Magazine Feature
Page: 4
Earlier this year — on a warm day in May, Asian American and Pacific Islander Heritage Month — a septet of young women fought nerves backstage at Forest Hills Stadium in Queens. Just over a year after its official debut, the group XG was in town for Head in the Clouds, a music festival celebrating […]
The first time Gracie Abrams met Aaron Dessner, at his famed Long Pond studio near Hudson, N.Y., the pair wrote over 10 songs. “We hit it off,” recalls Dessner, 47, of their first session in spring 2021. That’s a bit of an understatement, considering what followed: Dessner went on to produce and co-write Abrams’ acclaimed […]
“We all must make a choice — to be a hero or a villain.” The familiarity of Morgan Freeman’s commanding voice couldn’t calm down the fans — 80,000 of them, reportedly — standing around Coachella’s Sahara Tent. The perilous tone of his monologue, paired with producer Mike Dean’s sinister synths, stressed the festival’s need for […]
At Houston’s NRG Stadium on Aug. 29, Karol G invited a special guest to join her onstage: her international tour’s opening act, the Puerto Rican rapper Young Miko. Clad in a vibrant pink crop top and matching baggy pants, Young Miko took Karol by the hand as the two sang their collaborative hit, “Dispo,” moving […]
As the lights dimmed for Rauw Alejandro’s sold-out show at Miami’s FTX Arena in April 2022, Rosalía — wearing head-to-toe black, eyes hidden behind enormous shades — was quietly ushered to a second-row seat. For once, the spotlight was not on the stylish Spanish artist, but on her boyfriend: a compact, wiry dynamo who, for the next two hours, steamrolled relentlessly from hardcore reggaetón to ’90s-inspired dance bops, supported by a troupe of dancers performing dazzling choreography.
“What Raúl does — sing and dance in a show from beginning to end — no other Latin artist does that,” Rosalía whispered, her voice low but bursting with pride.
A year later, the moment still encapsulates the dynamic of perhaps the most fascinating couple in music right now. Rosalía and Puerto Rican reggaetón star Rauw, both 30, have been together for nearly four years. But even as their relationship and individual careers have flourished — he was No. 3 on Billboard’s 2022 year-end Top Latin Artist chart (behind only Bad Bunny among men), she No. 14 — they’ve rarely appeared in public or given interviews together, and have yet to perform or even collaborate together. Until now.
On March 24, the duo released RR, a three-track EP that is as public and passionate a declaration of love as it gets. On the trio of songs — “Beso,” “Promesa” and “Vampiros” — both artists manage to sound like themselves, while creating an entirely different, beautifully intertwined sonic mix of techno pop with urban beats that moves from dreamy romantic to ’90s dancefloor. At the end of the recently released “Beso” video, Rosalía tearfully displays a diamond ring — confirming the two are now engaged.
Read the full Billboard cover story here.
Image Credit: Kanya Iwana
On Rosalía: Ferragamo dress and shoes, AGMES earrings. On Rauw: Saint Laurent shirt, Ann Demeulemeester pants, Rick Owens shoes, Letra studio necklace and rings, Octi rings, Alan Crocetti earring and ring.
Image Credit: Kanya Iwana
Ludovic de Saint Sernin coat, Cruda Shoes.
Image Credit: Kanya Iwana
Okane coat, Phoebe Pendergast sunglasses, Marco Panconesi jewelry.
Image Credit: Kanya Iwana
On Rosalía: Gucci suit, shirt, tie, gloves and shoes. On Rauw: Gucci suit, shirt, tie, gloves and shoes, Maria Black jewelry.
Image Credit: Kanya Iwana
Fendi x Marc Jacobs corset, jacket, gloves and pants.
Image Credit: Kanya Iwana
Okane coat, Phoebe Pendergast sunglasses, Marco Panconesi jewelry.
Image Credit: Kanya Iwana
On Rosalía: Gucci suit, shirt, tie, gloves and shoes. On Rauw: Gucci suit, shirt, tie, gloves and shoes, Maria Black jewelry.
Image Credit: Kanya Iwana
On Rosalía: Ferragamo dress. On Rauw: Saint Laurent shirt, Ann Demeulemeester pants, Letra studio necklace and rings, Octi rings, Alan Crocetti earring and ring.
Image Credit: Kanya Iwana
On Rauw: Ludovic de Saint Sernin scarf and pants. On Rosalía: Ludovic de Saint Sernin coat.
Styling by Chloe & Chenelle. Rosalía: Hair by Natalia Bratin. Makeup by Juliana Gonzalez at Creative Management. Alejandro: Grooming by Millie Morales.
The show was going so well. An hour into the set from Kx5 — the electronic music supergroup of genre leaders Kaskade and deadmau5 — it was, as intended, a dazzling feat of light, sound, video and the emotional punch of those elements combined. Then the power went out, and Los Angeles Memorial Coliseum — and the 46,000 fans assembled there on that drizzly night in December — were thrust into silent darkness.
From the front of the house, deadmau5’s longtime manager, Dean Wilson, sprinted backstage — where, he says, he found “everybody running around like headless chickens, screaming, ‘Generator’s on fire!’ ”
The generator was not supposed to be on fire. However, it had turned itself off due to overheating and was emanating smoke. Its programming had then instructed three backup generators to also shut down to avoid igniting the 17,000 gallons of diesel fuel inside. Frantic staffers worked to salvage what had been billed as a landmark live performance — one that cost “almost seven figures to design and over seven figures to execute,” says Kaskade’s manager, Ryan Henderson.
Success seemed unlikely. “When you have a major failure like that, normally something then doesn’t work,” Wilson says. “Something’s not rebooted properly. Some configuration can’t restart because it has crashed so badly.” But when deadmau5 hit the button that would, in theory, restart the show, restart it did. The performance, co-produced by Live Nation affiliate and powerhouse electronic music promoter Insomniac Events alongside both artists’ teams, set a record for the biggest ticketed global headliner dance event of 2022.
Read Kx5’s full Billboard cover story here. Kx5, presented by Carnival, will perform at Billboard Presents The Stage at SXSW, on March 18. Penske Media Corp. is the largest shareholder of SXSW; its brands are official media partners of SXSW.
Image Credit: Austin Hargrave
Givenchy sweater.
Image Credit: Austin Hargrave
On Kaskade: Dior jacket, Oscar & Frank eyewear. On deadmau5: Amiri jacket
Image Credit: Austin Hargrave
On Kaskade: Dior jacket and sneakers, Mouty pants, Oscar & Frank eyewear. On deadmau5: Amiri jacket, pants, and sneakers.
Image Credit: Austin Hargrave
Amiri jacket.
Image Credit: Austin Hargrave
On Kaskade: Louis Vuitton jacket. On deadmau5: Amiri jacket.
Grooming by Christina Guerra. On-Site Production by Kayla Landrum.
A leaked album was the best thing that ever happened to Feid.
In September 2022, the Colombian singer-songwriter was headlining three consecutive sold-out hometown dates at Plaza de Toros La Macarena — Medellín’s famed bullfighting ring and concert venue — where he performed for more than 30,000 people over the course of the three shows. He was due for some much-needed rest the following Monday. But that never happened.
Instead, the artist born Salomón Villada Hoyos, 30, who also goes by the nickname Ferxxo, received an agitated call from his manager, Luis Villamizar, with the news that his album, Feliz Cumpleaños Ferxxo — scheduled for a December release — had, without their knowledge, arrived much earlier, in the form of a 39-minute voice note first leaked as a link on the internet.
“All my spirits dropped,” he recalls today, still sounding disappointed. “It was incomplete. It was a mess, and I felt rage — but that feeling lasted about half an hour. After that, I talked to my mom to see how we could take advantage of the situation and thankfully, we reacted quickly.”
With help from his team, producers and record label, Universal Music Latino (UML), he took matters into his own hands, working relentlessly for 24 hours to release an album that wasn’t even mixed or mastered yet. Because all 15 tracks had been leaked, Feid changed the title to Feliz Cumpleaños Ferxxo Te Pirateamos El Álbum (Happy Birthday Feid We Leaked the Album) and had his sister, who’s also his longtime graphic designer, create new cover art that acknowledged how the songs had ultimately spread: Though Universal quickly took down the initial leaked link, the audio had already been shared to DropBox and then sent wide through a chain of WhatsApp conversations. (Six of the 15 tracks had already been released as singles at the time of the leak.)
Read the full Billboard cover story here. Feid, presented by Samsung Galaxy, will perform at Billboard Presents The Stage at SXSW on March 17.
Penske Media Corp. is the largest shareholder of SXSW; its brands are official media partners of SXSW.
Image Credit: Devin Christopher
Feid photographed on January 12, 2023 at Proper Studio in Miami.
Image Credit: Devin Christopher
Feid photographed on January 12, 2023 at Proper Studio in Miami.
Image Credit: Devin Christopher
Feid photographed on January 12, 2023 at Proper Studio in Miami.
Image Credit: Devin Christopher
Feid photographed on January 12, 2023 at Proper Studio in Miami.
Image Credit: Devin Christopher
Feid photographed on January 12, 2023 at Proper Studio in Miami.
Rushing from elementary school with handwritten raps in her pocket, 10-year-old Alyssa Michelle Stephens would hop in her father’s “old-school cars with [24-inch] rims” and head straight to the recording studio — first in his friends’ homes, but soon enough, in professional spaces. “When we started paying for sessions, he’d say, ‘You ain’t gon’ be in here all day,’ ” the artist now known as Latto recalls. “ ‘You better have that song ready, top to bottom, one take, in and out!’ ” Even then, the Atlanta-raised aspiring MC — today a chart-topping, Grammy-nominated rapper with more than 1 billion on-demand streams in the United States, according to Luminate — was preparing for her destiny, winning high school writing competitions as a fifth grader.
Nurtured by her accountant mother and “hustler” father — both of whom she recalls living off ramen noodles during her early years — the self-proclaimed “daddy’s girl” stayed ahead of the curve, accompanying him to video shoots where rising acts like Dem Franchize Boyz and Ciara used his cars. “I just remember being so mesmerized by the whole process,” she says. “I loved the fast-paced hustle and bustle.” At 16, Latto competed on (and won) the first season of Lifetime’s hip-hop reality show, The Rap Game, under the moniker Miss Mulatto. Already, she had the foresight to recognize a bad career move when she saw one and, citing a less-than-adequate payout, turned down the show’s grand prize — a record deal with Jermaine Dupri’s So So Def Recordings — and remained independent until she signed to RCA Records in 2020, following the success of her breakthrough single, “B–ch From Da Souf.”
Read Latto’s Billboard Women in Music profile here.
Image Credit: Ssam Kim
Christian Cowan dress, Sterling King jewelry.
Image Credit: Ssam Kim
ACT N°1 gown, Hardot shoes.
Image Credit: Ssam Kim
Brandon Blackwood coat, Jessica Rich shoes, Versace eyewear courtesy of Tab Vintage, Sara Shala necklace.
Image Credit: Ssam Kim
Christian Cowan dress and shoes, Sterling King jewelry.
Image Credit: Ssam Kim
Styling by Todd White. Hair by Keshaun Williamson. Makeup by Melissa Ocasio.
Lana Del Rey practices “automatic singing.” Using the improvisational songwriting technique, she lets her voice carry over accompaniments, not commandeering where her words or melodies take her, accepting all ideas she has in the moment and editing them later. Lately, her voice has led her home, back to memories of her childhood in Lake Placid, N.Y., and to ruminations on relationships with her family and the divergent paths they’ve taken.
That subject underpins her upcoming ninth album, Did You Know That There’s a Tunnel Under Ocean Blvd (out March 24). Del Rey, 37, says she hesitantly began to unpack this subject matter with her previous album, Blue Banisters — but now, she’s ready to dig deeper. “At first I was so uncomfortable,” she says of the more personal material. “Then, by the grace of God, I just felt completely unburdened.”
As a singer-songwriter, this year’s Visionary honoree has embodied that word for over a decade. Her 2012 major-label debut, Born To Die, made her a star and defined music’s Tumblr era, as a young Del Rey toyed with both the romantic and the darker sides of the American dream. Her “world building,” as she calls it now, for her early work created a collage of beautiful and disparate images, pairing hip-hop aesthetics with references to the Kennedy family, Elvis Presley with John Wayne, and old Hollywood glamour with biker gang grit.
Since then, Del Rey has pushed musical boundaries — seamlessly peppering an album with features from Stevie Nicks to Playboi Carti (2017’s Lust for Life), reworking a Sublime cover into a contemporary Billboard Hot 100 hit (2019’s “Doin’ Time”), for instance — while achieving both critical acclaim and commercial success.
Read her full Billboard Women in Music profile here.
Image Credit: Lia Clay Miller
Image Credit: Lia Clay Miller
Image Credit: Lia Clay Miller
Image Credit: Lia Clay Miller
Image Credit: Lia Clay Miller
Image Credit: Lia Clay Miller
Image Credit: Lia Clay Miller
Image Credit: Lia Clay Miller
Image Credit: Lia Clay Miller
Hair by Sheridan Ward at Walter Schupfer Management. Makeup by Etienne Ortega at The Only Agency. On-Site Production by Kayla Landrum.
Ivy Queen arrives in full color-coordinated regalia — a form-fitting, floor-length dress in lemon hues that match her long, yellow-tipped acrylic nails and the curly, beach blonde locks that reach her waist. Standing still and ramrod straight, her eyes surveying the room from under impossibly long lashes, she has the bearing of, well, a queen.
It’s a far cry from nearly 25 years ago, when Martha Ivelisse Pesante Rodríguez, then 25, walked into the San Juan, Puerto Rico, studios of The Noise, the all-male rap collective formed by the pioneering DJ Negro, who sized her up: a country bumpkin from the island’s west side, her tiny frame dwarfed by oversized jeans and a T-shirt, hair tied in “500 braids,” lips painted blue, nails like talons.
“What’s your name?” he asked. “Ivy Queen,” she replied, without hesitation. “I have a song called ‘Somos Raperos, Pero no Delincuentes’ [‘We Are Rappers, Not Delinquents’].” Overcome by shyness, she then flipped the mic around and rapped, facing the wall. But even with her back to him, DJ Negro was impressed. “Welcome to The Noise,” he said. “You know we don’t have girls here, right? You’re the first one.”
It was 1995, a time when the Puerto Rican airwaves were dominated by glamorous, big-voiced pop divas like Ednita Nazario and Yolandita Monge, and when reggaetón and rap were still underground movements dominated by men.
“When I started in this music industry, I didn’t look like I look right now,” says Ivy Queen, noting she was relentlessly criticized for her deep voice, her fashion choices and her staunch refusal to exploit her sexuality.
Read Ivy Queen’s full Billboard Women in Music profile here.
Image Credit: Austin Hargrave
Image Credit: Austin Hargrave
Image Credit: Austin Hargrave
Image Credit: Austin Hargrave
Image Credit: Austin Hargrave