Hip-Hop

Cardi B Teases Second Album on ‘Invasion of Privacy’ Anniversary: ‘It’s So Different’

Cardi B is celebrating the sixth anniversary of her debut album, Invasion of Privacy — and throwing in a little teaser of what’s to come next.

Invasion of Privacy was released in 2018, debuting at No. 1 on the Billboard 200 albums chart and earning a Grammy win for best rap album at the 2019 Grammy Awards. The set’s tracklist includes Hot 100 No. 1 singles “Bodak Yellow” and “I Like It.”

The rapper looked back at the success of her studio debut in a post on X, formerly Twitter, on Saturday (April 6). In her message, she hinted at what fans can expect from her long-awaited second album.

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“6 years ago I released my first album and it broke so many records GAH LEE!!” she wrote. “6 years later I’m preparing to drop the next one this year.. it’s so different from what everyone is expecting and I’m sooo excited.”

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“Love you guys and thank you for the support! I’ll talk to ya soon I been so busy these last few days,” added Cardi.

Cardi most recently unveiled the single “Enough (Miami)” on March 15 along with a Patience Harding-directed music video for the track. “Enough” arrived two weeks after she dropped “Like What (Freestyle).”

She’s also featured on “Puntería,” the opening track from Shakira‘s Las Mujeres Ya No Lloran album that was just released on March 22.

The follow-up LP to Cardi B’s Invasion of Privacy has yet to get an official release date.

See her post from Saturday below.

J. Cole’s Response Is Good, But It’s Not Enough

What’s rap beef?

Rap beef is when the best claim the throne. This has happened throughout the genre’s history. Battling on wax is etched in stone, the ritual is one of the game’s 10 Rap Commandments. Rap’s been a game of thrones since the very beginning. Do the knowledge on MC Shan and KRS-One or Kool Moe Dee vs. LL Cool J. Carrying on tradition, last night J. Cole responded to Kendrick’s sneak attack on “7 Minute Drill,” the last track on his surprise mixtape Might Delete Later. However, he sounded like his heart wasn’t fully in it like when Nino had to put G-Money down, just as he alluded to on the song. And instead of a headshot like most expected, Cole instead fired a shot in the air. His retort wasn’t enough.

Though Cole gets right to it and is very direct, he never crosses the lines that need to be crossed.  To be fair, he does say this is just a warning shot and this thing is just getting started. But when you first hear Cole spit, “Now I’m front of the line with a comfortable lead/How ironic, soon as I got it, now he want somethin’ with me” as he runs down his thoughts on Lamar’s catalog and claims to have overtaken him in the power rankings, your ears perk up and you start rubbing your hands together, expecting a proper reply. But then he just coasts along until the beat switches to something a little more sinister courtesy of Griselda stalwart Conductor Williams and your ears perk up again. 

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And still, Cole plays with his food and never truly handles his business. Instead, he comes off reluctant to really engage, spitting, “My text flooded with the hunger for a toxic reply/I’m hesitant, I love my brother, but I’m not gonna lie/I’m powered up for real, that shit would feel like swattin’ a fly/Four albums in twelve years, n—a, I can divide.” Cole knew he needed to send a shot back, especially before the weekend of his annual Dreamville Fest. What’s interesting is “7 Minute Drill” would’ve hit a little harder if, instead of just coopting Jay lyrics, he went full Jigga and premiered it live on stage and not on streaming services on New Music Fridays. He missed the opportunity to put Kenny on that Dreamville screen. 

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When Jay-Z was closing out his Volume era at the end of the ‘90s, he and Nas were the Defacto Kings of Rap with acts like Prodigy and Scarface not far behind. Jay was aware of the stakes and the history of this thing of ours. He understood what it took to be the best. So, at Hot 97’s annual Summer Jam concert in 2001, he boldly reached for the crown and snatched it. During his set he performed “Takeover” for the first time, months before it would appear on his sixth album, The Blueprint, and called Nas out by name. That moment was so seismic and important to hip-hop history, people forgot that he brought out Michael Jackson during that same performance! The stakes were that high. Now, over 20 years later, another band of kings must usher in a new era. 



The Big 3 Civil War has officially begun. Last month, Future and Metro Boomin dropped their chart topping collab album We Don’t Trust You. It’s essentially the equivalent of the Mean Girls burn book directed at Drake. On the album’s sixth track, “Like That,” there was a hidden pipe bomb that reverberated throughout every corner of hip-hop. It was very slick on Future and Metro’s part and fitting that they and Lamar chose that song to launch their offensive, with its Rodney-O & Joe Cooley sample serving as a reminder that at the end of the day, this is hip-hop. 

Those saying Kendrick’s verse is mid (for the record, they’re delusional, but for the sake of an argument let’s go with it) are missing the point. The “Like That” verse has the potential to be the Big 3 Era’s defining moment. It’s closer to Jay on that Summer Jam stage performing “Takeover” than it is to Lamar’s first attempt at claiming the throne with ‘Control” back in 2013. We Don’t Trust You and Kenny’s vitriol have sparked the beginnings of a power struggle atop Mt. Rap and the game will be better for it in the long run. 



“Like That” is the number one song in the country. It’s being played in sports arenas and during “NBA on TNT” halftime shows. This is a page taken out of Drake’s own playbook. His Meek Mill diss “Back to Back” was made to be played in clubs and on the radio; you couldn’t escape it. The song peaked at No. 21 on the Billboard Hot 100 and put a dent in Meek’s resume forever. Now, Drake and Cole find themselves in the position Nas was in when Jay said his name on that Summer Jam stage. Cole’s first rebuttal fell flat, but he still has a chance to drop an “Ether.” Drake, however, should pay attention to the response J. Cole is getting. He now knows that warmup jabs aren’t going to get it done, nor will they appease the fans thirsty to watch the game’s three biggest stars go bar-for-bar. Drake needs a “No Vaseline” or, you know, another “Back to Back.”  

But one thing is for sure: The Great Rap Battle of 2024 is here, folks.

Watch Jake Paul Tune Up For Mike Tyson Fight With One-Punch Lil Pump Knock-Out

By now you may have seen the sweat-drenched videos of former world heavyweight champ Mike Tyson, 57, prepping for his July 20 match with YouTuber-turned-professional-boxer Jake Paul. The bout — which will air on Netflix from AT&T Stadium in Arlington, TX — will feature the champ taking on 27-year-old Paul in Iron Mike’s first official fight in nearly two decades.

And now we have a clip of Paul’s work-out regime, which appears to involve easily leveling defenseless non-pugilists. In a clip uploaded on Thursday (April 4), Paul positions MAGA rapper Lil Pump just so in the middle of a boxing ring. After Paul asks if he’s ready, Pump, with his be-gloved arms in the air, takes the shot and immediately crumples to the ground in agony after Paul unleashes a single left hook into the unguarded “Big MAGA Steppin” MC’s midsection.

“Ohhhhhhhh!” a shirtless Pump yelps in agony as he crawls around the mat clutching his midsection, his face red from the screaming. With a crew of videographers swarming around the prostrate Pump to capture the clickbait moment for viral posterity — mission accomplished — Paul smiles and says, “I told you not to do it.”

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The just-for-the-cameras stunt was clearly meant to help hype the fight — as Paul was only wearing one glove — and Pump appeared to seriously, and immediately, regret agreeing to take the mighty blow. “Jake Paul is officially 10-1 [face sweating emoji],” Pump captioned the video. “Not gonna lie, that liver shot made me feel like I was dying [crying laughing emoji].”

While Tyson has been hitting the gym hard, over the past few weeks Paul appeared to be easing his way into his latest bout, posting a video on March 26 of him partying and chugging champagne with the classic trash-talking caption, “Day 1 of sending Mike Tyson back to his podcast for good.” By the next day, though, he posted an update from his 6,000-foot elevation training camp in Colorado Springs, where he said he was training hard with Olympians, followed by another in which he openly taunted Tyson, saying, “Mikey, Mikey, your hands can’t hit what your eyes can’t see.”

Last month, Tool’s Maynard James Keenan posted pics with Tyson, who has been training at the rocker’s Cottonwood, AZ Verde Valley BJJ martial arts school. The legendarily hard-hitting boxer with a career 50-6 record (including 44 knockouts), has been posting sweat-drenched videos of his intense workouts in the lead-up to his first fight since his controversial draw against fellow former champ Roy Jones Jr. in Nov. 202 in an exhibition match. Tyson is 21 years from his last win and both men are expected to take home major paydays for the headline-grabbing showdown.

Since his improbably pivot from Bizaardvark and YouTube prank video fame, Paul has fought a series of MMA fighters, former professional boxers and basketball players, boosting his record to date to 9-1 (6 by KO), with his one loss coming at the hands of the only active boxer he’s faced to date, Tommy Fury, in Feb. 2023.

Watch the one-punch knockout video below.

Five Finger Death Punch Hit Hard With Surprise DMX Collab Single ‘This Is the Way’

Five Finger Death Punch released the digital deluxe version of their 2022 album AfterLife on Friday (April), which features four new bonus tracks. Among those freshies is an unexpected collab with late Ruff Ryders rapper DMX.

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The song, “This Is the Way,” comes complete with a video directed by X’s longtime collaborator Hype Williams, which mixes black and white performance footage of FFDP with photos, cartoon images and memorial murals of DMX. “Ya’ll heard it through the grapevine (what’s that?)/ Expect I’m gonna take mine/ Name of the game is get in where you fit in (what?)/ Dog, I fit in at the beginning,” DMX growls in the first verse in his signature rough-edged style.

“Music is meant to be universal and without boundaries, and it starts at the top with us, the artists,” said FFDP guitarist Zoltan Bathory in a statement. “We have always embraced the mixing of genres, whether it be the remake of LL Cool J’s ‘Mama Said Knock You Out’ featuring Tech N9ne as a guest, or our collaboration with blues warrior Kenny Wayne Shepherd, country star Brantley Gilbert, and Brian May, the legendary guitarist of Queen, on the song ‘Blue on Black.’”

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The release did not mention when the DMX vocals were recorded, but Bathory added that the idea of a collab with the “X Gon Give It To Ya” MC had been “in discussion for years, and it was a long and winding road to turn this particular item on our wish list into reality. He was a lyrical warrior, a true original who spoke his mind incorruptibly.” The guitarist said the group had always considered DMX the “metalhead of hip-hop” because of the rapper’s “aggressive, raw, and untamed” style.

“He growled and snarled, aiming to rattle some cages–an attitude we share, as Five Finger Death Punch has always been drawn to the fearless and the real,” he said. “It made all the sense in the world, but today this is more than just a song; it’s a salute to a legend, a way to honor DMX’s memory.” DMX died in April 2021 at age 50 after experiencing a heart attack triggerd by a drug overdose.

The digital deluxe edition also features three acoustic versions of the album tracks “The End,” “Judgement Day” and “Thanks For Asking.” FFDP will tour Europe this summer on a headlining tour featuring Ice Nine Kills before joining Metallica as the opening act on a run of the rock icons’ European stadium shows.

Watch the “This Is the Way” video below.



GloRilla Tears Up Listening to Surprise Message From Her ‘Extremely Proud’ Dad

During her visit to the Tamron Hall Show on Wednesday, Memphis MC GloRilla reflected on her mind-blowing visit to the White House in March, where she met President Biden and VP Kamala Harris. But host Hall had one more special moment to share during the segment, when she played a video from Glo’s dad, who talked about how proud he is of his daughter.

“I’m the father of GloRilla, otherwise known as my baby, Gloria Woods. I am very proud of my daughter,” said Edwin C. Woods in the video that featured sweet throwback pics of a teenage Glo, as well as snaps from her White House trip. “She has risen from humble beginnings to going to the White House. I am extremely proud of Gloria and may she have many, many more days of success.”

The “Yeah Glo!” rapper was overcome with emotion watching the tribute from her proud pops, tearing up in reaction to the sweet message. “I love my dad so much,” she said as the audience let out a series of “awww” reactions. “He’s like one of the closest people to my heart. I love my dad.”

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In the same interview, the 24-year-old MC recalled the surreal feeling of meeting Biden, who is in a tight re-election race with former one-term president Donald Trump, who he defeated in the 2020 election. “The moment I was walking through security and everything, it was like, ‘Oh my God, I’m here, I’m here, I’m here, I’m here.’ Once I got in, it was a beautiful feeling. I never would have expected to be in the White House,” Glo said of walking into 1600 Pennsylvania Ave.

GloRilla is gearing up to hit the road with Megan Thee Stallion for the Hot Girl Summer tour, with the pair teasing an upcoming collaboration earlier this week.

Watch the tribute from GloRilla’s dad below.

Dynamicduo Discuss ‘2 Kids on the Block’ Album Finale & Collaborating With BTS’ J-Hope & RM

Two decades in any industry is worth celebrating, but Dynamicduo has not only persisted through the early, nascent days of Korea’s hip-hop scene but has also hit new creative and mainstream peaks ahead of reaching the 20-year milestone.

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Since childhood friends Choiza and Gaeko officially paired up in 2004 with debut album Taxi Driver, the pair have trailblazed their legacy after setting records for hip-hop sales in Korea, taking top honors at mainstream awards shows in music and videos, establishing their Amoeba Culture label, and collaborating with a range of stars through the decades like DJ PremierJ.Y. ParkTiger JKBoARainWonder Girls and members of K-pop groups like BTSEXO and Monsta X.

Dyanmicduo’s three-part album, 2 Kids on the Block, officially wrapped its 10-month rollout with the release of Part.3 on March 28, with the new tracks documenting two decades of inner dialogues and growth to ultimately decide to set their sights even higher by the LP’s conclusion. Parallel to the record’s past-meets-present concept, Dynamicduo experienced balancing an old and new track, both taking over on social media for a minute in 2023. Their 2014 single “AEAO” featuring DJ Premier” went unexpectedly viral on TikTok (landing itself as one of TikTok’s Top 10 Song of Summer from South Korea), while their collaboration cut “Smoke” with rising rapper Lee Young Ji for a popular TV dance competition also took off via dance challenges, earning the guys their first-ever entry on the Billboard Global 200 chart. Helping fuel DD’s 2023 hits were infectious dance and lip-sync covers from K-pop heavyweights like V and Jung Kook of BTS, Minho, EXO, SEVENTEEN, TOMORROW X TOGETHER, ITZY, ATEEZ and IVE, as well as stars across the J-pop and Korean hip-hop scenes.

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A day after the release of 2 Kids on the Block — Dynamicduo’s milestone 10th album together — was the unveiling of J-Hope from BTS’ latest solo project, Hope on the Street Vol. 1, featuring Gaeko on the lead single “NEURON.” Alongside this J-Hope collaboration, the slew of rising and established names in Korean pop, R&B, rap and even acting on 2 Kids all point to Dynamicduo’s continued influence and expert ability to navigate different musical realms for decades.

Speaking exclusively with Billboard, Dynamicduo reflect on their journey thus far, share their ambitious vision for the next decade, discuss differences between their BTS collaborations and more.



Congratulations on the release of 2 Kids on the Block – Part.3. How does it feel now that the series is complete? With five full tracks, Part.3 is the longest chapter in the 2 Kids on the Block series. Was there a reason for breaking out the parts like you did?

Gaeko: We feel so happy to be able to release the album on our 20th anniversary. The timing was perfect.

Choiza: Our CEO, who had been with us since the establishment of our company, suddenly passed away as her condition worsened, and while she was here, she really liked the songs that we were working on from the tenth album. So we wanted to gift the release to her while she was still here with us. And the current state of the music market makes it impossible for people to listen to all the songs in an album. Even if we released all the songs at once, only one to two songs would have stood out, so we thought dividing it into parts would have people listen through all the songs. Lastly, this album expresses stories and the history of Dynamicduo, so we released it in several parts to sequentially tell different stages of our lives from past to present.

You also released a remix package for “AEAO” with DJ Premier and “Smoke” for Street Woman Fighter 2, both viral hits, in between parts. Was there a balance you had to find with these singles and returning to the album?

Gaeko: Apart from the hits of the two singles, we tried to refocus on maintaining the album’s concept and improving its level of completion. We took a short break, about two weeks, at the beginning of the year to refresh our minds and then got back to the grind.

Choiza: Actually, 2 Kids On The Block – Part.3 was originally going to be released as three songs last year, but “Smoke” became such a huge hit, so we couldn’t complete the album at that time. But, thanks to that, we were able to prepare five songs instead of three with the extra time we were given, and we are satisfied with how it turned out. The additional two songs that we added fit right in with the concept of the album.

Your new single, “PITAPA” featuring pH-1 and Junny, is really impressive. What inspired the theme of “pizza, tacos and pasta” and what do you hope listeners will take away?

Choiza: “PITAPA” is a song that resembles the aspiration of wanting our music to be appealing to people all over the world and to be known in such a way as pizza, taco, and pasta are as global foods familiar to everyone around the world. pH-1 and JUNNY are well-received in both Korea and overseas, so having them on the track added extra flavor and we think overseas listeners who like Korean hip-hop will have fun listening to it.

Gaeko: We felt that the words “pizza, taco, pasta” connected well and the line just stuck to our mouth. We felt the groove and loved the sound of it, so we were able to make the hook right away. “PITAPA” was the last song we worked on on the album, and it was completed quickly with the inspiration we got from our U.S. performance that we had just gotten back from.

Personally, I hear some DJ Premier influence on the production of “PITAPA.” Did his work inspire you or parts of this album after the resurgence of “AEAO”?

Choiza: “AEAO” is a song that gave us the courage to pursue overseas activities. We worked with an amazing artist, DJ Premier, and when the song resurged on TikTok, it helped bring in a wider audience, giving them exposure to who we are and our songs. The resurgence encouraged us to think that we have the potential to do something overseas and that the idea of rapping and singing in Korean would still appeal to the foreign market. “AEAO” gave us tremendous inspiration.



BewhY gives props to Dynamicduo as inspiration for his career on the album track “Love Myself.” This LP has many rising rap and R&B stars. Do you have humbling moments like this where you realize your influence?

Choiza: We are very grateful that young artists are inspired by us and how long we’ve been doing this. We think one of the reasons we’ve been able to make music for so long is that we get a lot of help and learn a lot from working with new artists. We want to continue working hard and creating good music together.

Actor Jung Man Sik does the intro on “Dramatic,” which was very clever. How did he end up on the album?

Gaeko: When we got Man Sik’s part added to the song, it felt like we found the missing piece to the puzzle. We contacted him last minute, like two days before our scheduled mix session. We had nobody else in mind other than Man Sik and, luckily, it was his day off that day, and he understood exactly what we wanted and acted so quickly on it. He completed our puzzle and we want to thank him again.



Gaeko, you collaborated with J-Hope of BTS on “NEURON” from Hope on the Street Vol. 1 album. Since J-Hope is enlisted and cannot share much about the song, can you tell us about how the track came together?

Gaeko: J-Hope came to my studio last year and we not only talked about music, but also talked about many different things in life — it was such a fun time and I felt his deep passion for music and dance. I think his energy transferred over to me because I was able to write the lyrics quickly. We recorded our verses separately, and I went over to HYBE and we recorded the hook together. It was a fun project.

All three verses on “NEURON” express a strong sense of positivity and gratitude. Can you share how you approached your verse? Did you hear J-Hope and Yoon Mirae’s verses, or was it all a surprise when the album came out?

Gaeko: It wasn’t until after 20 years of making music that I began to understand that good things come out only when you relax and empty yourself. I wanted to capture those emotions in the verse, and I also tried to make the overall structure of the verse simple and plain. J-Hope’s verse was already completed before I did my part, and I listened to Tasha (yoonmirae)’s verse after it was mixed. Their parts were so good so I had second thoughts on recording my part again, but I decided not to. If I did it again, I wouldn’t have been able to capture the same emotions from the initial recording, so I left it as is.

RM featured on Gaeko’s single, “Gajah” from 2017. How do the collaboration experiences and recording processes differ between RM and J-Hope?

Gaeko: I felt that the musical direction they were both pursuing was similar yet different. I felt that RM had a deep affection, understanding, and love not only for hip-hop but also for music itself. And J-Hope had a massive passion for hip-hop and dance and wanted to pour all his energy into them before enlisting into the army. I also received a lot of energy from those two.



As Dynamicduo celebrates its 20th anniversary in 2024, how do you look back on the 20 yeras? Do you have anything special planned to celebrate this year?

Gaeko: Looking back now, we think that we were meant to do music. There were times when we experienced challenges, joy, and frustration, but the fact that the two of us were together in all those moments is probably the biggest accomplishment of our career.

Choiza: [The] 20th anniversary isn’t any special to us because we want to work just as hard as we’ve been and treat it like all our previous years. However, we will be holding a concert at the end of the year for our 20th anniversary and we want to make it big — we will be working hard and preparing a show for all to enjoy.

Collaboration has been a significant aspect of your career and we see it in 2 Kids. Whether it’s with fellow artists or producers, how do you approach collaborations to make them successful? Is there anyone still on your bucket list?

Choiza: We enjoy working together, but there are also a lot of new things that we discover when working with other artists. It’s fun to work with famous artists, but we also want to collaborate with rising, up-and-coming artists because we have a lot to learn from each other as well.

We think it would also be fun to mix various languages into one song. We are currently working with Thai rapper F.HERO, and we hope to work with artists from the U.S., Japan, Southeast Asia, and other parts of the world.

While K-pop impacts globally, Korean hip-hop and R&B are also rising. Do you have any thoughts—or hopes—of what it will take for these genres and artists to be more noticed internationally looking forward?

Gaeko: It’s important to make an effort to create the best work in whichever area we work in and to respect each other. We try not to set any high expectations for the results and just do our best in our field.

Choiza: Our goal is to be good at making music and to do it for a long time, so we’ll do our best to keep this going. We ask for your continued interest, and I believe that our overseas listeners will find songs that suit their tastes when they listen to all our songs that have been released so far. Please check out our 10th album as well as all our previous ones. We feel so grateful and honored to take part in this interview. Thank you for having us!

Metro Boomin Announces Special One-Off Show at Pyramids of Giza in Egypt

Metro Boomin is taking his show on the road to Egypt later this month. On Tuesday, the “Young Metro” rapper announced that he has booked a gig at the Great Pyramids complex in Giza, Egypt on April 30.

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“In other news I’m doing a show at the Pyramids in Giza [three head exploding emoji],” Boomin tweeted along with an image of the show poster, which depicts the MC rocking a black puffer jacket while posing in front of an image of the three pyramids and the Sphinx. Tickets for the 18+ show are available here now. The UNESCO World Heritage Site Giza complex is comprised of of the Great Pyramid, as well as the Pyramids of Khafre and Menakaure, as well as other pyramids and the Great Sphinx.

The pyramid complex has been the site of a number of shows over the years, including the famed Grateful Dead three-gig 1978 series that was later released as the live album Rocking the Cradle: Egypt 1978. Shakira played a show for an estimated 100,000 fans at the complex in 2007.

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Metro’s gig comes a little under a year after Travis Scott tried to book a gig at the pyramids, which he ultimately canceled due to what producer Live Nation dubbed “complex production issues.”

Rapper/producer Boomin riding high at the moment after his single with Future and Kendrick Lamar, “Like That,” rocketed to No. 1 on the Billboard Hot 100, marking Boom’s first Hot 100 leader as a billed recording artist, following two as a writer and producer; the song is Future and K-Dot’s third Hot 100 leader each. The single was one of five from Future and Metro’s joint album, We Don’t Trust You, which debuted in the top 10; the album debuted at No. 1 on the Billboard 200 album chart.

Check out the Giza gig poster below.

Beyoncé Drops ‘Pony Up’ Remix of ‘Texas Hold ‘Em’ With New Verse, Breakdown

Beyoncé is rustling up all her cowboys and kindly asking them to hit the dancefloor for a new remix of her Cowboy Carter single “Texas Hold ‘Em.” The track gets a fresh bounce as well as a new verse and breakdown in a “Pony Up” remix of the song that topped the Billboard Hot 100 and the Hot Country Songs chart when it dropped in February.

In addition to the new lyrics, the song has some new vocals, cracking drums and new samples, as well as a breakdown in which Bey calls “all my cowboys to the dancefloor,” then making her request more urgent with a call to “Get on the dancefloor!”

The new second verse cranks up the righteous cowboy action with the lines, “Woke up this mornin’, my heart keeps racin’/ Straight to the bottom, we all need salvation (Come take it to the floor now, ooh)/ Need you to in this drought, take me downtown/ Gon leave the truck, whiskey, baby/ Let’s get weekend wasted/ Might as well just throw it all (Woo-woo)/ And pony up, b–ch, don’t hold back on me.”

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The song ends with a new outro as well, on which Bey sings, “Pony up and salute your town/ Chasin’ our sins away, way brown/ And I’ll be damned if I cannot dance with you/ Baby, pour that sugar and liquor on me, too/ Furs, spurs, boots.”

In addition to the remix, the singer also launched a mysterious new website this week, beencountry.com, which at press time featured an image of a teen Bey singing at the Texas Sweetheart Pageant, as well as a childhood pic of the singer, a contemporary shot of her in her full cowboy regalia — including furry chaps — a picture of a banjo and the reminder that “This ain’t a country album. This is a ‘Beyoncé’ album.” Some Beyhive members noted that posters with the beencountry images have gone up around Los Angeles, speculating that they could be a tease for an as-yet-unannounced Cowboy Carter tour.

Listen to the “Texas Hold ‘Em” remix below.



Offset Quashes Rumors of Quavo Beef With Sweet Birthday Post: ‘Love You 4L [for life]’

Offset bluntly shut down persistent rumors of an alleged beef with his Migos bandmate Quavo on Tuesday when he posted a brief, but loving message to Q on his 33rd birthday. HipHopDX posted a screenshot of an Instagram Story from Offset in which he wrote, “Happy gday my brother @quavohuncho love you 4L [for life].”

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The message came with a throwback photo of the trio as young men. The Atlanta trio formed in 2008 has had a rocky few years, beginning in 2022, when Offset appeared to suggest there was conflict in the group on his song “Messy,” releasing a video for the track one day after his cousin, Takeoff, was killed in a shooting at a bowling alley in Houston; the track was credited to the pair’s side project, Unc & Phew, whose only album was Only Built For Infinity Links.

Shortly after, the pair reportedly got into a scuffle backstage at the 65th annual Grammy Awards, which Offset denied in a post. “What tf look like fighting my brother yal n—as is crazy,” Offset tweeted at the time without naming names. At the time, according to TMZ, the Migos bandmates allegedly squared off backstage because Quavo reportedly blocked Offset from performing onstage with him for “Without You,” the former’s tribute song to Takeoff.

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Migos’ most recent album was 2021’s Culture and in an Oct. 2023 interview with Hot 97, Offset appeared to confirm that the group had broken up, saying that it was not due to any issues with Quavo, but because of the death of the “glue” that held them together, Takeoff.

See the birthday message below.

Cash Cobain Speaks Out on NYC Concert Canceled for ‘Reasons Out of My Control’

Cash Cobain has NYC on fire right now. The Bronx rapper/producer’s song “Fisherrr” has gone viral with everyone doing its signature dance, The Reemski. However, virality can bring with it some unfortunate consequences.

His highly anticipated hometown show at the infamous Irving Plaza set for Monday night was shut down before it got started as swarms of fans and members of the media waited nearly two hours to get in. (I was one of them.) There were rumors of Drake popping out as the special guest, which somewhat explained the frenetic energy we felt while standing outside as the crowd eventually began to become restless. However, Cobain didn’t let that faze him.

Cash Cobain Slizzy Fest

Cash Cobain at Union Square Park after Slizzyfest was shutdown.

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As police began to clear the scene, Cobain rounded up the remaining fans who gathered for Slizzyfest and led them up the street to Union Square Park for an impromptu show, where he rapped along with fans as a few of his current hits blared from a Bluetooth speaker.

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It doesn’t get much more hip-hop than that.

On Wednesday (April 3), Cobain and his team released a statement exclusively to Billboard thanking his fans for the support and promising another soon.

“To all my fans and supporters — thank you for coming out Monday night, we really tried to put on the best show in New York, but for reasons out of my control, the show had to be canceled last minute. The show might’ve got canceled, but I walked out to the park because the fans wanted to see me. They paid money to see me and the guys, and I was out there, I was fly — I had to do it. I needed to be seen. I’m sorry, I love you guys and everyone’s gonna get a refund. We are working on putting on something special for the fans in the near future. Thanks to everyone who came out, I really appreciate it.”

Cobain has been gaining steam since dropping 2 Slizzy 2 Sexy in 2022 alongside fellow New Yorker Chow Lee. Cash flips samples (often found on YouTube) to create songs that mix Jersey club and drill to create his own subgenre that’s been dubbed Sexy Drill. The Sexy Drill sound extols what he calls the Slizzy lifestyle and is the perfect soundtrack for when you’re outside and the weather’s nice. The Summer of Slizz is upon us.