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Latin touring

Oak View Group is set to take over hospitality at four OCESA venues in Mexico City, it was announced Monday (Sept. 9).
OCESA, one of the leading live entertainment companies in Mexico, said that Oak View Group’s OVG Hospitality has been selected to “redefine the culinary and hospitality experiences” at Estadio GNP Seguros, Autódromo Hermanos Rodriguez, Centro Citibanamex and Palacio de los Deportes.  

The partnership will see OVG Hospitality upgrade experiences at concerts, sporting events and business gatherings by introducing premium services, innovative technologies and a broader range of menu options. 

“By merging OCESA’s unmatched expertise in hosting world-class events with OVG Hospitality’s leadership in premium hospitality, we are poised to elevate the fan experience across Mexico, starting with these iconic venues,” said Chris Granger, president of OVG Hospitality’s parent company OVG360, in a statement. “This partnership marks a pivotal expansion of Oak View Group’s presence into Latin America, and we’re particularly excited and humbled to partner with OCESA. As hard-working operators ourselves, we appreciate their entrepreneurial spirit, their bold thinking, and their commitment to music fans across the country.”

As the exclusive food and beverage provider, OVG Hospitality will integrate its industry-leading services across OCESA’s various venues, partnering with local, regional and national vendors to craft menu items that reflect Mexico’s rich culinary heritage. Plans include enhancing the premium experience in suites and clubs, introducing new menu selections and market concepts throughout the year, and integrating technology to streamline ordering and payment processes to reduce wait times. 

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While the initial roll out will include nly the four Mexico City venues, the partnership is expected to expand to additional venues starting in January. Additionally, OVG Hospitality will help OCESA introduce new premium spaces and corporate hospitality options at select locations.

OCESA is renowned for promoting over 3,000 events annually, drawing nearly six million attendees across Mexico. Its portfolio of venues includes the recently remodeled 65,000-seat Estadio GNP Seguros; the expansive Centro Citibanamex, a convention center with two million square feet of meeting and exhibition space; and a diverse collection of multi-use venues, theaters, arenas, festival grounds and stadiums. 

Becky G is hitting the road in the fall with her 2024 Casa Gomez: Otro Capítulo Tour, Billboard can exclusively announce Tuesday (Aug. 20).  The Mexican-American pop star is set to kick off her 14-date stint on Oct. 11 at The Byline Bank Aragon Ballroom in Chicago. She will visit fans in key cities such […]

Majo Aguilar and Alex Fernández will be in charge of uniting for the first time the two most important dynasties of ranchera music: the Aguilar and Fernández families.
Antonio Aguilar’s granddaughter and Vicente Fernández’s grandson have announced a tour together for the fall, which they have named Dos Dinastías, Una Tradición (Two Dynasties, One Tradition). In addition to the tour, they also announced a new collaboration, “Cuéntame,” which will be released this Thursday (Aug. 8).

“It is very common that in this type of concept there are egos or fights over credits,” Alex Fernández told Billboard Español. “Here everything will be equitable we have an excellent relationship and above all communication.”

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“Here no last name outweighs the other,” added Majo Aguilar. “It will be a show where we will take a little piece of Mexico to the United States, so that the public can feel the party and the joy of Mexican music, singing the songs of their idols Don Antonio and Don Vicente, as well as our own songs.”

The tour will kick off Oct. 25 in Savannah, Georgia and make stops in cities in Tennessee, North Carolina and California, with the first leg ending Nov. 30 in Redwood City. More dates will be announced in the near future, according to a statement.

As for the upcoming release, it is a heartbreak ranchera penned by Majo Aguilar that will also be the song that identifies the tour. “Tell me how it feels to know that you won’t touch my body/ And that no matter how hard you try our relationship is dead/ There’s no turning back,” goes a verse in Spanish.

The music video — which will serve as the intro to the show — was filmed in Monterrey, Mexico under the direction of Gil Cerezo, vocalist and creative director of the Mexican band Kinky, who has previously worked with Majo.

Although both artists manage their careers separately from that of their fathers — fellow Mexican music icons Antonio Aguilar, Jr. and Alejandro Fernández — their opinions on the concept have been very important to them.

“My dad told me that what we are doing is reviving something very wonderful in two very beautiful voices, which bodes a great success,” said Majo. Alex, for his part, shared the words of his famous father: “I am very happy with what you are doing, I am sure you will be very successful.”

Dos Dinastías, Una Tradición aims to bring traditional Mexican music to new generations.

“Subgenres such as [corridos] tumbados are good that they exist and do well, but it is important to defend tradition,” said Alex. To which Majo added: “I find the new movements that emerge in Mexican music very interesting, but I believe that we should not stop paying attention to our true roots, which are ranchera and banda music, we should not confuse one thing with the other”.

Below are the confirmed dates for Majo Aguilar and Alex Fernández’s Dos Dinastías, Una Tradición tour:

Oct. 25 — Savanna, Ga. — Convention Center

Oct. 26 — Clarksville, Tenn. — Empire Center

Oct. 27 — Wilmington, N.C. — Convention Center

Nov. 22 — Ventura, Calif. — The Majestic Ventura Theatre

Nov. 23 — Fresno, Calif. — Saroyan Theatre

Nov. 24 — Stockton, Calif. — The Bob Hope Theatre

Nov. 27 — Bakersfield, Calif. — The Fox Theater

Nov. 29 — Salinas, Calif. — The Fox Theater

Nov. 30 — Redwood City, Calif. — The Fox Theater

Venezuelan singer and songwriter Danny Ocean will launch his first wide U.S. tour on September 13. Ocean’s Reflexa Tour, produced by Live Nation, kicks off  at the Moore Theatre in Seattle, and will play theaters or similar venues in 24 other U.S. cities, including Denver, Los Angeles and Boston, before winding down at Miami’s FPL Solar Amphitheatre on Nov. 2.

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This is Ocean’s biggest U.S. tour by far since he catapulted to fame in 2016 with the surprise hit single “Me Rehuso.” Tickets will be available starting with an artist presale beginning on Tuesday (May 14) at 10 a.m. local time, and general onsale launching on Friday (May 17) at 10 a.m. local time at LiveNation.com.

The Reflexa tour takes its name from the album Reflexa, released earlier this year on Atlantic/Warner, a collection of dance/pop tracks with some urban beats and Ocean’s distinctive, chill vibes.

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Find all the dates for Ocean’s 2024 North American tour below:

Sept. 13 — Seattle, WA @ Moore Theatre

Sept. 14 — Vancouver, BC @ The Centre

Sept. 15 — Portland, OR @ Roseland Theater

Sept. 18 — Denver, CO @ Fillmore Auditorium

Sept. 20 — Las Vegas, NV @ House of Blues

Sept. 21 — Los Angeles, CA @ Hollywood Palladium

Sept. 22 — San Francisco, CA @ Masonic

Sept. 27 — San Diego, CA @ Cal Coast Credit Union Open Air Theatre

Sept. 28 — Anaheim, CA @ House of Blues

Sept. 29 — Phoenix, AZ @ Arizona Financial Theatre

Oct. 3 — San Antonio, TX @ Majestic Theatre

Oct. 4 — Hidalgo, TX @ Payne Arena

Oct. 5 — Houston, TX @ Bayou Music Center

Oct. 6 — Dallas, TX @ South Side Ballroom

Oct. 10 — Chicago, IL @ Byline Bank Aragon Ballroom

Oct. 12 — Brooklyn, NY @ Brooklyn Paramount

Oct. 18 — Toronto, ON @ Rebel

Oct. 20 — Boston, MA @ House of Blues

Oct. 24 — Wallingford, CT @ Toyota Oakdale Theatre

Oct. 25 — Philadelphia, PA @ The Fillmore Philadelphia

Oct. 26 — Washington DC @ The Theater at MGM National Harbor

Oct. 27 — Charlotte, NC @ The Fillmore Charlotte

Oct. 31 — Atlanta, GA @ Coca-Cola Roxy

Nov. 1 — Orlando, FL @ Hard Rock Live

Nov. 2 — Miami, FL @ FPL Solar Amphitheatre

Víctor Manuelle has teamed up with Henry Cárdenas‘ CMN Events (Cárdenas Marketing Network) for his new tour, Retromántico, and future performances as an exclusive agent, Billboard Español can announce. The collaboration covers all markets, including United States, Latin America and Europe. It does not, however, include Puerto Rico. The deal, according to CMN, promises to […]

Xavi chose Mexico to kick off his first tour, Poco a Poco, on Thursday night (March 28). It was the right decision. The hot new regional Mexican music star had a blast at his debut at BlackBerry Auditorium in Mexico City, where he took the opportunity to praise his Mexican roots and charm fans with […]

AEG Presents, the second biggest live events company in the world, and powerful Latin entertainment company Cárdenas Marketing Network (CMN), have partnered in a deal that will combine both companies under one roof. The partnership, in which AEG acquired an undisclosed stake in CMN and which AEG Presents chairman and CEO Jay Marciano describes as a “full partnership,” will explosively boost AEG’s Latin music business and is AEG’s first Latin partnership of this scope.
CMN ended 2023 at No. 4 on Billboard’s Top Promoter chart, and in 2022, it was No. 3, an enormous achievement for an independent company that CMN founder and CEO Henry Cárdenas self-describes as a “boutique concert promoter.” But it’s a very powerful boutique operation, with a slate that included Bad Bunny’s stadium tour in 2022 and currently Luis Miguel, Marc Anthony and Don Omar, among many other.

On its end, AEG is of course the powerhouse company behind Taylor Swift’s global tour and culturally-defining events like Coachella. Latin, however, was not its strong suit, although it promoted Karol G’s arena tour in in 2023. Now, AEG will have the Latin clout while CMN while have the global reach, and both companies will work together to create elevated and expanded experiences for artists and fans, with each benefitting from the complementary strategic alliance.

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“We are excited to partner with AEG Presents, one of the most powerful global forces in live entertainment. Together we look forward to making an even greater impact on the explosive growth in the Latin market,” said Cárdenas in a statement.

In an exclusive interview with Billboard, Cárdenas added: “We wanted to be bigger and more global. AEG is a giant company that also has venues and I’ve known Jay Marciano for 40 years, since he was president of Radio City Music Hall and Madison Square Garden. Jay knows who I am, and I know who he is.”

Marciano added: “Henry is a true entrepreneur and visionary, and what he and his team have built is simply awe-inspiring. We have been looking to expand our presence in Latin music and concerts for quite some time, and it was important that we took the time to find the right partner; we found it in Henry and CMN.”

The partnership between AEG and CMN has been actively in the works for approximately six months, but it was in both Cárdenas’ and Marcianos’ minds long before then.

“I feel like I’ve been chasing Henry for 40 years,” laughs Marciano. “It’s like the girl I’ve been chasing forever, and she finally said yes […] Henry was in Latin music way before any of us figured out it was an industry. Timing is everything. And I think the timing for us and for him finally, after all these years, aligned perfectly.”

Cárdenas has been in Latin music promotion for 44 years. In 2001, he sold CFA (Cardenas, Fernandez & Associates) — which at one point was the biggest Hispanic-owned event-promotion company in the U.S. — to Clear Channel Entertainment and Grupo Televisa. In 2004, he launched CMN on his own and quickly grew it all over again, eventually becoming the top Latin promoter in the country. In all his years of operation, he says, he has never lost money, save for during the pandemic.

“I’m a boutique concert promoter. I take care of my business. My tours have to be profitable, and we take care of each tour,” he says, emphasizing that his is not a cookie cutter approach to concert promotion.

However, Cárdenas also wanted to grow and become more global and in 2019, he acquired Arena Bogotá in Colombia. At this point, merging made sense, especially with a company like AEG, which has assets and artists that Cárdenas can work with in Latin America, and likewise, offers Cárdenas’ artists an entree into other markets.

The key, however, was the relationship with Marciano.  

“It’s about people in this business,” says Marciano. “If you don’t have the right people, chances are you won’t be successful. With Henry we knew he had the foundation for decades and he could teach us a lot that we were missing.”

Cárdenas and Marciano had initial conversations several years back, at which time Marciano said: “Henry, I’m not going to hound you. But come the day you feel we’re better together than apart, give me a call.”

Last year he did, and conversations began in earnest.

“I think Henry believes Latin music is not just becoming big in North America but has the potential to become big in Europe and Asia and Australia and he can use our expertise and local offices,” said Marciano. “And we can also use his help because he understands the part of Latin music we’re just getting familiar with.”

Cárdenas will now take over AEG’s Latin activity and touring roster, which includes Carin León. In the spirit of AEG’s existing partnerships, such as the Messina Group or Golden Voice, Cárdenas will run the business, and make decisions on which artists and tours to bring to the business.   

“I told Jay, ‘This needs to be fun. If it’s not going to be fun, it’s not interesting.’ I want to run CMN like I’ve always done,” says Cárdenas.

The AEG-CMN merger follows the 2021 acquisition of Mexican concert promoter OCESA Entertenimiento by Live Nation for $416 million for a 51% interest in the company.

No amount or stake percentage was disclosed for AEG’s purchase of CMN. But, says Marciano, “I think I have the Latin partner That I always wanted.”

Mexican American artist Xavi has signed with WME for global representation in all areas, as reported by Billboard last week. The last few months have been pivotal for the 19-year-old singer-songwriter (born Joshua Xavier Gutiérrez) who kicked off 2024 with his first No. 1 on any Billboard chart thanks to his romantic corrido “La Diabla,” […]

Warner Music Latin America and management and promotion company OCESA Seitrack are launching a booking and brand partnership agency for artists, together with broadcaster Sergio “Checho” Rodríguez. All Warner Music artists will have access to the services offered.

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The joint venture, called “Touring the World,” will be helmed by Rodriguez — operating from offices in Colombia, Mexico, Spain and the United States — and will offer artists support in different areas related to touring, brand partnerships, booking and other artist services. It will be supported by Warner Music’s expertise and infrastructure as well as OCESA Seitrack’s massive commercial structure in multiple countries. Touring the World will also have support from its existing artist services company, Get In, which is owned by Warner Music Spain.

The new joint venture, says Warner Music Latin America president Alejandro Duque, “signifies a pivotal moment, as we combine our experience to deliver professional services and global opportunities for artists.”

“This is a joint venture and the vision is for it to be independent,” adds Duque. “We want to avoid conflicts of interest, and for that to work, it has to be an independent agency.”

Not all Warner artists, for example, will be part of Touring the World nor will they be compelled to sign with the agency. By the same token, OCESA Seitrack, which is a massive concert promoter and management company with clients like Alejandro Sanz and Ha*Ash, will continue to operate its other businesses, separate from Touring the World.

Touring the World wants to “expand the concept of booking and provide a solution for artists so they can have both a touring strategy together with branding and sponsorship efforts,” says Alex Mizrahi, CEO and founder of OCESA Seitrack. The company will focus on artists “that are heating up and who we think have global potential.”

The list of artists currently signed to Touring the World include Piso 21, Manuel Medrano, Elena Rose, Yng Lucas, Blessd, Molotov, Lagos and Ximena Sariñana. Of note is that Touring The World is not looking to become a management company or a concert promotion company if one is already in place.

“We don’t want to take away business or management from anyone. We’ll work with existing managers if they’re interested […] But, it’s very important for us to have the best interests of the artists in mind,” says Mizrahi.  “Over the past 20 years at OCESA Seitrack, we’ve meticulously built the touring commercial structure we possess today. This alliance between friends and renowned professionals promises immense benefits for the artists and managers we collaborate with.”

The notion of Touring the World was sparked over a friendly breakfast with Duque, Mizrahi and Rodríguez, a concert promoter who was also a director at GTS, UMG’s artist management and services company for Latin and Spanish artists. Under the GTS model, however, artists are managed or co-managed by GTS, while Touring the World will not be acting as management.

“Touring the World is created by and for artists and their fans,” says Rodríguez, who will oversee teams in Colombia and Mexico and work closely with Spain’s Get In. “This alliance fills me with excitement, standing alongside the finest partners one could ask for.”

Beyond their respective expertise, the partners also bring to the table in-culture and in-country expertise throughout Latin America and Spain.

Iñigo Argomaniz, founder and CEO of Get In, states: “The union of these forces for the creation of ‘Touring the World’ is exciting and will enable a wide range of opportunities to develop the careers of Spanish artists in America.”