State Champ Radio Lyrics
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The music industry is mourning the sudden death of actor and singer Julián Figueroa, son of the late Mexican star Joan Sebastian and Costa Rican actress Maribel Guardia. Figueroa died Sunday in Mexico City at the age of 28 — just one day after what would have been Sebastian’s 72nd birthday.
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In an Instagram post, Guardia said Figueroa was found unconscious in his room while she was at the theater. “They called 911 and when the ambulance and police arrived, they found him already lifeless, with no traces of violence. The medical report indicates that he died of acute myocardial infarction and ventricular fibrillation,” she said.
Figueroa, who was known for songs such as “Pídeme,” “Volaré” “and Cómo Olvidar,” had a close relationship with his father, which could be reflected in one of his last Instagram posts.
“How slowly 8 years have gone by since the day you left time tastes more bitter. And people proclaim that time is a fix for everything, but this is a vile lie, it hurts more every day, and this is without fear of hurting sensibilities,” the artist wrote, next to a photo of himself as a child with his father.
Sebastian, who died in 2016 after a long battle with bone cancer, had eight children with five different women. His love for his children often shined in his music like in “Julián,” the song he wrote for Figueroa 23 years ago.
The lullaby-like, waltz-inspired track — part of his Secreto de Amor album that spent nine weeks at No. 1 on the Regional Mexican Albums chart in 2000 — finds Sebastian dedicating sweet words of love, appreciation and promises to his then-5-year-old son.
Below, listen to the sweet track, followed by the lyrics translated into English:
When you were a child JulianYou asked me to write a song that saidWhat I feel for you
That’s not easy, JulianAlthough I wrote a thousand songsThe most beautiful thing about love, JulianIs carried in the hearts
And this waltz is for you, for you, JulianDance it, enjoy it from beginning to endAt your graduation and your wedding dayAnd this waltz is for you, for you, JulianI will be celebrating tooFrom a corner, I will be watching you dance
When you were a child JulianGod was very good to meHe gave me the honor of being, JulianOf being your father and your friend
And this waltz is for you, for you, JulianDance it, enjoy it from beginning to endAt your graduation and your wedding dayAnd this waltz is for you, for you, JulianI will be celebrating tooI promise I will be watching you dance
Lana Del Rey is back in all her glory on her latest album, Did You Know That There’s a Tunnel Under Ocean Blvd, a 16-track victory lap around a remarkable career apex that’s lasted for years and doesn’t seem to be coming to an end any time soon.
It’s been said before, but the March 24-released record is peak Lana: sprawling melodies, caustic lyrics perfumed with wilted roses and cigarette smoke, and most importantly, little regard for pop music’s rules. It’s her ninth studio album and third solo LP in two years — a feat she chose to create with seasoned collaborators Jack Antonoff, Mike Hermosa and Drew Erickson — unshakeable proof that while a generation of aspiring anti-pop stars may try to mimic her complexity, Del Rey will always be inimitable.
“Eleven years ago I wanted it to be so good,” this year’s Women in Music Visionary Award honoree told Billboard earlier this year. “Now, I just sing exactly what I’m thinking. I’m thinking a little less big and bombastic. Maybe at some point I can have fun creating a world again, but right now, I would say there’s no world building. This music is about thought processing. It’s very, very wordy. I’m definitely living from the neck up.”
She really wasn’t kidding when she said she’s leaning wordier than ever, by the way. The tracks on Ocean Blvd often stretch longer than five minutes, no trace of a filler lyric in sight, packed with vulnerable lamentations on family, legacy and duty, in addition to her usual noir musings on love and sex.
Keep reading to see Billboard‘s 10 favorite lyrics from Lana Del Rey’s new record below, in no particular order.
“The Grants”
Lyric: “My pastor told me when you leave, all you take is your memory/ And I’m gonna take minе of you with me”
Why It’s So Great: Not only is this lyric just a simple, beautiful way of saying “I love you,” it’s also a sweet evolution of one of the lines in Lana’s 2013 Great Gatsby hit “Young and Beautiful”: “Dear Lord, when I get to heaven/ Please let me take my man.”
“The Grants,” however, isn’t just about romantic love — it’s about family, friends and lineage, something that makes the sentiment even more layered and meaningful. This Lana also sounds more self-assured than the 2013 version who begs and barters with God, this time staring her maker in the face without so much as a blink of fear.
“Did You Know That There’s a Tunnel Under Ocean Blvd”
Lyric: “I can’t help but feel somewhat like my body marred my soul/ Handmade beauty sealed up by two manmade walls”
Why It’s So Great: Lana’s ninth record may have earned some chuckles when its atypically lengthy name was first announced, but the title track really does pull together the entire album with one simple metaphor, explained by this lyric. It’s her, she’s the bridge under Ocean Blvd — tarnished by trauma, insecure spots in the overall structure, but standing strong nonetheless.
“Sweet”
Lyric: “If you wanna go where nobody goes/ That’s where you’ll find me/ In the sweet north country”
Why It’s So Great: It’s an effortless reference to Bob Dylan’s “Girl from the North Country,” but it’s also a romantic, picturesque way for the singer-songwriter to take pride in who she really is: a beautifully misunderstood loner who won’t compromise herself for the basic trappings of a humdrum life. You either meet her where she’s at, or lose her for good.
“A&W”
Image Credit: Lia Clay Miller
Lyric: “Your mom called, I told her, you’re f–kin’ up big time”
Why It’s So Great: “A&W,” which stands, yes, for “American whore,” is one of Lana’s greatest feats of innovation, marked by two distinct halves. The grim, lyrical first section deteriorates into a devilish, hedonistic free-for-all, guided by this simple, repeating, wonderfully bratty lyric.
“Fingertips”
Lyric: “Find your astral body, put it into my arms/ Give you two seconds to cry/ Take you home, I’ll give you a blanket/ Your spirit can sit and watch TV by my side”
Why It’s So Great: This six-minute stream of consciousness touches on grief, family, heartbreak and trauma. There’s plenty of great lines, but the most beautiful one has to be this one. Lana brilliantly illustrates the pain of longing to simply sit next to a loved one who’s passed away by juxtaposing the spiritual with the ordinary.
“Grandfather Please Stand on the Shoulders of My Father While He’s Deep‐Sea Fishing”
Lyric: “I know they think that it took thousands of people/ To put me together again like an experiment/ Some big men behind the scenes/ Sewing Frankenstein black dreams into my songs/ But they’re wrong”
Why It’s So Great: She’s has spoken at length before about the criticisms she’s received since the very beginning of her career, many of which questioned her artistic authenticity and message. With this lyric, she asserts her power and influence with all the confidence she deserves.
“Fishtail”
Lyric: “I see in technicolor/ Maybe I’ll take my glasses off so I stop painting red flags green”
Why It’s So Great: The artist often plays with color in her songs — “You’re just a man … head in your hands as you color me blue” on Norman F–king Rockwell, for instance — this song being no exception. On “Fishtail,” she cleverly and calmly confronts her own tendency to romanticize people who don’t deserve it.
“Kintsugi”
Image Credit: Lia Clay Miller
Lyric: “I can’t say I run when things get hard/ It’s just that I don’t trust myself with my heart/ But I’ve had to let it break a little more/ ‘Cause they say that’s what it’s for”
Why It’s So Great: This line — and most of the song, for that matter — serves as a beautiful, timeless little metaphor. Like cracked pottery, the breaks in her heart are what “let the light in” despite of the pain they initially caused. (Kintsugi is the Japanese practice of repairing broken ceramics in a way that celebrates the flaws.)
“Sweet”
Lyric: “Do you want children? Do you wanna marry me?/ Do you wanna run marathons in Long Beach by the sea?/ I’ve got things to do, like nothing at all/ I wanna do them with you/ Do you wanna do them with me?”
Why It’s So Great: This sentimental lyric echoes the heart-shatteringly simple line from Everything Everywhere All At Once: “In another life, I would have really liked just doing laundry and taxes with you.”
“A&W”
Lyric: “Did you know a singer can still be/ Looking like a sidepiece at 33?/ God’s a charlatan, don’t look back, babe”
Why It’s So Great: The greatest, most Lana-esque way ever of saying “I’m super hot.” Cheers.
Coi Leray notched her fourth entry on the Billboard Hot 100 songs chart with “Players,” her TikTok-viral hit that’s currently sitting at No. 12 as of March 25, 2023.
When asked when she knew she made it, Leray told Billboard at Rolling Loud California, “When I found out I was on the top 10 U.K. charts, and then the top 20 pop charts and then the top 20 Billboard [Hot 100]. That was a big stepping stone for me because my dream was to cross over. Of course, I love Billboard. I look up to you guys. You guys are watching me grow, so I can’t wait to show you how much more I have for you.”
If you need a guide to follow along with Coi Leray’s “Players,” find the lyrics below:Yeah‘Cause girls is players too, uhYeah, yeah‘Cause girls is players too (keep it player, baby)‘Cause girls is players tooBi–hes gettin’ money all around the world‘Cause girls is players too
What you know ’bout livin’ on the topPenthouse suites, lookin’ down on the opps?Took him for a test drive, left him on the lotTime is money so I spent it on a watch, hol’ onLil’ ti–ies showin’ through the white teeYou can see the thong bussin’ out my tight jeans (okay)Rocks on my fingers like a n—a wifed meGot another shorty? She ain’t nothin’ like me (yeah)
‘Bout to catch another flight (yeah)The apple bottom make ’em wanna bite (yeah)I just wanna have a good nightI just wanna have a good night (hold up)If you don’t know now you knowIf he broke then you gotta let him goYou could have anybody, eeny, miny, moe‘Cause when you a boss, you could do what you want
Yeah‘Cause girls is players too, uhYeah, yeah‘Cause girls is players too (keep it player, baby)‘Cause girls is players tooBi–hes gettin’ money all around the world‘Cause girls is players too
I go, on and on and on againHe blowin’ up my phone but I’m ignorin’ himHe thinkin’ he the one, I got like four of himYeah, I’m sittin’ first class like Valedictorian, uhCame a long way from rag to richesFive-star bi–h, yeah, I taste so deliciousLet him lick the plate, yeah, I make him do the dishesNow he on news talk ’cause a bi–h went missin’, sheesh
‘Bout to catch another flight (yeah)The apple bottom make ’em wanna bite (yeah)I just wanna have a good nightI just wanna have a good night (hold up)If you don’t know now you knowIf he broke then you gotta let him goYou could have anybody, eeny, miny, moe‘Cause when you a boss, you could do what you want
Yeah‘Cause girls is players too, uh(And it’s time that we let ’em know that)‘Cause girls is players too (keep it player, baby)‘Cause girls is players tooBi–hes gettin’ money all around the world‘Cause girls is players too
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Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Akil C. King, Clifton Nathaniel Chase, Coi Leray Collins, Edward G. Fletcher, Felicia Ferraro, Melvin Glover, Sylvia Robinson, Yonatan Goldstein
The song reigns was originally released on The Weeknd’s album Starboy in 2016, before it was revived thanks in part to TikTok, which helped spark new promotion to radio and streaming services.
The collaboration marks each artist’s seventh Hot 100 No. 1 – and their second together, after “Save Your Tears” led in 2021 for two weeks.
If you need a guide to follow along with The Weeknd and Ariana Grande’s “Die For You (Remix),” find the lyrics below.I’m findin’ ways to articulate the feelin’ I’m goin’ throughI just can’t say I don’t love you, yeah‘Cause I love you, yeahIt’s hard for me to communicate the thoughts that I holdBut tonight, I’m gon’ let you knowLet me tell the truthBaby, let me tell the truth, yeah
You know what I’m thinkin’, see it in your eyesYou hate that you want me, hate it when you cryYou’re scared to be lonely, ‘specially in the nightI’m scared that I’ll miss you, happens every timeI don’t want this feelin’, I can’t afford loveI try to find reason to pull us apartIt ain’t workin’, ’cause you’re perfectAnd I know that you’re worth itI can’t walk away, oh
Even though we’re goin’ through it(Ah) and it makes you feel aloneJust know that I would die for you (Ooh) baby, I would die for you, yeahThe distance and the time between us (the distance and the time) It’ll never change my mind‘Cause baby, I would die for you (I would die for you)Baby, I would die for you, yeah
I’m findin’ ways to stay concentrated on what I gotta doBut baby boy, it’s so hard ’round youAnd yes, I’m blamin’ youAnd you know I can’t fake it, now or neverAnd you insinuating that you think we might be betterBetter me and youYeah, I know you do
You know what I’m thinkin’, see it in your eyesYou hate that you want me, hate it when you cryIt ain’t workin’, ’cause you’re perfectAnd I know you deserve itI can’t walk away
Even though we’re goin’ through it (even though) And it makes you feel aloneJust know that I would die for you (I would die for you)Baby, I would die for you, yeahThe distance and the time between usIt’ll never change my mind‘Cause baby, I would die for you, uh (I would die for you)Yeah, baby, I would die for you (I would die for you), yeah
I would die for you, I would lie for youKeep it real with you, I would kill for you, my babyI’m just sayin’, yeahI would die for you, I would lie for youKeep it real with you, I would kill for you, my babyNa-na, na-na-na, na-na
Even though we’re goin’ through it And it makes you feel aloneJust know that I would die for you (yeah)Baby, I would die for you, yeahThe distance and the time between usIt’ll never change my mind‘Cause baby, I would die for youBaby, I would die for you(Oh) yeah, babe
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Lyrics © Kobalt Music Publishing Ltd.
Written by: Abel Tesfaye, Ariana Grande, William Thomas Walsh, Dylan Wiggins, Henry Russell Walter, Magnus August Hoiberg, Martin Daniel McKinney, Mejdi Rhars
The song is from his new 36-track album, One Thing at a Time. Released March 3, the set launches as Wallen’s second No. 1 on the Billboard 200 chart, with the largest streaming week ever for a country album, as well as the biggest week by equivalent album units for any album, among all genres, in 2023.
If you need a guide to follow along with Morgan Wallen’s “Last Night,” find the lyrics below.
Last night we let the liquor talkI can’t remember everything we said but we said it allYou told me that you wish I was somebody you never metBut baby, baby, somethin’s tellin’ me this ain’t over yetNo way it was our last night
I kiss your lipsMake you grip the sheets with your fingertipsLast bottle of Jack, we split a fifthJust talkin’ ’bout life goin’ sip for sipYeah, you, you know you love to fightAnd I say shit I don’t meanBut I’m still gon’ wake up wantin’ you and me
I know that last night we let the liquor talkI can’t remember everything we said but we said it allYou told me that you wish I was somebody you never metBut baby, baby somethin’s tellin’ me this ain’t over yetNo way it was our last night (last night)No way it was our last night (last night)
No way it was the last night that we break upI see your tail lights in the dustYou call your mama, I call your bluffIn the middle of the night, pull it right back upYeah, my, my friends say let her goYour friends say what the hellI wouldn’t trade your kind of love for nothin’ else
Oh baby, last night we let the liquor talkI can’t remember everything we said but we said it allYou told me that you wish I was somebody you never metBut baby, baby, somethin’s tellin’ me this ain’t over yet
No way it was our last night, we said we’d had enoughI can’t remember everything we said but we said too muchI know you packed your shit and slammed the door right before you leftBut baby, baby, somethin’s tellin’ me this ain’t over yetNo way it was our last night (last night)No way it was our last night (last night)
I know you said this time you really weren’t coming back againBut baby, baby, somethin’s tellin’ me this ain’t over yetNo way it was our last night (last night)No way it was our last night (last night)
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Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Ashley Gorley, Jacob Kasher, John Byron, Ryan Vojtesak
Karol G and Shakira craft the ultimate tabloid pop hit on their first collaboration together “TQG,” off Karol’s new album, Mańana Será Bonito, released on Friday (Feb. 24). An explosive kiss-off, the two forces of Latin pop chow down a heated breakup bop about leaving corny exes. It’s easy to speculate whom Karol G and Shakira are referring to.
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Shakira’s highly-publicized disentanglement with soccer star Gerard Piqué was tabloid gold, which she actually converted into into big bills. Recall women empowerment lyric, “Las mujeres ya no llloran, las mujeres facturan” or “women don’t cry anymore, women generate money” from the best diss track of 2023 so far: “BZRP Music Session #53.” It racked up more than 82 million views on YouTube in 24 hours, the fastest in the video platform’s history. It also peaked numerous Billboard charts.
Meanwhile, Karol G’s separation from Puerto Rican rapper Anuel AA from a few years ago was also somewhat messy. Since their breakup, it seems like a blimp of time that Anuel hooked up with Dominican rapper Yailin La Más Viral, whom he got pregnant, had her baby, and only stayed married for a mere nine months. The visual for “TQG” (acronyms for “Te Quedó Grande” roughly meaning “too much for you to handle”) explores the sinister nature of celebrity life as reality TV. This is tabloid-pop gold at it’s finest, and they’re very aware of it. The video follows them across the world, where viewers see Karol G standing on top of Japanese billboards, and spectators are watching from their airplane TVs. Near the end of the video, a guy eating popcorn in a bathtub watches the singers lyrically slay their bygone men.
Here are the translated lyrics to “TQG”:
KAROL G
Whoever told you that a void is filled with another person is lying to youIt’s like covering up a wound with makeupYou can’t see it, but you can feel itYou left saying you got over meAnd you got yourself a new girlfriendWhat she doesn’t know is that you’re still looking at all my stories
CHORUS
Baby, what happened?Thought you were very in love?What are you doing looking for me, honey If you know that I don’t repeat mistakesTell your new bae that I don’t compete for menAnd to stop grudging, at least I had you pretty
SHAKIRA
Seeing you with the new girl hurt me, but I’m now set on meI’ve forgotten what we lived together, and that’s what you’re offended byAnd even my life got better, you are no longer welcome hereAnd what your girlfriend slayed at me, that doesn’t anger me, it makes me laugh
KAROL G
I don’t have time for something that doesn’t do anything for meI changed my routeMaking money like sportFilling my bank account with shows, the car park, the passportI’m harder, the press reviews say
SHAKIRA
Now you want to come back to me, it showsHold on, I’m no fool
KAROL G
You forgot that I’ve moved onAnd that this Bichota was too hot for you to handle
CHORUS
Baby, what happened?Thought you were very in love?What are you doing looking for me, honey If you know that I don’t repeat mistakesTell your new bae that I don’t compete for menAnd to stop grudging, at least I had you pretty
SHAKIRA
You left, and I wen’t triple ‘m’Much hotter, much tougher, much carefree
KAROL G
Getting back with you, neverYou are the bad luck Because now blessings are raining down on meAnd you want to get back together, I knew itYou liked a photo of mine
SHAKIRA
You, looking to eat outMe, saying that it was monotonyAnd you want to come back, I knew that much‘Liking’ my photos Now you’re outside searching for food
KAROL G
You look happy with your new lifeBut… if she knew that you still look for me
CHORUS
Baby, what happened?Thought you were very in love?What are you doing looking for me, honey If you know that I don’t repeat mistakesTell your new bae that I don’t compete for menShe didn’t have a good hand on you, at least I had you pretty
SPOKEN
My love, you really distanced yourselfAnd I can’t see so far away, babyTQM [I love you a lot], but TQG [You were out of your depth]… Barranquilla, Medallo
Bad Bunny opened the 2023 Grammy Awards on Sunday night (Feb. 5) with a party-starting performance of his tracks “El Apagon” and “Después de la Playa.” Far beyond, his energetic set—where he was joined by around 40 dancers and a 10-musician live band—was a homage to the Caribbean culture, especially Puerto Rico and the Dominican Republic.
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In the audience, an amused Taylor Swift was seen shimmying her shoulders and swaying her hips to the fast-paced mambo and merengue fusion.
A full-fledged party track about making plans after the beach, “Después de la Playa” is one of the most experimental tracks on Bunny’s Un Verano Sin Ti, which nabbed the Grammy award for best música urbana album. The historic set debuted at No. 1 on the Billboard 200 chart and all 23 tracks entered the top 25 on Billboard‘s Hot Latin Songs chart. “Despues de la Playa” debuted at No. 3.
Below, read the full lyrics translated into English.
[embedded content]
You say I’m not a risk-takerIf you only knew that I’m on fireTell me what’s your game and I’ll playLet’s not leave this for laterThat the light’s already offI wanna know if you want the same thing I do
Tell me where do we go after the beachIf we get dry, I’ll bring the towelAnd later we get wet but in my bedI’m going to give it to you hardTell me where do we go after the beachIf we get dry, I’ll bring the towelAnd later we get wet but in my bedI’m going to give it to you hard
Tell me, are we going to the mambo or not?You tell me, babyZumbaWhat?Ey-ey-eyToday’s the dayUh, ey
Tell me where do we go after the beachIf we get dry, I’ll bring the towelAnd later we get wet but in my bedI’m going to give it to you hard
Baby, you live farBut however, I’ll look for youBecause you’re fine and you deserve itI want to give it to you in front of the oceanSo that the fishes can get happyAnd you’re wet, I’m ready to ride youRelax, I know this is once in a whileThe other time you got drunk on the beachAnd asked me to kiss you
How?Ey-ey-ey-ey-ey-ey-ey-eyTurn that on, turn that on, turn that onHow?I’m with the apecha’oNo one call me today, ok?I’m going to drink it all
Ey, everyone is drunk, dancing on the beachFeeling the heat, feeling the heatYou’ve been looking and lookingIt’s better if you get close, if you get closeWe talk about that butt at all the barbershopsAnd in the corner store, the corner store (how?)Ey, your boyfriend thinks he’s Romeo [Santos]But I’m going to pull a Don [Omar]I’m going to pull a Don, what, what, what?I went out with your girlGod already forgave me, only you’re left
What, what, what?I’m drunk, drunkEy-ey-ey-ey-ey-eyWhat do you think about this?I’m not going to stop, ok?Don’t stop, don’t stopAh-ah-ah-ah-ah-ah-ah (¿cómo?)Ey-ey-ey-ey-eyHow excitingEy-ey-ey-ey-eyDon’t turn offEy-ey-ey-eyWhere are we going?Where are we going?Tell me, after hereWait,Who’s this guy?Who’s getting beers from our cooler, youAre you with us?Oh, okey-okey-okey-okey, go for it
Miley Cyrus broke the Spotify record for the most-streamed song in a single week thanks to her latest hit “Flowers,” her ode to loving and taking care of herself.
In addition to flipping Bruno Mars’ 2014 single “If I Was Your Man” on its head, part of the song’s appeal comes from the litany of potential Easter eggs about Cyrus’ relationship with ex-husband Liam Hemsworth, from her choosing to release the track on his 33rd birthday to a reference to the Woolsey Fire that burned down the couple’s Malibu home back in 2019 tucked into the lyrics.
If you need a guide to follow along to Miley Cyrus’ “Flowers,” find the lyrics below:We were good, we were goldKinda dream that can’t be soldWe were right ’til we weren’tBuilt a home and watched it burn
Mm, I didn’t wanna leave youI didn’t wanna lieStarted to cry but then remembered I
I can buy myself flowersWrite my name in the sandTalk to myself for hoursSay things you don’t understandI can take myself dancingAnd I can hold my own handYeah, I can love me better than you can
Can love me betterI can love me better, babyCan love me betterI can love me better, baby
Paint my nails, cherry redMatch the roses that you leftNo remorse, no regretI forgive every word you said
Ooh, I did not wanna leave you, babyI didn’t wanna fightStarted to cry but then remembered I
I can buy myself flowersWrite my name in the sandTalk to myself for hours, yeahSay things you don’t understandI can take myself dancing, yeahI can hold my own handYeah, I can love me better than you can
Can love me betterI can love me better, babyCan love me betterI can love me better, babyCan love me betterI can love me better, babyCan love me betterOh, I
I did not wanna leave youI didn’t wanna fightStarted to cry but then remembered I
I can buy myself flowers (oh)Write my name in the sand (mmh)Talk to myself for hours (yeah)Say things you don’t understand (never will)I can take myself dancing, yeahI can hold my own handYeah, I can love me better thanYeah, I can love me better than you can
Can love me betterI can love me better, baby (oh)Can love me betterI can love me better (than you can), baby Can love me betterI can love me better, babyCan love me betterI
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Lyrics © Universal Music Publishing Group
Written by: Gregory Aldae Hein, Michael Pollack, Miley Cyrus
Shakira did not hold back on her first single of the year, “BZRP Music Session #53,” helmed by Argentine hitmaker Bizarrap.
In the nearly four-minute dance-pop track, the Colombian artist is more unapologetic and empowered than ever, spitting diss verses to her ex-boyfriend and soccer star Gerard Piqué and even throwing a jab at his new girlfriend, Clara Chia Marti.
“I’m not getting back with you, don’t cry for me, nor beg me/ I understood that it’s not my fault that they criticize you/I only make music, sorry that it bothers you,” she chants, also saying in the lyrics, “You left me the in-laws as my neighbors, media outlets at my door and in debt/ You thought you hurt me, but you made me stronger/ Women don’t cry anymore, they cash in.”
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A much-needed therapy session, “#53” marks the first collaborative effort between Shak and Biza. Read the full lyrics translated into English below:
Sorry, I got another planeI’m not coming back hereI don’t want another disappointment So much that you say you’re the championAnd when I needed youYou gave your worst versionSorry baby I should have thrown you out a while agoA wolf like me is not for beginnersA wolf like me is not for guys like youFor guys like youI’m too good for you and that’s why you’re with someone just like you
This is for you to mortify yourselfChew and swallow, swallow and chewI’m not getting back with you, don’t cry for me, nor beg meI understood that it’s not my fault that they criticize youI only make music, sorry that it bothers you
You left me the in-laws as my neighborsMedia outlets at my door and in debtYou thought you hurt me, but you made me strongerWomen don’t cry anymore, they cash in.
She has the name of a good person.It’s clearly not what it sounds likeShe has the name of a good personShe’s clearly the same as youFor guys like youI’m too good for you and that’s why you’re with someone just like you
From love to hate there’s a stepDon’t come back here, pay attention to meZero grudge baby,I wish you good luck with my supposed replacementI don’t even know what happened to youYou are so strange that I can’t even distinguish youI’m worth two of 22 [year old]You traded a Ferrari for a TwingoYou traded a Rolex for a CasioYou’re going fast, slow downA lot of exercises but work the brain a little too
Photos where they see meI feel like a hostageFor me everything is fineI’ll vacate you tomorrow and if you want, she can come too
She has the name of a good personIt’s clearly not what it sounds likeShe has the name of a good personShe’s clearly the same as youFor guys like youI’m too good for you and that’s why you’re with someone just like you
Luke Combs is crooning about a girl who moves on easy with “Going, Going, Gone” off his popular 2022 album, Growin’ Up.
“Sometimes I feel like a college kid, and some days I feel like I’m 65 or 70 — I wouldn’t say I’m middle-aged, but it’s like I feel like a real adult,” the CMA Awards reigning entertainer of the year previously told Billboard of his skyrocketing career. “When I walk into a room, no one’s like, ‘That can be a guy in college.’ Nobody thinks that… It’s like, time to kind of get it together fully, and dig into this life thing.”
If you need a guide to follow along with Luke Combs’ “Going, Going, Gone,” find the lyrics below:
Some things in life are meant to flyAnd others, they were born to runYou can’t tie down up and leavingLike the changing of the seasonsGood things, they come and then they go
Like a runaway southbound trainLike an Arizona desert rainLike lightning in the skyLike fireworks in JulyLike a left field home run ballLike a whiskey shot at last callIt’s like she was made for moving onThat girl is going, going, gone
I could say it wasn’t meant to beBut maybe meant to be’s misunderstoodCan’t hold on to letting goChange the way the river flowsLoving her’s like roping in the wind
Like a runaway southbound trainLike an Arizona desert rainLike lightning in the skyLike fireworks in JulyLike a left field home run ballLike a whiskey shot at last callIt’s like she was made for moving onThat girl is going, going, gone
She ain’t got one bit of stick aroundThere’s no sense in trying to slow her down
Like a runaway southbound trainLike an Arizona desert rainLike lightning in the skyLike fireworks in JulyLike a left field home run ballLike a whiskey shot at last callIt’s like she was made for moving onThat girl is going, going, gone
Going, going, goneGoing, going, gone
Lyrics licensed & provided by LyricFind
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: James Mcnair, Luke Albert Combs, Ray Fulcher
