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YOASOBI’s “Idol” continues its domination over the Billboard Japan Hot 100, on the chart released May 31. The Oshi no Ko opener adds another week at No. 1 to bring the total to seven, becoming the duo’s longest stay atop the list so far.
On the chart tallying the week from May 22 to 28, “Idol” ruled four metrics of the chart’s methodology: streaming, downloads, video views, and karaoke. The “Into the Night” pair dropped the English-language version of its latest smash along with the accompanying video this week, and this led to figures for video jumping from 7,620,563 to 9,300,982 weekly views. The song also toppled Vaundy’s “Kaiju no Hanauta” from the top spot for karaoke, where it had led for 12 consecutive weeks.
Logging its seventh week atop the Japan Hot 100, “Idol” is now aligned with some of the biggest hits of J-pop in recent years: Official HIGE DANdism’s “I LOVE…,” “Pretender,” and Kenshi Yonezu’s “Lemon.” It also surpassed YOASOBI’s own “Yoru ni kakeru” (“Into the Night”), which scored 6 weeks in 2020 and went on to top the year-end list for that year.
Most weeks at No. 1 on Japan Hot 100:
Official HIGE DANdism “Subtitle” 13 weeksGen Hoshino “Koi” 11 weeksAimer “Zankyosanka” 9 weeksLiSA “Homura” 8 weeksKenshi Yonezu “Lemon” 7 weeksOfficial HIGE DANdism “I LOVE…” 7 weeksOfficial HIGE DANdism “Pretender” 7 weeksYOASOBI “Idol” 7 weeksYOASOBI “Yoru ni kakeru” 6 weeksAdo “New Genesis” 6 weeks
INI’s “Fanfare” jumps to No. 2 on the Japan Hot 100 after debuting at No. 10 last week. The CD single launched with 522,251 copies to hit No. 1 for sales, and the track also ruled radio this week. The track also hit No. 2 for downloads after increasing by 619 percent from the week before, while streaming fell 18 percent to come in at No. 22.
The new song “Hikari no naka e” (“Into the Light”) by Kessoku Band — the fictional band from the TV anime Bocchi the Rock! that aired last fall — is off to a good start, debuting at No. 10 on the Japan Hot 100 after hitting No. 4 for sales and No. 3 for downloads. The other new song by the band called “Aoi Haru to Nishi no Sora (“Blue Spring and Western Sky”) also bowed at No. 70 on the song chart after hitting No. 4 for downloads, indicating the lasting popularity of the beloved anime series.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from May 22 to 28, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
Flume, Confidence Man, Julia Jacklin, Daniel Johns and Vance Joy are among the high-profile nominees for the 2023 AIR Awards, set for Aug. 3 in Adelaide, South Australia. The coveted independent album of the year will be contested by former Silverchair frontman Johns (for FutureNever), Jacklin (Pre Pleasure), King Stingray (King Stingray), Laura Jean (Amateurs), and Northlane (Obsidian).Also in the running for honors are Cub Sport, Genesis Owusu, The Jungle Giants, Ball Park Music, Pnau & Troye Sivan, and The Wiggles, organizers the Australian Independent Record Labels Association (AIR) announced Wednesday (March 31). In a change from tradition, AIR this year adds two new industry categories, independent marketing team of the year and independent publicity team of the year, while the main business category — best independent label — will be selected from a shortlist that features ABC Music, Chapter Music, Domestic La La, Liberation and UNFD.This year’s edition will be held at the Freemasons Hall in the city of churches, through a long-term alliance with the South Australian government.“It is fantastic to be hosting the awards here in Adelaide – Australia’s only UNESCO City of Music – and I congratulate all of the nominees,” comments state minister for arts Andrea Michaels member of parliament.“It’s a wonderful opportunity to recognise the work the independent music industry does in providing talented and emerging artists and music businesses with a platform to share their art with a wider audience.”
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The 17th annual AIR Awards will be bookended by the Indie-Con Australia conference, a gathering that focuses “on issues that are specifically relevant to the independent music sector,” organizers explain. Indie-Con is set for Aug. 2-4 at Mercury Cinema.See the full list of nominations here and below.
BEST INDEPENDENT BLUES AND ROOTS ALBUM OR EPBABY VELVET – Please Don’t Be In Love With Someone ElseDOPE LEMON – Rose Pink CadillacLITTLE QUIRKS – Call to UnknownsWILLIAM CRIGHTON – Water and DustZIGGY ALBERTS – Dancing In The Dark
BEST INDEPENDENT HIP HOP ALBUM OR EPALLDAY – Excuse MeDANTÉ KNOWS – Phase OneJESSWAR – LIFE’S SHORT, LIVE BIGKWEEN G – Sensible RebelYAWDOESITALL – LIFE I CHOSE
BEST INDEPENDENT COUNTRY ALBUM OR EPADAM BRAND – All or NothingANDY GOLLEDGE – Strength Of A QueenCASEY BARNES – Light It UpFREYA JOSEPHINE HOLLICK – The Real WorldLYN BOWTELL – Wiser
BEST INDEPENDENT JAZZ ALBUM OR EPBARNEY MCALL – Precious EnergyDONNY BENÉT – Le PianoJEREMY ROSE – Face to FaceMILDLIFE – Live From South Channel IslandSURPRISE CHEF – Education & Recreation
BEST INDEPENDENT CLASSICAL ALBUM OR EPENSEMBLE OFFSPRING – To Listen, To Sing – Ngarra-Burria: First Peoples ComposersMELBOURNE SYMPHONY ORCHESTRA/BENJAMIN NORTHEY – Nigel Westlake: Blueback [Original Motion Picture Score]MIRUSIA – SongbirdTASMANIAN SYMPHONY ORCHESTRA – NightlightWILLIAM BARTON/VERONIQUE SERRET – Heartland
BEST INDEPENDENT CHILDREN’S ALBUM OR EPEMILY WURRAMARA – Ayarra Emeba (Calm Songs)EMMA MEMMA – Emma MemmaPLAY SCHOOL – Very Jazzy Street PartyTEENY TINY STEVIES – How to Be CreativeTHE WIGGLES – ReWiggled
BEST INDEPENDENT DANCE, ELECTRONICA OR CLUB SINGLECUB SPORT – Always Got The LoveFLUME – Say Nothing feat. MAY-ALIME CORDIALE, IDRIS ELBA, FATBOY SLIM – Holiday Fatboy Slim RemixMEMPHIS LK – CoffeePNAU & TROYE SIVAN – You Know What I Need
BEST INDEPENDENT PUNK ALBUM OR EPBODY TYPE – Everything Is Dangerous But Nothing’s SurprisingHARD-ONS – Yummy!PRESS CLUB – Endless MotionTEEN JESUS AND THE JEAN TEASERS – Pretty Good For A Girl BandTHESE NEW SOUTH WHALES – TNSW
BEST INDEPENDENT HEAVY ALBUM OR EPCLAMM – CareNORTHLANE – ObsidianPARKWAY DRIVE – Darker StillTHORNHILL – HeroineYOURS TRULY – is this what i look like?
BEST INDEPENDENT DANCE OR ELECTRONICA ALBUM OR EPCONFIDENCE MAN – TILTFLUME – PalacesNINAJIRACHI – Second NatureTELENOVA – Stained Glass Love (Telenoir Versions)THE JUNGLE GIANTS – Love Signs Remixed
BEST INDEPENDENT ROCK ALBUM OR EPBALL PARK MUSIC – Weirder & WeirderCAMP COPE – Running with the HurricaneKING STINGRAY – King StingrayOCEAN ALLEY – Low Altitude LivingSLOWLY SLOWLY – Daisy Chain
BEST INDEPENDENT SOUL/RNB ALBUM OR EPASHLI – Only OneBECKAH AMANI – AprilFELIVAND – TiesWANDERERS – WANDERERSWINSTON SURFSHIRT – Panna Cotta
BEST INDEPENDENT POP ALBUM OR EPBIG SCARY – Me and YouDANIEL JOHNS – FutureNeverJEM CASSAR-DALEY – I Don’t Know Who To CallTELENOVA – Stained Glass LoveVANCE JOY – In Our Own Sweet Time
BREAKTHROUGH INDEPENDENT ARTIST OF THE YEAR – PRESENTED BY PPCAANDY GOLLEDGEJEM CASSAR-DALEYKING STINGRAYTEEN JESUS AND THE JEAN TEASERSWANDERERS
INDEPENDENT SONG OF THE YEARCUB SPORT – Always Got The LoveGENESIS OWUSU – Get InspiredJEN CLOHER – Mana TakatāpuiJULIA JACKLIN – I Was NeonKING STINGRAY – Camp Dog
INDEPENDENT ALBUM OF THE YEARDANIEL JOHNS – FutureNeverJULIA JACKLIN – PRE PLEASUREKING STINGRAY – King StingrayLAURA JEAN – AmateursNORTHLANE – Obsidian
INDEPENDENT MARKETING TEAM OF THE YEARABC MUSIC, THE ORCHARD – The Wiggles, ReWiggledCHUGG MUSIC, THE ANNEX – Lime Cordiale, Cordi ElbaDOMESTIC LA LA – Teen Jesus and the Jean Teasers, Pretty Good For A Girl BandFUTURE CLASSIC – Flume, PalacesI OH YOU, MUSHROOM MARKETING – Confidence Man, TILT
INDEPENDENT PUBLICITY TEAM OF THE YEARGENNA ALEXOPOULOS – Teen Jesus and the Jean Teasers, Pretty Good For A Girl BandMUSHROOM PUBLICITY – Confidence Man, TILTPOSITIVE FEEDBACK – Lime Cordiale, Cordi ElbaRPM, THE COMMS DEPARTMENT – The Wiggles, ReWiggledTHINKING LOUD – Genesis Owusu, Get Inspired
BEST INDEPENDENT LABELABC MUSICCHAPTER MUSICDOMESTIC LA LALIBERATIONUNFD
The late, great Tina Turner is about to make a major chart comeback. As U.K. fans mourn Turner’s death last Wednesday (May 24), aged 83, the legendary performer could land four titles in the national albums chart, led by The Platinum Collection. Turner’s career retrospective could crack the top 10 for the first time, reentering at No. 8 on the midweek chart, the Official Charts Company reports. The Platinum Collection originally peaked at No. 14 following its release in 2009.
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Close behind is Turner’s 1989 LP Foreign Affair, which features her hit “The Best.” Foreign Affair is set to reenter the Official Chart at No. 10.
Another hits compilation, 1994’s The Collected Recordings, is poised for a No. 12 return, while the U.S. superstar’s Private Dancer from 1984, one of the greatest comebacks of the 20th century, could vault to No. 31, having originally peaked at No. 2.
During her lifetime, Turner landed nine top 10 albums in the U.K., including two No. 1s (Foreign Affair and the soundtrack to What’s Love Got To Do With It).Lewis Capaldi blasted to No. 1 on the Official U.K. Albums Chart last Friday (May 26) with Broken By Desire To Be Heavenly Sent, the fastest-selling album of 2023. Broken By Desire leads the midweek chart again, ahead of two former leaders, Taylor Swift’s Midnights (up 10-2), which benefits from the release of Midnights (The Til Dawn Edition); and Harry Styles’ Harry’s House (up 5-3), which lifts as he makes a victory lap of his homeland with his Love On Tour. Meanwhile, Mick Hucknall’s Simply Red could bag the highest new entry with Time, new at No. 4 on the Official Chart Update. If Time keeps ticking away, it’ll give the British act their 15th U.K. top 10. Also eyeing top 10 berths are singer-songwriter Arlo Parks’ sophomore album My Soft Machine, the followup to the U.K. indie star’s debut Mercury Prize-winning LP from 2021, Collapsed in Sunbeam. My Soft Machine is new at No. 5 on the chart blast.
Finally, veteran alternative pop act Sparks’ is set for a best chart position since 1974 with The Girl Is Crying In Her Latte. The U.S. act, which recently completed a tour of the U.K., is eying a No. 6 bow on the national chart.
All will be revealed when the Official U.K. Albums Chart is published Friday (June 2).
BABYMETAL made a stop in Bangkok, Thailand, over the weekend (May 28) for the second show of its first headlining Asia tour, performing for fans at the True Icon Hall. During the set, the kawaii metal group — a trio again with new member MOMOMETAL officially joining long-standing members SU-METAL and MOAMETAL — invited the […]
YOASOBI dropped the new English-language version of their No. 1 hit “Idol” on digital platforms and shared the accompanying music video. “Idol” is the latest single by the breakout duo that serves as the opener of the TV anime series Oshi no Ko. Released digitally April 12, the track is still at No. 1 on the […]
Lewis Capaldi wouldn’t be denied his first No. 1 in Australia, as Broken By Desire To Be Heavenly Sent blasts to the summit.
The Scottish singer and songwriter’s sophomore album eclipses the No. 7 best for his debut Divinely Uninspired To A Hellish Extent from 2019. Platinum-certified Divinely Uninspired bounces 34-30 this week in its 210th cycle on the survey.
Coming in at No. 2 on the ARIA Chart, published May 26, is John Farnham’s Finding The Voice (Wheatley Records / Sony Music Australia), the soundtrack to the documentary of the same name.
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Finding The Voice becomes the legendary Australian singer’s 20th top 10 album in Australia.
The documentary, like its companion album, is a hit. In the weeks following its release May 18 through Sony Pictures, Finding the Voice was confirmed as the best-selling theatrical release of an Australian music documentary.
Farnham is accustomed to life at or near the top of the charts. His blockbuster 1986 album Whispering Jack spending 25 weeks at No. 1, and is the highest selling album by an Australian act, shifting more than 1.6 million copies. Today, it’s certified 24-times platinum.
He also led the albums tally with Age Of Reason (1988), Chain Reaction (1990), Then Again… (1993), Highlights From The Main Event with Olivia Newton-John and Anthony Warlow (1998), 33 1/3 (2000), The Last Time (2002), Highlights from Two Strong Hearts: Live (2015) and Friends For Christmas, both with Olivia Newton-John (2016).
Farnham has been in the headlines due to poor health. The ARIA Hall of Fame-inducted singer underwent major surgery last year to remove a cancerous growth on his throat, and subsequently endured a stint in hospital as he battled a chest infection.
Completing an all-new top three is Sleep Token’s third album, Take Me Back To Eden (Spinefarm/Inertia). It’s new at No. 3 for the British rock band’s first appearance on the ARIA Chart, while Ed Sheeran‘s latest, Subtract (Atlantic/Warner), dips 1-4.
Also cracking the top 10 on debut is South Coast, Australian indie band The Vanns with their second album Last Of Your Kind (Upper River Records/AWAL), new at No. 8, for their first impression on the tally.
Adelaide alternative rock band Bad//Dreems starts at No. 10 with Hoo Ha! (BMG/ADA).
Over on the ARIA Singles Chart, Morgan Wallen logs a seventh week at No. 1 with “Last Night” (Republic/Universal).
Finally, Lana Del Rey secures the top debut with her recently unearthed recording from 2012, “Say Yes To Heaven” (Interscope/Universal), new at No. 20, while Australia’s pop princess Kylie Minogue scores her 49th top 50 single with “Padam Padam” (Liberation), new at No. 39.
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Roger Waters is addressing widespread backlash he’s received after wearing a Nazi-like uniform during his recent concerts in Berlin.
On Friday (May 26), the Pink Floyd co-founder shared a statement on social media about his controversial May 17-18 shows at Berlin’s Mercedes-Benz Arena, which have prompted an investigation by German police.
“My recent performance in Berlin has attracted bad faith attacks from those who want to smear and silence me because they disagree with my political views and moral principles,” Waters wrote in his statement, which was posted on Twitter.
“The elements of my performance that have been questioned are quite clearly a statement in opposition to fascism, injustice, and bigotry in all its forms. Attempts to portray those elements as something else are disingenuous and politically motivated.”
During his Berlin shows, Waters wore a costume reminiscent of a Nazi SS soldier’s uniform — a long black coat with a red armband — while pointing a fake rifle at the crowd. In his statement, the singer/bassist said that the “depiction of an unhinged fascist demagogue” has been featured in his past live performances since the release of the 1980 film The Wall.
Following the concerts, Berlin police opened an investigation of Waters on suspicion of incitement over the Nazi-style uniform. Authorities said the costume could constitute glorification, justification or approval of Nazi rule and therefore a disturbance of the public peace, the Associated Press reports.
“I have spent my entire life speaking out against authoritarianism and oppression wherever I see it,” Waters wrote in reaction. “When I was a child after the war, the name of Anne Frank was often spoken in our house, she became a permanent reminder of what happens when fascism is left unchecked. My parents fought the Nazis in World War II, with my father paying the ultimate price.”
Waters concluded his statement, writing, “Regardless of the consequences of the attacks against me, I will continue to condemn injustice and all those who perpetrate it.”
See Waters’ full statement on Twitter below.
BERLIN (AP) — Police in Berlin said Friday (May 26) that they have opened an investigation of Roger Waters on suspicion of incitement over a costume the Pink Floyd co-founder wore when he performed in the German capital last week. Images on social media showed Waters firing an imitation machine gun while dressed in a […]
Japanese artist NON is set to drop her second album called PURSUE on June 28, and has been teasing details leading up to the release. The actress and singer announced that she’s collaborating with ASIAN KUNG-FU GENERATION on a track called “Beautiful Stars” on the highly anticipated set. The new track performed by NON and […]
At the end of last year, singer/actress Fiona Sit was in the midst of filming the TV show Memories Beyond Horizon when tragedy struck. Her father became ill and was admitted to the ICU. Despite the difficulties, Fiona was determined to express her longing for her family and hometown through music.
On the day of the Winter Solstice (Dec. 21), she released a new song called “Hong Kong’s Night.” This heartfelt work was a simple, honest story of her own. “We all have beautiful and gentle nights in our hometowns, and if you’re missing home, this song can become ‘Beijing’s Night’ or ‘Chengdu’s Night,’ with the same melody and expression,” Fiona tells Billboard China for a new cover story. “Music is a blessing to us all.”
For two decades, music has been a constant companion to Fiona, providing her with a platform to express emotions, from love to healing. After all these years, her heartfelt love for music still shines.
‘I’m also surprised that I’ve been singing for 20 years’
Fiona was starting from scratch when she first stepped into the recording studio. She had no experience or knowledge of the music industry and was intimidated by the producer and backup singers. With no idea how to express her ideas, she was left feeling overwhelmed and helpless. She often asked questions like, “What color should this sentence be? How shy should the boy in the song be? Are there other people in the room when we’re together? How many?”
Fiona’s journey to becoming a musician was an extraordinary one. She began as an installation artist, where she could express her feelings through her brush and materials. But when it came to music, she realized she needed to collaborate with lyricists, composers and other behind-the-scenes creatives to make something special. She chose to communicate through art, honing her skills in a professional way, until she could use her own voice to express her emotions. Fiona’s voice is like a unique blend of lemon, honey and mint — a perfect harmony to accurately portray the vibrant emotions of a girl’s heart.
Fiona’s art is a vivid expression of her emotions. From the golden trophies she has earned since her debut, to the self-doubt and confusion she experiences in difficult times, to the pink romantic mood of love and the thoughts of her hometown at night, Fiona’s art captures it all. When she’s stuck for inspiration, Fiona turns to painting. As she puts it, “Drawing a song is like listening to it over and over again and painting a picture. The picture is the song.”
Becoming a star without much thought
Fiona had big dreams of becoming an artist when she was in school. She studied Creative Media and Installation Art in college, but people around her often asked her if she wanted to be a model because of her natural beauty. Despite being only 5-foot-6, she decided to give it a go and soon found out that modeling isn’t just about strutting down a catwalk — it also involves photo shoots and videos. And that’s how Fiona’s modeling career began. She’s since starred in TV commercials for big brands like HSBC and Coca-Cola.
“At age 20, I shot commercials for 6-8 hours and earned HKD 3,000-4,000 [around $350-$500 USD] per session. I’d keep 800 [$100 USD] for myself and gave the rest to my parents, and I haven’t asked them for money since. Little did I know back then that modeling would become my future career. I just felt I was a precocious child who was already supporting my family.”
Fiona had always been passionate about singing, but it wasn’t until people started asking her if she wanted to pursue it professionally that she began to seriously consider it. She knew her uncle worked at a record company and had been responsible for the work of many singers, so she decided to seek his advice. When Fiona told her uncle about her singing aspirations, he was surprised. “You like singing? Do you have perfect pitch?” he asked. Her uncle then arranged for her to meet with a Warner Music agent and have an informal audition at a KTV (a karaoke business). Fiona remembers the whole process as being quite magical. She can’t remember much about that day, but she was sure that she sang a lot of Leslie Cheung’s songs. Fiona loves to cover songs by male singers, as it gives her the opportunity to tell a story from a different perspective.
Fiona’s star-studded career began in the same year she released her debut album and starred in her first movie. Director Derek Yee was looking for the perfect female lead for his upcoming movie 2 Young, and Fiona was the one he chose for the 2005 project. Years later, when they became close friends, Derek joked about Fiona’s audition, “Out of all the girls who auditioned, you put in the least effort. You showed up wearing flip-flops and a baggy T-shirt!” Despite her laid-back approach, Fiona’s ease and authenticity won over the producers and directors.
Roaring through the music world for a decade
Fiona’s 2004 debut album F Debut was a huge success. The song “A Letter From Keanu Reeves” topped the music charts in Hong Kong and won the “Top 10 Gold Songs” award at the Radio Television Hong Kong’s Top Ten Chinese Gold Songs Award, along with Jay Chou’s “Common Jasmine Orange,” Leo Ku’s “Love and Fidelity” and Miriam Yeung’s “Storm in a Teacup.”
When Fiona went onstage to accept the award, she smiled happily and simply said “thank you.” After she stepped off the stage, the staff was amazed by her composure. They asked her how she could remain so calm in the face of such an accomplishment. “My calmness is also happiness, pure joy. I just didn’t think too much at that time,” she replied.
Fiona’s life was a whirlwind of activities after achieving fame. She was constantly on the move, juggling interviews and photo shoots, and pushing herself to the brink of exhaustion. But amid her hectic lifestyle, Fiona still found time to reflect on her journey and the future ahead. In her 2013 song “Dear Me in Ten Years,” she expresses the fears of a young girl growing up in a world full of uncertainty: Have I done things that make me proud without regret? Have my beliefs stayed strong? Will I keep my sense of style as I mature? Should I be smart instead of impulsive? Am I happy?
Every time Fiona mentioned “Dear Me in Ten Years” when promoting her songs, she would cry because she was really facing the “question marks” in the song, confronted with the unknown, feeling scared and uncertain about the future. However, after enough crying and thinking, she began to discuss with her company that, in addition to singing and acting, she wanted to step out of her comfort zone and explore new possibilities.
To commemorate her decadelong journey in the music industry since her debut, Fiona released the conceptual album Tenacious in 2013. She took on many roles for the first time, from producer to costume designer, cover designer and art director for the music video sets and lighting. Fiona chose the album title for a reason: It reflects her relentless pursuit of music and unwavering commitment to her craft.
For this album, Fiona took a brave step forward by writing her own lyrics and composing her own music for the first time. The song “Recovery” is a touching reminder of the bond between Fiona and her cat. Fiona’s story is one of pain and regret. After her cat was diagnosed with a painful heart condition, Fiona had to make the difficult decision to let it go. The next day, she found solace in her music, and the song “Recovery” was born.
Fiona hopes to comfort those who have experienced sadness from parting with this song and learn to face the impermanence of life, becoming wise in adversity. “We should not forget all the hardships we have experienced. If you forget them, you will not be able to learn and gain from them. Don’t forget, don’t resent, don’t get angry. Slowly it will turn from a bad thing into a good thing.”
Ten years ago, Fiona was a confused girl, unsure of what the future held. But 10 years later, she had a different outlook. She had learned that growing up doesn’t have to be something to be feared, but something to be embraced. Fiona expressed this newfound understanding in her song “Me After Ten Years.” Through her music, she was able to convey the message that the price of growing up is not something to be dreaded, but a journey that can bring joy and appreciation for life.
Redefining herself & showcasing her true self on multiple stages
Fiona was filled with uncertainty before joining season 3 of the TV series Sisters Who Make Waves last year. Would people be let down after seeing her on the show? She recalled her dance teacher’s initial impression of her as being cold, only to discover her humorous side after getting to know her. After much contemplation, Fiona accepted that while she may have a cold side, she is much more than that. The songs she performs on the show will be her true self, and through them, everyone can get to know the real Fiona.
Fiona used to be content with singing the same familiar pieces. But when she joined Sisters Who Make Waves 3, she had to embrace a new approach. She was now in a “you choose, I learn” state of mind. Through this experience, Fiona discovered that her voice can express a much wider range of emotions. She is now open to learning and collaborating with different styles and genres, as long as it sounds good.
Fiona is taking a break from releasing new music to focus on discovering her true artistic identity. She wants to use her singing to tell stories that are honest and meaningful, instead of pretending to be someone she isn’t. “I want to tell stories that are real and true to who I am,” Fiona says. “I’m determined to find my own voice and express it through my music and its accompanying arrangements. By the end of the year, I’m hoping to have achieved this goal and be able to share my stories with the world.”
If one day Fiona’s career in the arts comes to an end, she plans to become a director. Years ago, two dreams had come to her in the night, connected in a way she couldn’t explain. From these dreams, she had crafted an outline for a script, a story she wanted to bring to life on the big screen. Someday, she hoped, her dreams would become a great movie.
Fiona has had a lifelong curiosity and a passion for the unknown. For the past 20 years, she has been on a journey of exploration, driven by her youthful spirit and accompanied by music and art. Despite the passing of time, her love and dedication remain unwavering. Even after two decades in entertainment, Fiona remains true to herself.
Fiona Sit on the cover of Billboard China.
Courtesy of Billboard China