Lists
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When Miley Cyrus announced that she would be kicking off 2023 with the release of “Flowers,” a new single to precede her forthcoming album Endless Summer Vacation, the news was exciting on two levels: a new Cyrus single was coming, but perhaps more importantly, a new Cyrus lead single was coming.
After all, Cyrus has spent the majority of her recording career deploying lead singles as hints to upcoming shifts in her sound and style, with clear demarcations between album eras and the tweaks in public persona that the pop superstar adopts for each. From her Disney days — when songs like “See You Again” and “7 Things” pointed toward the commercial aspirations of the teen star — to the devil-may-care flare-ups of her Can’t Be Tamed and Bangerz periods, the first five years of Cyrus’ career featured sharp pivots in sound and attitude, often to denote how “adult” how projects at the time should be considered.
As Cyrus continued to evolve, full-length explorations of psychedelica, country-pop and retro-rock were given coming attractions befitting their sounds. Now, “Flowers” nods toward where Cyrus, currently one of popular music’s most fascinating shape-shifters, is headed next.
So which lead singles illustrate Cyrus’ pop power most effectively, especially now that there’s a new one to consider? All eight of Cyrus’ lead singles have their charms — truly, not a flat-out dud in the bunch — but some of her songs excel as both previews of their host albums and standalone gems in her catalog. And while it’s still early days for “Flowers,” we tried our best to consider its place among Cyrus’ lead singles to date, and humbly rank the new track among the seven that have stood tall for years. (One note before we begin: 2015’s Miley Cyrus & Her Dead Petz did not have an official radio single as an independent release, but it does have a song that’s considered its lead single, so that’s the one we ranked.)
Here are Miley Cyrus’ lead singles, ranked.
Miley Cyrus dropped her new single “Flowers” on Thursday night, and all signs seem to point to the anthem taking inspiration from her relationship with ex-husband Liam Hemsworth.
Of course, the A-listers’ 2019 divorce — which was finalized the following January — is emotional territory that the pop star has mined previously, from the heartache of 2019 one-off “Slide Away” to Plastic Hearts lead single “Midnight Sky.”
But with distance and hindsight, the lead single from Cyrus’ upcoming Endless Summer Vacation offers a new and poignant take on her nearly 10-year romance with the actor, whom she first met on the set of the 2010 big-screen adaptation of Nicholas Sparks’ The Last Song.
Below, Billboard dives into all the clues and lyrical Easter eggs that tell Cyrus’ side of her breakup with Hemsworth.
Look for more clues about Cyrus’ relationship with Hemsworth in the “Flowers” music video below.
The last thing the world needs is a new artist.
An influential executive said that around eight years ago, and she had a point — there’s already so much music in circulation that most acts are swimming against the current in their attempts to achieve widespread recognition.
But the industry doesn’t always know what it needs until it shows up, either. And all of country’s star acts — people such as Luke Combs, Carrie Underwood or Chris Stapleton — were unknown new artists before the genre eventually discovered they were essential for its vitality.
Over a dozen newbies are hoping events in the next six months will help them become the exception, eventually emerging as household names after releasing their first country album or EP during the period. The contenders include two acts (Tyler Hubbard and Mike Gossin) issuing their first solo projects, after previously earning hits as members of Florida Georgia Line and Gloriana, respectively.
The list also features three duos: recent 8 Track Entertainment signees BoomTown Saints, longtime Warner Music Nashville project Walker County and Americana husband-and-wife team The War and Treaty, who are optimistic that their sound can translate to country.
Following is an overview of 14 acts whose first album or EP, either in the genre or at a label of consequence, are due during the first six months of 2023:
You’re likely to find Jeff Beck‘s face on any Mount Rushmore of guitarists — and maybe of musicians, period.
His musical praises are being sung worldwide since his shocking death Wednesday (Jan. 11) from bacterial meningitis at age 78. And rest assured that everything being said about the seven-time Grammy winner and two-time Rock and Roll Hall of Fame inductee is true. And maybe even understated.
While his skills are unquestionably worth celebrating, those discussions sometimes obscure the fact that Beck’s greatest gift was in service to the songs he played. Whether with the Yardbirds or the various incarnations of his own band, or with a wide variety of collaborators, Beck elevated his songs with purposeful and deliberate choices — of notes, riffs, phrasings — that raised them to the proverbial next level. He demonstrated plenty of flash and drama during his 60 years of recording, but always in a manner that made the songs soar.
The best are, not surprisingly, hard to choose, and there’s plenty of genuine greatness to be found deep in all of Beck’s albums. But these 10 — in alphabetical order — are at the top of the heap, all performances that transcend the individual songs to establish some new standards for music itself.
With the return of RuPaul’s Drag Race, the time has come for us to consider an important question asked throughout ages long past — what song do you think they’re going to lip synch to in the premiere?
With a Drag Race premiere, it’s not even a foregone conclusion that we will definitely get a Lip Sync For Your Life — back in season 9, for example, when guest judge Lady Gaga oversaw the queens’ first challenges, there was no elimination or winner lip sync. Then again, when season 13 rolled around, we got six lip syncs in the premiere episode as every queen faced off in pairs.
Assuming we’re getting at least one lip sync battle — be it For Your Life of For The Win — in season 15’s two-episode MTV premiere, we can also assume whose song we will be hearing. With Ariana Grande stepping in for her second stint as a guest judge, it’s safe to say that we will likely get a new rendition to one of her tracks.
It’s a position that Grande is very familiar with; the singer once held the record for most songs lip-synced on the show (other than Ru, of course). Today, she’s tied with Whitney Houston for second place, both having eight of their songs performed on the show and its All Stars seasons, while Britney Spears has had nine tracks earn their place on the main stage in 11 different lip syncs.
Which of Ariana’s songs can we expect to hear during the premiere? Tom Campbell, an executive producer of the show since its conception, told Billboard last year that RuPaul has final say over what songs make it onto the show, and he takes a lot of aspects into consideration. “He will reject songs because they’re the wrong tempo, they don’t build, there’s all of these factors he’s thinking about,” he said.
Billboard decided to offer up a few suggestions — below, we list out 10 songs by Ariana Grande that we would love to see featured in an upcoming lip sync on RuPaul’s Drag Race season 15:
Wave that checkered flag, Drag Race fans, because the competition is about to begin.
On Friday (Jan. 6), RuPaul’s Drag Race is set to return for its 15th season, with a bigger batch of queens and an even bigger cash prize — the latest season is set to feature a record number of 16 queens competing for $200,000 and the title of America’s Next Drag Superstar.
Along with its new set of queens, the season will also feature a vast array of celebrity guest judges ready to offer their expertise and advice to the competitors on how to get ahead. Ariana Grande will appear in the season’s premiere episode on Friday, with subsequent episodes set to feature stars like Janelle Monáe, Maren Morris, Hayley Kiyoko, Orville Peck, Ali Wong, Amandla Stenberg, Harvey Guillén, Julia Garner and Megan Statler.
Fans used to viewing the show on VH1 will also have some adjustments to make with season 15 — for the first time in the franchise’s history, RuPaul’s Drag Race will now be aired exclusively on MTV. In a statement released with the news back in December, co-CEOs of World of Wonder (the production company behind Drag Race) Randy Barbato and Fenton Bailey said that they were “delighted” to see the show make the move. “Drag Race is about universal themes of love, self expression, and acceptance — and there has never been a more important time than now for these ideas to be expressed internationally,” they said.
With MTV’s storied history as the primary home for the most iconic music videos of all-time, Billboard asked the 16 queens of RuPaul’s Drag Race season 15 to select their favorites. Below, the queens explain their picks, from Lady Gaga to Beyoncé and beyond:
Most Billboard readers have at least a rough idea of the top albums and songs of each year but may be less familiar with the top box-office hits from each year. Fortunately, boxofficemojo.com has that information for each year dating back to 1977.
So what do we learn scrolling through the list of top-grossing films for each year since Jimmy Carter became president and Elvis Presley died? One thing that comes across loud and clear is the degree to which sequels and franchises have come to dominate the marketplace. Just four of the year-end box-office champs were films that were not part of franchises (or did not spark a franchise or a reboot of some kind). Those four films that stand alone are E.T. the Extra-Terrestrial, Who Framed Roger Rabbit, Ghost and Titanic.
Star Wars is the top franchise on this recap, with six installments that have been the year’s top-grossing film. Batman is runner-up, with four installments that finished first for the year. Spider-Man is third, with three installments that yielded the year’s top box-office hit.
James Cameron and George Lucas are tied as the only directors who each directed three films that took the year-end crown. Tim Burton, Sam Raimi, Tony Scott, Steven Spielberg, Andrew Stanton and Robert Zemeckis are tied for second place, each having directed two year-end champs.
John Williams is far and away the top film scorer. The legendary composer scored 10 films that took the year-end box-office crown. Danny Elfman and Alan Silvestri have each scored films that finished first four times. (Hans Zimmer will join them if Top Gun: Maverick, on which he teamed with Harold Faltermeyer and Lady Gaga to provide the music, finishes first for the year.)
Lucas and Williams are the only director/composer team to collaborate on three year-end box-office champs. Six other such teams have collaborated on two year-end champs: Spielberg and Williams; Zemeckis and Silvestri; Scott and Faltermeyer; Cameron and James Horner; Burton and Elfman; and Stanton and Thomas Newman.
Top Gun: Maverick took the box-office crown for 2022, with a domestic (U.S. and Canada) gross of more than $718 million. The rest of the top five consisted of Black Panther: Wakanda Forever, Doctor Strange in the Multiverse of Madness, Avatar: The Way of Water and Jurassic World: Dominion.
Let’s scroll back through the films that had the most success at the domestic box office (that’s the U.S. and Canada) in each calendar year since 1977, when Annie debuted on Broadway, Laverne & Shirley was the top TV show and Fleetwood Mac’s Rumours dominated the Billboard 200.
While 2022 was undoubtedly the year BTS shocked the world with their announcements of moving onto a “Chapter Two” and planning their individual military enlistments, there’s still a massive amount of records, achievements and moments that demonstrate why BTS are superstars without precedent in the global music industry.
While the K-pop superstars have been breaking chart and attendance records for years, 2022 saw new triumphs from the septet. From never-before-achieved feats with the Billboard Music Awards, American Music Awards and the International Federation of the Phonographic Industry to breaking box-office and concert-gross records (not to mention hanging out in the Oval Office), 2022 was literally one for the history books.
Even as the group announced plans to look forward to a new chapter in their career and embark on solo releases, BTS continued to achieve greatness as a septet and as individuals. RM, Jin, J-Hope, Suga, Jimin, V and Jung Kook all had major moments to celebrate. From four members making their debuts on the Hot 100 to internationally recognized festival and collaboration moments, the guys were thriving on a global scale.
While 2023 will certainly look different in terms of how BTS operates—and dominates—within the music industry, there’s no denying that this past year was huge for the guys. We already know that solo music, collaborations, documentaries, TV specials, commemorative stamps and more are on the way for next year. But before we look forward to all that, let’s reminiscence and celebrate the band’s 22 most significant achievements from 2022 below.
The K-pop industry is heavily focused on one single per release. Whether it’s an EP, LP, deluxe version, greatest hits or anything in between, K-pop artists tend to define releases by one central song. But thanks to how listeners now curate their own playlists and soundtrack stellar social-media moments with music, the single is not necessarily the only song on a release to get attention.
In addition to K-pop having more worldwide eyes than ever, today’s listening habits demand more material from artists and more quality material on par with the singles already getting expensive investments and heavy promotional pushes.
Luckily, these 25 artists below not only delivered on their title tracks and singles but created bodies of work that deserve further exploration beyond the glossy music videos. From TVXQ!‘s Max Changmin, BTS‘ J-Hope, and Red Velvet‘s Seulgi letting listeners into new parts of their minds with their solo efforts, to AKMU’s Lee Chahyuk adopting a whole new character with his concept album Error, plus RM creating a musical museum to honor his twenties on Indigo, there was a lot to dig into this year. Meanwhile, unexpected viral sensations came from B-sides by (G)I-DLE, TREASURE and ENHYPEN, proving that these artists packed their records with songs and messages to connect even further with fans.
From satisfyingly short EPs to the more in-depth full-length albums, each of these releases stood out thanks to the artists reaching for something beyond a quick hit single. Read on for Billboard‘s staff picks for the best K-pop albums of the year.
It has been 10 years since Psy’s “Gangnam Style” became the first YouTube video to reach one billion views. In addition to pushing K-pop into the global stratosphere, the vibrant video (now with more than 4.6 billion views, as of Dec. 2022) kickstarted the video-streaming platform’s official Billion Views Club — which has grown to become a landmark achievement for artists and industry leaders alike.
Over 300 music videos have entered the club since its inception in 2012 and several have surpassed Psy’s history-making visual. Luis Fonsi and Daddy Yankee’s “Despacito” reigns as the most-viewed music video on YouTube, crossing 8 billion views just five years after its release. Also lapping Psy are Ed Sheeran’s “Shape of You” with 5.8 billion views, Wiz Khalifa’s “See You Again” featuring Charlie Puth with 5.7 billion views, and Mark Ronson’s “Uptown Funk” featuring Bruno Mars with 4.7 billion views, all as of Dec. 2022.
A number of superstar musical acts have had multiple videos surpass a billion views — including Justin Bieber, Adele, Bad Bunny and Taylor Swift. Colombian singer-songwriter J Balvin has entered the Billion Views Club 12 different times, making him the artist with the most videos in the coveted club.
In 2022 alone, more than 50 music videos earned their first billion views. While some musical acts made their triumphant return to the Billion Views Club, others earned their first entries ever. The Weeknd added his fifth video with a billion views thanks to “Save Your Tears,” less than two years after its premiere. On the other hand, Cyndi Lauper reached the milestone for the first time with “Girls Just Want to Have Fun” 39 years after its initial release (though it wasn’t uploaded to YouTube until 2009).
To celebrate a decade of billions, Billboard revisits all 51 music videos to enter YouTube’s Billion Views Club in 2022 below.