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Looks like Taylor Swift is getting ready for her The Eras Tour with a little stage time. Unsuspecting fans at The 1975‘s concert in London on Thursday (Jan. 12) were beyond surprised when Swift took the stage at the O2 arena to not only perform one of the rock band’s classic tracks, but also to live-debut her latest hit single.

In fan-captured video, Swift is seen emerging onstage in a sparkling silver dress, taking in the screaming crowd of fans. In other moments, the singer takes a shot covering The 1975’s “The City” — a fan-favorite track from the band’s self-titled first album — with the help of her trusty acoustic guitar.

“Yeah, counting cards was the best job he ever had/ Cleaning up/ He got good with his fours and his twos/ Community service was the best job he ever had/ Cleaning up/ He got sick on the floor and his shoes,” Swift sang, before launching into the track’s catchy pre-chorus.

But that wasn’t all Swift came prepared to sing. Shortly after, the mega-star surprised fans even further by giving “Anti-Hero” its first-ever live performance. Considering how big of a splash the track has made — its currently in seventh week atop the Billboard Hot 100, after all — the entire stadium hung onto every word Swift sang, joining her for the track’s catchy refrain: “It’s me, hi/ I’m the problem, it’s me.”

Swift won’t have to wait for long before dusting off her best acoustic guitars: She’s scheduled to head out on the road for The Eras Tour, which is scheduled to kick off March 17 in Glendale, Ariz.

Watch Swift perform during The 1975’s show in the videos below.

Clay Aiken and Ruben Studdard are taking their friendship — which began on American Idol season two — on the road. On Monday (Dec. 12), the duo announced that they will be teaming up in 2023 for a joint tour — Twenty The Tour — across the United States and Canada.

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“@clayaiken & I are hitting the road this Spring, twenty years after our debuts on American Idol. Join us for the first leg of Twenty | The Tour,” Studdard shared on Instagram, along with the official tour poster and dates for the first leg of the trek.

Twenty The tour will make stops in New York, Philadelphia, Chicago, Atlanta and more, beginning on April 12 in Troy, N.Y., and concluding on May 16 in Wausau, Wis. Tickets for the tour are available for purchase through the tour’s official website, rubenandclay.com.

The pair chatted about their joint tour in a Monday appearance on The View after a jubilant performance of Donny Hathaway’s “This Christmas.”

“We were here five years ago to announce our Broadway Christmas special, which was exciting for us. We’re getting old, Ruben, we are about to celebrate our 20th anniversary from the year we were on Idol, and so Ruben and I are are hitting the road together with a 20th anniversary tour all across the country through the year,” Aiken told The View‘s hosts. “We’re starting out this spring and we’re going to be celebrating the last 20 years since we did Idol and the music we’ve gotten to make and the friendships we made along the way.”

During the pair’s appearance on The View, they also revealed that they will be returning to American Idol in the upcoming season for the finale, as the finale date will coincide with their season two finale episode’s.

The second season of American Idol aired from January to May of 2003. Studdard faced off against Aiken in the finals, and ultimately won. Following the show, the pair remained close, which Aiken discussed in a Dec. 3 Instagram post.

“We don’t get to choose our family. Most family is predetermined by blood; some are predestined by God to come into our lives. I’ve got one brother who was born into my family and one brother who the good Lord introduced me to in 2003,” he wrote.

The “Invisible” singer continued, “A lot gets written and said about ‘how sweet it is’ that Rᴜʙᴇɴ and I have ‘kept in touch’ over the years. If you have the blessing of knowing Ruben Studdard, you understand: There aren’t many humans more selfless or gracious or loyal than he. America fell in love with him because his performances made them feel happy and welcomed; that’s who he is in real life too.”

See the full list of dates and Studdard’s announcement via Instagram below. Check out Aiken and Studdard’s appearance on The View in the video above.

With over 20 year of being in a band, The 1975 has nothing but love and admiration for one another. So much so, they sometimes share and showcase their love for each other through public displays of affection.

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During The 1975’s San Francisco show at the Bill Graham Civic Auditorium on Tuesday (Nov. 29), love was in the air by the time fan favorite track “Robbers” rolled around in the band’s set, which saw frontman and lead singer Matty Healy stealing a brief, yet passionate smooch from bassist Ross MacDonald during the famous pause in the song’s dramatic outro.

“And I’ll shoot him if it’s what you ask / But if you’d just take off your mask/ You’d find out everything’s gone wrong,” Healy sings, before pulling in MacDonald for the kiss and playfully pushing him away to belt, “Now everybody’s dead/ And they’re driving past my old school.”

MacDonald seemed to enjoy Healy’s affections, taking to Instagram later on Tuesday to share a cinematic snap of the moment to his account, captioning it, “The luckiest girl in the world.” Fans were understandably in awe of the moment, with one user commenting they “don’t know if I’m jealous of you or matty” and another fan stating they “wish i was matty healy for once in my life.”

Healy and MacDonald’s kiss is just one of many antics that have occurred during the band’s At Their Very Best tour — last week, the vocalist kissed a fan onstage, also during “Robbers,” and in previous stops during the North American trek made waves for eating raw meat onstage.

The 1975 has a total of seven dates left in the North American leg of its At Their Very Best tour, with stops in Portland, Seattle, Toronto and more before concluding on Dec. 17 at Pittsburgh’s UPMC Events Center.

See MacDonald’s photo and fan captured moments of the kiss below.

Harry Styles can’t seem to catch a break during his live shows. Continuing what seems to be an unfortunate fan tradition, Styles — while performing “Kiwi” from his self-titled debut LP at the Kia Forum in Inglewood, Calif., on Monday night (Nov. 14) — got an eyeful’s worth of Skittles thrown at his face, and as a result covered his eyes.

A disgruntled fan who caught the moment on camera took to Twitter and wrote, “whoever the f–k threw a solid object at his eye, u literally ruined kiwi bc he wouldn’t open his eye for the whole song.” Another worried fan, who shared video of the moment slowed down, wrote, “like are you joking?? look how hard he recoils hope your eye is okay @Harry_Styles.”

Thankfully, Styles appears to be okay — not only did he continue with the rest of his concert, Styles’ backing bandmate Pauli the PSM shared an update about his condition during an Instagram Live DJ set later in the evening. “H came through, confirming his eye is okay,” Pauli said, adding, “But do me a favor, don’t throw no more Skittles on stage.”

Styles appeared to also have a good sense of humor about his injury. Tuning into Pauli’s Live, he commented, “See you tomorrow AVEC eye patch.”

This is far from the first time the “Watermelon Sugar” singer has had objects thrown at him while performing. During an August show of Styles’ Madison Square Garden residency, a fan threw multiple chicken nuggets on stage, and in October, a fan threw an unidentified object that hit him in the groin area.

See the tweets regarding Styles’ Skittles-induced eye injury below.

whoever the fuck threw a solid object at his eye, u literally ruined kiwi bc he wouldn’t open his eye for the whole song pic.twitter.com/CRBWzsYqcc— mandi🏠HARRY TALKED TO ME?? (@ibringthep0p) November 15, 2022

The last time BLACKPINK performed at Newark’s Prudential Center was under a very special set of circumstances — the K-pop group took the stage at the VMAs in August to perform their sizzling Born Pink hit “Pink Venom,” which also served as the group’s live debut of the track and their first time performing at an American awards show. Though the girl group — which consists of members Jennie, Jisoo, Lisa and Rosé — dominated at the show, they admitted during their Nov. 14 Born Pink tour stop at Prudential they were nervous to be back. Based on their performance, it was hard to believe.

The moment the group’s iconic “BLACKPINK in your area” tag and establishing horns blared through speakers, Blinks knew exactly which track the quartet was opening with and buzzed with energy and excitement. The set kicked off with BLACKPINK’s personal statement, “How You Like That,” which saw the group expertly hit the song’s memorable choreography with the help from female backup dancers. The opening track served as BLACKPINK’s formal arrival, and concluded with larger than life stage fireworks — in pink, of course — and streamers as if to say “we’re here.”

The hits didn’t stop there — the first act of the concert catered to fans of their high-energy songs, from The Album‘s fan favorites “Pretty Savage” and “Lovesick Girls” to equally pumped up performances of “Don’t Know What To Do” from the Kill This Love EP and the group’s sizzling-yet-sparsely produced debut single “Whistle.” BLACKPINK continued to dabble in pyrotechnics during the show’s second and third acts, with more fireworks, and at times, actual fire onstage by the time “Kill This Love” and “Playing With Fire” rolled around in the setlist. Those were later followed by tracks “Pink Venom”, “Shut Down,” “DDU-DU DDU-DU” and “Typa Girl.”

Fans of BLACKPINK who have seen the group perform either in person or in video know that the girls divide their concert in half, with the second part featuring individual performances from each member of the group, and last night’s performance at the Prudential Center was no exception.

Jisoo was first up to the plate and performed a solo cover of Camila Cabello’s 2019 track “Liar,” a wonderful compliment to her unique vocal tone, while strutting down the runway stage and performing sultry dance moves with the help of the group’s background dancers. Jennie, who often performed her solo debut track “Solo” in previous BLACKPINK concerts, did not go for the obvious choice this time — instead she gave fans a taste of a potential new solo track (fans are calling “You & Me,” though it has no official title yet), which saw her perform equal parts intricate and elegant dance moves with a male dancer, and highlighted her magnetic energy. Rosé, meanwhile, had more than enough solo material to work with but went with Born Pink solo cut “Hard to Love” and R single “On the Ground.” Lisa provided a masterclass in dancing when it came time to perform her solo hits “Lalisa” and “Money,” which saw Blinks in the audience performing the tracks’ moves, sometimes as well as her backup dancers on stage.

One of the sweetest highlights of the show was during the encore. After a near-10-minute wait — which saw fans across the area leading “when I say black, you say pink” and “boombayah” chants to rile up the crowd — the girls came back looking cozy in sweatshirts, hoodies and tees from their merch line, and stripped back their larger-than-life stage personas to goof around and make un-choreographed dances and cute faces with each other while singing “Yeah Yeah Yeah.” Before ending the show, Jennie, Jisoo, Lisa and Rosé took a picture with the entire stadium, prompting the Blinks in attendance to wave their lightsticks and throw up K-pop finger hearts for the camera.

BLACKPINK’s Born Pink tour shows that despite being a top performing global act, Jennie, Jisoo, Lisa and Rosé maintain the loving charm that has cemented them such a passionate fanbase. But don’t be fooled by their sweetness — their talent and star power can “shut down” almost any arena the second they decide to turn it on.

In the time since Paramore‘s last performance in New York — which took place in 2018 at Brooklyn’s Barclays Center as part of the band’s After Laughter tour — there was a major shift. The group has always had a fiercely dedicated group of fans across different races, genders and sexualities, but when the pandemic saw the rebirth of pop punk and alternative music, seen in the rise of stars like Olivia Rodrigo and GAYLE, fans of the genre went back to the basics and flocked back to Paramore. So when the group announced an intimate gig at the historic Beacon Theatre on Sunday, the energy was fierce, fun and as, expected, energetic.

The gig kicked off with Paramore’s newest single, “This Is Why,” which showcased the agility of lead singer Hayley Williams’ vocals as she hit the snappy track’s high notes and funky low notes with ease, all while expertly performing her signature choreography consisting of intricate footwork, larger-than-life arm movements and head bangs (though the latter was in a shorter supply after a warning from Williams’ personal chiropractor, she told the audience during a speaking break).

The first half of the set saw Paramore catering to OG fans with a series of songs from the band’s first three albums, including Brand New Eyes single “Brick by Boring Brick,” Riot! classic “That’s What You Get,” All We Know Is Falling deep cut and fan favorite “Here We Go Again,” plus intense live versions of “Decode” and “I Caught Myself” for all the Twi-Hards in attendance — all of which the audience members sang verbatim.

If the first half of the set was about appeasing old-school fans, the second half of the set — which commenced after a tear-jerking performance of Brand New Eyes‘ acoustic slow jam “Misguided Ghosts” — was about fans fully committing to dancing as wildly as possible, according to Williams. The latter half of the concert was anchored by hits from After Laughter and the band’s self-titled LP, including the sing-along-inducing “Ain’t It Fun” and “Still Into You,” as well as “Rose-Colored Boy” (with a portion of Whitney Houston’s “I Wanna Dance With Somebody”) and “Hard Times” (which included a snippet of Blondie’s “Heart of Glass”), before rolling into the band’s most iconic song to date.

Williams prefaced their signature hit “Misery Business” with a few words to the audience, taking the time before launching into Riot!‘s lead single with a disclaimer.

“The grace that you’ve shown us as we’ve grown up and learned our lessons in front of the world — thank you for that. We’re going to play that TikTok hit not without this disclaimer: Thank you for growing up with us, learning the tough lessons and thank you for being good people. We promise to keep trying to be good people too and to keep learning these lessons.

“This song is about misogyny,” Williams simply said, playing the track that she’s had a complicated lyrical relationship with, even vowing to not perform it live again in previous years.

With nearly 20 years of being in a band, and five of those past years on a break, Paramore’s intimate performance at the Beacon proves what has always been true of the band: God, it just feels so good…to see them live once again.