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Check Out the Billboard Women In Music 2025 Backstage Portraits

Artist honorees at this year’s star-studded event included Doechii, receiving the Woman of the Year Award, as well as aespa (Group of the Year), Ángela Aguilar (Breakthrough Award), Erykah Badu (Icon Award), GloRilla (Powerhouse Award), Gracie Abrams (Songwriter of the Year), JENNIE (Global Force Award), Megan Moroney (Rulebreaker Award presented by Crown Royal Whisky), Meghan Trainor (Hitmaker Award), Muni Long (Rising Star Award Presented by Honda Stage) and Tyla (Impact Award presented by Bose). Global Women of the Year are ANNA (Billboard Italy Woman of the Year) and Charlotte Cardin (Billboard Canada Woman of the Year).

Tina Knowles, mom to Beyoncé and Solange Knowles, also accepted the first-ever Mother of the Year honor.

This year’s presenters included Becky G, Kali Chis, Madison Beer, Julia Michaels, Lauren Jauregui, Mickey Guyton, Suki Waterhouse, Summer Walker, Tanner Adell, Victoria Monét and Zara Larsson.

Many of the stars in attendance stopped by the backstage photo booth to take stunning portraits against red and black backgrounds. See all the photos exclusively via Billboard below.

Billboard Hot 100 Top 10 Countdown For April 5, 2025 | Billboard News

Morgan Wallen’s “Just In Case” debuts in the top five of the Hot 100.

Tetris Kelly:

This is the Billboard Hot 100 top 10 for the week dated April 5. “APT” is back in the top 10 while “Not Like Us” slips to nine. “Beautiful Things” also returns to the top 10, as does “Nokia” and “Lose Control.” “Pink Pony Club” hits the top five. Debuting at No. 4 with “Just In Case” is Morgan Wallen, while Shaboozey rises to three, as Gaga and Bruno climb to two. And for the sixth week, Kendrick and SZA are No. 1 with “Luther.” If you want more Billboard, make sure you hit the subscribe button and ring the bell to be notified on all our latest videos.

Julia Michaels’ Road to Women in Music 2025 | Billboard

Julia Michaels hits the studio and chats with Muni Long ahead of Billboard Women in Music 2025 and introducing her as the recipient of the Rising Star Award presented by Honda Stage.

Julia Michaels:

I first discovered my love for music when I was a teenager, and then my mom got me a piano, then just started putting all my poems to a song that way, and I was like a really shy, introverted, homeschooled girl, and so for me, that was just my way of finding my identity. What makes a really great artist is someone that can be just very authentically themselves. And for me, coming up it was Muni. Hi, Muni. 

Muni Long:

How are you, darling?

Julia Michaels:

I’m good. I’m so good. I’m so excited to talk to you. Being an independent artist allows me more freedom. That is, like, the biggest thing that I think about with Muni. It’s hard to do and it’s scary to do, and she’s done it so well. Honda Stage is an incredible program for music discovery, and I couldn’t be more excited for Muni. 

Muni Long:

So you are the recipient of the Rising Star Award. No one really is more deserving of it than you. 

Thank you, and I’m so grateful that it gets to be you, your journey, when you made the transition from songwriter to artist. I remember that, and I remember watching and being like, it’s possible. 

Julia Michaels:

I think when I was coming up, it felt way more competitive. Now everybody works with everybody. 

Keep watching for more!

Muni Long’s Star, Now in Its Third Act, Is Still Rising | Billboard x Honda Stage 

This is partner content.

Muni Long talks her process, her “bootcamp” come-up and the importance of “me” time.

Learn more about her journey with Billboard andHonda.

Watch Muni Long talk about how she first discovered her love for music, going viral during her early career and staying true to her instincts in a conversation with Billboard and Honda Stage.

Muni Long:
I first discovered my love for music in the womb. My mother was a singer. My biological father sang. It was just sort of always there. I saw a few artists in concert, and I was like, “Yeah, I want to do that.” And no one ever told me that I couldn’t. I was so oblivious to disbelief. I was like, “Why can’t I have it?” I was really good in school, but I just wanted to be on TV. I was one of the first people to go viral singing the dictionary. I could sing the dictionary. It might not be very entertaining, but I’m gonna do it. “Superpowers” is the first song of my album. In a world that is so negative, it is a superpower to maintain your light and to walk in brightness. Worry about yourself. Don’t worry about nothing else. Don’t let nobody make you feel guilty. Just go do what makes you happy.

Billboard Women in Music 2025: Photos From the Red Carpet

Influential women in music graced the red carpet at Billboard’s 2025 Women in Music event, which took place on Saturday (March 29). See the best red carpet photos from the night here.

Host Laverne Cox, music stars and industry leaders were pictured on the carpet ahead of the ceremony that honors accomplished women and their contributions to the music industry, their communities and beyond.

Artist nominees at this year’s prestigious event include Doechii, receiving the Woman of the Year Award, as well as aespa (Group of the Year), Ángela Aguilar (Breakthrough Award), Erykah Badu (Icon Award), GloRilla (Powerhouse Award), Gracie Abrams (Songwriter of the Year), JENNIE (Global Force Award), Megan Moroney (Rulebreaker Award presented by Crown Royal Whisky), Meghan Trainor (Hitmaker Award), Muni Long (Rising Star Award Presented by Honda Stage) and Tyla (Impact Award presented by Bose). Global Women of the Year are ANNA (Billboard Italy Woman of the Year) and Charlotte Cardin (Billboard Canada Woman of the Year).

Tina Knowles, mom to Beyoncé and Solange Knowles, is the first-ever Mother of the Year honoree at Billboard’s Women in Music, held at the YouTube Theater at Hollywood Park in Inglewood, Calif.

The list of presenters features Becky G, Kali Chis, Madison Beer, Julia Michaels, Lauren Jauregui, Mickey Guyton, Suki Waterhouse, Summer Walker, Tanner Adell, Victoria Monét and Zara Larsson.

The red carpet was also expected to see appearances from Ari Lennox, Ashe, Ava Max, Bella Poarch, Heidi Montag, JoJo Siwa, Kandi Burruss, Keyshia Cole, Loren Gray, Madison Bailey, Queen Naija, Sophia Culpo, Tinashe, Victoria Justice and more.

See many of them pictured on the red carpet in this photo gallery of not-to-be-missed moments.

Billboard Women In Music 2025 Preshow: Everything You Need to Know About Honorees | Billboard News

Billboard Women in Music 2025 takes place Saturday, March 29, and Billboard’s staff is breaking down each of the honorees’ successes that earned them their awards, from JENNIE receiving the Global Force Award to Doechii being named Woman of the Year, to Gracie Abrams being honored as Songwriter of the Year, and more!

Who are you most excited to see at Women in Music? Let us know in the comments!

Gail Mitchell:
Doechii is our Woman of the Year. 

Lyndsey Havens:
Everybody just wants to be like JENNIE. She embodies a hitmaker. It’s not just one. There’s a lot there. 

Kristin Robinson:
This year’s Women in Music, we have some top-tier honorees.

Melinda Newman:
Gracie Abrams is our Songwriter of the Year.

Kristin Robinson:
One of my favorite things about Gracie Abrams is that her fan base loves her so much, as much as they love her songs. And I think that’s, like, a magical X-factor quality that we don’t see very often.

Melinda Newman:
Gracie Abrams is writing from a point of truth. She’s not afraid to be vulnerable, and it’s made her very popular with her fans because they can relate to everything she’s talking about.

Kristin Robinson:
Gracie Abrams has grown so fast. One prime example of that is that she is headlining Lollapalooza this year.

Melinda Newman:
Gracie has also learned from the best. She spent a lot of time on the road with Taylor Swift, and you can tell she took in a lot of what makes Taylor Swift so special with her fans, but she’s put it through her own lens, and so that’s what makes her so popular these days.

Kristin Robinson:
GloRilla is this year’s Powerhouse. One of my favorite things about GloRilla is how much she reps her hometown of Memphis, Tenn. And everyone back home loves her. They adore her. 

Keep watching for more!

Ariana Grande’s Stunning ‘Brighter Days Ahead’ Short Film & More | MYSK | Billboard News

Ariana Grande dropped ‘Eternal Sunshine: Brighter Days Ahead’ deluxe accompanied with a heartfelt short film, and Selena Gomez released an album with fiance Benny Blanco, ‘I Said I Love You First.’ Keep watching for the breakdown of their newest releases!

What’re your thoughts on ‘Brighter Days Ahead’ & ‘I Said I Love You First?’ Let us know in the comments!

Tetris Kelly:

Ari drops a short film, Selena makes music with Benny. Ariana gets cinematic as she releases her deluxe, and Selena drops a new album with bae. We are breaking down the new music from our pop queens. After dropping the deluxe version of her album ‘Eternal Sunshine,’ Ariana Grande has released the ‘Brighter Days Ahead’ short film, where we see an aged Ari and go through Easter eggs of her career with new songs like “Dandelion,” “Twilight Zone,” and “Hampstead.”

On the other hand, Selena Gomez and her fiancé Benny Blanco have partnered on a new album called ‘I Said I Love You First’ that features collaborations with Gracie Abrams and others. The album includes tracks like “Bluest Flame,” “Sunset Blvd,” and “Younger and Hotter Than Me.”

Find more on both albums at Billboard.com!

DDG’s Hit-A-Thon Interview: Creating an Album on Livestream, Blueface’s Release & More | Billboard News

DDG is in the midst of his 24/7, weeklong Hit-A-Thon livestream, where he streams the process of creating his new album. We got to sit down in the middle of his stream to talk to him about why he decided to create an album during streaming, his top Billboard-charting songs, his eagerness for Blueface to be released, co-parenting Halo with Halle Bailey and more!

Are you watching DDG’s Hit-A-Thon? Let us know in the comments!

Tetris Kelly:

Yo, Billboard News hanging out with DDG, so bro, I’ve interviewed you like, I think this may be the third time, but nothing like this. So you gotta tell me, when did you decide you were gonna stream for seven days, man?

DDG:

I think I planned this probably, like, three weeks ago. 

Oh, dang, not even that long ago. 

Yeah, I know. 

You said, I want to do this. 

Yeah, I just been going every day, so I’m like, 36-37 days in a row. 

That is wild, and how did your team feel about it? 

Great. This is going amazing, actually. This is going much better than I actually thought. I thought it was gonna be, like, just something cool, but this is, like, my biggest project ever. 

And I mean, it’s got to feel good, but at the same time, I know it can’t be just like easy to be 24/7 on the stream. So has it at any point yet, has it felt like this is overwhelming?

Nah, I ain’t gonna lie, it’s cool because, well, I got, like, my family and friends that pull up just to help entertain the audience, so it’s not too many dead moments. And that’s, that’s that’s what a lot of people scared of when they do like, 24/7 streaming, because it can be like moments where it’s like, super dead and you don’t know what to do, and you just don’t know how to entertain them. You run out of things to do. But since I got a lot of people here pulling up every day, it makes it easier for me to, like, you know, jump back and forth. Plus, I got a pool, basketball court and-

Stuff to do. 

Keep watching for more!

NewJeans’ ‘I Feel Coke’ Campaign With Billboard Korea: Combining Retro Sensibility & Modern Aesthetics

On March 12, a video surfaced online that caused quite a stir. It was a new Coca-Cola ad featuring K-pop group NewJeans, also known as NJZ, which is currently at the center of much controversy. The ad quickly garnered reactions from around the world.

One comment on the ad effectively captures the essence of the project: “Is this from the ’80s or 2025? Is it real or is it a dream? Is it nostalgia or a memory of something I never experienced? It’s a work that confuses all of this. It feels like it’s depicting the past, but actually, it seems like an idealized version of the present moment. Ordinary yet beautiful people, scenes that feel both real and dreamlike, all captured with ethereal music and visuals. I can’t stop replaying it, as I don’t want to let go of the dreamlike feeling it gives me.”

The campaign, with creative direction by Billboard Korea, presented a unique blend of subtle retro vibes and fresh, modern sensibility that immediately caught fans’ attention. More than just a brand advertisement, it has been recognized as a work that conveys cultural and emotional interpretation. In the conversation below, Billboard Korea explains how they created a unique sensibility connecting the 1980s with Seoul in 2025.

How was the theme “I Feel Coke” conceptualized for the ad?

“I Feel Coke” was both the theme of a Coca-Cola Japan ad series that aired between 1987 and 1990 and the title of a song by Daisuke Inoue, which was featured in those commercials. The original ad was widely praised for capturing the spirit of Japan’s economic boom in the 1980s. In the 2025 Seoul version, we reinterpreted it as a tribute, blending nostalgia with a contemporary twist.

The new ad was inspired by the concept of Anemoia, a term that describes a sense of longing for a time or culture one has never actually experienced. We wanted to evoke the emotions tied to Coca-Cola from past eras while reimagining them in a fresh, modern way. Every detail was carefully crafted to preserve that feeling of nostalgia while making it relevant to today’s audience.

Can you explain “Anemoia” in more detail?

The term Anemoia was first introduced in 2012 by American writer John Koenig in “The Dictionary of Obscure Sorrows.” It describes the feeling of nostalgia for a time or culture one has never personally experienced. This emotion resonates strongly with Generation Z, who, amid uncertainty and anxiety, find themselves longing for the perceived prosperity and joy of past eras.

This growing fascination with revisiting and reinterpreting the past played a key role in shaping our creative direction. Our goal was to modernize nostalgia—capturing the essence of past memories while making them feel fresh and relevant today.

It’s clear that NewJeans being the models fits well. They both represent Gen Z and evoke nostalgia.

Exactly. NewJeans effortlessly blend a “longing for the past” with the “sophistication of the present.” As highlighted in Billboard Artist last October, they are not only icons of Gen Z but also a reflection of the nostalgia this generation experiences. Their unique ability to reimagine past eras with a fresh, modern twist made them the perfect match for this project and that synergy shines through in the ad.

What elements from the past were specifically referenced and which parts were reinterpreted in a new way?

One element that deeply moved us in the original ad was the happiness depicted — especially the brief moments of happiness that can be found in everyday life. We also paid close attention to authentic 1980s Japanese elements, such as the yuppie lifestyle, baseball, pay phones, leisure and health aesthetics, and more. In the 2025 Seoul version, we sought to reframe these experiences through the lens of Gen Z, while still capturing the sense of longing that was present in the original ad, reimagined with modern sensibilities.

What aspects of 2025 Seoul did you incorporate into the ad?

We aimed to capture different aspects of everyday life in 2025 Seoul, from the city’s efficient transportation system and vintage markets to social media content creation, instant photography and young adults moving into their first apartments. We also highlighted outdoor delivery meals and romantic moments on college campuses, small yet authentic elements that will resonate with people for years to come. These moments represent the happiness of today’s youth, which was at the heart of our vision for this project.

NewJeans’ rendition of “I Feel Coke” has garnered attention for its refreshing and dreamy vibe. How does it differ from the original song from the past?

ADOR and its A&R team aimed to preserve the essence of both the original song and the era it came from while capturing the signature feeling of the Coca-Cola brand. At the same time, they wanted to reinterpret it through the emotions NewJeans embodies today. The goal was to craft a track that complements NewJeans’ warm, understated, yet sophisticated vocal style.

The intro’s synthesizer melody follows the same pattern as the original, but with a fresh sound design. As the song progresses, the synthesizer and electric guitar in the second verse echo the original’s nostalgic vibe, while the outro introduces a saxophone, bridging the dreamy atmosphere of the past with a modern, refreshing touch.

How was the vocal distribution among the members decided?

ADOR carefully arranged the vocal distribution to highlight each member’s individual strengths. For the final choir section, they focused on enhancing the harmonies, ensuring that each member’s unique tone blended seamlessly while preserving the choral beauty of the original song.

Were there any special episodes during the arrangement and recording process?

During the arrangement process, the members of NewJeans gave input on the intro sound, helping refine it to perfectly complement the visuals of the ad. During recording, they focused on making the song their own while also capturing Coca-Cola’s signature sense of energy and refreshment, making the entire experience truly special.

In addition to the main ad video, there were also sub-content pieces. What were they?

Yes, we created several additional content pieces to enhance the campaign. For example, we designed illustrated posters featuring the 1980s Coca-Cola logo and imagined what Billboard Korea magazine covers might have looked like if it had existed back then.

NewJeans also shared behind-the-scenes collage videos filmed with disposable cameras and camcorders, capturing candid and intimate moments. These extra elements added emotional depth to the ad and gave fans a rare, personal glimpse into the members’ real personalities.

After the online release, there was an overwhelming public response. Can you share some memorable comments?

We got a lot of reactions, like: “It’s strange that I cried even though it’s just a commercial.” “It feels like watching an uplifting youth movie.” “The legendary collaboration between Billboard and Coca-Cola.” “I can’t stop replaying it.” “I’m only drinking Coca-Cola now.” (Fun fact: Coca-Cola sales went up on the release day and the day after.) The project manager at Coca-Cola Korea also shared that the comment “It delivers happiness in chunks” really stood out to them.

The collaboration between Billboard and Coca-Cola was also unique.

Exactly. We often take “happiness” for granted because it’s always around, and we think we understand it. But one of the simplest yet most essential ways to capture that feeling is through music. That’s why we believe music is the perfect medium to express the “feeling of happiness” that Coca-Cola stands for. The partnership between Coca-Cola and Billboard, with their rich histories, created a unique connection between music and advertising.

Do you have any behind-the-scenes stories you can share?

The sunny, warm summer vibe in the ad was actually filmed on a snowy day. [Laughs]

Go Inside Dead & Company’s 2025 Residency at Las Vegas Sphere With These Vivid Photos

When you think of the imagery of Grateful Dead, you probably picture tie-dye, Dancing Bears, skeletons, roses and a kaleidoscope of radiant hues. As Dead & Company return to the Las Vegas Sphere — kicking off a 2025 residency on March 20 and continuing this weekend — all those images are there and then some, blown up on a 240-foot floor-to-ceiling screen and in screaming color.

The Dead Forever residency started last summer with 30 dates, and has another 18 dates set for 2025. The Grateful Dead offshoot — which includes original members Bob Weir and Mickey Hart, along with John Mayer, Oteil Burbridge, Jeff Chimenti and Jay Lane — has been playing together for 10 years now, since their 2015 formation. While some of the visual elements remain the same for the new dates, there’s also a sizable amount of new visuals (and a rotating lineup that accommodates Deadheads looking to attend three shows in one weekend… or more).

Those new visuals include a towering stack of television, countless multicolor Dancing Bears circling the curved screen, giant mushrooms looming over the crowd, a Dead-branded re-creation of Vegas, and a pirate ship setting sail, among other psychedelic imagery.

Below, find a gallery of vibrant photos from opening weekend of the band’s 2025 residency to take you inside the striking venue, until you can get there and see it for yourself.

Here are the remaining dates of the 2025 Dead Forever residency:

March 27, 28, 29

April 17, 18, 19

April 24, 25, 26

May 9, 10, 11

May 15, 16, 17