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Source: Sony Pictures Entertainment / Netflix / Good Times
Good Times is back—well, sort of. Netflix dropped the first trailer for the upcoming animated series, and it did not go over well with social media.
The animated Good Times project focuses on the new generation of the Evans family. While the names have changed, the struggle for the Evans family remains the same.
The adult-themed satirical cartoon, which arrives on the streaming platform on April 12, stars J.B. Smoove (Reggie Evans), Yvette Nicole Brown (Beverly Evans), Jay Pharoah (Junior Evans), Marsai Martin (Grey Evans), Gerald “Slink” Johnson (Dalvin Evans) and Rashida “Sheedz” Olayiwola (Lashes by Lisa).
Source: Sony Pictures Entertainment / Netflix / Good Times
The official synopsis for the show reads:
An animated reboot of the Norman Lear series finds the latest generation of the Evans family, cab driver Reggie and his wife, the ever-aspirational Beverly, scratching and surviving in one of the last remaining housing projects in Chicago along with their teenage artist son, Junior, activist daughter Grey, and drug dealing infant son, Dalvin. It turns out the more things change, the more they stay the same, and keeping your head above water in a system with its knee on your neck is as challenging as ever. The only thing tougher than life is love, but in this family there’s more than enough to go around.
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X Users Are Not Feeling Good Times
The negative reactions to the trailer were immediate, with many focusing on the fact people like NBA hooper Steph Curry and Family Guy/American Dad creator Seth McFarlane are involved in the project as producers that follow a family growing up in the projects while never experiencing that kind of life themselves.
Other complaints focus on the show just not being a terrible reimagining of the original 70s sitcom that is full of racist stereotypes despite its predominately Black cast and showrunner, Ranada Shepard.
Carl Jones Clarifies His Involvement, Yvette Nicole Brown Shuts Down Haters In Her Mentions
Many also felt the show was trying to emulate The Boondocks’ style, which is ironic because Boondock’s creator, Carl Jones, was involved with the show at one point but revealed in a post on X that he left due to “creative differences.”
Yvette Nicole Brown even had to respond to people questioning her about her involvement in the “racist” show.
She followed up with a thread telling them no is forcing them to watch the show and explaining why she took on the role in the show.
Is The Immediate Fallout Justified?
Source: Sony Pictures Entertainment / Netflix / Good Times
The immediate negative reactions to the Good Times trailer and people hoping for the show to fail also raise the question, are we too harsh on TV shows and movies geared towards us?
White folks have shows like this all the time: King of The Hill, The Simpsons, Family Guy, and American Dad, and they have all gone on to be successful, spawning many seasons.
All those shows depict White America’s tropes in a jokingly and, sometimes, serious light.
So when it comes to a show like Good Times that is trying to do the same, even though we can’t immediately tell that based on a three-minute trailer, is that fair?
Good Times is no different from Eddie Murphy’s stop-motion-animation show The PJs or Jones’ The Boondocks; the main complaints just seem to focus on the names regarding the production aspect.
But as we lawd the original show, we can’t ignore the fact a white man was instrumental in bringing that show to television across the country.
We shall reserve judgment and see if this show is Dy-No-Mite when it arrives next month.
You can see more reactions in the gallery below.
2. We understand
5. Moon Girl & Devil Dinosaur is phenomenal, just hope y’all watching and not just talking
6. Another good show to watch, before Max scrubs it from existence
7. Well, Stewie killed his mom on Family Guy, just saying.
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Source: Michael Ochs Archives / Getty
As many offer tribute to the late television legend Norman Lear after his death, we take a look at the television shows featuring predominately Black casts he produced which changed the culture.
Source: Steve Granitz / Getty
The passing of television icon Norman Lear at the age of 101 has paved the way for a further examination of the shows that the producer and writer was responsible for bringing to the screen and in the process, impacting comedy and American society greatly with a focus on social and political themes of the time.
His work (which included having an astonishing eleven hit shows on air at one time) included shows airing in the 1970s and 1980s that showcased the Black community in roles that captured their full scope and would have a major impact on the industry for decades afterward. We take an in-depth look at the Black-focused shows of Norman Lear that had major success.
Sanford & Son
Source: NBC Television / Getty
Reworking a popular British sitcom Steptoe & Son, Sanford & Son became a smash hit when it aired on NBC in 1974. Ribald veteran comedian Redd Foxx was tapped to star as Watts-based junkman Fred G. Sanford and Demond Wilson as his son, Lamont. Featuring beloved recurring characters such as Aunt Esther (LaWanda Page), the show was Lear’s first featuring an all-Black cast and was a solid ratings giant all of its six seasons, coming in second only to Lear’s iconic All In The Family on CBS. It would end in 1977 after a contract dispute between Foxx and NBC.
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Good Times
Source: Michael Ochs Archives / Getty
A spin-off of the Bea Arthur-fronted Maude (which was itself a spin-off from All In The Family), Good Times focused on Maude’s former housekeeper Florida Evans (Esther Rolle), and her husband James Evans (John Amos) as they raised their three children in the projects in Chicago. Good Times was co-created by Eric Monte (who wrote the cult classic Cooley High) and Mike Evans, who starred as Lionel on All In The Family. The show would become another hit series for CBS, despite some turbulence with Rolle and Amos over concerns of negative stereotypes as the character of J.J. (played by comedian Jimmie Walker) was thrust into the forefront with his “Dyn-O-mite” catchphrase (which Lear actually detested at first). Good Times would go on to be revered by many, with numerous Black stars appearing on the show including Janet Jackson as Penny Gordon.
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The Jeffersons
Featuring Sherman Helmsley as the quick-tempered laundry owner George Jefferson and Isabel Sanford as his wife, Louise, The Jeffersons would become another major hit series for Norman Lear with roots in All In The Family. The Jeffersons would represent America’s first look at an upwardly mobile Black family as the couple moved from living next door to the Bunkers to the Upper East Side. With a catchy theme song (you’re humming it right now as you read this no doubt) and a unique perspective thanks to the strong cast, The Jeffersons would run for ten seasons from 1975 to 1985 on CBS.
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Diff’rent Strokes
Source: Michael Ochs Archives / Getty
This sitcom by Norman Lear first made its debut on NBC in 1978, with Gary Coleman and Todd Bridges starring as Arnold and Willis Jackson, two recently orphaned Harlem children taken in by wealthy Park Avenue widower Phillip Drummond (Conrad Bain) and their daughter, Kimberly (Dana Plato). The show would run for eight seasons on NBC and ABC highlighted by Coleman’s magnetic charm and the “very special episodes” that tacked issues like racism and drug use.
227
Source: Fotos International / Getty
Lear would be an uncredited executive producer for 227, a show that would become part of NBC’s vaunted Saturday night comedy block in the 1980s. Marla Gibbs, who rose to fame as the wisecracking housekeeper Florence on The Jeffersons, starred as housewife Mary Jenkins as part of a trio of friends and neighbors Rose Holloway (Alaina Rose Hall ) and Sandra Clark (Jackee Harry) in the same Washington D.C. apartment building. 227 was also the debut of Regina King, who played Mary’s daughter Brenda. The show would last for five seasons.
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