State Champ Radio Grammys
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Roots drummer and bandleader Questlove was given a nearly impossible assignment in pulling together Sunday night’s (Feb. 5) generation-spanning, all-star tribute to hip-hop’s 50th anniversary at the 2023 Grammy Awards. How do you represent a wholly American art form that has spread from coast-to-coast and around the globe without leaving out someone’s favorite MC?
Welll, according to a series of posts from Quest on the day after, he did his best, but there are some good reasons he couldn’t get everyone’s No. 1 in there. “general ?s answered about last night: (some are asking if we are playing erasure games so uh….yeah I don’t play that so—in answering the questions of “why wasn’t dada there?),” he tweeted.
The answer(s) were simple, he added, “1. already booked 2. declined our offer straight up 3. or a third option im not gonna get into.” A fourth reason, he noted, was that the team made the decision to wait for a two-hour taping of a special slated to take place in August that will give the team more space to fill in the blanks. “We decided to eschew those who passed away, & give flowers to the living — for starters I learned with VH1 Honors not all rappers are good MCs and bad karaoke is a danger slope,” he said. “And WAY too many legends passed so someone’s estate was gonna be heated.”
QuestloveThe Roots timekeeper said in an interview that his original cut for the special segment ran to nearly a half hour, something the Grammy brass said was obviously untenable. So he had to cut it down to around 12 minutes for the heart-racing final version. In the end, the impassioned, mind-bending medley roped in everyone from Grandmaster Flash and the Furious Five, Run-DMC, LL Cool J, Salt-N-Pepa, Rakim and De La Soul’s Posdnous (Kelvin Mercer), to Scarface, Ice-T, Queen Latifah, Public Enemy, Outkast’s Big Boi, Method Mad, Missy Elliott, Busta Rhymes, Nelly, Too Short, Swizz Beatz and the Lox, as well as new schoolers Lil Baby and Glorilla.
“This went through a crazy evolution. all my suggestions were 20 min presentations with Breakbeats/Graf Legends/Dancers/DJ/Beatboxers,” Quest continued. “You’ll be shocked how fast 25-40 secs goes by and you don’t even get the halfway mark of 1995l remember 1973 to 2023 was the goal… we were aware of playing our biases out (if it were me alone? idda just skewered to my teenyears). at one point I said ‘we should do ALL women!!’ —that idea didn’t get too …..far (we didnt have time to do a ‘Some Kind Of Monster’/Kumbya thing to make that a reality).”
The notoriously methodical drummer said he had some criteria he wanted to follow (“alive? harmonizing? turntablism? fighting shape? NYC? LA? BAY? ATL? NAWLINS? HOUSTON? MIDWEST [checkmark emoji] born before 1960? born after 1995? Superlyrical? Stylistic? Original? generally known by at least 2 generations?”). But if your pick wasn’t there there might be a reason.
One, he revealed, was that two “crucial” acts canceled 10 minutes before air. “Cancellations that mighta made it look like we were biased in our choices. but just understand we literally tried to SQUEEEEEEEZE everyone in,” he promised.
As for why there was not much representation from the new generation of 2010’s rappers, Quest explained that as well. “Because they said ‘no’, or they walked out… I’m sure there were all types of circumstances, but Ice-T as the Only L.A. representative, in Staples Center, in Los Angeles… is WILD!! Great performance otherwise.” Questlove answered, “welp: I asked like 10 legends so….sometimes you gotta go with the one who wants you. again might not be your preference but most of hip hop has side gigs. Acting was the main issue. lotta movies being shot.”
In a pre-show interview with the New York Times, Quest further detailed the crazed rush to get the set together, revealing that the two who dropped out at the last minute (Lil Wayne, Future) and the “damn near Jerry Maguire levels” of cajoling he needed to employ to get Missy Elliot — “world famous for the word ‘no’” — to perform. Plus, he noted, there are a number of major acts (Drake, Jay-Z, Public Enemy) who have for years accused the Recording Academy of not giving hip-hop its proper due at the awards.
See Questlove’s tweets and the full performance below.
general ?s answered about last night: (some are asking if we are playing erasure games so uh….yeah I don’t play that so—in answering the questions of “why wasn’t dada there?)1. already booked2. declined our offer straight up3. or a third option im not gonna get into— Dr. Love (@questlove) February 6, 2023
—we decided to eschew those who passed away, & give flowers to the living —for starters I learned with VH1 Honors not all rappers are good MCs and bad karaoke is a danger slope. And WAY too many legends passed so someone’s estate was gonna be heated.— Dr. Love (@questlove) February 6, 2023
this went through a crazy evolution. all my suggestions were 20 min presentations with Breakbeats/Graf Legends/Dancers/DJ/Beatboxers—-you’ll be shocked how fast 25-40 secs goes by and you don’t even get the halfway mark of 1995l remember 1973 to 2023 was the goal— Dr. Love (@questlove) February 6, 2023
we were aware of playing our biases out (if it were me alone? idda just skewered to my teenyears). at one point I said “we should do ALL women!!” —that idea didn’t get too …..far (we didnt have time to do a “Some Kind Of Monster”/Kumbya thing to make that a reality)— Dr. Love (@questlove) February 6, 2023
& this is NOT leading to a tired narrative that women don’t get along because there MORE concerns on the men side of things too (happiest moment seeing LL & Ice T just chillin—)—but yeah the most asked question was “who all gone be there?” which is understandable.— Dr. Love (@questlove) February 6, 2023
we had a criteria we wanted to follow: alive? harmonizing? turntablism? fighting shape? NYC? LA? BAY? ATL? NAWLINS? HOUSTON? MIDWEST☑️ born before 1960? born after 1995? Superlyrical? Stylistic? Original? generally known by at least 2 generations?— Dr. Love (@questlove) February 6, 2023
now granted they might not be your favorite (and there were 2 crucial 11th hour (more like 10 mins before taping) cancellations that mighta made it look like we were biased in our choices. but just understand we literally tried to SQUEEEEEEEZE everyone in.— Dr. Love (@questlove) February 6, 2023
You know that old saying about how Ginger Rogers had to do everything Fred Astaire did but backwards… and in high heels? (If not, go ask your great-grandma.) Well, it sounds like Harry Styles and his dancers had to channel some serious Rogers vibes during Sunday night’s performance at the 2023 Grammy Awards.
According to posts on Monday from a pair of Styles’ dancers, the spinning turntable set they had endlessly rehearsed on for their run through the singer’s hit “As It Was,” threw them for a loop when it started spinning in the wrong direction during the performance. “What you don’t know is that the moment the curtain opened and it was time to perform, our turntable started spinning in reverse,” dancer Brandon Mathis said in an Instagram Story (per Rolling Stone).
“Backwards. Freaking all of us out on live television, and there was nothing we could do to stop it,” added Mathis. “In real time, we had to troubleshoot and try to do a complete piece in reverse. Talk about professionalism.”
At one point, viewers may have noticed Styles awkwardly hopping down off the spinning wheel and appearing to stumble a bit, expertly regaining his balance while moving from the malfunctioning set to the more stable, non-moving, front of the stage. Another one of his dancers, Dexter, revealed on TikTok that the team practiced the intricate choreography for 10 days before Sunday’s show and that the comments decrying the performance as “lethargic” were unfair given the challenges in the moment.
“We rehearsed for 10 days getting down these beautiful formations and sliding off the table in a roll-off and just making this incredible, morphing, cool artistic s–t and Harry did such a good job integrating into it,” Dexter said in the video, adding that the dancers desperately tried to get a stage tech’s attention about the miscue, but were forced to improvise in the moment and completely switch up all their choreography on the spot.
Dexter said the team had rehearsed the whole time with the turntable moving clockwise, which is why it was “difficult” and “frustrating” to try and pull off the intricate moves and retain spatial awareness while moving in reverse.
“To switch all those patterns around on the spot, having not even walked in that direction, it sounds easy,” he said. “Since it’s circular, it pulls you in different directions and is such a special type of balance. We got accustomed to one way, and it was the opposite way. So, luckily we worked together and did our best and got to one cool formation in time for the overhead shot but had to change the rest.”
Spokespeople for Styles and the Grammy Awards had not returned Billboard‘s requests for comment on the reported staging malfunction at press time.
Even though Styles had to sing and walk in the opposite direction — including during a complicated catch-and-release series of moves with a female dancer — he had plenty to celebrate on the night of, including winning album of the year for Harry’s House. Styles celebrated his big win on Instagram on Monday night (Feb. 6) in a series of pics in which he is grabbing a moment of quiet backstage and showing off his custom Adidas sneaks at a late night pizza party.
Check out the Styles’ post and the performance as it was, but not as it was supposed to be below.
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Lil’ Kim and MC Lyte spoke to the importance of “sisterhood” during the kick-off of Mastercard’s “She Run This” event over Grammy weekend in celebration of Black entrepreneurship in business and hip-hop.
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The three-day event, which was held in collaboration with Femme It Forward to spotlight entrepreneurship in business and hip-hop, launched with a three-part panel discussion featuring rap vets Kim, MC Lyte, Salt-N-Pepa and Yo-Yo, alongside emerging artists such as Coi Leray, Baby Tate and Jozzy, and a special appearance by Mastercard ambassador Jennifer Hudson.
During the panel discussion, Lyte explained why she didn’t want to work with other women in the beginning of her career and how her mind-set changed. “All that I’d heard was that working with women wasn’t a good thing because they were so emotional. I adopted this thought, but the truth was, I had to become responsible in the way that I communicated,” she shared with an audience of mostly women at 1010 Wine and Events in Inglewood, Calif., on Thursday (Feb. 2). The Partners in Rhyme star hired a female manager 13 years ago, who has since became her business partner and COO of “everything MC Lyte.”
“There is a way that you can communicate with love and care and kindness and I had not learned that when I [first started out],” she continued. “What I can say now is this business that I’m in is the best for me because I know what sisterhood is.”
Added Kim, “I never knew what it felt like to be unprotected around my sisters. Especially in a male-dominated [industry]. It was hard, but when I was in the comfort of my sisters, I was at my peak. I felt the most powerful.”
“We did everything together,” Kim said of forging a solid sisterhood with MC Lyte, Missy Elliott, Mary J. Blige, Da Brat, Queen Latifah and stylist Misa Hilton early in their careers. Kim has collaborated with fellow female artists on “Ladies Night,” featuring Elliott, Blige, Brat, Left Eye and Angie Martinez; and Christina Aguilera’s “Lady Marmalade” remake with Kim, Pink and Mya.
And after more than 25 years in the rap game, the Queen Bee continues to show support for the new school of female rappers (she recently brought out Lola Brooke during her show at the Apollo Theater).
“Sisterhood and having your sister’s back is important, and Kim always had my back,” said Hilton. “A lot of things started to happen quickly [in her career], so all of a sudden people may try to come between us. People [would] want Kim to do a certain fashion magazine and they’d say, ‘We want to use this stylist,’ but what did she say? ‘Misa has to be there.’ Sticking together and not being afraid to stick up for yourself, not feeling like you’re going to miss out on an opportunity and realizing the power in your voice [is important]. You can demand what you want and you can bring your sisters with you.”
Coi Leray and Yo-Yo attend Mastercard She Runs This, celebrating entrepreneurship for Black Women in Business and the 50th anniversary of Hip-Hop in a three-part panel discussion series in partnership with Femme It Forward during GRAMMY Week at Sip & Sonder on Feb. 4, 2023 in Los Angeles.
Mike Tran/Polk Imaging
“Everything that I do is everything that I wanted to do when I was 7 years old,” said MC Lyte, whose debut album Lyte as a Rock turns 35 this year. Throughout her career, the Brooklyn native has crossed over from rapping to acting to voice-over work. “I wanted to be on radio, I wanted to use my voice,” she said. “I saw Tootie [played by Kim Fields] on The Facts of Life and I was like, ‘I got to get to Los Angeles because I need to do some acting.’ I wanted to do all those things, but I also realized I had to prepare myself. I couldn’t just show up because [I’m ] MC Lyte; I had to know the skill set. I went to acting school, I went to voice-over coaching classes and workshops. I was just prepared for the moment so as the opportunities lined up, I was able to show up and show out.”
The “She Runs This” campaign includes an immersive “Small Business City” built in Meta Horizon Worlds, a TikTok challenge kicked off by Hudson, an ad campaign furthering Mastercard’s mission to help Black women entrepreneurs thrive, and a Fearless Fund grant contest in partnership with Fearless Fund, a Black-owned venture capital fund aimed at helping women of color. Mastercard and Fearless Fund are providing Black women small business owners with $20,000 grants, plus digital tools and mentorship to help them “build, protect and sustain their business.”
Additionally, Mastercard and Amazon have teamed up for a small business marketplace spotlighting Black women-owned small businesses. The digital marketplace allows owners to share their brand origin stories and connect directly with customers on Amazon Live. Customers can also explore the shoppable social hub of products from exclusively Black women-owned small businesses on Pinterest.
According to Mastercard, 80 percent of U.S. women entrepreneurs, solo-preneurs, small business owners and content creators have endured financial challenges. In recognizing this universal financial obstacle faced by entrepreneurs along with the challenge of battling racism and racial bias, Mastercard is honoring hip-hop’s 50th anniversary by helping equip Black women entrepreneurs with the financial tools, resources and education to successfully accomplish their dreams.
She’s got big Swift energy! Latto declared herself a fan of Taylor Swift by posting a selfie with the superstar from the 2023 Grammy Awards on Monday (Feb. 6).
In the snapshot, Latto sticks her tongue out as Tay plants a kiss on her cheek from her table at Crypto.com Arena. “Swiftie,” the rapper wrote simply in the caption, using a clinking champagne emoji and a pink heart to punctuate her sentiment.
Both artists were nominated at this year’s Grammy Awards, with Swift winning the prize for best music video (for All Too Well: The Short Film) and earning nods for song of the year (for the 10-minute version of the Red (Taylor’s Version) favorite) and best country song (for “I Bet You Think About Me (Taylor’s Version) (From the Vault)”), while Latto was up for both best new artist and best melodic rap performance (for the live version of her breakthrough hit “Big Energy”).
Elsewhere in the ceremony, the Midnights singer reunited with ex-boyfriend Harry Styles, who eventually went on to win not only best pop vocal album, but also album of the year for his 2022 album Harry’s House. She also celebrated Viola Davis reaching EGOT status on her personal social media accounts following the How to Get Away with Murder actor’s historic win for best audio book, narration, and storytelling recording.
Before she lost out on the best new artist trophy to Samara Joy, Latto opened up to Billboard ahead of this year’s Grammys about why she still considers herself a new artist, reasoning, “Every month I feel like I’m constantly evolving. Especially the content I’m about to roll out — it’s a whole fresh new me.”
Get a look at Latto and Taylor’s Grammys meet-up below.
Following his Grammy night loss for best R&B album, Chris Brown took to Instagram to project his frustrations onto the category’s winner: 12-time nominee and five-time Grammy winner Robert Glasper for his album Black Radio III. “Y’all playing. Who da f— is this?” Brown wrote on his Instagram story, with a series of cry-laughing emojis.
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Less than 24 hours later (and after a slew of social media critique), the chart-topping R&B singer re-evaluated his actions and sent an Instagram direct message to Glasper, apologizing for his mistake. Here’s what Brown said in the DM, posted to his Instagram Story:
“Congratulations my brother.. I would like to apologize if you took offense to my reaction at the Grammys.. you were not the intended target and I know I came off really rude and mean. After doing my research I actually think your amazing…THE ORGANIZATION ISN’T DOING US BLACKS OUR DUE DILIGENCE. YOU AND I SHOULD never be in the same [category].. two totally different vibes and genres. So from one black man to another.. CONGRATULATIONS. HOPE YOU ARE ABLE TO FEED YOUR FAMILY FOR LIFE. God bless my G.”
What Brown’s research may have led him to realize is Glasper’s innumerable accomplishments and contributions as one of the most lauded jazz, R&B and hip-hop instrumentalists of his time. Glasper has worked with 2023 best rap album winner Kendrick Lamar, as well as Mos Def, Lauryn Hill, Lupe Fiasco, Jill Scott, H.E.R., Ty Dolla $ign and Erykah Badu across his many collaborative albums and instrumental work, in addition to his frequent sold-out residencies at New York City’s famed Blue Note Jazz Club.
Following his win, Glasper was all smiles, telling Billboard on the Grammy red carpet he was “ecstatic” about the honor. His tone was far different from Brown’s, offering praise for the R&B star’s nominated project, Breezy (Deluxe), and expressing the feeling that one of his fellow nominees would take the award, adding, “They all have amazing albums.”
Sunday night’s Grammy Awards found their biggest audience in three years, early TV ratings indicate.
Fast national ratings from CBS and Paramount+ show that 12.4 million viewers tuned in to the 2023 Grammys on Sunday night, according to The Hollywood Reporter. (THR will have final ratings on Tuesday morning.) The 2022 show drew 9.59 million viewers, meaning this year’s telecast saw a 30 percent bump year over year.
The last biggest audience for the Grammys was at the pre-pandemic January 2020 awards show, which drew 18.69 million viewers.
Paramount+ says the 2023 Grammys drew the biggest livestreaming audience in the streamer’s history, though no exact numbers were provided to The Hollywood Reporter.
The 2023 Grammy Awards, emceed by third-time host Trevor Noah, awarded the night’s Big Four prizes to a quartet of artists: Harry Styles’ Harry’s House won album of the year, Lizzo’s “About Damn Time” won record of the year, Bonnie Raitt’s “And Just Like That” won song of the year, and jazz singer Samara Joy won best new artist.
Standout performances included Bad Bunny’s euphoric opening number of “El Apagón” and “Después de la Playa”; the Questlove-led 50th-anniversary salute to hip-hop, which included artists from Queen Latifah to GloRilla; and Sam Smith and Kim Petras’ crimson-hued spectacle of eventual best pop duo/group recording winner “Unholy.”
It was one of the most jaw-dropping moments at the 2023 Grammy Awards on Sunday Feb. 5, when last year’s best new artist winner, Olivia Rodrigo, announced her successor.
It was a wide-open field, with no obvious winner such as Rodrigo or Billie Eilish, the 2020 champ. Latto and Måneskin were widely seen as the front-runners, with several other artists (Anitta, Muni Long, Molly Tuttle and Wet Leg) thought to be within striking distance.
The award instead went to Samara Joy, a 23-year-old jazz singer whose chances of winning were discounted by many pop-focused fans. They had much the same reaction 12 years ago to another talented jazz artist, Esperanza Spalding, and she wound up winning too — even among some stacked pop competition.
Joy won a second award on the night — best jazz vocal album for her second album, Linger Awhile. (She beat, among others, Cécile McLorin Salvant, a three-time winner in that category.)
Three of this year’s other best new artist candidates also went home with Grammys. Wet Leg won two awards – best alternative music album for Wet Leg and best alternative music performance for “Chaise Longue.” Long won best R&B performance for “Hrs & Hrs.” Tuttle won best bluegrass album for Crooked Tree (a collab with Golden Highway).
The other nominees in the category this year were Omar Apollo, Tobe Nwigwe and DOMi & JD Beck, whose Not Tight was nominated for best contemporary instrumental album.
So how did Joy pull off this surprise win? Here are six factors that likely played a role:
Samara Joy can now call herself a Grammy-winning artist. During the 65th annual Grammy Awards on Sunday (Feb. 5), past winner Olivia Rodrigo presented the 23-year-old jazz singer with the best new artist award.
“I’ve been singing all of my life. Thank you so much for this honor, thank you to everyone who has listened to me or supported me,” she told the audience in her acceptance speech, as fellow nominees Anitta, Latto, Måneskin and more watched on. “All of you are so inspiring to me, and so to be here because of who I am … all of you have inspired me because of who you are. You express yourself and exactly who you are, authentically. So to be her here by just being myself, by just being who I was born as. I am so thankful.”
In addition to winning the coveted best new artist award, a stiff category that featured nine other nominees across different genres, Joy also won best jazz vocal album for her sophomore album, 2022’s Linger Awhile. It’s quite a feat, considering she began singing jazz just a mere five or six years ago, according to the singer herself.
After taking home two Grammys, Joy thanked not only the Recording Academy for recognizing her talent, but also her fans for cheering her on and lifting her up. “The best night of my life. Thank y’all so much for supporting me,” she wrote via Instagram, along with a red heart emoji.
So who is Samara Joy? Below, Billboard compiled five things you should know about the artist.
Jay-Z shared his unfiltered thoughts about the Grammys in a new interview conducted ahead of the ceremony and published on Monday (Feb. 6), after Beyoncé lost out on album of the year for the fourth time.
“I remove myself from the process and hope they just get it right. It got to the point where I was like, it’s just a marketing thing,” he told TIDAL about the race for album of the year days before the winner was announced. “You go, you got an album out and it could help the sales go up. It got to that point, but deep down … Again, we grew up idolizing this. It was like one of the pillars for us.”
However, despite his perspective on the award, Hov still maintained that his wife deserved the top prize for her acclaimed 2022 album, Renaissance. “Look what it’s done to the culture. Look how the energy of the world moved,” the rapper argued. “They play her whole album in the club. I don’t know if I’ve ever seen that. The whole entire joint — like, everything?! Every remix is amazing. Everyone’s inspired. It has inspired the world.”
Although album of the year ultimately went to Harry Styles for Harry’s House, Queen Bey walked away from the ceremony with four more Grammy awards — including best R&B song for “Cuff It” and best dance/electronica album. The latest awards from The Recording Academy brought her total career Grammy wins to 32, officially making her the most-awarded artist in Grammy history.
Meanwhile, Jay-Z, who’s won a total of 24 Grammys himself over the years, closed out the telecast by performing “God Did” with collaborators DJ Khaled, Rick Ross, Lil Wayne, John Legend and Fridayy.
Written By D.L. Chandler , Senior Editor Posted 45 mins ago @dlchandler123 D.L. Chandler is a veteran of the Washington D.C. metro writing scene, working as a journalist, reporter, and culture critic. Initially freelancing at iOne Digital in 2010, he officially joined the iOne team in 2017 where he currently works as a Senior Editor […]
