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Los Angeles

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For more than two years, Another Planet Entertainment has been quietly working with the creator of iconic venues like Manhattan’s Mercury Lounge and LA’s Teragram Ballroom to launch a new 1,600-capacity venue in downtown Los Angeles — with a goal to shake up the city’s highly competitive venue landscape.
The real estate for The Bellwether, located at 333 Boylston between third and fourth streets just west of downtown and the 110 freeway, was discovered in 2020 by Michael Swier, one of the original partners in New York’s Bowery Presents and an owner of the Teragram and the Moroccan Lounge. Hoping to keep the project off the radar of better financed competitors, Swier began looking for a partner on the 49,000 sq-ft- multi-genre performance space, with an open GA floor, wrap around balcony, multiple bars, a commercial kitchen and a private 600-capacity event space.

333 Boylston has mostly been occupied by night club operators the past three decades, including Prince, who named the night spot after his song “Glam Slam” and from 1992 to 1995 adorned it with huge purple dance floors, heavy gold mesh fabric and a jewel-strewn bed cradled in a sculpted hand from Prince’s Erotic City concert tour. What followed was nearly three failed decades of trying to operate the multilevel space as a dance club. Thinking a music performance venue was a better fit, Swier would eventually find a partner, striking a deal with Another Planet Entertainment’s Gregg Perloff and Allen Scott to partner on a long-term lease and two-year renovation effort expected to wrap up this spring.

Scott and Swier were at the Bellwether earlier this week, touring the sprawling complex which will also house a year-round bar and restaurant, a 600-capacity private event space and offices for both Another Planet and Telegraph Road Management, Laurence Freedmans management company whose clients include Billy Idol, Mike Campbell, Benmont Tench, Cherry Glazerr, Miya Folick and Advertisement. The Bellwether is Another Planet’s first foray into Los Angeles, hometown turf for APE’s two main competitors in the Bay Area where Perloff and company operate the Bill Graham Civic Auditorium, the Greek Theate, Oakland’s Fox Theatre, the independent and San Francisco’s famed Castro Theater, currently under renovation. Live Nation’s holdings in San Francisco include the Fillmore and the recently opened August Hall, while AEG operates the Warfield, the Regency Ballroom and the Great American Hall.

LA’s venue landscape is even more crowded with each company operating a half-dozen venues in the city and independently owned venues like the Troubadour, Largo and the Knitting Factory in North Hollywood. Size wise, the Bellwethers 1,600-capacity lands it between the Live Nation-owned Wiltern Theater (1,850 capacity) and AEG’s El Rey Theater (1,200).

Swier, a New Yorker who recently bought a loft in LA in preparation for the opening of his third venue in the city, is a highly accomplished venue designer and independent live music operator who along with his late wife Margaret and architect brother Brian Swier is best known for New York’s iconic Bowery Ballroom and Mercury Lounge. Swier is a co-founder of New York powerhouse promotion company Bowery Presents and is responsible for relaunching and redesigning Terminal 5 and the Music Hall of Williamsburg. Swier would eventually part ways with Bowery Presents, and in 2017, Bowery would sell a 50% stake in the company to AEG.

Perloff’s career has parallels to Swier – the Maryland native had a knack for concert promotion in college and caught the attention of legendary San Francisco promoter Bill Graham, who famously hired a young Perloff to avoid competing with him. Perloff became Graham’s understudy, and together with longtime BGP pioneer Sherry Wasserman, the three created the business model for the contemporary concert business. After Graham died in a helicopter crash, BGP was sold to SFX and eventually became one of the core components of Live Nation, which stills owns and manages the bulk of the BGP venue portfolio.

Perloff and Wasserman founded Another Planet in 2003 and launched the Outside Lands festival in 2008. Today it is the largest independently operated festival in the U.S., according to Billboard.

Swier didn’t know much about Perloff prior to reaching out to him in 2020 to discuss a potential partnership for the building. Both men decided to keep the project, keeping every detail of the project out of the public domain as they worked to sign the lease and then begin renovations. The stealth campaign worked – maybe too well. Months away from opening, the partners realized they needed to reach out to agents to start booking the building, which would end the secrecy. In fact, today’s decision to announce the existence of the project was made yesterday, a week earlier than planned. Meetings and private tours of the Bellwether are planned for next week during the annual Pollstar Live! conference in Los Angeles.

HipHopWired Featured Video

Source: Kypros / Getty
In today’s episode of Bro…There Are Better Ways To Say Your Marriage Was Trash, a California man has been caught on video crashing a dump truck into his estranged wife’s home in South Los Angeles.

Fortunately, no one was injured or killed during the incident in which the driver of the dump truck also crashed into multiple parked cars. But that doesn’t mean Patricia Dunn, the alleged target of the rampage didn’t suffer more than a scare.

“A man under that kind of rage – who’s to say what he might do?” Dunn told ABC 7 of the incident that happened Sunday afternoon in the area of 107th Street and Normandie Avenue in Westmont. “He was trying to kill me. He really was.”
Dunn also told reporters that she still fears for her life and that her husband had already come by and wrecked her home prior to receiving a dump truck. (Bruh, WTF?)

From ABC:
Patricia says her husband drove by the home three times. First he came by in a Chevy Impala and crashed into the home while she was inside. He returned in a dump truck and did more damage, then came back in the Impala again.
The home’s metal fence is bent to the ground and there are large dents in the exterior of the home right outside her bedroom.
“I was just trying to stay out of the way,” she said. “So I don’t know if he was drunk or under the influence. I never experienced anything like this in my life.”
Given the situation, one doesn’t need to do much speculating as to why Dunn is divorcing this maniac.
“Because we are going through a divorce,” Dunn—who says she’s filing for a restraining order against her husband—explained. “And he is upset about the fact no contact. He’s verbally abusive and I have nothing nice to say.”
Hopefully, this man, who hasn’t been identified publicly yet, is brought to justice and put somewhere he can’t harm Dunn or anyone else. In the meantime, Dunn said she’s currently staying with someone else in case her husband returns. Unfortunately, ABC noted that the “Los Angeles County Sheriff’s Department says it took about 30 minutes before law enforcement arrived on scene because the initial call came in as a traffic collision and not a crime.”

NOT A CRIME THOUGH???
Nah—this is some wild Fatal Attraction sh*t here. We hope Dunn remains safe and her husband gets the help he apparently needs while staying all the way away from his ex.

HipHopWired Featured Video

Source: George Wilhelm / Getty
A new exhibit featuring rarely-seen artwork from the symbolic Black artist Ernie Barnes is set to open in Los Angeles, California next year.
As the Los Angeles edition of the Frieze art festival is set to take place in February, one gallery has announced an exhibit featuring the iconic work of Barnes that focuses on his viewpoint of music. The exhibit, titled Ernie Barnes: Where Music and Soul Live, will be hosted by UTA Artist Space and contain 30 of his vibrant paintings that showcase Black musicians and dancers in nightclubs and other street scenes. 

This exhibit will mark the first time many of these paintings, which have been in private collections, will be seen by the public. Barnes’ work, which highlights Black bodies swaying and curving with a stirring magnetism in various scenes of work and play, gained mainstream appeal after appearing on the sitcom Good Times. “He was an artist of the people,” UTA Artist Space director Zuzanna Ciolek said in a statement. “The general public was aware of his work and excited about his work before the art world was, and I think that’s something that’s really exciting for us.”
The exhibit will also feature a specially designed interior from the creative agency PLAYLAB. Various DJs will periodically play live music throughout the galleries which will evoke the same aesthetic often seen in Barnes’ paintings. This includes “The Sugar Shack”, the iconic 1976 painting featured on Good Times which was also featured as the cover of Marvin Gaye’s hit album I Want You. That painting made headlines again as it was purchased for $13.5 million at an art sale by Christie’s by film producer Bill Perkins.
Barnes, a former lineman with the NFL’s Denver Broncos and San Diego Chargers among other teams, pursued his love of art after retiring in 1964. “I paint when ideas come and I see a vision of what I want from our common humanity,” he said in an interview with the Oakland Tribune in 2002, seven years before he passed away. “This whole show is about what he saw, musically, because he painted from his own experiences,” said Luz Rodriguez, the manager of the artist’s estate.
Ernie Barnes: Where Music and Soul Live will run from February 15th, 2023 to April 1st, 2023.

D.A. Is Looking For Meg The Stallion’s Missing Former Bodyguard After The Shade Room exclusively reported that Justin Edison, Megan Thee Stallion‘s former bodyguard, failed to make his court appearance to testify about the night she was shot, the Los Angeles County District Attorney is trying to locate him. Investigators Visited Ex-Bodyguard’s Home Monday, But […]

BLACKPINK in your area! After launching their hotly anticipated Born Pink World Tour in Seoul, the girl group headed to North America for a run of 14 concerts that ended Nov. 19 and 20 with back-to-back shows in Los Angeles.
Taking over Banc of California Stadium, Jisoo, Rosé, Lisa and Jennie shut it down time and time again over the course of their two-hour set, electrifying the stadium full of ecstatic Blinks with hits like “Kill This Love,” “How You Like That,” “Whistle” and “Pink Venom.”
Whether they were running through fan favorites like “Savage Love” and “Ddu-Du Ddu-Du” or live-debuting Born Pink album cuts like “Typa Girl” and “Tally,” the idols demonstrated that their live show has only gotten better and more refined since the release of their debut LP The Album in 2020 and their 2021 online concert BLACKPINK: The Show.
Each of the members also shone during their own solo sets, with Jisoo bringing out Camila Cabello to duet on the latter’s 2019 single “Liar,” Jennie teasing a yet-to-be-released track with a shadowy dance number, Rosé delivering a one-two punch with “On the Ground” and Born Pink solo cut “Hard to Love,” and Lisa combining her pole-dancing prowess and undeniable star power on “Lalisa” and “Money.”
Below, Billboard was on the ground for BLACKPINK’s two L.A. shows. Click through for some of the best photos from the concerts.