State Champ Radio Hot 100
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Burl Ives blasts back onto the Billboard Hot 100 chart (dated Dec. 3), as his holiday standard “A Holly Jolly Christmas” re-enters the ranking at No. 10.
The track’s revival can be attributed to annual gains for yuletide hits during the holiday season. The song debuted on the Hot 100 during the 2016 holiday season, 52 years after its release, and has re-entered every year since. The song first hit a No. 4 high over the 2019 holidays, and has returned to its peak in each of the last two years. This year is especially notable in that it brings the song’s highest re-entry, as it becomes the first holiday song ever to re-enter in the top 10.
How rare is it for songs to return to the Hot 100 all the way in the top 10? Pretty rare. In the chart’s 64-year history, “A Holly Jolly Christmas” is just the ninth song to re-enter directly in the top 10.
Generally, songs make steady runs up and down the Hot 100, though in more recent years it’s become more common for titles to debut at high ranks thanks to splashy streaming debuts and then decline, with many also regaining their footing on the chart as their radio airplay solidifies.
Hot 100 rules prevent most catalog titles from returning or debuting if below No. 50. Descending titles are removed from the Hot 100 after 20 weeks on the chart if below No. 50 or after 52 weeks if below No. 25. To re-enter after having graduated to recurrent status, a song must garner enough chart points, with a notable reason for its resurgence.
This is all to say that, for older titles, it’s generally difficult to re-enter the Hot 100 and compete with newer songs generating hefty radio airplay and streaming figures. It’s even tougher to suddenly re-enter in the top 10.
The select songs that have achieved the feat of re-entering the Hot 100 in the top 10 have, for the most part, gained newfound interest after artists were prominently in the news, performed on massive stages or scored a notable synch, as Kate Bush did earlier this year when “Running Up That Hill (A Deal With God)” was featured in Netflix’s Stranger Things.
Here’s a look at all nine songs that have re-entered the Hot 100 in the top 10, listed chronologically:
Additional reporting by Gary Trust
Artist Billing, Title, Chart Date (Hot 100 Re-entry Rank):
Late singer-songwriter Christine McVie, who died Nov. 30 at age 79, left a great impression on Billboard’s charts through the decades, thanks to her pure pop/rock sensibility that often lifted Fleetwood Mac, the Rock & Roll Hall of Fame band in which she was a longtime member, to incredible heights.
For most of Fleetwood Mac’s hitmaking career, McVie was one of its three primary singers and songwriters, alongside Lindsey Buckingham and Stevie Nicks. Notably, McVie wrote and sang lead vocals on three of the band’s top four biggest hits on the Billboard Hot 100 – including the group’s biggest song, “Hold Me.”
Billboard has exclusively compiled McVie’s top 10 biggest hits on the Hot 100 chart, based on actual performance on the weekly survey. Included were any charted songs by Fleetwood Mac that McVie wrote and on which she sang lead vocals, as well as her solo recordings outside the band.
McVie’s biggest Hot 100 hit is the 1982 Fleetwood Mac song “Hold Me,” which was released as the first single from the band’s Mirage album. It spent a staggering seven weeks at its peak of No. 4 on the weekly Hot 100 chart – a then-record for that peak rank. McVie sang lead vocals on “Hold Me,” and it was written by McVie and Robbie Patton. (Overall, “Hold Me” is Fleetwood Mac’s biggest Hot 100 hit, while the group’s No. 2 hit is its lone chart-topper on the weekly Hot 100 – 1977’s “Dreams,” penned by Nicks, who also sang its lead vocal.)
McVie’s second-biggest all-time Hot 100 hit is “Little Lies,” which was released in 1987 as the third single from Fleetwood Mac’s Tango in the Night album. McVie had lead vocal duties on the cut, and she co-wrote it with her then-husband Eddy Quintela.
Fleetwood Mac’s “Don’t Stop” – which was solely written by McVie, who shared lead vocals with Buckingham – is her third-biggest Hot 100 hit. The track became one of four top 10-charting singles from the mega-successful Rumours album. The set spent 31 weeks at No. 1 on the Billboard 200 – still a record for any album by a group.
Fleetwood Mac’s “Say You Love Me” and “You Make Loving Fun” (both singularly written by McVie, who sang lead) round out McVie’s top five biggest Hot 100 hits. The former was released in 1976 as the final single from the band’s self-titled album. It was also the first to feature the lineup of Buckingham, Mick Fleetwood, Nicks, Christine McVie and her first husband John McVie.
The Buckingham/Fleetwood/Nicks/McVie/McVie lineup would release five studio albums (from 1975’s self-titled set through 1987’s Tango In the Night) and two live albums (1980’s Live and 1997’s The Dance). All four of the act’s No. 1 albums were by that famed lineup, with the self-titled set, Rumours, Mirage and The Dance all topping the Billboard 200.
Christine McVie’s 10 Biggest Billboard Hits recap is based on actual performance on the weekly Billboard Hot 100 chart. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. To ensure equitable representation of the biggest hits from each era, certain time frames were weighted to account for the difference between turnover rates from those years.
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Billboard News stepped into Diddy’s home and sat down with the legendary artist to discuss his single “Gotta Move On” with Bryson Tiller reaching No. 1 on Billboard’s Adult R&B Airplay chart. Plus, Taylor Swift’s “Anti-Hero” tops the Hot 100 once again.
Drake was feeling a little petty with the release of the new Hot 100 tally on Monday (Nov. 14), and shared his thoughts cryptically via Instagram Stories.
The rapper shared the latest Hot 100 top 10 dated Nov. 19, 2022, in which he has eight debuts, including seven with 21 Savage, as the pair’s collaborative project Her Loss launches at No. 1 on the Billboard 200 albums chart. However, the No. 1 spot remains Taylor Swift‘s “Anti-Hero” for a third week, and the No. 10 spot was taken by Sam Smith and Kim Petras‘ sultry collab, “Unholy.”
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In his screenshot, Drake left “Unholy” unscathed, but covered Swift’s achievement with a series of emojis. “@21savage congrats my brother,” he captioned the post. The “Midnight Rain” superstar has yet to respond to Drizzy’s “anti-hero” moment.
With Drake having claimed nine of the Hot 100’s top 10 spots on the chart for a week in September 2021 (concurrent with the chart start of his album Certified Lover Boy), he is now the only artist to have logged at least eight songs in the top 10 twice.
Two weeks ago, “Anti-Hero” soared in at the Hot 100’s summit, as Swift made history as the first artist to hold the survey’s entire top 10 in a single frame.
Back in April, Drake sent the Internet ablaze when he posted a throwback picture with Swift on his Instagram account. The snap is the last in a five-pic carousel with the motivational message: “They too soft to understand the meaning of hard work.”
Taylor Swift‘s “Anti-Hero” spends a second week at No. 1 on the Billboard Hot 100 songs chart. A week earlier, it debuted at the summit, as Swift made history as the first artist to claim the survey’s entire top 10 in a single frame.
Meanwhile, Rihanna roars onto the Hot 100 at No. 2 with “Lift Me Up.” The song is her 32nd top 10 and first since 2017.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Nov. 12, 2022) will update on Billboard.com tomorrow (Nov. 8). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
In the Oct. 28-Nov. 3 tracking week, “Anti-Hero,” released on Republic Records, tallied 35.6 million streams (down 40%), 37.6 million radio airplay audience impressions (up 17%) and 17,000 sold (up 28%, good for top Sales Gainer honors, aided by the availability of its instrumental version in Swift’s webstore Nov. 3), according to Luminate.
The single posts a second week atop the Streaming Songs chart; jumps 9-4 on Digital Song Sales; and dips 13-14 on Radio Songs. (As previously reported, this week’s Billboard airplay charts are the first using Mediabase-monitored data; this week’s Radio Songs chart incorporates data from former monitoring service BDS for Oct. 28-30 and from Mediabase for Oct. 31-Nov. 3, with Mediabase data to power the survey going forward).
Swift scores four songs in the latest Hot 100’s top 10, with “Anti-Hero” followed by “Lavender Haze” (2-6), “Midnight Rain” (5-7) and “Bejeweled” (6-9). Each song (and all 10 of her top 10s a week earlier) is from her new LP Midnights, which logs a second week at No. 1 on the Billboard 200 albums chart.
Rihanna blasts back to the Hot 100 as “Lift Me Up” debuts at No. 2 with 48.1 million in radio audience, 26.2 million streams and 23,000 sold in its first week, following its Oct. 28 release.
The ballad begins as Rihanna’s 32nd Hot 100 top 10, the fifth-most in the chart’s history.
Most Billboard Hot 100 Top 10s:59, Drake40, Taylor Swift38, Madonna34, The Beatles32, Rihanna30, Michael Jackson29, Elton John28, Mariah Carey28, Stevie Wonder27, Janet Jackson26, Justin Bieber25, Lil Wayne25, Elvis Presley (with the start of Presley’s career having predated the Hot 100’s inception)
Rihanna earns her first Hot 100 top 10 since 2017, when DJ Khaled’s “Wild Thoughts,” on which she and Bryson Tiller are featured, peaked at No. 2 for seven weeks that July-September. She first reached the top 10 with her debut hit “Pon De Replay,” which rose to No. 2 in July 2005. She boasts 14 No. 1s, the third-most after The Beatles’ 20 and Mariah Carey’s 19.
With “Lift Me Up,” Rihanna ties her best career Hot 100 entrance, and makes her best arrival as a lead artist, after Eminem’s “Love the Way You Lie,” on which she’s featured, debuted at No. 2 in July 2010 (and went on to reign for seven weeks).
“Lift Me Up” soars in at No. 2 on Streaming Songs, No. 3 on Digital Song Sales and No. 6 on Radio Songs. Notably, the song makes just the fourth top 10 Radio Songs start since the chart became an all-genre ranking in December 1998, after Adele’s “Easy on Me” (No. 4, 2021); Lady Gaga’s “Born This Way” (No. 6, 2011); and Janet Jackson’s “All for You” (No. 9, 2001).
Rihanna adds her 36th top 10 on Digital Song Sales, her record-extending 30th on Radio Songs (ahead of runner up Drake with 24) and her 15th on Streaming Songs. (Helping the song’s sales start, its original and instrumental versions were made available in Rihanna’s webstore Nov. 2, while original and instrumental options with two alternate covers arrived Nov. 3.)
The single also opens at No. 1 on the Hot R&B/Hip-Hop Songs and Hot R&B Songs charts, which use the same methodology as the Hot 100. Rihanna adds her eighth leader on the former list (dating to her first, “Take a Bow,” in 2008) and her sixth on the latter (which began in 2012). She had last topped both tallies with “Wild Thoughts” in 2017.
“Lift Me Up” is from the soundtrack, released Nov. 4, to Black Panther: Wakanda Forever, due in theaters this Friday (Nov. 11).
Sam Smith and Kim Petras’ “Unholy” rebounds 11-3 on the Hot 100, two weeks after it ascended to No. 1, with 40.8 million in airplay audience (up 53%, as it wins the Hot 100’s top Airplay Gainer award), 25.1 million streams (up 3%) and 12,000 sold (up 3%).
Steve Lacy’s fellow former Hot 100 leader “Bad Habits” jumps 12-4. The track concurrently tops the multi-metric Hot Rock & Alternative Songs, Hot Rock Songs and Hot Alternative Songs charts for an 11th week each.
Harry Styles’ “As It Was” pushes 16-5 on the Hot 100, after 15 weeks at No. 1 – the fourth-longest reign in the chart’s history. It claims its 30th week in the top 10, becoming just the third song to reach the milestone, and rules Radio Songs for a 12th frame (60.2 million, up 2%).
Elsewhere in the Hot 100’s top 10, Post Malone’s “I Like You (A Happier Song),” featuring Doja Cat, climbs 17-8, after reaching No. 3, and Nicki Minaj’s “Super Freaky Girl” charges 22-10, after it opened atop the Aug. 27 chart, as it tops the multi-metric Hot Rap Songs tally for an 11th week.
Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Nov. 12), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Nov. 8).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
For the first time in Billboard Hot 100 song chart’s 64-plus-year history, all spots in the chart’s top 10 belong to just one lead artist: Taylor Swift, thanks to the release of her 10th studio album, Midnights.
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The top 10 is led by this week’s No. 1 Hot 100 hit, “Anti-Hero,” but its hardly the first time Swift has had a chart topper on the all-genre songs tally. Starting back with her Red hit, “We Are Never Getting Back Together,” the superstar has nine total No. 1s, with “Anti-Hero” and “All Too Well (Taylor’s Version)” hitting the summit most recently.
We want to know which of Swift’s Hot 100 No. 1s is your favorite. Let us know by voting below.
She laid the groundwork and then, just like clockwork, the dominoes cascaded in a line. Taylor Swift took to social media on Monday (Oct. 31) to react to her record-setting domination of this week’s top 10 on the Billboard Hot 100.
“10 out of 10 of the Hot 100??? On my 10th album??? I AM IN SHAMBLES,” the superstar tweeted along with the Billboard story breaking the historic news of her being the first artist to ever occupy every single spot in the top 10.
While Midnights‘ first single “Anti-Hero” rocketed to the top of the chart as Tay’s ninth career No. 1, the rest of the top 10 also contains, in order, “Lavender Haze,” “Maroon,” the Lana Del Rey-assisted “Snow on the Beach,” “Midnight Rain,” “Bejeweled,” “Question…?,” “You’re On Your Own, Kid,” “Karma” and “Vigilante Shit.”
But that’s not all: A bit further down the all-genre tally, Swift, in fact, charted all 20 tracks on Midnights (3am Edition) on the Hot 100, including standard album closer “Mastermind,” “Labyrinth” and “Sweet Nothing” at Nos. 13, 14 and 15.
Of the seven bonus tracks, fan-favorite highlight “Would’ve, Could’ve, Should’ve” landed highest at No. 20. The other six placements included “Bigger Than the Whole Sky” at No. 21, “The Great War” at No. 26, “Paris” at No. 32, “High Infidelity” at No. 33, “Glitch” at No. 41 and closing ballad “Dear Reader” rounding out the set at No. 45.
Midnights set plenty of other high-water marks for the icon’s already illustrious career, including being the first album to cross the million mark in its first week since her own reputation in 2017 and delivering the biggest first-week sales of any album in the seven years since Adele’s 25 was released in 2015.
Check out Taylor’s emotional reaction to making Billboard history below.
Glass Animals set a new record on the Billboard Hot 100 this week thanks to their smash single “Heat Waves,” and lead singer Dave Bayley gave Billboard his exclusive reaction via social media.
“I just found out some amazing news, that ‘Heat Waves’ has broken the record for the longest-running Hot 100 single of all time, and I’m a little bit speechless,” the frontman said in a video posted to Billboard‘s Instagram. “But I wanted to make a little video just to say thank you so, so much for making that happen.
“I think a lot of you probably know that when I wrote this song, I was writing about someone who I loved very much and miss very much, and it’s particularly beautiful for that reason.” he continued. “To see the song spread so much love and connection around the world, and you all made that happen. So thank you. And thank you to everyone who’s helped the song reach so many people. It really has meant so much over the last couple of years, I can’t even begin to explain it.”
Before signing off with “lots of love, bye-bye for now,” Bayley also teased that he’s just about ready to start working on new music to finally follow the band’s 2020 album Dreamland.
With its historic chart accomplishment at 91 weeks and counting, “Heat Waves” surpassed The Weeknd’s “Blinding Lights,” which had previously spent 90 weeks on the Hot 100. Other long-running singles have included Imagine Dragons’ “Radioactive” (87 weeks), AWOLNATION’s “Sail” (79 weeks), Dua Lipa’s “Levitating” (77 weeks) and more.
Watch Bayley express his disbelief and gratitude at the continuing success of “Heat Waves” below.
