Live
Page: 6
With over 20 year of being in a band, The 1975 has nothing but love and admiration for one another. So much so, they sometimes share and showcase their love for each other through public displays of affection.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
During The 1975âs San Francisco show at the Bill Graham Civic Auditorium on Tuesday (Nov. 29), love was in the air by the time fan favorite track âRobbersâ rolled around in the bandâs set, which saw frontman and lead singer Matty Healy stealing a brief, yet passionate smooch from bassist Ross MacDonald during the famous pause in the songâs dramatic outro.
âAnd Iâll shoot him if itâs what you ask / But if youâd just take off your mask/ Youâd find out everythingâs gone wrong,â Healy sings, before pulling in MacDonald for the kiss and playfully pushing him away to belt, âNow everybodyâs dead/ And theyâre driving past my old school.â
MacDonald seemed to enjoy Healyâs affections, taking to Instagram later on Tuesday to share a cinematic snap of the moment to his account, captioning it, âThe luckiest girl in the world.â Fans were understandably in awe of the moment, with one user commenting they âdonât know if Iâm jealous of you or mattyâ and another fan stating they âwish i was matty healy for once in my life.â
Healy and MacDonaldâs kiss is just one of many antics that have occurred during the bandâs At Their Very Best tour â last week, the vocalist kissed a fan onstage, also during âRobbers,â and in previous stops during the North American trek made waves for eating raw meat onstage.
The 1975 has a total of seven dates left in the North American leg of its At Their Very Best tour, with stops in Portland, Seattle, Toronto and more before concluding on Dec. 17 at Pittsburghâs UPMC Events Center.
See MacDonaldâs photo and fan captured moments of the kiss below.
Harry Styles canât seem to catch a break during his live shows. Continuing what seems to be an unfortunate fan tradition, Styles â while performing âKiwiâ from his self-titled debut LP at the Kia Forum in Inglewood, Calif., on Monday night (Nov. 14) â got an eyefulâs worth of Skittles thrown at his face, and as a result covered his eyes.
A disgruntled fan who caught the moment on camera took to Twitter and wrote, âwhoever the fâk threw a solid object at his eye, u literally ruined kiwi bc he wouldnât open his eye for the whole song.â Another worried fan, who shared video of the moment slowed down, wrote, âlike are you joking?? look how hard he recoils hope your eye is okay @Harry_Styles.â
Thankfully, Styles appears to be okay â not only did he continue with the rest of his concert, Stylesâ backing bandmate Pauli the PSM shared an update about his condition during an Instagram Live DJ set later in the evening. âH came through, confirming his eye is okay,â Pauli said, adding, âBut do me a favor, donât throw no more Skittles on stage.â
Styles appeared to also have a good sense of humor about his injury. Tuning into Pauliâs Live, he commented, âSee you tomorrow AVEC eye patch.â
This is far from the first time the âWatermelon Sugarâ singer has had objects thrown at him while performing. During an August show of Stylesâ Madison Square Garden residency, a fan threw multiple chicken nuggets on stage, and in October, a fan threw an unidentified object that hit him in the groin area.
See the tweets regarding Stylesâ Skittles-induced eye injury below.
whoever the fuck threw a solid object at his eye, u literally ruined kiwi bc he wouldnât open his eye for the whole song pic.twitter.com/CRBWzsYqccâ mandiđ HARRY TALKED TO ME?? (@ibringthep0p) November 15, 2022
The last time BLACKPINK performed at Newarkâs Prudential Center was under a very special set of circumstances â the K-pop group took the stage at the VMAs in August to perform their sizzling Born Pink hit âPink Venom,â which also served as the groupâs live debut of the track and their first time performing at an American awards show. Though the girl group â which consists of members Jennie, Jisoo, Lisa and RosĂ© â dominated at the show, they admitted during their Nov. 14 Born Pink tour stop at Prudential they were nervous to be back. Based on their performance, it was hard to believe.
The moment the groupâs iconic âBLACKPINK in your areaâ tag and establishing horns blared through speakers, Blinks knew exactly which track the quartet was opening with and buzzed with energy and excitement. The set kicked off with BLACKPINKâs personal statement, âHow You Like That,â which saw the group expertly hit the songâs memorable choreography with the help from female backup dancers. The opening track served as BLACKPINKâs formal arrival, and concluded with larger than life stage fireworks â in pink, of course â and streamers as if to say âweâre here.â
The hits didnât stop there â the first act of the concert catered to fans of their high-energy songs, from The Albumâs fan favorites âPretty Savageâ and âLovesick Girlsâ to equally pumped up performances of âDonât Know What To Doâ from the Kill This Love EP and the groupâs sizzling-yet-sparsely produced debut single âWhistle.â BLACKPINK continued to dabble in pyrotechnics during the showâs second and third acts, with more fireworks, and at times, actual fire onstage by the time âKill This Loveâ and âPlaying With Fireâ rolled around in the setlist. Those were later followed by tracks âPink Venomâ, âShut Down,â âDDU-DU DDU-DUâ and âTypa Girl.â
Fans of BLACKPINK who have seen the group perform either in person or in video know that the girls divide their concert in half, with the second part featuring individual performances from each member of the group, and last nightâs performance at the Prudential Center was no exception.
Jisoo was first up to the plate and performed a solo cover of Camila Cabelloâs 2019 track âLiar,â a wonderful compliment to her unique vocal tone, while strutting down the runway stage and performing sultry dance moves with the help of the groupâs background dancers. Jennie, who often performed her solo debut track âSoloâ in previous BLACKPINK concerts, did not go for the obvious choice this time â instead she gave fans a taste of a potential new solo track (fans are calling âYou & Me,â though it has no official title yet), which saw her perform equal parts intricate and elegant dance moves with a male dancer, and highlighted her magnetic energy. RosĂ©, meanwhile, had more than enough solo material to work with but went with Born Pink solo cut âHard to Loveâ and R single âOn the Ground.â Lisa provided a masterclass in dancing when it came time to perform her solo hits âLalisaâ and âMoney,â which saw Blinks in the audience performing the tracksâ moves, sometimes as well as her backup dancers on stage.
One of the sweetest highlights of the show was during the encore. After a near-10-minute wait â which saw fans across the area leading âwhen I say black, you say pinkâ and âboombayahâ chants to rile up the crowd â the girls came back looking cozy in sweatshirts, hoodies and tees from their merch line, and stripped back their larger-than-life stage personas to goof around and make un-choreographed dances and cute faces with each other while singing âYeah Yeah Yeah.â Before ending the show, Jennie, Jisoo, Lisa and RosĂ© took a picture with the entire stadium, prompting the Blinks in attendance to wave their lightsticks and throw up K-pop finger hearts for the camera.
BLACKPINKâs Born Pink tour shows that despite being a top performing global act, Jennie, Jisoo, Lisa and RosĂ© maintain the loving charm that has cemented them such a passionate fanbase. But donât be fooled by their sweetness â their talent and star power can âshut downâ almost any arena the second they decide to turn it on.
In the time since Paramoreâs last performance in New York â which took place in 2018 at Brooklynâs Barclays Center as part of the bandâs After Laughter tour â there was a major shift. The group has always had a fiercely dedicated group of fans across different races, genders and sexualities, but when the pandemic saw the rebirth of pop punk and alternative music, seen in the rise of stars like Olivia Rodrigo and GAYLE, fans of the genre went back to the basics and flocked back to Paramore. So when the group announced an intimate gig at the historic Beacon Theatre on Sunday, the energy was fierce, fun and as, expected, energetic.
The gig kicked off with Paramoreâs newest single, âThis Is Why,â which showcased the agility of lead singer Hayley Williamsâ vocals as she hit the snappy trackâs high notes and funky low notes with ease, all while expertly performing her signature choreography consisting of intricate footwork, larger-than-life arm movements and head bangs (though the latter was in a shorter supply after a warning from Williamsâ personal chiropractor, she told the audience during a speaking break).
The first half of the set saw Paramore catering to OG fans with a series of songs from the bandâs first three albums, including Brand New Eyes single âBrick by Boring Brick,â Riot! classic âThatâs What You Get,â All We Know Is Falling deep cut and fan favorite âHere We Go Again,â plus intense live versions of âDecodeâ and âI Caught Myselfâ for all the Twi-Hards in attendance â all of which the audience members sang verbatim.
If the first half of the set was about appeasing old-school fans, the second half of the set â which commenced after a tear-jerking performance of Brand New Eyesâ acoustic slow jam âMisguided Ghostsâ â was about fans fully committing to dancing as wildly as possible, according to Williams. The latter half of the concert was anchored by hits from After Laughter and the bandâs self-titled LP, including the sing-along-inducing âAinât It Funâ and âStill Into You,â as well as âRose-Colored Boyâ (with a portion of Whitney Houstonâs âI Wanna Dance With Somebodyâ) and âHard Timesâ (which included a snippet of Blondieâs âHeart of Glassâ), before rolling into the bandâs most iconic song to date.
Williams prefaced their signature hit âMisery Businessâ with a few words to the audience, taking the time before launching into Riot!âs lead single with a disclaimer.
âThe grace that youâve shown us as weâve grown up and learned our lessons in front of the world â thank you for that. Weâre going to play that TikTok hit not without this disclaimer: Thank you for growing up with us, learning the tough lessons and thank you for being good people. We promise to keep trying to be good people too and to keep learning these lessons.
âThis song is about misogyny,â Williams simply said, playing the track that sheâs had a complicated lyrical relationship with, even vowing to not perform it live again in previous years.
With nearly 20 years of being in a band, and five of those past years on a break, Paramoreâs intimate performance at the Beacon proves what has always been true of the band: God, it just feels so goodâŠto see them live once again.