State Champ Radio Legal News
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Morgan Wallen was arrested and jailed on Sunday night (April 7) in Nashville after the chart-topping country singer allegedly hurled a chair off the six-story roof of a popular bar on the city’s bustling Broadway street. On Monday morning (April 8), Billboard received a statement from Wallen’s attorney, Worrick Robinson of Worrick Robinson Law, confirming […]
Universal Music Group (UMG) is facing a lawsuit that claims a 1992 Mary J. Blige hit featured an unlicensed sample from a 1973 funk song that’s famous for being sampled in dozens of other tracks, including releases from Biggie and Tupac as well as a recent Doja Cat tune.
In a complaint filed Thursday (April 4) in Manhattan federal court, Tuff City Records accused Universal Music Publishing Group (UMPG) of copyright infringement over Blige’s “Real Love,” which spent 31 weeks on the Hot 100 in 1992 and reached a peak of No. 7 on the chart.
The allegedly-copied song? “Impeach the President” by the Honey Drippers — a legendary piece of hip-hop source material with a drum track that’s also been sampled or interpolated by Run-DMC, Dr. Dre and many others. Most recently, it was featured in Doja Cat’s 2023 track “Can’t Wait.”
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In the complaint, Tuff City’s attorneys say they have “advised defendant repeatedly of the presence of the uncleared sample” in “Real Love” but that Universal has done nothing about it.
“Defendant has repeatedly refused to engage plaintiff in substantive negotiations to rectify the foregoing, let alone agreed to compensate Plaintiff for the past infringement or on an ongoing basis,” wrote Tuff City’s attorney Hillel Parness in the complaint.
Blige herself is not named in the lawsuit nor accused of any wrongdoing.
In a bizarre wrinkle, Tuff City claims that UMG Recordings — a subsidiary of UMG and the owner of the master to “Real Love” — has already reached an agreement regarding the use of the uncleared sample on the sound recording. But they say the music giant’s publishing arm has refused to do the same as it relates to the underlying composition.
“Defendant’s refusal to cooperate with plaintiff is difficult to reconcile with the fact that plaintiff reached an agreement with UMG Recordings,” Tuff City’s attorneys write.
Tuff City, which owns a large catalog of old songs, is no stranger to copyright litigation. Over the past fifteen years, the company has sued over tracks by Jay-Z, Beastie Boys, Christina Aguilera, Frank Ocean and others, typically alleging that they featured unlicensed samples or interpolations.
That process has not always gone smoothly. In 2014, a judge dismissed a case over Jay-Z’s “Run This Town” on the grounds that any alleged sample was “barely perceptible” after multiple listens. In 2018, another judge ordered Tuff City to repay hundreds of thousands of dollars in legal fees spent by Beastie Boys defending a case that was “clearly without merit.”
The new case is also not the first time Tuff City has sued over “Impeach the President.” Way back in 1991, the company sued Sony Music and Def Jam over claims that producer Marley Marl had illegally sampled the track on LL Cool J tracks “Around the Way Girl” and “Six Minutes of Pleasure.”
At the time, the lawsuit was a novel legal attack on sampling, which had long been at the core of hip-hop but had rarely involved paying for licenses or seeking authorization. In a 1992 article, the New York Times warned that Tuff City’s lawsuit over “Impeach the President” could fundamentally change hip hop, forcing rappers and producers to clear every element used in their albums — a formidable idea at the time.
“A single rap album can include dozens of samples, from single drumbeats to full musical phrases,” the New York Times article reads. “Finding the copyright owners, negotiating fees or royalties and gaining legal clearance is time consuming and can add tens of thousands of dollars to the production costs.”
Tuff City’s case eventually settled on confidential terms, but it proved to be a sign of things to come. In the years since, federal courts have ruled that nearly any amount of sampling of sound recordings counts as copyright infringement. As a result, labels and artists today attempt to clear almost any direct sampling in their songs and will typically remove those elements if a deal can’t be reached.
Of course, Blige’s “Real Love” came out just months after Tuff City filed its case against LL Cool J, and well before such practices had become universal. It’s unclear why the company waited more than 30 years to sue over it, but copyright law has a so-called “rolling” statute of limitations that allows for such long-delayed actions.
A spokesman for UMG did not immediately return a request for comment.
Sean “Diddy” Combs and his son Christian “King” Combs are facing a new lawsuit claiming the younger Combs sexually assaulted a staffer on a luxury yacht in the Caribbean.
In a complaint filed Thursday in Los Angeles court, Grace O’Marcaigh says that she was working as a stewardess on a superyacht charted by the Combs family in December 2022 when an intoxicated Christian served her “spiked tequila shots” and then assaulted her.
“Prior to being sexually assaulted by defendant Christian Combs, plaintiff planned to work the entirety of her career in hospitality and the yachting industry,” O’Marcaigh’s attorneys write. “Unfortunately, those plans have been derailed due to the trauma plaintiff continues to have as a result of the assault.”
The new lawsuit was filed by the same attorney, Tyrone Blackburn, who filed a similar case against Combs in February on behalf of producer Rodney “Lil Rod” Jones. The new complaint claims that Jones was present for the alleged attack, and that he recorded some of the incident.
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In addition to those two cases, Combs has been hit with a slew of other allegations of sexual assault and other wrongdoing over the past six months, including a quickly-settled case filed by his ex-girlfriend Cassie and a still-pending lawsuit filed a woman who claims Combs raped her when she was 17. The rapper is also facing an apparent federal criminal investigation, which led to raids of his homes last month. Combs has strongly denied all allegations of wrongdoing.
In the new lawsuit, O’Marcaigh claims that Christian Combs arrived to the chartered yacht via smaller boat at 5 am on Dec. 28, 2022. She says he then “insisted” that she take shots of tequila, which she quickly came to suspect had been spiked with drugs. After she attempted to exit the situation, O’Marcaigh says he “violently” grabbed her and began to grope and assault her.
Because Jones was present and recording, O’Marcaigh says she has a recording in which she tells the younger Combs “excuse me, you don’t touch my legs like that” and “you can take your hand off my ass.”
Later in the same evening, O’Marcaigh says Combs demanded that she find him a place to sleep. When she took him to the yacht’s cinema, she says he “blocked her from exiting,” then “became physical and aggressive” even as she “pushed him back constantly.”
“Defendant C. Combs then took off all of his clothes,” O’Marcaigh’s attorney says. “His penis was erect, and he grabbed her arms and was trying to force plaintiff to perform oral copulation on him.”
The lawsuit does not claim that the elder Combs participated in the assault. But she says he orchestrated a “coverup” that resulted in her eventual firing from her job. And she says he bears ultimate responsibility for his son’s actions because he chartered the yacht.
“Defendant S. Combs fostered and encouraged an environment of debauchery,” O’Marcaigh’s attorneys write. “He intentionally created an unsafe environment that gave license to [Christian] to believe that he was free to sexually assault plaintiff.”
A representative for Sean Combs did not immediately return a request for comment.
An attorney who filed one of the several sexual abuse lawsuits against Sean “Diddy” Combs is now facing potential discipline himself after a federal judge in another case sharply criticized him for filing suits designed to “garner media attention” and “embarrass defendants.”
In an order issued Wednesday (April 3) in a separate lawsuit, Judge Denise Cote referred Tyrone Blackburn to the grievance committee for New York’s federal court district – an entity that decides whether attorneys have violated court rules. She cited his conduct in five different lawsuits, saying Blackburn’s filings in those cases had featured “glaring deficiencies.”
“A reasonable inference from Blackburn’s pattern of behavior is that he improperly files cases in federal court to garner media attention, embarrass defendants with salacious allegations, and pressure defendants to settle quickly,” Judge Cote wrote. “Indeed, his submissions to this court have been rife with disturbing allegations against the defendants and defense counsel.”
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The order, which came in a legal malpractice lawsuit Blackburn filed last year, referred him to the grievance committee for the Southern District of New York for “such action as it deems appropriate.”
Judge Cote’s ruling is notable because Blackburn is currently serving as lead counsel to Rodney “Lil Rod” Jones, a producer who filed a sweeping abuse lawsuit against Combs in February. The lawsuit is one of several such cases filed against Combs, in addition to a federal criminal investigation that led to raids of his homes last month. Combs has strongly denied all allegations of wrongdoing.
In an email to Billboard on Thursday, Blackburn said: “Not sure how this is at all relevant to Rodney Jones’ case, or any other case I have. This will not have any impact on my ability to proceed in Mr. Jones’ case. Although Judge Cote’s decision was a referral to the SDNY’s grievance committee, and not a sanction, I plan on appealing the decision.”
In his lawsuit last month, Jones accused Combs of repeated sexual assault and harassment while Jones was working as a producer on the rapper’s 2023 The Love Album. But he also went further, claiming that Diddy and others had violated the Racketeer Influenced and Corrupt Organizations Act, the federal RICO statute best known for criminal cases against the Mafia. As part of those claims, he named several other prominent people as members of that alleged illegal conspiracy, including Universal Music Group CEO Lucian Grainge and former Motown CEO Ethiopia Habtemariam.
Blackburn has already faced scrutiny over those accusations filed on Jones’ behalf. In her response to the lawsuit, Combs’ attorney, Shawn Holley, took the unusual step of calling out her opposing counsel by name, saying that Blackburn had “ignored” evidence of Combs’ innocence before filing the case.
“Our attempts to share this proof with Mr. Jones’ attorney, Tyrone Blackburn, have been ignored, as Mr. Blackburn refuses to return our calls,” Holley said at the time. “We will address these outlandish allegations in court and take all appropriate action against those who make them.”
Last week, attorneys for UMG took similar aim at Blackburn. Arguing that Grainge had “utterly nothing to do” with the allegations against Diddy, the label’s lawyers said the claims were so “offensively false” that they would seek to punish Blackburn himself for filing them.
“A license to practice law is a privilege,” wrote Donald Zakarin, a longtime music industry litigator who represents UMG and Grainge. “Mr. Blackburn, plaintiff’s lawyer, has misused that license to self-promote, gratuitously, falsely and recklessly accusing the UMG defendants of criminal behavior.”
UMG’s filing last week said the company would seek legal sanctions against Blackburn under federal Rule 11, which requires lawyers to make a “reasonable inquiry” into allegations they file in court. That’s the same rule that Judge Cote cited Wednesday in her ruling against Blackburn, saying “his actions in this and prior cases indicate a repeated failure to meet his Rule 11 obligations.”
In arriving at that conclusion, the judge cited multiple instances in which Blackburn allegedly filed cases in the wrong court without properly investigating whether it was the right jurisdiction, as well as an incident in which he called a defense attorney “a disgusting racist” amid a dispute over picking a mediator. The judge also cited an allegation from an opposing lawyer that Blackburn had specifically filed a case in federal court, rather than state court, “because doing so would make the press more likely to pick up on it.”
“Significant resources have been spent by judges of the court and defendants named in actions he has filed to address glaring deficiencies in his filings,” Judge Cote wrote in her ruling on Wednesday. “A referral to this court’s Grievance Committee is warranted.”
It’s unclear how long such a case will take before the grievance committee renders a decision, or what kind of disciplinary measures the body might hand down.
Madonna is firing back at a class action lawsuit filed by New York City fans who are angry that her concerts started later than scheduled, arguing that needing to “get up early to go to work” the next day is not the kind of legal “injury” someone can sue over.
In a motion filed Wednesday, the Material Girl’s lawyers urged a federal judge to dismiss the case, in which ticket buyers Michael Fellows and Jonathan Hadden accused her of breaking the law by starting three December shows in Brooklyn more than two hours later than the scheduled.
That lawsuit made headlines because the plaintiffs justified their claims in part by arguing that they “had to get up early to go to work” the next day. But in their response, Madonna’s lawyers said that’s hardly the kind of legal “injury” that can result in a lawsuit.
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“Plaintiffs speculate that ticketholders who left the venue after 1 a.m. might have had trouble getting a ride home or might have needed to wake up early the next day for work,” wrote Madonna’s lawyers. “That is not a cognizable injury.”
Far from suffering harm, Madonna’s lawyers say Hadden “raved” about the show in question on social media, posting that the concert was “incredible, as always!” on his Facebook page. “In other words, the concert met or exceeded his expectations.”
An attorney for the defendants did not immediately return a request for comment.
Fellows and Hadden filed their case in January, claiming Madonna and concert giant Live Nation breached contracts with buyers and violated state laws covering false advertising and unfair business practices by starting the shows late. The case, a proposed class action, aims to represent thousands of others who allegedly faced a similar experience.
At issue are three concerts at Brooklyn’s Barclays Center, stops on Madonna’s Celebration Tour, that had originally been scheduled for July but were shifted to December due to the singer’s illness. Fellows and Hadden said they expected their show to start on time, and “would not have paid for their tickets had they known that the concerts would start after 10:30 p.m.”
“Defendants failed to provide any notice to the ticketholders that the concerts would start much later than the start time printed on the ticket and as advertised,” attorneys for the two men wrote.
But in Wednesday’s response, attorneys representing both Madonna and Live Nation said that anyone buying a concert ticket is well aware that the show likely won’t start at the exact time printed on the ticket.
“Nowhere did Defendants advertise that Madonna would take the stage at 8.30 p.m., and no reasonable concertgoer—and certainly no Madonna fan—would expect the headline act at a major arena concert to take the stage at the ticketed event time,” the star’s lawyers wrote. “Rather, a reasonable concertgoer would understand that the venue’s doors will open at or before the ticketed time, one or more opening acts may perform while attendees arrive and make their way to their seats and before the headline act takes the stage, and the headline act will take the stage later in the evening.”
Rather than suffering harm, they say Fellows and Hadden “got just what they paid for: a full-length, high-quality show by the Queen of Pop.”
“Plaintiffs do not allege Madonna’s performance was subpar, that her performance was worth less than what they paid, or that they left the concert before watching her entire performance,” her lawyers wrote. “Indeed, plaintiffs do not plead any injury that they themselves suffered by spending the night at an ‘incredible’ concert.”
Rod Wave was arrested on two counts of illegal possession of a weapon or ammo in Manatee County, Florida on Wednesday (April 3), according to arrest records viewed by Billboard.
The St. Petersburg Police Department hosted a press conference in the aftermath of the arrest alleging that Rod — born Rodarius Marcell Green — was connected to a gang-related shooting in Florida that left four bystanders injured outside of Sonic Sports Bar in St. Petersburg.
St. Petersburg Police Chief Mike Kovacsev explained that three of the apprehended assailants (Christopher Atkins, Keith Westby and Kevontre Wesby) are allegedly connected to the Young Gangsters gang and that two more are in the process of being arrested after law enforcement discovered 60 shell casings of ammo at the site of the shooting, which occurred on Sunday night (March 31).
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Kovacsev claimed that the getaway vehicle used in the shooting was registered to Rod and that the Palm Avenue residence the group fled to was also allegedly registered to the “Heart On Ice” singer.
“The vehicle they fled in was registered to [Green],” Kovacsev said. “They also fled back to a residence at 500 Palm Avenue North … That residence was rented by [Green] as well. We executed a search warrant at that location on Monday night and we recovered two assault rifles, two pounds of marijuana and a great deal of evidence we’re going to utilize the case going forward.”
Police determined that “another residence” was rented by Rod in Palm Meadow and shifted the focus to that location, where they executed a search warrant. Subjects leaving that residence were arrested on weapons charges by undercover detectives and the Manatee County Sheriff’s Office.
“We are hopeful and anticipate potentially other evidence to be taken out of the vehicles as we do search warrants over the next couple of days,” Kovacsev added. “We went and had the Manatee County Sheriff’s Office execute that warrant and we located a number of other assault rifles and a handgun inside that residence.”
The police chief said that along with the firearms, money and jewelry were also seized. More charges are also possibly looming related to the shooting and narcotics.
Rod’s weapon possession charges listed him as a convicted felon, which his attorney, Bradford Cohen, vehemently denies. Cohen also denies Wave’s connection to the shooting.
“[Rod] has nothing to do with a shooting,” Cohen tells Billboard. “There was nothing found in his car and he is not a convicted felon.”
Cohen and another of Rod’s attorneys, Mark Rankin, released a joint statement on Cohen’s Instagram claiming that the judge agreed that the evidence didn’t support the charges and that the Florida singer was set free on Wednesday.
“Rod was arrested and detained with absolutely no evidence of wrongdoing,” Cohen captioned the Instagram post featuring a photo of Rod. “The police claimed he was a felon in possession of ammunition. Not only was he not in possession of ammunition, a basic check of public records would have easily demonstrated to the police that he was not a convicted felon. The prosecutor and the judge immediately agreed that the evidence did not support the charge and set him free the same day.”
Rod was previously arrested in his hometown of St. Petersburg in May 2022 on a felony charge of battery by strangulation, which was dropped weeks later. That arrest stemmed from an April 2022 incident involving Wave and his ex-girlfriend, who alleged that the singer entered her home and choked her, according to the arrest warrant.
Billboard has reached out to the St. Petersburg Police Department for additional information.
This is a developing story.
Joey Ramone‘s brother is fighting back against a lawsuit filed by Johnny Ramone’s widow over a planned Netflix movie about the pioneering punk band, calling the case “baseless and flimsy” and filing his own countersuit against her.
Johnny’s wife (Linda Cummings-Ramone) sued Joey’s brother (Mitchel Hyman, better known as Mickey Leigh) in January over allegations that he had “covertly” developed an “unauthorized” biopic, believed to be Netflix’s announced moving starring Pete Davidson as Joey. In the lawsuit, Linda said that any “authoritative story of the Ramones” would require her sign-off.
But in a sharply-worded response filed last month, Mickey’s attorneys argued that Linda had, in fact, already greenlit such a movie many years ago – and that her “baseless” lawsuit was simply one more step in a years-long plan to “install herself as the Queen of the Ramones.”
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“Ms. Cummings-Ramone’s main purpose is to embarrass, harass, and destroy the integrity of Mr. Hyman, create an utterly false narrative about him, rewrite her role in the history of the Ramones, and win a popularity contest in which, in her mind, she takes over … the legacy of a band of which she never was a member and had nothing to do with creatively,” Mickey’s lawyers wrote in the March 15 filing.
A representative for Linda did not immediately return a request for comment on Wednesday.
Joey (real name Jeffrey Ross Hyman) and Johnny (real name John William Cummings) were not actually brothers, and they had a notoriously chilly relationship during their decades as bandmates. In the years since the two passed away, that feud has seemingly continued between Mickey and Linda.
As the executors of Joey and Johnny’s respective estates, Mickey and Linda each own half of Ramones Productions Inc., the holding company that controls the band’s music and other assets. But that partnership has not gone smoothly, featuring multiple lawsuits and arbitrations over the past decade.
The latest legal scuffle was triggered in part by the plans for a movie version of I Slept With Joey Ramone, Mickey’s 2009 memoir, which Netflix announced in April 2021. In her January lawsuit, Linda said that such a project would need the sign-off of Ramones Productions and not just Joey’s estate.
“Ms. Ramone objects to defendants’ attempt to create a Ramones film without her involvement — not to be obstinate, but rather based on defendants’ disregard for [Ramones] assets and their conduct and treatment of Ms. Ramone and her late husband,” Linda’s attorneys wrote at the time. “To permit defendants alone to tell the authoritative story of the Ramones would be an injustice to the band and its legacy.”
But in his recent response, Mickey argued that the planned movie is about him and his brother, and is “not intended to be a ‘Ramones movie’ or a Ramones biopic.” And he pointed to a 2006 agreement in which he argued that Linda had already granted her approval to a film based on the I Slept With Joey Ramone book: “Ms. Cummings-Ramone did consent to Defendants’ development and production of a motion picture,” Mickey’s lawyers wrote.
In a copy of the alleged agreement filed in court, Ramones Productions granted approval to a company called Rosegarten Films to produce a movie based on the then-unpublished memoir. It’s unclear if that specific company is involved in the currently-planned film, but television and film producer Rory Rosegarten was listed an executive producer when Netflix announced the movie in 2021.
In a statement to Billboard on Wednesday, Mickey echoed his argument that the movie was not going to be about the Ramones as a band.
“The fact is, I did not write ‘I Slept With Joey Ramone: A Punk Rock Family Memoir’ about my brother’s band and had no intention whatsoever of doing that,” he said. “I wrote a story about growing up with a big brother who endured a severe somatic malady at birth, and later developed neurogenic problems. That led to doctors making diagnoses that he would never be able to function on his own in society — and that big brother, with support from his family, proved those doctors wrong as he went on to do great things with his life and become an inspiration to millions.”
The recent court filings came as part of Mickey’s so-called answer to the Linda’s lawsuit, denying the many accusations leveled against him in her lawsuit. Along with it, he filed his own counterclaims against her, arguing that it was Linda who had actually breached their partnership agreement with a “pattern of egregious conduct.”
The counterclaims set the stage for potentially years of litigation over Linda and Mickey’s back-and-forth accusations. Just like Linda’s original lawsuit, Mickey’s new case covers a wide range of alleged wrongdoing in their joint management of the Ramones assets well beyond just the proposed movie.
“She is driven by an alternate agenda, including her own fame and vanity, as well as a self-serving desire to obstruct projects and control RPI for reasons which conflict with her fiduciary duties and cause her to avoid any modicum of cooperation with Mr. Hyman,” Mickey’s lawyers wrote.
Kanye West is facing another lawsuit filed by a former employee at his Donda Academy, this time accusing him of discriminating against Black staffers and seeking to lock students in cages.
In a lawsuit filed Tuesday (April 2) in Los Angeles court, Trevor Phillips says the embattled rapper (who now goes by Ye) treated the Black staff at the school “considerably worse than white employees” — and then subjected him to “incessant harassment” and “humiliation” when he spoke up about it.
Like the several other lawsuits filed by former Donda Academy employees, the new complaint includes a number of bizarre allegations about West and his conduct at the school. It claims he told students to “shave their heads” and that he “intended to put a jail at the school” where students could be “locked in cages.”
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In another odd alleged episode, Phillips claims West summoned him to a room at the Nobu Hotel, where the rapper put on The Batman and watched it in silence.
“After a long and awkward silence, Kanye finally spoke again,” Phillips claims in the suit. “Turning his attention back to Phillips, he began an unprovoked and bigoted rant attacking Jewish people.” Later that same evening, Phillips claims West lay on the bed and simulated masturbating while talking about having orgies.
Phillips claims he was finally fired last year.
The case is the latest lawsuit filed by former staffers of Donda Academy and the Yeezy Christian Academy that preceded it. One of them, filed in July, claimed that the school lacked windows because the embattled rapper “did not like glass” and that students were not allowed on the second floor because West was “reportedly afraid of stairs.” Another case, filed in April 2023, alleged that the only food available to students was sushi.
As with those earlier cases, the strange allegations contained in Tuesday’s lawsuit supported more straightforward legal claims, including discrimination, harassment, retaliation and wrongful termination.
A spokesperson for West did not immediately return a request for comment on Tuesday.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Pharrell Williams and Chad Hugo battle over the rights to the name of their Neptunes producing partnership; UMG and Lucian Grainge hit back at “offensively false” accusations linking them to Diddy’s alleged abuse; Sony wins nearly $1 million in damages from a TikTok rapper over an uncleared sample; and much more.
THE BIG STORY: Pharrell and Chad Hugo Battle Over ‘Neptunes’
You might not have heard of The Neptunes, but if you were alive during the early 2000s, you’ve certainly heard a Neptunes song.
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The prolific producing partnership, comprised of Pharrell Williams and Chad Hugo, was responsible for countless earworms from that era: Nelly’s “Hot in Herre,” Snoop Dogg’s “Drop It Like It’s Hot,” Gwen Stefani’s “Hollaback Girl,” Justin Timberlake’s “Rock Your Body,” Britney Spears’ “I’m a Slave 4 U” and many, many others.
But 20 years on, something is rotten in the state of Neptune.
In a legal action filed last week, attorneys for Hugo accused Pharrell and his company of attempting to unilaterally register trademarks for the Neptunes name – a move they say violates their longstanding agreement that saw the pair split everything equally: “By ignoring and excluding [Hugo] from the any and all applications filed by applicant for the mark ‘The Neptunes,’ applicant has committed fraud in securing the trademarks and acted in bad faith.”
Go read our entire story on the dispute here, including a response from Pharrell.
Other top stories this week…
TOP MUSIC LAWYERS – Billboard revealed its 2024 list of Top Music Lawyers, featuring the best legal minds — both in-house and at law firms — who propel the industry forward by negotiating deals, litigating disputes and shaping policy. At the top of this year’s list was Christine Lepera, a go-to music litigator who has represented Katy Perry, Drake, Jay-Z, Post Malone and many others in high profile cases. This past year, Lepera beat back a copyright lawsuit against Dua Lipa over “Levitating,” and won a key decision for Daryl Hall in his messy dispute with John Oates.
“OFFENSIVELY FALSE” – Attorneys for Universal Music Group CEO Lucian Grainge fired back at a lawsuit that claims he and the label “aided and abetted” Sean “Diddy” Combs in his alleged sexual abuse, arguing that the accusations are so “offensively false” that they plan to seek legal penalties against the lawyer who filed them. “A license to practice law is a privilege,” Grainge’s attorney Donald Zakarin wrote. “Plaintiff’s lawyer has misused that license…”
TIKTOK RAPPER PAYS THE PRICE – A federal judge ruled that Trefeugo, a rapper popular on TikTok, must pay Sony Music more than $800,000 in damages for using a copyrighted sample without permission in his “90mh” — a track that Sony claimed was streamed 100 million times on Spotify. “The court hopes this case will serve as a $802,997.23 lesson for defendant in carefully selecting the materials included in his raps.”
ASTROWORLD UPDATE – With a trial looming next month, Travis Scott asked to be dismissed from the sprawling litigation over the 2021 disaster at the Astroworld music festival. Attorneys for the star (led by Dan Petrocelli) argued that safety and security at live events is “not the job of performing artists” – even in the case of someone like Scott, who conceptualized and heavily promoted the event the festival with his own branding.
LINKIN PARK SETTLEMENT – The band’s members reached a settlement to end a lawsuit that accused them of refusing to pay royalties to Kyle Christner, an ex-bassist who briefly played with the band in the late 1990s before they hit it big. In a statement, Linkin Park said it had reached an “amicable resolution” and acknowledged that Christner made “valuable contributions” at a “pivotal time.”
JAMES DOLAN ABUSE CASE – Attorneys for Madison Square Garden executive James Dolan fired back at a lawsuit that alleges he pressured a masseuse into unwanted sex while his band was touring with the Eagles, calling his accuser an “opportunist” who is “looking for a quick payday” over “completely manufactured” allegations.
Linkin Park has reached a settlement to end a lawsuit that accused the band of refusing to pay royalties to an ex-bassist who briefly played with the band in the late 1990s.
In a statement issued on Friday, the band said it had reached an “amicable resolution” with Kyle Christner, who sued the band last year over claims that he had “never been paid a penny” for contributions he made during several months he was in Linkin Parkin 1999.
The dispute was sparked by an anniversary re-release of Linkin Park’s smash hit 2000 debut album Hybrid Theory, which holds the distinction as the best-selling rock album of the 21st century. Christner claimed he had contributed some of the material released on the anniversary box set – a claim confirmed by the band in Friday’s statement.
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“Kyle is a very talented musician who made valuable contributions to Linkin Park at a pivotal time in 1999,” Linkin Park wrote in Friday’s statement. “He performed with the band in several shows and many record label showcases. Kyle helped write and performed on many songs from that era, including some of the songs on the Hybrid Theory EP.”
The statement was accompanied by a joint filing in court seeking to formally end the lawsuit, signed by attorneys for both Christner and for Mike Shinoda and other Linkin Park members. Christner’s attorneys did not return a request for comment on Monday.
Christner sued in November, claiming he had been a member of the band for several months in 1999 until he was “abruptly informed” that he had been fired shortly before the band signed a record deal with Warner Records. He accused the band of continuing to profit from songs he helped create, while effectively erasing his involvement.
“Christner has never been paid a penny for his work with Linkin Park, nor has he been properly credited, even as defendants have benefitted from his creative efforts,” his lawyers wrote at the time.
In addition to Shinoda, the lawsuit also named Linkin Park’s other living members (Rob Bourdon, Brad Delson and Joseph Hahn), as well as its business entity, Machine Shop Entertainment, and the band’s label, Warner Records.
In particular, Christener pointed to the re-release of Hybrid Theory. He argued that the special 2020 box set included several songs to which he had contributed, including a never-before-released demo track that has amassed 949,000 views on YouTube.
Before Friday’s settlement, Linkin Park had been battling to dismiss the case. In a filing last month, the band argued that the case had been filed far too late and that the statute of limitations on such claims had “long since passed.”
“Defendants repudiated plaintiff’s purported ownership in any and all of the works mentioned in the [lawsuit] more than three years before plaintiff filed this lawsuit — and indeed for over two decades,” the band’s lawyers wrote at the time.
