements.

The source adds that after Thursday (Dec. 21), retrieving inventory may be slower for clients as SCP only has bank approval for payroll through that day, “and even so we don’t have enough for the entire job.” They continue: “After that, a court-approved trustee will replace company employees and that’s only one person and I’m not sure what their take on inventory will be. There’s a few different paths it could go. It’s just all very speculative.”

Meanwhile, artists’ online stores that ran through SCP have been taken down entirely, including Mitski, Father John Misty, Alec Benjamin, Dashboard Confessional, Louis the Child and Chappell Roan. One source in artist management says they haven’t heard from anyone at SCP yet and are trying to figure out how to collect their remaining merchandise. According to that source, they initially began working with SCP because the rates were significantly cheaper than their competitors: The company took 15% of net sales compared to around 20% of gross that, the source says, many others take.

Launched in 2013 by owner Stephen Hopkins, SCP bills itself on its website as a “full-service creative collaborator” for artists and brands. Other current and former artist clients include Billie Eilish, Freddie Gibbs, Tanya Tucker, Manchester Ochestra and Wiz Khalifa; the record label Loma Vista Recordings; and the festival Bittersweet Daze.

According to Hopkins’ LinkedIn profile, he also serves as co-founder/CEO of Web3 company Dropolis and co-founded 3E Love, a company that makes clothing for people with disabilities.

Additional reporting by Colin Stutz.

Luke Combs apologized Wednesday after he accidentally sued one of his fans in federal court and won a $250,000 judgment against her, saying she had been caught up in a lawsuit aimed at “illegal businesses” and that she was “never supposed to be involved.”

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The apology came a day after news broke that lawyers representing the country star had sued a woman named Nicol Harness for selling Combs-themed mugs on Amazon. Harness, who suffers from congestive heart failure, sold only 18 tumblers for a total of $380 but was ordered to pay a whopping $250,000 in damages for infringing Combs’ intellectual property — all before she ever realized she had been sued.

In an Instagram post on Wednesday, Combs said he had just learned about the situation and that it “makes me absolutely sick to my stomach.” He said he had already contacted Harness directly and apologized for the incident.

“I spent the last two hours trying to make this right and figure out what’s going on, because I was completely and utterly unaware of this,” Combs said in the video. “We do have a company that goes after folks only, supposedly large corporations operating internationally that make millions and millions of dollars making counterfeit tee shirts, things of that nature, running illegal businesses. Apparently, this woman, Nicol, has somehow gotten wrapped into that.”

The lawsuit against Harness, filed in June in Illinois federal court, accused more than 200 online entities of selling unauthorized Combs merchandise on the internet. It included screenshots of unauthorized t-shirts sold on Amazon that directly copied real apparel the country star sold on his own site.

“This action has been filed … to combat online counterfeiters who trade upon the reputation and goodwill of the American artist Luke Combs,” his lawyers wrote. “The aggregated effect of the mass counterfeiting that is taking place has overwhelmed the plaintiff and his ability to police his rights against the hundreds of anonymous defendants which are selling illegal counterfeits at prices.”

The case highlights a common legal tactic used by big brands like Nike and Ray-Ban to fight fake products on the internet. Filed against huge lists of URLs, such actions enable brands to shut down pirate sellers en masse, win court orders to freeze their assets, and continue to kill new listings if they pop up. They usually result in large “default judgments” against many defendants who never even saw the lawsuit, ordering them to pay large sums in damages.

Though they’re more often employed by retail brands, artists and bands have increasingly turned to such lawsuits to combat counterfeit merch. Nirvana sued nearly 200 sites for selling fake gear in early 2022; a few months later, the late rapper XXXTentacion’s company filed a similar case; in January, Harry Styles filed one.

Such lawsuits are effective at combating a difficult problem, but they’re also increasingly controversial. In a study released last month, professor Eric Goldman of Santa Clara University’s School of Law called the mass-defendant counterfeiting cases “abusive,” saying they allow rightsholders to bypass “basic procedural safeguards” like making sure each defendant is properly served with notice of the lawsuit.

Harness says that’s what happened to her. As reported by Tampa’s local NBC outlet WFLA, she says she had no idea she had been sued until she returned from a hospital visit and saw her Amazon account had been frozen. Harness says she later found an email from Combs’ lawyers, sent to an address she rarely uses and stuck in her spam folder, notifying her of the lawsuit. By the time she was fully up to speed, she says the case had been closed and a judge had granted a default judgment ordering her to pay Combs $250,000.

Though the lawsuit was filed directly in his name, Combs’ Instagram post on Wednesday suggests that it was handled entirely by outside attorneys or other entities empowered to enforce his rights. The attorney who filed the case, Keith A. Vogt, did not immediately return a request for comment.

Combs’ manager Chris Kappy declined to comment on how the case came to be filed, but confirmed that Combs had absolved Harness of any legal debt. And in his Instagram post on Wednesday, Combs said he was committed to making things right.

Since a total of $5,500 was still frozen in her Amazon account, he said he was “going to double that, send her $11,000 today, just so she doesn’t have anything to worry about.” Combs also said that he was going to make his own tumblers to sell in his official online merchandise store and that money from sales of those tumblers will also go to Harness to help with her medical bills.

“This is not something I would ever do,” Combs said. “This is not the kind of person I am, greedy in any way, shape or form. Money is the last thing on my mind, I promise you guys that. I invited Nicol and her family out to a show this year so I can give her a hug and say sorry in person.”

‘Tis the season of giving, and Jared Leto is making holiday shopping easier with his livestream to wrap up Billboard Live Shopping Week with talkshoplive, launching tonight at 7 p.m. ET. Explore See latest videos, charts and news See latest videos, charts and news The Thirty Seconds to Mars frontman will be featuring new merch […]

Akon is in the midst of his Superfan Tour, and he’s giving back to his Day 1 supporters during an exciting Day 4 livestream for Billboard Live Shopping Week with talkshoplive, tonight at 8 p.m. ET. The “Smack That” singer will be showing off some exciting merch releases, including T-shirts, hoodies and even a surprise signed […]

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Sammy Wilk is gearing up to head out on tour in support of his pals Jack & Jack, but before he […]

Over the last several years, artists, record labels and streaming services have been doubling down on one of the longtime staples of the music, and particularly live music, business: merch. And there’s good reason for that: As Spotify’s global head of music, Jeremy Erlich, tells Billboard, the company estimates that the music merch business is worth around $8 billion globally. And with streaming now far and away the dominant form of music consumption, merchandise has increasingly become the go-to way to express fandom at a time when purchasing music has become a decidedly niche activity.

In recent months, Amazon Music has been doubling down on its merch efforts, partnering with the likes of Beyoncé, Mariah Carey, Rauw Alejandro and Doja Cat on exclusive merch related to tours (and, in Carey’s case, the year-end holidays). Over the past month, Spotify has also expanded deeper into the merch business — both with a new, dedicated hub for artist merch, which it announced earlier this year, and a new capsule collection that debuted in the past few weeks featuring exclusive one-off drops by the likes of Peso Pluma, Rosalía, Daft Punk, Tyler, the Creator and Tems.

This marks the latest foray into the merch space for streaming market leader Spotify, which has offered artists various ways to promote their own merchandise on their artist pages for several years via partnerships with Merchbar and Shopify. The capsule collections, which are being white-labeled through a partnership with Sony-owned merch company Ceremony of Roses, represent the latest evolution of the Spotify strategy: Erlich tells Billboard they’re “part of a pyramid of merch offers and services that we can provide for artists and fans,” aligning with the company’s stated goal of helping artists make a living from their work.

“Now that we have the merch hub, there’s a destination for people to go [to], and what we’re testing out now is the ability to create unique pieces for the fans and super fans, which have elements of streetwear culture with drops and limited quantities and more ways for people to feel they’re getting a unique experience and a unique product,” Erlich says. “This is step two of a multi-step journey; it’s a pretty limited drop with only five artists, limited quantities, but it’s also helping us really learn the best ways to partner with artists, but also the best ways to contact our users and help them enjoy this.”

The capsule collection was intentionally limited to five artists, all of whom (with the exception of Pluma) had a pre-existing relationship with Ceremony of Roses. That allowed Spotify to test-drive the new feature in a limited capacity with a collection of artists who have a distinct image and track record in the fashion-merch world. Spotify is also using its Fans First tech to drive the drops, which allows an artist’s biggest fans, in terms of listening engagement, first dibs at the exclusive collections — a tactic the company has employed with ticket offerings and other exclusives in the past. Erlich says the company is trying to establish how to use, but not over-use, the Fans First feature “to find out what works in what ways.”

The collections were jointly designed through a collaborative partnership between the artists, Spotify and Ceremony of Roses, the latter of which handled the logistics of production and shipping. As Ehrlich noted, they’re also tapping into the rarities and exclusives elements of streetwear culture, which he acknowledges is “not necessarily native to what Spotify does normally.” It’s what he sees as part of the learning process as Spotify continues to deepen its forays into the merch space.

“Our plan is to go do this again in Q1 with another set of artists, maybe in a more fashion-facing line, and we’ll have learned a lot by then,” Ehrlich says. “It’ll become our primary method to drop exclusive merch throughout 2024 while we find ways to integrate commerce better in-platform. In 2025, hopefully, you’ll see much more integrated and seamless commerce on-platform around merch. And from the moment that we do that, then we can turbocharge the scale with which we do it.”

For Spotify, the merch space offers an additional revenue stream for both artists and itself, as it builds on the back of its first quarterly profit in over a year in Q3, as price hikes and user growth helped tip it into the black. Adding more integration into its sales offerings — ironic as it is for a company that is so associated with helping the music business move on from a music sales model — is what Erlich sees as the present and future of the hybrid model.

“Whether it’s tickets, concerts, physical goods, fans want to express fandom in different ways and that’s a great thing. And the ability to use our streaming platform and data to identify fandom and be much more targeted in what you’re offering is the competitive advantage that we have given our scale and knowledge,” he says. “So I’m excited for us to do more a la carte, but it’s around this expression of fandom rather than access to music.”

If you were thinking about selling unauthorized Rod Wave merch outside one of his concerts, you might want to think again.
The “Rags2Riches” rapper won a federal court order Tuesday empowering law enforcement to seize bootleg merchandise sold outside his Charlotte concert on Wednesday, regardless of who was selling it.

“The United States Marshals Service and state and local law enforcement officers may seize and impound any infringing merchandise (i.e. unauthorized goods bearing the full name Rod Wave) that is found for sale between 3:00 PM on Wednesday, November 15, 2023 and 3:00 AM on Thursday, November 16, 2023 and is within 5 miles of the Spectrum Center in Charlotte, North Carolina.”

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Wave is the latest artist to turn to the courts to fight fake merch. Metallica‘s authorized vendor filed a similar case in October to quash bootleggers at two St. Louis shows, and SZA won a similar seizure ruling ahead of a September show at TD Garden in Boston. Post Malone, Cher, Beyonce, Jay-Z, Bruno Mars, Motley Crue, Def Leppard, Jimmy Buffet, Aerosmith, Dead & Co. and many others have filed similar cases, which argue that such unauthorized gear violates artists’ trademarks as well as their likeness rights.

Those cases – and the legal bills it takes to fight them — are a sign of just how valuable concert merch has become to artists. According to data from atVenu, the average concertgoer spent $8.16 on t-shirts, posters and other goods in 2022, a 46% leap from what they spent back in 2019. The average show brought in a whopping $20,778 in gross merch sales.

Restraining orders and injunctions typically require a plaintiff to identify who they’re targeting – a fundamental legal safeguard designed to allow an accused party to defend themselves. But like other judges in previous fake merch cases, Judge Kenneth D. Bell ruled the order should apply to any “John Doe” bootleggers who show up at the venue.

“It is impossible to identify potential defendants until they have already begun to infringe upon Mr. Green’s trademarks, at which point he will have suffered irreparable injuries,” the judge wrote. “The lost profits at even one venue may be significant. Counsel has stated that it is impossible to identify defendants in advance and difficult even to ascertain their identities when confronted at the venue.”

The judge included key limits in his ruling. He required Wave to post a $5000 security bond to cover any merchandise that was wrongfully seized, and said that any alleged bootleggers should be “immediately served” with the lawsuit and “given a receipt if merchandise is seized.” Such defendants can then challenge the order in court

But Judge Bell also paved the way for Wave to win a more-expansive injunction that “reaches beyond Charlotte,” banning bootleggers and allowing for seizures at “future stops on his tour.” A hearing on such an order is set for later this month, where Wave himself must be present and his lawyers will “bring representative samples of any seized merchandise.”

A spokesperson for Wave (born Rodarius Green) declined to comment when asked by Billboard on Thursday about the order and how it had been used at Wednesday’s concert.

‘Tis the season to buy a gift for your favorite Swiftie, and Taylor Swift has you covered. The superstar unveiled her new holiday merch via the official Taylor Nation account on X on Monday (Nov. 13). “We close our eyes and we’re somewhere else… at Christmas time, cozying up with our brand new Holiday merch,” […]