Latin Women In Music
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Ángela Aguilar was honored with the Musical Dynasty award at the 2024 Billboard Latin Women in Music ceremony on Sunday night (June 9), where she was also the youngest of the eight honorees. “The legacy I’ve had the privilege of forming part of has been beautiful and full of joy, trajectory and music that when […]
Camila Cabello made sure to shout out the women who have impacted her life and career during her speech at the Billboard Latin Women in Music 2024 gala, where she was honored with the Global Impact Award.
Speaking in both English and Spanish, Cabello spoke with great emotion about her mother, who was present at the music special, which aired on Sunday night (June 9): “I was thinking about what to say tonight here in front of you and I decided to take this moment to thank my mom. Honestly, I had never taken a moment to talk about her like this, so I wanted to do it tonight.”
Cabello praised her mother’s strength and her ability to comfort her in difficult times. “When the world is suffering, the headlines make my chest hurt with news of war and death with dangerous amounts of lack of compassion, my mom reminds me that there is love in this world,” she expressed. “She inspires me with that infinite strength that just being herself, transmits her endless energy and encourages my sister and me no matter how exhausted she is. She shows me that there is hope in this world. Her best advice is not something she says but something she practices; her kindness, empathy and, most importantly, how she treats people.”
The “I Luv It” singer was among this year’s Latin Women in Music honorees, which also included superstars Kali Uchis, Gloria Estefan, Kany García, Ángela Aguilar, Ana Bárbara and Karol G. In her speech, Cabello made sure to recognize their contributions to music and express her love for Estefan, whom she also shouted out numerous times throughout her speech.
“I feel very honored to share this award with these incredible women. Gloria Estefan, I mean, are you kidding? Karol G, Ana Bárbara, Ángela Aguilar, Kany García, La India, Kali Uchis. I love you guys, you guys are amazing. You all have been and are a source of inspiration for me and other women, so I salute you. I love you, Gloria!”
Of course, she also thanked her fans, for whom she had some advice: “I would like to tell them not to underestimate the power of their actions, be kind to the shy new kid at school, stand up for a friend who is being bullied and get involved with the cause you care about. Every act of kindness creates a chain reaction.”
Cabello added: “I am grateful every day to be Cuban and Mexican and from Miami. I’m proud to represent young people with stories like mine, to be proof of possibility. I’m here because of the kindness and generosity of so many people and I remind myself every day to pass it on. I love you mommy and I love you all so much. And I love you Gloria Estefan.”
At only 20 years old, Ángela Aguilar received the Musical Dynasty award at the 2024 Billboard Latin Women in Music gala for continuing the legacy of an emblematic family in Mexican music that includes her father, Pepe Aguilar, and her grandparents Antonio Aguilar and Flor Silvestre.
After a sublime performance of an old song of her father’s, “Me Vas a Extrañar,” accompanied only by the piano of Arthur Hanlon, the Mexican star – in a romantic and floaty white dress with blue flowers – was surprised by her dad, who from Japan sent a video message expressing the great pride he feels for his daughter.
“A lot of thoughts come to mind from when she was little, two and a half years old when I started training her, I started teaching her how to sing, when I started teaching her the craft that my parents taught me and that I am sure that she will follow it just as I have followed it,” said Pepe Aguilar. “I think they are people who lead and continue to lead the Aguilar dynasty, like her brother [Leonardo], in a very dignified way. Congratulations daughter.”
Moved and with a maturity beyond her years, Ángela expressed feeling “a great relief and a great privilege” to be part of a family that has already experienced everything she is preparing to experience.
“I feel like they grab me, hug me, and take care of me and lead me on the right path. And not only with words but with actions,” she expressed with aplomb. “With my grandmother I learned to be a good woman, with my mother I learned to always express myself. My father taught me that what you don’t know how to say with words you know how to sing. I am very grateful to be able to receive this because I know that this is not because of me, but it is due to generations of sweat in the throat, sleepless nights, and composed melodies.
“More than anything, I want to thank the people who have supported me, because between this great legacy and this great last name, I am still trying to find who I am among all of it,” she concluded.
In its second annual edition, Billboard Mujeres en la Música also honored Karol G as Woman of the Year, Gloria Estefan as Legend, La India as Pioneer, Ángela Aguilar with the Musical Dynasty Award, Camila Cabello with the Global Impact award, Kany García as Spirit of Change and Kali Uchis as Rising Star.
In addition to airing on Telemundo on Sunday, the ceremony is also available on the Telemundo app and Peacock.
Kali Uchis was a woman of few words at the Billboard Latin Women in Music 2024 gala, where she let her music speak for her as she was honored as Rising Star on Sunday (June 9)’s telecast. Although her acceptance speech was the shortest of the night, the Colombian-American singer-songwriter shined with a class-act performance.
Uchis, in a long black dress and her hair in an updo, performed a stripped-down version of her hit “Igual Que un Ángel,” originally recorded with Peso Pluma and part of her latest Spanish-language album, Orquídeas, which reached No. 2 on the Billboard 200 and No. 1 on Top Latin Albums.
Accompanied only by piano and trumpet, the Grammy winner showcased her voice with a jazzy arrangement that added elegance to the show. Moments after her performance, Peso Pluma appeared on screen to present, through a video, the award to his “friend,” whom he called “a talented and multifaceted woman who even took me out of my comfort zone.”
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“Many thanks to Billboard and many thanks, first of all, to God for this life, for giving me the opportunity to always grow, and to my fans,” Uchis said, as she received a standing ovation from the audience.
Kali Uchis onstage during Billboard mujeres latinas en la música at the Telemundo Center in Miami, FL on June 8, 2024.
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Singer, songwriter and producer Kali Uchis has successfully alternated between English and Spanish-language projects, and has defied musical genres by blending elements of R&B, neo-soul, pop and Latin rhythms. Her smash hit “Telepatía” has more than two billion plays and is the longest Spanish-language song by a solo artist on the Billboard Hot 100 this decade, with a 23-week streak.
In its second annual edition, Billboard Latin Women in Music also honored Karol G as Woman of the Year, Gloria Estefan as Legend, La India as Pioneer, Ana Bárbara with the Lifetime Achievement Award, Ángela Aguilar with the Music Dynasty Award, Camila Cabello with the Global Impact Award, and Kany García with the Spirit of Change Award.
In addition to airing on Telemundo on Sunday at 9 p.m. ET/8 p.m. CT, the ceremony is also available on the Telemundo app and Peacock.
From Gloria Estefan to Kali Uchis and Ana Bárbara, Billboard Latin Women in Music 2024 honorees walked the red carpet ahead of the music special, set to air exclusively on Telemundo on Sunday (June 9) at 9 p.m. ET. This year, Karol G will be celebrated as Woman of the Year; Gloria Estefan will receive […]
Just ahead of Billboard Latin Women in Music 2024 — where Kany García will be honored with the Spirit of Change Award on Sunday (June 9) — the Puerto Rican star sat down with Billboard to talk about her new album, García, her friendship with Young Miko and what it means to receive this special honor for her activism.
Her new album, released May 2, includes collabs with Edén Muñoz, Christian Nodal, Carla Morrison and Young Miko, someone who she says is “on an incredible path.” Says Garcia: “I feel it is important in the albums to make room for the new generations who are doing important things like her.”
The two artists met last year at Billboard Latin Music Week, where Young Miko expressed admiration for García. “When we met, it was beautiful,” García adds.
Throughout her career, García has placed 30 songs on Billboard‘s Latin Pop Airplay chart and eight albums — including five in the top 10 and one No. 1, 2019’s Limonada — on Top Latin Albums. Her latest, García, follows her 2022 El Amor Que Merecemos.
“There are two or three key people in my life who have been like anchors and people whose opinions have been important to me who don’t call me Kany and [instead] call me García,” the singer-songwriter says, explaining the meaning behind the album’s name. “These are people who care for me. In the song ‘García,’ I speak to myself and I want to give importance to what I am saying to myself, so I named it that. I love it because it was a way of giving it a certain place to the people who care about me and call me that.”
On receiving the Spirit of Change Award, García says, “On the one hand, it’s like a hug within the effort and the struggle. It’s an opportunity I have to continue inspiring new women who are coming up, and with women who are speaking up.”
Watch Kany García’s interview above.
Billboard’s 2024 Latin Women In Music airs Sunday, June 9, on the Telemundo network (9 p.m. ET/8 p.m. Central), and will stream live on the Telemundo app and on Peacock.
Gloria Estefan can do it all — from breaking molds in the music industry to doing her own laundry, literally. And she knows it.
It’s something she learned from the biggest “legends” in her life: her grandmother Consuelo and her mother Gloria Fajardo, whose life circumstances forced them to take the reins and provide for their family. “I grew up with two women who did everything,” Estefan says. “So for me there was never the question [of], ‘Well, as a woman, can I do this?’ Because the women in my life did it all.”
Since rising to stardom in the 1980s as the lead vocalist for the Miami Sound Machine — alongside her husband, visionary producer Emilio Estefan — Gloria Estefan has helped infuse Latin flavor into English-language pop music, breaking barriers with hits like “Conga” and “Rhythm is Gonna Get You,” and singing at the same time en Español.
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On the Billboard charts, she has placed 29 songs on the Hot 100, including three No. 1 hits (“Anything For You” in 1988, “Don’t Wanna Lose You” in 1989 and “Coming Out of the Dark ” in 1991) — as well as 30 hits on Hot Latin Songs, 15 of which reached the top spot (from “No Me Vuelvo A Enamorar” in 1986 to “Hotel Nacional” in 2012). Her first full-length album in Spanish, Mi Tierra (1993), spent a whopping 58 weeks at the summit of Top Latin Albums, and won her first of three Grammy Awards.
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This weekend, the Cuban-American superstar — who only six months ago became the first ever Latina artist to be inducted into the Songwriters Hall of Fame — will receive the Legend award at the 2024 Billboard Latin Women in Music gala in Miami.
You are a music icon and a legend. What many may not know is how down to earth you are. I remember I interviewed you a few years ago over the phone and you apologized for the noise of the washing machine — you said that you were doing laundry because you were going on a trip, and I confess I was impressed. I didn’t imagine that Gloria Estefan washed her own clothes.
Sometimes I have to, you know? [Laughs.] I am blessed to have staff at home who are really family — they have been with us for more than 30 years, and they pamper and spoil me a lot — but there come times when there are some things that you have to do yourself. And of course, I know how to do everything! And Emilio is the same too. Emilio starts cleaning because he is meticulous, he sprays water everywhere with the hose. It’s hilarious to watch.
How have you managed to stay so grounded despite all the fame and success?
You know what, I went through a lot as a child. Taking care of my dad [who had multiple sclerosis], trying to help my mother, who had everything left on her shoulders — raising her two daughters, helping my grandmother. My grandmother helped us too. I believe that when you have the example of knowing what’s really [worthwhile] in life, the things that have real value, which is health primarily, love, affection, family — and if it weren’t for my family I wouldn’t know where I’d be — that helps me a lot.
Also, I already had a son when we achieved great global success, and I was still a mother; I would take him on tour with me and he would see me on stage and see that part, but when I got off I was just a mom. Having family with you like that really keeps you grounded.
Who have been the female legends in your life, as a woman and as a musician?
My grandmother Consuelo, who came to this country at 57. She didn’t speak English. She grabbed my grandfather and told him, “This is what we’re going to do” — and she created a food business, with which she managed to buy her home and help us. She was an entrepreneurial woman who unfortunately was taken out of school in Cuba when she was 9, because it was the global Depression and she had many siblings and they had to help the family work to survive. She wanted to be a lawyer, she was born in 1905 — a woman in Cuba! She was brilliant. She was spiritual, someone who gave everything and helped many people.
My mother too. I grew up with two women who did everything, so for me there was never the question, “Well, as a woman, can I do this?” because the women in my life did it all. My father was sick, my grandfather too, so women had to take charge of everything.
And on a professional level, Celia Cruz was an inspiration for me — a woman whose humbleness, professionalism, love for what she did, for her people, for her fans, her family… I had the joy of being able to be her friend and share time with her, and she was a very big example for me. She was ageless on stage! For me, that is a legend, someone who really breaks all the molds that exist. That was Celia. So that is the triangle of women who have somehow left their mark on me in a thousand ways.
You’ve stayed active in music. Only last year, you released a Christmas album with your family and recorded the main track from the movie 80 For Brady (“Gonna Be You”). Now you’re writing a Broadway musical with your daughter Emily. You could easily retire and live off the royalties of your many hits. What keeps you going?
For me, it is a blessing and a privilege to be able to make music and in some way inspire others who listen to it; That is what I enjoy the most. Right now, we’re in the workshop of a musical that we have been working on for two years. It has been an inspiration to be part of the process and even more so working with my daughter, which is a very unique opportunity, and to put new songs in the hearts of people tied to an original musical based on the real life story of The Cateura Orchestra of Recycled Instruments [in Paraguay]. They are children who live next to a landfill, and the man who did all this created a music school and they have made instruments from waste and live off that landfill.
It is inspiring to see the triumph of the spirit of young people who, under the most difficult circumstances, have managed to send music to the world. This is not work for me. The luxury I have now is that I can choose the projects to which I say yes […] because now I also have a grandson and I don’t want to be away, I don’t want to miss those years that go by so quickly. So it’s a nice balance.
You have also remained active with the Gloria Estefan Foundation, which you created in 1997 in response to your accident (of 1990, when a truck crashed into your tour bus and left you temporarily paralyzed). What would you say has been the greatest satisfaction it has given you?
Being able to be of service to others. It is a privilege to be able to help in any way. We have many organizations that we support […] I also want to be part of the paralysis cure, because I was paralyzed and I was a positive story after that accident, so I want to help in any way. We help teachers a lot, because my mother was a teacher, so that they can help their children, because sometimes public schools don’t have the funds.
And a strange thing, but something I love: the Miami Beach Police can’t buy bulletproof vests for the police dogs, because they are very expensive and are not in the budget. So many of the dogs were dying — and I was able to buy vests and donate them, so they are more protected, because I also love animals. It is a nice way to be part of the community, be of service to others and find the best way to help.
Would you say that the accident was the most difficult moment you have ever had to go through?
It wasn’t fun, I can tell you that. But I wouldn’t change it. I wouldn’t want to go through it again, but, although I already appreciated life a lot, it gave me a way to live totally grateful every day of my life — for simply being able to stand up, go get a glass of water myself. Because my father was in a wheelchair, I knew what my family would experience if I remained in a wheelchair. Although I am very positive, and if I had stayed in the chair I would be playing basketball. [Laughs.]
It was difficult, but I had so much support, so many prayers that I felt and absorbed and that I know are part of my recovery. I worked very hard, doing six to seven hours a day of rehab — first floating in the pool, because I couldn’t walk. Until I was able to step on stage, 20 days before the one year anniversary of the accident. Every year when that date arrives, the day I broke my back, March 20, […] I celebrate my rebirth. So I’m only 34 years old right now.
How would you describe the role that music has had in your life?
Music for me has been the vehicle of my soul. To express myself. To stay strong. To vent. To have fun, celebrate. Music is the center of my life. Always has been. I’ve been singing since I’ve been able to talk, it came with me. And it’s not that I had to be famous or anything, because I had to get used to being the center of attention — it’s not part of my personality. But I can’t imagine my life without music. And having the privilege of other people listening to my lyrics, my melodies, is something I feel grateful for every day of my life.
When you look back, what moment as a Latin woman in music do you view with greatest pride?
The album Mi Tierra. Definitely. Because although I grew up in this country — I came when I was two and a half years old, and American music and everything I listened to became part of me — to be able to share my culture, an era of Cuban music that was paralyzed with the revolution and didn’t grow any more, being able to make original songs that celebrate and honor Cuban music and spread it throughout the world, for me is my greatest achievement. And if I had to leave only one album, it would be that one.
Billboard Latin Women in Music 2024 will air exclusively on Telemundo Sunday (June 9) at 9 p.m. ET, and will also be available on the Telemundo app and on Peacock.
With her eclectic fusions of Música Mexicana and Latin pop, Ana Bárbara has not only molded the Regional Mexican genre but righteously earned her title of La Reina Grupera (the queen of grupera music). In celebration of her 30-year career that has ultimately defined the grupero genre through 11 studio albums and various Billboard hits, […]
In a world where seasons change but legends remain, Ana Bárbara has positioned herself as an unforgettable icon in regional Mexican music and Latin pop.
Celebrating three decades of a spectacular career, the artist has excelled as the defining female voice of the grupero genre, with a mix of rhythms that has captivated millions. Throughout these years, the San Luis Potosí native has not only conquered hearts — with an extensive discography that includes 11 studio albums and 18 compilations — she has also molded the regional musical style.
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From the time she debuted with an eponymous album in 1994 until she became La Reina Grupera, Altagracia Ugalde Motta (her real name) has released a succession of hits that resonate with a unique energy. Two decades ago, she delivered one of her biggest and most transcendent songs, “Lo Busqué”. “It was the first to make a crossover between pop and country,” Ana Bárbara says — and, as she can proudly claim, started a trend that now influences artists like Carín León, Chiquis and more.
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Throughout her career, she has collaborated with legendary figures such as Vicente Fernández, Bronco and Paquita la del Barrio, and has been a key player in the rise of superstars like Christian Nodal and (more recently) Majo Aguilar and Adriana Ríos. Her career not only reflects her mastery of the stage, but also of the Billboard charts. Hits such as “Me Asusta Pero Me Gusta”, “La Trampa”, “Ya No Te Creo Nada” and “No Lloraré” reached the top 10 of Hot Latin Songs, and albums like Ay Amor (1996) and Yo Soy La Mujer (2014) established her as a mainstay on Regional Mexican Albums.
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Ana Bárbara will be recognized with the Music Lifetime Achievement Award at Billboard Latin Women in Music 2024. In this intimate dialogue, The Queen of Grupera opens the doors to her world, revealing more about her achievements, challenges and the passion that continues to fuel her impressive musical legacy.
This year you are marking 30 years of musical career, and you will celebrate it soon with La Reina Grupera Tour.
Cómo han pasado los años (how the years have gone by), as the song [by Rocío Dúrcal] says — and it’s been incredible. With so many things happening in life, to have life is a miracle. It’s a blessing to be celebrating with music and a tour! It’s a triple blessing. The tour is a surge of nostalgia, of history, of feelings, of ups and downs of emotions. Because in 30 years, how many stories could have been written? How many were part of my songs? I can’t express enough thanks for the gratitude that my heart feels, without a doubt.You sing, you compose, you dance. Is there an area that you enjoy the most in what involves being the superstar Ana Barbara, whether it’s recording, composing or performing live?They all have their magic. But the songwriting part of it is very exciting. It’s like, “Oh my God, I came up with this! Where did it come from? What part of the universe? Where was my soul?” When I start producing it, I see if I want guitar here or trumpet there. The creative process is like an adrenaline rush. Also, you know that a feeling crystallized, if you can call it that. A feeling that took shape. Just talking about it gets me excited. Right now I’m finishing [a song that I’m] crazy about and listening to it makes me thing: “How did I come up with this?” I know, it’s really cool. That’s an indescribable feeling.
I was listening to your most recent track, “Así bailé”. You have a very fun way of telling stories that make you smile.
If you listened to it and say, “I laughed, I smiled, it put on a good attitude,” then I have done my job. That song was to talk about the anecdote of when you meet someone and it doesn’t matter how old you are. You can be 17, 18, 40, 50 or 60 years old, be single and feel butterflies in your stomach again. Why not? That’s what I love about that song.
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You use norteño elements like the accordion, but it also sounds a bit country. How do you approach incorporating diverse styles into your music?
That’s something organic — that word is in style. “Lo Busqué” is going to be 20 years old, and I was lucky enough to be with Carín León at StageCoach [Festival on April 27], where he mentioned to those present that for him, that song, in his reality, was the first that made a crossover between pop and country. It is a song that marked him, and it marked me too when I wrote it.
When I wrote it, I had a lot of problems with the record label — because they told me: “Your song is neither grupera, nor ranchera, nor a ballad, nor country”. And I told them, “You know why it is nothing? Because it’s everything.” They’re songs that come naturally to me. I think it’s the impact of cultures — of traveling, of listening to all kinds of music — that makes me write that way.
Thirty years ago, when you were starting your career, regional Mexican music was even more male-dominated than it is today. What was it like to stand out and make your way as a female leader in the music scene and what challenges did you have to overcome?
The first challenge? Insecurity. It’s absolutely a man’s market. I still believe that. It’s misogynistic, and I say that with the authority of years of being in this. [A record executive] said, “We have five singles [to release], and Ana’s is going to be the fifth.” The first one, almost always, or always, is very male-focused. It’s insane! They’re career challenges that deflate your spirits.
But you keep going because of “orgullo de mujer cuando está herido”(or “a woman’s pride when it’s wounded”) — my song “Loca” (2004) says. Even if they [make you] let your guard down and say, “She’s probably going to get married or have children”, or “Oh, she’s not going to have the body she once had.”
No! If you got married, you got married; if you had a child, you bless them and move on. I have been a victim of these kinds of comments that can discourage any human being, any woman. Don’t let them make you let your guard down — you keep going, you keep fighting. If it impacts you, you have to know how to channel it. I have channeled it with my songs, through dance, concerts, and it has worked very well for me.
You proved it in February during your performance at Premio Lo Nuestro, with your medley of hits, the numerous costume changes, the choreography, and then you did a split! How do you prepare for that kind of gymnastics on stage? What’s your diet and routine like?
The worst thing that can happen to an artist, in my humble opinion, is that what they need the most is discipline or the routine to get in physical condition — to get on stage, sing and dance at the same time; daily exercise. We [artists] are always flying, traveling, going up, going down, all the time, and the only thing we don’t have is a routine. However, not having a constant of waking up in the same place — within that disorder you have to have an order.
I try to do sports at least three, four times a week. I do try to do them intensely — because imagine, singing, dancing, performing and costume changing is weight on your feet, arms and legs. Besides, you can’t become a fitness [guru], because you don’t have the time. One of the limitations is to look for schedules without routine, whether it’s in the evening, another in the morning, or at the crack of dawn. Do yoga, aerobics, things that give you the physical condition for that kind of performance.
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The logical thing to do when you’re not traveling, singing, promoting, taking care of your home or your family, is to rest. Well, no! In those breaks, the stress I put on my body is one that is called positive stress. Even if I’m very tired, I try to exercise to have the condition for these kinds of challenges that are award show presentations, or touring — because for each [tour] show, you need an hour and a half or two. Imagine being on stage, up there in heels at this age. [Laughs.] Yes, it’s a big challenge, queen.
You have been a judge in competitions such as La Academia and Tengo Talento, Mucho Talento. How was that experience of being on the other side of the music industry?
You can go all over the world and you will never come across a monument like a critic. It’s funny, but the critic can suddenly be cold hearted, and will only say: “Look, ta, ta, ta, ta, ta, ta”, right? I was a critic, but I have been a judge — I have also been in programs as a contestant, not only once, but many times. From that sympathy, I made my comments [as judge]. I always wanted the contestant to feel good and comfortable, and leave there having lived a nice experience. Despite how strong [it can be], I always wanted them to have a glimmer of hope. But I tried to be realistic.
Besides the tour, what else is next for Ana Bárbara?
I have other music projects with new artists. María José, a Mexican singer that I love, just recorded a song. It is a song I wrote, called “Mi Rey, Mi Santo” (My King, My Saint), and the truth is that she sings it very beautifully. She invited me to sing it with her. It’s coming out [soon] and we are very excited.
Billboard Latin Women in Music 2024 will air exclusively on Telemundo Sunday (June 9) at 9 p.m. ET, and will also be available on the Telemundo app and on Peacock.
With a new look and unleashing her most unapologetic body of music to date, Camila Cabello is channeling a “big baddie energy” that’s fearless, bold and rebellious. But despite her new era, one thing stays consistent: her heart of gold.
Cabello — who’s logged 21 career entries on the Billboard Hot 100 including No. 1 hits “Havana” (with Young Thug) and “Señorita” (with Shawn Mendes) — has used her star power and platform to advocate for topics that wholeheartedly matter to her: immigration, mental health, climate change and LGBTQ+ rights, to name a few.
Celebrating her contributions that positively influence popular culture, the 27-year-old singer-songwriter will be honored with the Global Impact award at the 2024 Billboard Latin Women in Music airing exclusively at 9 p.m. ET on June 9 via Telemundo, and simultaneously on the Telemundo app and Peacock.
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“Hopefully when I’m no longer here, I want the legacy I leave behind to make the world, somehow, more loving,” she tells Billboard. “There’s different ways of doing that, through art and music, and I always try to keep myself accountable.”
Cabello (real name Karla Camila Cabello Estrabao), who formed part of famed girl group Fifth Harmony from 2012 to 2016, owes her kind, selfless and giving qualities to her parents: a Cuban mother (Sinuhe Estrabao) and Mexican father (Alejandro Cabello), who migrated to Miami when Cabello was six years old in search of better opportunities. Estrabao was an architect in Cuba, who worked at the shoe department in Marshalls; Mr. Cabello worked washing cars at Dolphin Mall. Today, they have a successful contracting company called Soka Construction (named after Camila and her little sister, Sofia).
“I’m so proud of my family history, and proud of my work ethics, and any sort of strength or drive that I have is from hearing their stories,” she explains. “I really feel that I come from a family of f–king hustlers. My mom and dad never lost that, and even my grandparents. I feel that so much of that is carried in my bloodline. There’s something carried in our story that I feel makes me handle life and look at life in a different way.”
Among her notable philanthropical efforts, Cabello has partnered with This Is About Humanity and Miami Freedom Project to host community events for new immigrant families in Miami and has raised half a million dollars with Equality Florida and Lambda Legal to combat harmful legislation in Florida targeting the LGBTQ+ community. She also launched the Healing Justice Project to provide mental health resources to BIPOC organizers across the country advancing racial, immigrant, and environmental justice.
“What strikes me the most is how sincere, hard-working, and caring she is as a human being,” Roger Gold, Cabello’s longtime manager, adds. “Camila really absorbed that from her family, from her upbringing, from her journey to The United States. She grew up very, very humbling.”
In addition to receiving the Global Impact award at the Billboard Latin Women in Music event, Cabello is preparing to release her fourth studio album C,XOXO on June 28, a set produced by El Guincho and Jasper Harris that was inspired by the eclectic rhythms and sounds of her hometown, and which she describes as the ultimate “Miami art piece.”