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Legendary music industry executive Jimmy Iovine has been issued a summons by an anonymous plaintiff who has accused him of sexual abuse.
According to Variety, the summons was filed last week in the Supreme Court of the State of New York County. And while the filing doesn’t go into much explicit detail regarding what Iovine is accused of doing exactly, it claims the plaintiff listed as “Jane Doe” has “suffered as a result of being sexually abused, forcibly touched, and subjected to sexual harassment and retaliation in violation of anti-discrimination laws in or around August 2007.”
Meanwhile, a spokesperson for Iovine not only denied the allegations, but they told Variety it was the first time they had heard them.
“We are quite shocked and baffled by this alleged claim,” the spokesperson said. “This inquiry is the first we’ve heard of this matter. No one has ever made a claim like this against Jimmy Iovine, nor have we been contacted or made aware of any complaint by anyone, including this unknown plaintiff prior to now.”
The accuser’s summons comes just before the window closed last Friday for plaintiffs in New York State to file sex abuse lawsuits even after the statute of limitations had expired under the Adult Survivors Act. According to the New York Times, more than 3,000 civil suits had been filed before the window expired. Those suits included filings against former NY Gov. Andrew Cuomo, NYC Mayor Eric Adams, music mogul L.A. Reid, rockstar Axl Rose, and, most notably, Sean “Diddy” Combs, who settled his suit filed by singer and ex-girlfriend Cassie just one day after the news broke.
From Variety:
According to the court document, Doe is asserting claims pursuant to inter alia, New York common law for assault and battery; the New York City Victims of Gender-Motivated Violence Protection Act; and the New York City Human Rights Law. Attorneys are seeking compensation to be determined at trial, including for punitive damages, inter alia physical injury and more. Iovine is required to serve a notice of appearance or demand for complaint within 20 days after the summon’s servicing, or 30 days after service is complete if the summons isn’t delivered personally to him in New York.
Interscope Records co-founder Jimmy Iovine is being sued by an unnamed woman for sexual abuse, forcible touching, sexual harassment and retaliation, according to a document filed in New York court Wednesday (Nov. 22). Though the full complaint is not yet available, a summons with notice was filed by the woman’s attorneys, Douglas Wigdor and Meredith […]
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Dr. Dre and Jimmy Iovine are teaming up once again to create a new program for high school students, this time in Atlanta.
On Tuesday (Aug. 28), the co-founder of Interscope Records introduced the “Iovine and Young Center” in a press conference held at Frederick Douglass High School in northwest Atlanta, according to Atlanta News First. The iconic producer wasn’t able to attend in person, so Iovine was joined by another legend and Atlanta native Dallas Austin.
The new magnet program created in partnership with Atlanta Public Schools is designed to give students a more innovative learning model with a focus on technology and leadership, something that Iovine and Dr. Dre aka Andre Young hope will ignite the students’ “superpowers.”
“We believe we’re going to give these kids an advantage, a different type of education,” Iovine said at the press event. “So, you all can sell these kids, go out there and say you want these kids. Because the modern job needs these kids. That’s why.” Interested students in the 9th grade STEAM academy at Frederick Douglass can enroll in the program next year at the school, which has an esteemed alumni list including former mayor Keisha Lance Bottoms, Killer Mike, T.I., Kilo Ali, and Lil Jon. It will be offered to all grade levels by the 2027-2028 school year.
Current sophomore Caleb Mitchell is eager to take part. “I think it will help bring out [the] potential of students and help them engage more… I think this will provide more opportunities for us,” he said. “Integrating the Iovine and Young Center at Frederick Douglass High School supports our ability to teach students how to design their thinking, brings student ideas to life, and further prepares our students for competitive careers that may not even exist yet,” said Forrestella Taylor, Frederick Douglass’ principal.
Dr. Dre and Jimmy Iovine created a similar magnet program in 2022 at Compton High School in Los Angeles, with The Chronic producer chipping in $10 million personally to aid the $200 million renovation of the campus. “Me and Dre think big,” Iovine would later add. “We think everybody in the world’s going to learn like this well, maybe! We never thought everybody in the world would wear our headphones, but they did.”
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Since the business of Christmas music is growing so fast – it occupies five of the top 10 places on the Billboard Hot 100 this week – we are re-presenting some of our stories from Christmas past. This piece, about Jimmy Iovine’s “Pro tips for producing a hit Christmas album,” originally ran in 2019
As Christmas music compilations go, only two have stood the test of time: The first, 1963’s A Christmas Gift for You From Phil Spector, featured songs performed by the “Wall of Sound” producer’s stable of artists, including The Crystals, The Ronettes and Darlene Love. The second, A Very Special Christmas, is the 1987 collection of holiday tunes executive-produced by Jimmy Iovine before he went on to co-found and run Interscope Records; found with Dr. Dre (and then sell for $3 billion) Beats Electronics; and serve as the architect for Apple Music. The album was an extremely personal endeavor for Iovine — a tribute to his father, Vincent “Jimmy” Iovine, who loved Christmas and died in 1985 at the age of 63. In 2014, Iovine told Billboard that making the project “was the purest thing I’ve ever done.”
Stacked with the most popular artists of the time — many who remain popular and relevant to this day, including Madonna, Whitney Houston, Run-D.M.C., Bruce Springsteen & The E Street Band, Sting, John Mellencamp, Chrissie Hynde and U2 — A Very Special Christmas, an A&M Records release, went on to sell some 4.7 million copies (when its RIAA double-platinum certification and post-1991 Nielsen Music numbers are combined). It also spawned nine more volumes — Iovine was only minimally involved in the second — that have raised over $100 million for the Special Olympics.
Given the initial album’s success — the lion’s share of its tracks continue to be holiday season staples on radio and streaming — Billboard Pro asked Iovine for his do’s and don’ts of producing a hit Christmas album. In the process, he talked about some of his all-time favorite Christmas songs (see carousel) and why they will always be part of his holiday-music playlists.
Do Use Top Talent “If you don’t want to make disposable Christmas music, don’t start with disposable artists. You’ve got to work with artists that are going to last,” says Iovine. “When I play Christmas music, I play Spector’s album, Frank Sinatra, Ella Fitzgerald, Dean Martin, Nat “King” Cole — the people that will be around forever.”
Don’t Do It for the Money “I made that album from my stomach and my heart. I didn’t give a shit what we did with the money. I just knew we were going to give it away. And no one — not A&M, not a publisher, none of the artists, not me — made a dime from that record. That’s why $100 million has gone to the Special Olympics.”
Do Be Original “If you are doing a Christmas album, you’ve got to come at it in a unique way. If you are going to take on Phil Spector producing Darlene Love singing “Christmas (Baby Please Come Home),” you’ve got to go with a male [singer], because you can’t touch it otherwise.” Hence, U2’s exuberant cover on A Very Special Christmas, which captures the longing of the original without copying it, thanks to Bono’s soaring vocals. Iovine says the song was recorded backstage in Scotland before one of the band’s shows “in a giant room with real echo — ‘our version’” of Spector’s famed Wall of Sound.
Don’t Fear the Corny “Some parts of Christmas are corny — and that’s cool. Over the top is good at Christmastime.”
Do an Album — Even If It’s a Compilation “A Very Special Christmas had a feeling behind it and an idea. There was supposed to be joy and a tug at your heart at the same time. It wasn’t made like, ‘Here’s 10 Christmas songs.’ It was made like one artist’s album.”
Don’t Underestimate the Importance of Sequencing “Today no one sequences anything, but when I was making albums, sequencing was almost as important as the songs. A Very Special Christmas is put together like that. The sequencing took forever. I pictured myself at dinner or at a Christmas party, and I would just play a song and ask myself, “Am I bored?” That’s why I opened the album with The Pointer Sisters. They came in and just killed ‘Santa Claus Is Coming to Town.’ And then I went from there. What song comes next is very, very important. What makes a great DJ is he or she gets bored before you do and knows what to play next. That’s what’s missing in a lot of streaming today.”
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