Latin
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A lot has happened in Prince Royce’s life since his last studio album, Alter Ego (2020). Along with having his promotion and touring plans derailed thanks to the pandemic, the bachata star went through a divorce in 2022, following a 12-year relationship. Now, Royce presents what is arguably his most personal work to date in Llamada Perdida, his seventh studio album, released Friday (Feb. 16) under Sony Music Latin/Smiling Prince Music.
“I think that at a composition level, it’s very personal. I tried not to overthink the album, to have fun, add personality,” the bachata star tells Billboard Español, confessing that the most difficult thing was not to put his feelings on paper, but to share them with his fans.
“I am kind of shy, I don’t like people knowing that I am suffering, that I’m crying. I like to pretend everything’s fine on the outside, not to be fake but, no one wants to be seen as vulnerable,” he explains. “But you know what? I think it was a way for me […] to let go. The beautiful thing about music is that in the end the audience doesn’t know if its fiction or non-fiction. It could be a little bit true, a little bit of a lie, a fusion of many things. I think that gives me the opportunity to vent, in some ways.”
With 23 tracks (22 songs, actually, plus one skit) fusing bachata with uptempo/disco, regional Mexican, merengue, urbano and more, Llamada Perdida — Spanish for “Lost Call” — is “a celebration of overcoming obstacles, especially in love, [which] represents the end of a life chapter as well as the acceptance of a new beginning,” as described in a press release.
Beyond that, the Royce and D’lesly “Dice” Lora-produced set takes us on a fascinating roller coaster of emotions. It is heartbreaking in “Un Papel and “Frío en el Infierno,” which talk about the pain of a separation and letting the loved one go, respectively; funny in “Los Lambones,” and hopeful in “La Vida Te Hace Más Fuerte.” And it includes a long, eclectic list of collaborators: There are both established and emerging Latin stars like Nicky Jam and Jay Wheeler (“Si Te Preguntan…”), Maria Becerra (“Te Espero,” with a surprising sample of Cutting Crew’s “(I Just) Died in Your Arms Tonight”) and Gabito Ballesteros (“Cosas de la Peda”), as well as less-predictable names like New York rapper A Boogie wit da Hoodie (“Boogie Chata”), Dominicans Ala Jaza (“Sufro”) and Luis Miguel del Amargue (“Anestesiada”).
“I think the overall concept of the album is the form of communication,” Royce says, explaining why he chose its title. “If you take the call, something can happen. If you don’t take it. If you say something; if you don’t say something. If you send a drunk text; if you don’t send it.”
During the interview with Billboard Español, Prince Royce spoke in depth about the album, the lessons he learned over the last four years and — half seriously, half jokingly — the role that alcohol played in his life. Watch the full interview above.
In our Latin Remix of the Week series, we spotlight remixes that the Billboard Latin and Billboard Español editors deem to be exceptional and distinct from the rest. We might not publish a review every week. This is our selection today.
Christian Alicea is not merely reviving the art of salsa; he’s rebooting it for a new generation, infusing the classic genre with a 2.0 update that’s as vibrant as it is innovative.
Last fall, Alicea created the invigorating tropical hit “El Swing,” replete with rich percussion, lively trumpets, and larger-than-life choruses that soared to No. 18 on the Tropical Airplay chart by November.
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With “El Swing 2.0,” the remix, the Puerto Rican singer escalates his mission, bringing on board the talents of Luis Figueroa, Moa Rivera (self-proclaimed as La Voz Sensual de la Salsa), and Luis Vázquez, marking a groundbreaking collaboration to further boost salsa’s resurgence. Each artist injects their unique essence into the mix, introducing fresh verses that both honor and refresh the genre’s storied footprint.
The significance of this ensemble is underscored as all participants were spotlighted on Billboard’s list of 15 Artists Keeping the Tropical Genre Alive, heralding them as custodians of salsa’s vibrant future.
The music video for “El Swing 2.0” extends this playful homage its longevity, casting the singers as baseball players — a nod to the multifaceted meaning of “swing” in both music and life. The song is produced by Eliot El Mago D Oz and DJ Buddha.
“Working with Luis Figueroa, Moa Rivera, and Luis Vazquez has been an incredible experience,” said Alicea in a statement. “Their passion for music and dedication to pushing boundaries aligns perfectly with my own artistic vision. Together, we’ve reimagined ‘El Swing’ in a way that pays homage to its roots while paving the way for its future.”
This project is a continuation of Alicea’s homage to the style’s rich heritage, as seen in his 2023 debut album Yo, where he boldly reimagined Marc Anthony’s iconic 2004 album cover for Valió La Pena. His debut album also placed three songs on the Tropical Airplay chart.
Last year, the artist signed an exclusive booking agreement with Loud and Live.
Moreover, his recognition as the only salsa artist on Billboard‘s Latin Artists to Watch in 2024 testifies his role as a pivotal figure in the genre’s evolution. Alicea’s upcoming album arrives March 15.
Watch the video for “El Swing 2.0” below:
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This week, Billboard‘s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — feature fresh new releases from artists such as Prince Royce, Pepe Aguilar, Farruko, Greeicy and more.
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Notably, Farruko is part of the Bob Marley: One Love movie soundtrack with his rendition of Marley’s 1977 hit “Jamming.” “The process was incredible because I got to sample his vocals in a song I was on,” the Puerto Rican artist said in a statement. His version, called “Rasta Reggae,” merges reggae with Latin beats and cultural nods in a way that both honors the original’s influence and highlights his own identity and Caribbean roots.
“It was a wow moment for me, like if I actually recorded with Bob Marley!” he continued. “It was an honor to take part and that this film will show he was more than a leader, he was a prophet, someone who forever changed the music culture and who made it a priority to fight for human rights and peace and equality. I very much identify with him. He has always inspired me and we share something else so special, that island culture, it’s in our blood.”
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This week, we also highlight three brand-new albums: Prince Royce’s Llamada Perdida, Greeicy’s Yeliana and Gaby Moreno’s Dusk. The former of the three, home to 23 bachata-heavy tracks, “represent the end of a life chapter for Royce, as well as the acceptance of a new beginning,” as described in a press release. Yeliana is a nine-track set that pays homage to Greeicy’s new motherhood stage; while Moreno’s Dusk is a collision of the best of the American and Latin American worlds — not only combining English and Spanish but also fusing the folklore of both, walking between country music, blues, rock and Latin folk.
Other releases this week include songs by Pepe Aguilar, Grupo Frontera, Luis Fonsi, and more.
Last week, Danny Ocean’s “Amor” won the poll with over 80 percent of the votes. Which your favorite new Latin music release of this week? Vote below!
What’s your new favorite Latin music release?/¿Cuál es tu nuevo lanzamiento favorito de música latina?
New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.
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Prince Royce, Llamada Perdida (Sony Music Latin/Smiling Prince Music)
A lot has happened in Prince Royce’s life since his last studio album, Alter Ego (2020). After the pandemic derailed his promotion and touring plans for that set, the bachata star also went through a divorce in 2022, following a 12-year relationship. Now he presents his most personal work to date in Llamada Perdida, “a celebration of overcoming obstacles, especially in love, [which] represents the end of a life chapter as well as the acceptance of a new beginning,” as described in a press release.
With 23 mostly bachata tracks, but also fusions with uptempo/disco (“Morfina” with Paloma Mami), regional Mexican (“Cosas de la Peda” with Gabito Ballesteros”), merengue (“Matar el Sentimiento”), urbani (“¿Cómo Salimos de Este Lío?” with Lenny Tavárez) and more, Llamada Perdida — Spanish for “Lost Call” — takes us on a fascinating roller coaster of emotions. It is heartbreaking in “Un Papel,” which speaks directly about the pain of the separation (or in “Frío en el Infierno,” about letting go of the loved one), funny in “Los Lambones,” and hopeful in “La Vida Te Hace Más Fuerte.”
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Royce’s eclectic group of guests includes stars such as Nicky Jam and Jay Wheeler, on the delicious bachata “Si Te Preguntan…“; Maria Becerra on “Te Espero” (with a surprising lift of Cutting Crew’s 1987 Billboard Hot 100-topper “(I Just) Died in Your Arms”) and El Alfa on “Le Doy 20 Mil”, but also less-predictable names like New York rapper A Boogie wit da Hoodie (“Boogie Chata”), Dominicans Ala Jaza (“Sufro”) and Luis Miguel del Amargue (“Anestesiada”).
“I think the overall concept of the album is the form of communication,” Royce told Billboard Español when explaining why he chose its title. “If you make the call, [with] that decision, something can happen. If you don’t take it. If he says something; if you don’t. If you send a text while drunk; if you don’t send it.” It is, all in all, a charming and deeply honest set that will make you dance and reflect. — SIGAL RATNER-ARIAS
Pepe Aguilar, “Hasta que me duermo” (Equinoccio Records)
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Pepe Aguilar has always lived between two worlds: The ranchera music he carries in his veins, and the pop/rock he loves to play. In “Hasta que me duermo,” (penned by Pablo Preciado) from his upcoming album, Aguilar brings the two currents together, sonically and visually. An emotional ballad, it kicks off to the strains of electric guitar, with Aguilar –dressed in black leather– playing the instrument in the video, before he transforms into full ranchero regalia to the strains of trumpet. The two sounds and looks intertwine throughout the song –which is no easy task to accomplish seamlessly– but the real star here are the immediately memorable melody and the lyrics (“In my house, everything is the same, to be honest; I can’t even push you out with someone else’s kisses”). This is fine pop, romantic but contemporary. — LEILA COBO
Greeicy, Yeliana (Universal Music Latino)
Greeicy has given birth to her third studio album Yeliana — one she’s been working on since her pregnancy in 2022. Home to nine tracks, the conceptual set tells the story of Yeliana (Greeicy’s second name), “a single mother working to fulfill her career goals while battling challenges such as an unexpected pregnancy and relationship troubles,” and it “represents all those who are fighting to be good mothers while pursuing their dreams and overcoming obstacles,” explains an official press statement. On an even more personal level, the album finds the Colombian artist co-writing her own music for the first time — closing track “De a Poco” is the perfect example, where she pens potent lyrics of resilience, self-worth, and optimism following a toxic relationship.
In Yeliana, Greeicy fuses her distinct Latin pop sound with other rhythms, as heard in her Danny Ocean-assisted “Zha,” a sultry electro-urban fusion that references a sensual connection between two people whose bodies want “zha, zha, zha.” “I know you have a super power/you can tell that you know how to move/come get close to my body to see,” the Venezuelan artist kicks off in his raspy tone. “Your body and mine, it’s so good, I don’t want it to stop,” Greeicy sings back in the only collab on the set. Other notable tracks on the album include “Lokita,” “Vete,” and “Química.” — JESSICA ROIZ
Farruko, “Rasta Reggae (Jamming)” (Island Records/UMG)
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In his contribution to the soundtrack for Bob Marley: One Love, Farruko pays tribute to the reggae legend with a fresh take on Marley’s 1977 hit “Jamming.” Known for his tropical flair and dancehall nuances, the Puerto Rican hitmaker merges reggae with Latin beats and cultural nods in a way that both honors the original’s influence and highlights his own identity and Caribbean roots. He is also the only artist featured on the soundtrack who was tasked with reimagining one of Marley’s hits, and he does so with aplomb. A masterful blend of tropical zest and Latin rhythms, Farruko diverges from the original’s pure reggae essence to introduce a swaggering track, with rich references to Latin culture and idyllic settings (“Flow caribe debajo ‘e la palmera”). Midway through the song, it adopts a dubbier tone, with Farruko rapping over the intensified reverb.
“When the opportunity was presented to me, I chose ‘Jammin’’ because it is one of my favorite songs from Bob. I knew this was the one,” says Farruko in a statement “The process was incredible, because I got to sample his vocals in a song I was on. It was a wow moment for me, like if I actually recorded with the Bob Marley! It was an honor to take part and that this film will show he was more than a leader, he was a prophet, someone who forever changed the music culture and who made it a priority to fight for human rights and peace and equality. I very much identify with him. He has always inspired me and we share something else so special, that island culture, it’s in our blood.” — ISABELA RAYGOZA
Grupo Frontera, “Quédate Bebé” (Grupo Frontera)
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Thriving on Grupo Frontera’s signature norteño style, “Quédate Bebé” is a new anthem-in-the-making for broken hearts. The lyrics are all too relatable, and for that we can thank songwriters Edgar Barrera and Keityn (plus Benny Blanco, who is also listed in the credits) who’ve continuously delivered songs that immediately strike a chord. In the song, Payo — the band’s lead singer — emotionally and evocatively sings about begging his bebé not to leave (and if she decides to leave, to take him with her). “There they are the tickets I bought for New York, the Post Malone concert tickets/ We were going to Japan, kiss on a balcony in Paris/ And Karol G has a new song, let’s dance to it/ Don’t leave, stay,” he sings with pathos as the cumbia builds up to a hip-swiveling release. — GRISELDA FLORES
Gaby Moreno, Dusk (Gaby Moreno/Cosmica Artists)
Singer-songwriter Gaby Moreno, the recent Grammy winner for best Latin pop album with her X Mí (Vol. 1), continues to showcase her musicianship in her new album Dusk. The 10-song collection is a collision of the best of the American and Latin American worlds — not only combining English and Spanish but also fusing the folklore of both, walking between country music, blues, rock and Latin folk. “I want this to be my introduction to the Americana world, which is something that I’ve been trying to do for as long as I’ve been releasing albums,” Moreno says in a statement. “I’m a Latin artist, a bilingual artist, and there’s not a ton of representation in that department” she adds.
Co-produced alongside Nashville’s Dan Knobler, Dusk opens with the introspective “Let it Fade,” setting the tone for the musical journey. It includes Old West-tinged tracks like “New Dawn” and “A Song in My Heart,” where heartfelt rhythmic guitars create an optimistic anthem for life. The album further explores the rock’n’roll realm with dynamic pieces like “Solid Ground” and the whimsical “I’ll Be Your Baby Tonight,” while paying homage to the blues tradition with the timeless “Ain’t That The Way It Goes.” The melancholy melody of “Rainy Season” captivates, leading to a triumphant conclusion with the romantic finale, “Dance the Night Away.” “El Saber” (Dusk Version) is also part of the soundtrack to the film Radical, starring Eugenio Derbez. Dusk stands as a testament to Moreno’s artistic versatility, while pushing the boundaries for Latin representation in the anglo music industry. — LUISA CALLE
Listen to more editor’s Latin recommendations in the playlist below:
Jennifer Lopez is reflecting on her growth. The multi-hyphenate superstar unveiled her ninth studio album, This Is Me… Now, on Friday (Feb. 16). This Is Me…Now is the sister album to 2002’s This Is Me…Then, which was dedicated to her partner at the time, Ben Affleck. Lopez and Affleck have since rekindled their romance, and the couple married in […]
Gloria Trevi — arguably one of the most successful Mexican pop acts of all time — has weathered trials and tribulations throughout a long career, but she’s now facing a legal battle over renewed allegations of serious sexual wrongdoing.
The dispute resurfaced in December 2022, when two unnamed Jane Does filed a lawsuit alleging that Trevi and Sergio Andrade, her ex-producer and manager, had “groomed” and “exploited” them when they were between the ages of 13 and 15. The lawsuit also named backup singer María Raquenel Portillo, also known as Mary Boquitas, over her alleged involvement in the abuse.
Trevi has for many years categorically denied such claims. In a statement released after the December 2022 lawsuit was filed, she wrote: “These false accusations, which were first made against me 25 years ago, have been tried in various courts and, in all instances, I have been completely and totally acquitted. For these old, disproven claims to resurface now is tremendously painful for me and for all my family. The accusations were false when they were made and remain false today.”
The story dates back decades. Trevi, Andrade and Portillo were arrested in 2000 in Rio de Janeiro — where they had fled to avoid prosecution — for allegedly luring young girls into a cult-like pornographic ring where they were kidnapped, raped and corrupted. All three were eventually extradited to Mexico, where Trevi was acquitted in 2004 on charges of rape, kidnapping and corruption of minors.
“Many people don’t understand that I wasn’t detained for a crime. I was part of a process,” Trevi told Billboard in 2014. “I was exploited by those who I was working with. All I did was [to] be loving, faithful and loyal. God picked me up. He protected me. He took me out. I was cleared. I was released. I’ve never committed a crime.”
Trevi scored her first big hit in 1990 with the anthemic “Dr. Psiquiatra,” becoming the first Latin female rockstar with her signature untamed hair, ripped tights and leather vests. Since, Trevi has established a 40-year career of hitmaking and touring success. To date, she has four No. 1s on Billboard’s Top Latin Albums chart and has entered Hot Latin Songs a total of 12 times, including three top 10s with “Con Los Ojos Cerrados” and “Me Siento Tan Sola” from the ’90s and “Cinco Minutos” from 2008.
In August, Trevi released the bio-series Ellas Soy Yo, which chronicles her rise to stardom as an adolescent to become Mexico’s biggest pop star, her involvement in the Trevi-Andrade sex scandal, her time in prison and her return to the stage after being found not guilty. Trevi is currently on her Live Nation-produced Soundtrack Tour visiting over 30 cities across the United States, including L.A., New York, Chicago and Miami.
Facing the new civil lawsuits over the Andrade sex abuse claims, Trevi filed her own counter-lawsuit in December. She claimed that it was Andrade who was the “true predator” that had subjected Trevi and other girls to “total control and sadistic abuse,” and that her Jane Doe accusers had actually been “enlisted to perpetuate his abuse.”
Billboard reached out to Trevi’s team for additional comment on the accusations but had not heard back at press time.
To get caught up on the full story, here’s a timeline of the messy legal saga, from the filing of the cases to where things stand today.
Two Jane Does Sue Gloria Trevi
Venezuelan singer Zhamira Zambrano nabs her first top 10 on Billboard’s Latin Pop Airplay chart with the Jay Wheeler collab “Extrañándote,” as the song rallies 12-4 on the Feb. 17-dated list. Explore Explore See latest videos, charts and news See latest videos, charts and news Zambrano’s second single from her forthcoming debut album enters the […]
From the vibrant streets of Rio de Janeiro to the spirited parades of Barranquilla, Colombia, Carnival is a testament to the power of music, dance and extravagant costumes, and comes together in a dazzling display of creativity and celebration.
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This year, Billboard Español presents a curated playlist that bridges the past with the present, featuring a dynamic mix of artists who capture the spirit of Carnival, from the legendary sounds of Celia Cruz with her timeless “La Vida es un Carnaval” to the invigorating rhythms of Brazilian powerhouse Anitta alongside DENNIS and Pedro Sampaio in “Joga Pra Lua,” and the energetic MPB rhythms of Ludmilla and Ivete Sangalo’s “Macetando.”
Adding to the mix, Colombian superstar Maluma’s aptly titled “Carnaval” and Cuban Latin Collection’s “Salsa Soca,” this collection of 22 songs pays homage to the artists who have helped shape the festival’s soundscape.
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Originating from ancient traditions that predate the arrival of Europeans to the Americas, Carnival has evolved over the centuries, blending European, African and indigenous cultures into a vibrant celebration that traditionally precedes Lent, a time of indulgence before the fasting period in the Christian calendar.
In Brazil, Carnival is synonymous with its samba schools’ parades, showcasing an array of dance, music, and elaborate costumes. Meanwhile, the Caribbean offers its own unique flavor, from Trinidad and Tobago’s calypso and soca festivities to Cuba’s vibrant comparsas, with Colombia’s Barranquilla adding its own electrifying twist.
More than just a party, Carnival stands as a beacon of cultural resistance, identity, and community spirit, inviting everyone to partake in its joyous revelry.
So turn up the volume and let the rhythms transport you to the lively streets of Latin America and the Caribbean, with the rhythms of Anitta, Ludmilla, Carlos Vives, Celia Cruz, Bomba Estéreo and many more to soundtrack your way.
The stars keep aligning for Jennifer Lopez, and the star is reflecting on her growth in her musical experience film, This Is Me… Now: A Love Story, which premiered on Tuesday (Feb. 13) just days before her long awaited new album arrives on Feb. 15.
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In the Dave Meyers-directed movie, the 54-year-old multi-hyphenate follows an astrologically charged journey to find love, which only comes to her once she learned to truly love herself and her inner child. “I was raised in a time of fairytales and Cinderella and Prince Charming and I’m just the type of person since I was very young that really believed in love and was a hopeless romantic from a very, very young age,” she tells Billboard of the inspiration behind the film’s concept, which features Lopez continuing to trust that love will come her way despite the heartbreak, all to the tune of her newest songs. “As I became an artist and started making music, love was my main subject.”
Love is certainly on the brain for Lopez, who rekindled her romance with Ben Affleck nearly two decades after they called it quits before their 2004 wedding. The duo tied the knot in July 2022, something the “Waiting for Tonight” star didn’t see coming, especially after having three marriages end in divorce. “I never thought that he and I would get back together,” she says of her relationship with the actor. “I just just couldn’t give up on idea that there was something amazing out there for me, even when it got really bad — and it did at times. I always believed deep, deep down to not give up completely. It wasn’t until I got to the point where I was really OK on my own and not having to be in a relationship when I feel like universe kind of opened up and said, ‘Well here you go.’”
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Another full circle moment is the upcoming release of This Is Me…Now, the sequel album to her 2002 album, This Is Me…Then — which just so happened to have been written at the time of her then-relationship with Affleck. “This Is Me…Then was something that I wrote at that point in time that wound up capturing a moment where I fell deeply in love for the first time in that way, and I didn’t know that I would look back and I think. ‘What a kind of poetic thing to say,’” Lopez reflects.
She continued, “Then to have this kind of crazy, strange, magical, surrealistic plot twist where I wound up back with that person, it was insane and it was also very inspiring. So I went back in the studio, and in the way that This Is Me… Then captured that first moment in time, I wanted to capture this moment in time. It’s even more beautiful and inspiring than the first time. I have something to say about love now that I’ve been looking for which is — I’m sure people wonder because I did — does true love exist? Is that type of love real? Does anything last forever? When I felt like I had the answers to that, I wanted to share that with all the people who’ve been on this journey with me, who watched me get up and fall down, in and out of relationships. It may not be a straight road, but the love is there.”
And of course, because the film features a guardian angel council of astrology gods and goddesses played by Trevor Noah, Sofia Vergara, Keke Palmer, Post Malone, Jane Fonda and more, Lopez had a lot to say about her own astrological sign (Leo) and its compatibility with Affleck’s (also Leo). “Let me tell you it’s fiery! It’s great,” she says of a two-Leo marriage. “And it’s challenging. We are both very willful. If you know what Leos are like, you know we’re passionate. Oh my God, so passionate, the both of us. One of us gets on a tangent about something, it’s like, ‘Just sit down and let him have his moment.’ Or he needs to sit down and let me have my moment. We know each other in that way and we’re getting to know each other again, which is really beautiful too.”
This Is Me… Now: A Love Story, a 65-minute musical film drops on Amazon Prime video on Friday (Feb. 15) alongside the album. The singer also announced a 30+ city tour in support of the project. Check out the full list of dates below.
June 26 — Orlando, FL @ Kia Center
June 28 — Miami, FL @ Kaseya Center
July 2 — Austin, TX @ Moody Center
July 3 — Edinburg, TX @ Bert Ogden Arena*
July 5 — San Antonio, TX @ Frost Bank Center
July 6 — Dallas, TX @ American Airlines Center
July 9 — Phoenix, AZ @ Footprint Center
July 11 — Los Angeles, CA @ Kia Forum
July 13 — Anaheim, CA @ Honda Center
July 16 — San Francisco, CA @ Chase Center
July 17 — Sacramento, CA @ Golden 1 Center
July 19 — Palm Springs, CA @ Acrisure Arena
July 20 — Las Vegas, NV @ T-Mobile Arena*
July 22 — Denver, CO @ Ball Arena
July 24 — Tulsa, OK @ BOK Center
July 26 — Rosemont, IL @ Allstate Arena
July 27 — Indianapolis, IN @ Gainbridge Fieldhouse
July 30 — Pittsburgh, PA @ PPG Paints Arena
July 31 — Detroit, MI @ Little Caesars Arena
Aug. 2 | Toronto, ON @ Scotiabank Arena*#
Aug. 5 — Montreal, QC @ Bell Centre*#
Aug. 7 — Boston, MA @ TD Garden
Aug. 9 — Belmont Park, NY @ UBS Arena
Aug. 10 — Newark, NJ @ Prudential Center
Aug. 13 — Philadelphia, PA @ Wells Fargo Center
Aug. 14 — Washington, DC @ Capital One Arena
Aug. 16 — New York, NY @ Madison Square Garden
Aug. 20 — Cleveland, OH @ Rocket Mortgage FieldHouse*
Aug. 22 — Nashville, TN @ Bridgestone Arena
Aug. 24 — Raleigh, NC @ PNC Arena
Aug. 25 — Atlanta, GA @ State Farm Arena
Aug. 27 — Tampa, FL @ Amalie Arena
Aug. 30 — New Orleans, LA @ Smoothie King Center
Aug. 31 — Houston, TX @ Toyota Center*
*Verizon Up Presale Not Applicable | #Citi Presale Not Applicable
After joining forces with Keith Urban for the new Zorro series soundtrack, Carin León continues tapping into the country music realm by teaming up with Kane Brown for his next collaboration, Billboard can reveal.
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Marking León and Brown’s first collaborative effort, the pair will premiere their new single “The One (Pero No Como Yo)” on Thursday, Feb. 22, at 2024 Premio Lo Nuestro. The title indicates the song will be a heartfelt Spanglish bop. This also marks Brown’s second Latin effort after dropping “Lost in the Middle of Nowhere” with Becky G in 2019.
“After I recorded the song with Carin, he invited me to join him at the awards show to do the performance,” Brown tells Billboard exclusively. “I have never attended Premio Lo Nuestro, so I’m a little nervous and very excited … I see so many similarities between our fans and I’m incredibly grateful to be able to share my style of music with his fans and share Carin’s style of music with my fans.”
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Nominations for the 2024 awards ceremony were revealed in January, with 14-time nominee Maluma leading the pack. He’s followed by Peso Pluma (13), Grupo Frontera (10) and, with nine each, Karol G and Feid. Each of the leading artists are up for the coveted Premio Lo Nuestro artist of the year prize alongside the other top nominees, including León, Bad Bunny, Camilo, Ozuna and Shakira.
Meanwhile, Ana Barbara, Don Omar and Olga Tañon will receive this year’s Premio Lo Nuestro a la Trayectoria, Global Icon and Premio Lo Nuestro a la Excelencia special awards, respectively.
Co-hosted by Galilea Montijo, Clarissa Moline and Angélica Vale, the 2024 Premio Lo Nuestro will air live from Miami at 7 p.m. ET on Thursday, Feb. 22, via Univision.