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ME:I’s “Hi-Five” soars to No. 1 on the Billboard Japan Hot 100, dated Sept. 4, marking the 11-member group’s first leader on the tally.
The digital version of the girl group’s second single dropped July 29 and debuted at No. 40 on the Japan Hot 100 dated Aug. 7. The track then slipped slightly on the list as downloads declined, but hit No. 2 in sales this week after the CD version sold 263,332 copies in its first week. The physical release boosted the song’s digital performance and it returns to the downloads tally for the first time in three weeks at No. 3, while also coming in at No. 79 for streaming (112% week-over-week) and No. 2 for radio (413%).
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Bowing at No. 2 is Naniwa Danshi’s seventh single “Koisuru Hikari,” the theme song for the movie We Don’t Know Love Yet starring member Ryusei Onishi. The track launches with 432,018 CDs to top sales, while coming in at No. 5 for downloads and No. 16 for radio.
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Mrs. GREEN APPLE’s “Lilac” rises a notch to No. 3 this week, with radio increasing by 121% from the week before and keeping the decrease in overall points to a minimum.
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“Natsu ga Kitakara” by ≠ME (“Not Equal Me”) follows at No. 4. Although the twelve-member group’s ninth single didn’t enter the lists for metrics other than sales, it debuts at No. 3 for the metric after selling 229,446 copies in its first week. ≠ME’s best chart rank so far on the Japan Hot 100 is No. 4, so the group’s latest single tied for the highest rank of its career.
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Tsubaki Factory’s “Baby Spider” debuts at No. 5. The 12th single by the girl group sold 88,796 copies to reach No. 4 for sales and hit No. 38 in downloads, surpassing its previous single, “Yuuki It’s my Life!”
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Elsewhere on the Japan Hot 100, Mariya Takeuchi’s “Uta wo Okurou,” the theme song of the ongoing drama Subarashikikana, Sensei!, debuts at No. 20. The latest single by the “Plastic Love” singer-songwriter tops radio and comes in at No. 14 for sales. Also, veteran band Mr. Children’s “in the pocket” bows at No. 33. The theme song for the animated movie The Colors Within rules downloads and comes in at No. 48 for radio.
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The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Aug. 26 to Sept. 1, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
Virtual YouTuber Hoshimachi Suisei recently announced her first concert tour, set to kick off in November. The hololive VTuber with over 2.4 million subscribers on her YouTube channel teased that an “Important Announcement” would be shared on her show streamed on Saturday (Aug. 31). The latter half of the program was also shown on the […]
Oasis is on track to reclaim the No. 1 spot on the U.K. Official Albums Chart with their iconic debut album Definitely Maybe, thanks to the hype surrounding their 2025 reunion tour.
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As the album celebrates its 30th anniversary, it’s predicted to rise four spots, potentially marking the first time in three decades that it has topped the chart. The 30th Anniversary Deluxe Edition of Definitely Maybe has sparked renewed interest, featuring previously unreleased demos from the band’s original Monnow Valley and Sawmills Studios sessions.
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Since its release in 1994, the album has spent a total of 556 weeks in the U.K. Top 100, and was the fastest-selling debut in British history at the time.
The band’s 2009 hits compilation Time Flies… (1994-2009) is also expected to climb, with predictions placing it at No. 2, while their second studio album, (What’s the Story) Morning Glory?, looks likely to hold its position in the Top 5.
Further down the chart, other Oasis albums are enjoying a resurgence. The Masterplan is expected to jump 63 places to No. 35, and their third album, Be Here Now, is predicted to re-enter the Top 40 at No. 37.
The Oasis Live ’25 tour has already caused a wave of excitement, with “unprecedented demand” leading to the addition of three more dates in the U.K. The Gallaghers announced that, despite rumors, the band will not be playing any festivals in 2025. Instead, fans will have to catch them on their official reunion tour, which kicks off in July.
Elsewhere on the chart, Nick Cave & The Bad Seeds are on track to secure their seventh Top 10 album with their latest release, Wild God, which is currently eyeing a No. 3 debut, potentially marking their highest-charting LP in eight years. English rock band Wunderhorse is also making waves with their second album, Midas, which is set to enter at No. 6, a career-best for the group.
Meanwhile, U2’s ZOO TV Live in Dublin 1993 EP is projected to land at No. 15, giving the legendary band their 22nd Top 40 album.
Newcomer Paris Paloma is poised to make her Albums Chart debut with her first full-length release, Cacophony, expected to secure a spot at No. 40, rounding out a competitive week on the U.K. Official Albums Chart.
Sabrina Carpenter is on track to continue her taste of victory on the U.K. Singles Chart for another week as her latest single, “Taste,” from the album Short n’ Sweet, continues to lead the midweek update.
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If it holds, this will mark her second consecutive week at the top spot. The track is part of her sixth studio album, Short n’ Sweet, which debuted at No. 1 and marks her first U.K. No. 1 album.
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Carpenter’s dominance on the singles chart extends beyond “Taste.” Her previous chart-toppers “Please Please Please” and “Espresso” are also expected to hold steady at No. 2 and No. 3, respectively, continuing her reign on the U.K. Singles Chart. These three tracks have seen sustained success, with “Please Please Please” and “Espresso” spending multiple weeks in the Top 3 since their release.
Meanwhile, Oasis is surging as “Live Forever” looks set to soar back into the Top 5, potentially reaching a new peak at No. 4.
Following the announcement of their Oasis Live ’25 reunion tour, Oasis is experiencing a resurgence in popularity. “Live Forever,” which originally peaked at No. 10 in 1994, is now on track to surpass its previous best, riding the wave of Oasis mania. The track is part of their debut album Definitely Maybe, which is also seeing a resurgence, with the 30th-anniversary edition eyeing off a return to the top of the U.K. Albums Chart.
Two more Oasis classics, “Wonderwall” and “Don’t Look Back In Anger,” are also climbing, currently aiming to return to the Top 10 at No. 8 and No. 7.
Other notable midweek movements include Sonny Fodera, Jazzy, and D.O.D’s “Somedays,” set to reach a new peak at No. 13, and Teddy Swims’ “The Door,” which could break into the Top 20 for the first time, moving up to No. 20.
With the final chart set to be revealed on Friday, all eyes are on whether Sabrina Carpenter can fend off the Britpop legends to secure another chart-topping trifecta. ‘
Former Oasis drummer Alan White has fueled excitement among fans by hinting that he may be part of the band’s highly anticipated 2025 reunion tour.
On Sept. 1, White, who played with Oasis from 1995 to 2004, shared a photo on social media featuring his drum kit, adorned with Union Jack-themed artwork reminiscent of the band’s iconic era. The post has sparked widespread speculation that White could be joining the Gallagher brothers on stage once again.
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The Oasis Live ’25 tour announced on Aug. 27, marks the first time in 16 years that Liam and Noel Gallagher will perform together. The tour, which includes 17 dates across major U.K. and Ireland cities, has already sold out.
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White originally joined Oasis in April 1995, replacing original drummer Tony McCarroll. During his nine years with the band, White contributed to four studio albums, including the seminal sophomore effort (What’s the Story) Morning Glory? and Be Here Now, the fastest-selling LP in U.K. recorded music history. His drumming became an integral part of Oasis’s sound, and he played a significant role in the recording process, often shaping the rhythm and feel of the band’s tracks.
Meanwhile, McCarroll has indicated that he will not be part of the reunion, telling MailOnline: “They haven’t reached out yet and to be honest I’m not holding my breath.”
“Would I consider being involved? I don’t know. At the end of the day I’m not the only ex-member left behind, so I’ll just crack on.” He added, “I haven’t made up my mind if I’m going to watch them play next year either. I was at their last ever gig in the U.K. at the V Festival. It’s weird and ironic that I was there at the first and last gig.”
He added later, “Whether it’s been a blag for 15-years I haven’t got a clue. They’re brothers at the end of the day- maybe their mum Peggy clashed their heads together and said ‘sort it out’.”
The reunion announcement has also caused a surge in Oasis’s streaming numbers. Following a teaser on Aug. 25, the band’s daily U.S. on-demand audio streams increased from 750,000 to 820,000. By Aug. 26, streams hit 1.31 million, and after the official tour announcement on Aug. 27, streams skyrocketed to 2.80 million.
The Britpop band’s most iconic single, “Wonderwall,” peaked at No. 8 on the Billboard Hot 100 in 1996. The band also achieved a top 10 album on the Billboard 200 with (What’s the Story) Morning Glory?, which reached No. 4 in 1996, while their debut album, Definitely Maybe, and their third album, Be Here Now, both charted on the Billboard 200.
With millions of viewers around the world tuning in and casting votes for contestants in the K-pop survival show Boys Planet, contestants who didn’t make a place in the final band left the program with fans eager to see their next steps. No group perhaps better embraces such potential than EVNNE, the seven-member boy band quickly ascending the K-pop ranks and proving themselves as far more than just a simple spin-off act.
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Noted for an intense collective charisma, the boy band’s debut with hard-hitting singles “Trouble” and “Ugly” spoke to a viewpoint as the convention-defying underdogs ready to prove themselves to the world. The group scored number-one hit songs and awards on Korea’s competitive music programs, and this summer embarked on their first U.S. tour to expand their international fanbase and showcase their dynamic performances across multiple cities.
“We didn’t expect it, but we really wanted it,” EVNNE’s leader Keita says of the group’s ability to break out beyond Korea and tour the States. “We felt that there were a lot of fans all over the world cheering for us while we were doing such a program like Boys Planet…it’s really a dream come true.”
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But it’s not just the awards and accolades that define EVNNE’s success. In less than a year, the group has shown remarkable evolution in their musical style, transitioning from the rebellious anthems of their debut to a softer, more romantic sound with their third EP, RIDE or DIE from June. The lead single, “Badder Love,” a soothing rock-pop track recorded in both Korean and English, marks a new chapter for the group.
“The reason we came out with the concept of bad guys when we made our debut was because we wanted to show the public what we can do best,” Yunseo says. “But we released a refreshing album like this because we wanted to show a new side of us.”
With accomplishments both in awards and aristry, Keita, Hanbin, Lee Jeonghyeon, Yunseo, Seungeon, Mun Junghyun and Jihoo have managed to carved their place in the industry and show lasting potential even if the group’s time together may be short. Read on for why else EVNNE is a group to watch as Billboard‘s K-Pop Rookie of the Month for August 2024.
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Congratulations on the success so far and being named Billboard‘s Rookie of the Month! I wonder how you feel about your achievements over the past few months?
YUNSEO: We’ve been through a lot with our members and together we’ve achieved a lot of things, but time is really flying by so fast — faster than I thought. It feels surreal that we’ve been spending so much time together and able experience a lot of things in such a short time, but it also has been very short. Even so, we have realized that there are more fans and more people really supporting us, giving us so much love, so we are just very happy and grateful for everything.
SEUNGEON: I want to add that I’m so happy to be able to come to the U. S. tour following the Asia tour and so excited to meet people from different places. We truly believe that winning on the music shows and being able to go on tours in different countries is all thanks to our fans’ love and support for us. So, we are very thankful for that. We are also very happy and excited to be named as the Rookie of the Month on Billboard. We have been really wanting this so thank you so much.
While you didn’t earn a place in the final group for Boys Planet, you are here now winning awards and going on tour. Did you guys expect all these things to happen?
KEITA: We didn’t expect it, but we really wanted it. We felt that there were a lot of fans all over the world cheering for us while we were doing such a program so we always dreamed that we wanted to go to many cities, perform for many fans, share our energy and communicate with them. It’s really a dream come true.
How has touring the U.S. been for you?
JIHOO: So we were really happy that the crowd cheers were so much bigger than we expected. From what I understand, there’s about 500 people per venue for this tour, but from what we felt on stage, it really felt like the cheer was coming from 5,000 or even 50, 000 people — it was really loud. I feel like we’ve been really eager to share our energy with the audience, but in return, I think we got even more energy and motivation from them.
MUN JUNGHYUN: We were able to sing the English version of “Badder Love” for the first time, and I think the response was good because the fans sang along to the whole song which made us really happy. Also, we were able to show “XO” with its choreography in full for the first time on this U.S. tour and it felt like were cheering so much for that song.
SEUNGEON: You know, the global fans who don’t necessarily speak Korean tend to hum to our songs, instead of like singing along to the actual lyrics, which is still really cute but we always had a little bit of regret that and wish everyone could really sing along together from start to finish. But with the English version [of “Badder Love”] they were really able to do it and were singing along to the song while we were performing so it was really a great experience. It really motivated us and, one day, we would love to release more songs in different various languages in the future.
Any languages you might want to record in next?
HANBIN: We go to Japan a lot and there are a lot of our fans and people who support us in Japan so I think it would be nice to make a version that can be done in Japanese.
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Going back to “Badder Love,” it feels like this album is centered around a softer image and less intense than the concepts for your singles like “Trouble” or Ugly.” What does EVNNE want to prove this time around?
JIHOO: Our main focus was to really show a different side of ourselves compared to our first two albums. For our first and second mini albums, we really wanted to show that “cheeky rascal” side, which is more powerful and very straightforward. But with the third album, we wanted to show more of a romantic, a softer side of us.
YUNSEO: Actually, the reason we came out with the concept of bad guys when we made our debut was because we wanted to show the public what we can do best while talking to the company. That’s how we made our debut. We released a refreshing album like this because we wanted to show a new side of us. We’ve always been able to do this, but we’ve shown you a little bit of a bad boy and a strong image, but this time, we’re going to show you a bit of a different image.
LEE JEONGHYOEN: We have some all-white outfits in the music video that are very fitting for summer. There’s also no really bright hair colors. Actually, this is my first time dying my hair in brown so we really focused on showing the right styling for the concept through this album. A lot of the backgrounds in the music video are set in the ocean so in my opinion that really emphasizes on that refreshing cool side with the song and the music video.
I saw you guys compete in the Idol Star Athletic Championship and reunite even with some of the Boys Planet contestants. How was that after all you went through?
HANBIN: We participated in two of the events during the program and we really prepared ourselves to do our best in it while preparing for this tour. We had to find little moments here and there to really prepare for ISAC, but I think it was a great opportunity for us to promote who we are and what we can do to even more people. So, it was a really great experience in overall and like you mentioned, we were able to talk and chat with many other artists as well including ZEROBASEONE. It’s actually been awhile since we got to chat and reunite with them so it was really fun to be reconnecting.
YUNSEO: Our schedules don’t really leave us a lot of time to meet in person or privately, but I was so happy to meet my friends that were at Idol Star Athletics Championships, talk, and play sports and games together.
KEITA: I met Matthew and I told him, “Hey Matt, I’m studying English!” and he said, “Hey, your pronunciation is not as bad as I thought!” but in Korean. So, I got a compliment from him.
SEUNGEON: I think fans who watched the show were really waiting to see us all again and a Boys Planet reunion one day. This was actually our first opportunity for all the Boys Planet groups and artists to come together, really reunite, talk to each other and just have a good time in general. I felt like it was a school event in some ways because there are a lot of idol seniors, juniors and colleagues but we all have the same dream and passion for music and artistry so it really felt like we were at a school event all together. So, overall it was a very, very fun event.
HANBIN: I actually ran into some friends who I trained with so while it felt really very new, and it also really reminded me like we were back in school all together and we were at a school event together rather a TV show program.
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Do you have a message you’d like to share with international fans who are waiting to see you?
YUNSEO: First of all, we were selected as the Rookie of the Month so I’d like to say thank you so much. It’s a great honor and beginning with this, we’d like to show you all more and promote our name to an even more bigger audience around the world so we can really share our artistry and who we are to everyone around the world. And in the future, we really hope we can someday have our song chart on the Billboard charts. We will work hard for that so it would be great if the American fans and international fans know about us and send us your continued love, support and attention.
SEUNGEON: We’ve been really eager to share incredible performances through this tour and please please look forward to all our activities and performances in the future as well. It’s a great honor, again, to be selected as the Rookie of the Month with Billboard.
In Korea’s pop culture scene, Lee Youngji is a name now synonymous with vibrant and unfiltered entertainment, best seen through her viral Nothing Much Prepared YouTube series, where she shares drinks with members of K-pop supergroups like BTS, BLACKPINK and SEVENTEEN. However, 2024 marks a significant year for the 21-year-old as she looks to return to her roots in music and spotlight her talent as a performer and musician. Even if many fans might recognize her first as the comedic force behind some of K-pop’s most unforgettable interviews, Youngji’s journey in entertainment began with music — and she’s determined to remind everyone of that on her ongoing world tour that hits the U.S. at the end of August.
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The release of her debut album, June’s 16 Fantasy, marked a bold statement of her artistic identity and the promise shown for her musical future. The lead single, “Small Girl” featuring EXO’s D.O., not only topped the charts in South Korea but also broke into the Top 40 of the Billboard Global 200. Meanwhile, b-side cuts like Lee’s “ADHD Girl,” plus her hit collaborations with top acts like Dynamicduo and BSS, all display her versatility and abilities to step up and level up for each new song release.
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“This year is really important for me musically,” Youngji reflects during an evening FaceTime call from Seoul ahead of the U.S. leg of her tour. “I’ve had a lot of collaborations and I have a variety show on my YouTube channel, so many people know me through lots of jobs…but I want to spotlight my musician mode this year.”
As she embarks on the U.S. leg of her All or Nothing World Tour, Lee Youngji is eager to connect with fans in a more intimate setting, bringing not just her music to the stage but the unique personal energy that’s made her such a breakout star among the next generation of Korean-pop entertainers.
“I tend to try to really communicate with the audience, ask them questions, just try to talk to them and I think that U. S. fans are going to like that a lot,” she says, hinting at the interactive and personal nature of her stage setup. The All or Nothing Tour is more of an invitation for fans to experience Lee Youngji in her purest form as a musician and entertainer. And while she might not be able to indulge in her famous on-camera drinking with her audience — even though she tells Billboard that she really wants to — she’s ready to bring that same spontaneous and genuine connection to every show.
Read on for more with Lee Youngji sharing about her Stateside tour, her big year in music, memories with some top K-pop stars and what’s coming next.
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Congratulations on all the recent successes, Youngji. There’s a lot to discuss, but it’s been a really important year for you as a musician. Is this why you’re going on your first U.S. tour?
Like you said, this year is really important for me musically. I’ve had a lot of collaborations, and I have a variety show on my YouTube channel, so many people know me through lots of jobs. First, they knew me as a YouTuber; then they might have known me as a celebrity friend; they knew me as all different types of things, but I want to spotlight my musician mode this year. And gratefully, “Small Girl” had a great response and boom, even in the U.S., so I thought that this was a great opportunity for me to be more confident on what I’m doing right now as a musician.
You do so much, and people know you for many different reasons, but where does music align with your overall world?
In my childhood era, I would always believe, “I think I’m gonna be a famous person, but I don’t think that I could be a musician.” But the first time people got to know me was in the survival show High School Rapper 3 [in 2019]. At that time, rap was the only thing I was competent in any type of musical talent, but I didn’t necessarily want to be only a rapper.
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Did you find your confidence to pursue music through rapping?
Yes, but I don’t think that it’s my only talent. Rapping definitely requires talent, but I don’t think that’s all I have. So, when I won the rap survival show, I was always thinking, “Oh, so is ‘rapper’ my job now?” I didn’t want to start my career as a rapper. I said, “Oh, I got [to show] more than rapping.” But it was my best talent, so I was always curious…
Is that why we only got your first album five years after High School Rapper? You share a lot of different sides and styles on the record. What’s your favorite song?
Yep, yep. And not because that song got so much fame, but I eventually really loved “Small Girl.” It’s an honest, honest, honest song; a real story about myself. I love those kinds of songs. There are some tall, tall girls…ah, how should I say this? Everyone has a part of themselves that they lack confidence in, but this song can honestly melt that complex. I thought that “Small Girl” was a song I could make for everyone to be more confident. So, I really cherish “Small Girl” as a song that I made for everyone who might have lower or might not have self-confidence.
One of my favorites is “ADHD Girl” because I actually have ADHD. What inspired this song?
Ever since childhood, I’ve been hearing a lot of people, like my teachers and my parents, saying that I have ADHD — and that was before many people became really aware of it. But I have a lot of friends around me who do have ADHD and take medication for it. It’s a song I wrote based on my experiences as well as my friends’ experiences, some of them who are really struggling with ADHD.
What is your songwriting or creative process?
Well, there is a lot of great technology and stuff for music these days, you know? But I love iPhone and iPhone memos. I’m always recording on my iPhone: a little gibberish, little unknown sounds, guides for songs. I always write keywords with my iPhone. Actually, that was the exact process for the song “Not Sorry.” When I went through the competition show, Show Me the Money, I suffered a lot from this hate train. So, I wrote on my iPhone that said, “Not sorry, not sorry at all,” and I asked my producers — Jay Park, Zion.T and Slom — I asked them, “What about this subject for the title of this song” and they were like, “Oh, that’s dope and that’s something you can do right now.” My music-making process is always, always like that. I write a title on my phone and I do a gibberish recording.
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And “Not Sorry” was a hit!
[Laughs] Yeah!
I’ve always appreciated your attitude. I’m sure it’s not easy for you, or anyone, but you have a refreshing attitude about criticism and “hate comments.” We even saw your “liking” tweets that have criticized you. How do you keep this strong mindset?
When I get hate, I try to understand them. “Why do you hate me?” “Oh, because of that point?” “Okay, I understand that — but I do not agree at all.” I can understand you, but I don’t have to agree with you. I always think about how nobody knows me better than me. So, you know when I “like” [hate comments] — I really don’t know how the internet system works — but I don’t care unless I do something that’s really a bad thing or crosses the line legally. I also reply [to] them when they send me DMs that say, “I hate you, go kill yourself” or something. I always reply to them and always like their messages because they never think that if they send me a message, I can see them; they don’t know that I can see them. So I want to let them know that I see everything.
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So, what are you preparing for the U.S. leg of your All or Nothing Tour?
I always hoped that if I had a chance, I want to meet everyone in the world and music is my chance. So, yes, I wanted to use this as my opportunity. I’ve already toured Asia, but you know what? The mood is kind of different compared to America. My performance [style] is usually to get people crazy. On this tour, I especially want to have more direct communication with the audience and to introduce who I am, that I make this kind of music, and that I introduce myself as an artist to the U.S. audiences. Compared to Asia, there’s more participation in the U.S., whereas direct communication is lower in other countries. I made a lot of changes to my songs. I’m planning to bring the audience up to the stage actually, and maybe dance or perform together; I’m trying to plan those kind of things.
Like you said, you’re not just known for music but for your personality too. Are you preparing funw ways to share that side of yourself too?
I think that my personality shows up while I’m talking with another person. So, I tend to try to really communicate with the audience, ask them questions, just try to talk to them. And I think that U. S. fans are going to like that a lot. I really want to drink with them. I mean, I really want to get drunk with them, but I can’t. [Laughs]
Maybe we can take a secret shot together since the tour’s last show is in New York…
HA ha. I hope so! [Laughs]
But I do want to highlight how, in your five years since High School Rapper, you’ve done a ton of collaborations across many genres: K-pop idols, rappers, indie musicians, R&B, older generation artists, chart-topping artists. How do you connect with so many different sounds and styles?
I’m so thankful that they always reach [out] to me and ask me to feature with them or collaborate. I’ve been really active with video and media contents in Korea for four, five years now and, thankfully, that’s shown my personality and skills in Korea and to audiences. So, I think a lot of artists feel like I’m someone who’s familiar and for them to reach out and connect with me to do other projects. But anytime when I get asked for a feature, I always think, “How can I beat them in this song? How can I do better in this song?” [Laughs] But features and collaborating really force me to go to the next level of myself.
I think that’s what Nicki Minaj said. She needs a “sparring partner” to level herself up.
She’s my goal.
Are there any last messages for fans or what to expect on the U.S. tour? And with Nothing Much Prepared‘s return, can you share some spoilers?
Well, yes, I can give you a lot of spoilers, but the first episode is with Lisa and she’s so smart, pretty, young, rich, and a hilarious person. I love her. As of mid-August, I already recorded, like, six or seven episodes so we’re going to see a lot of idols and a lot of actors.
But what else should I say? I think U.S. fans are not prepared for what’s coming to them! I want to promise to the U.S. fans that I will be working hard to be able to see them more often. I actually have a lot of songs ready to be released, and I want to watch U.S. fans react. I’ve got a long way to go. This tour is not even the first step. I have big ambitions.
Kocchi no Kento, the creator of “Hai Yorokonde,” which is going viral on the video platforms, recently sat down for an interview with Billboard Japan. Kocchi no Kento is a multimedia creator who began making music in 2022. He’s also the younger brother of popular Japanese actor Masaki Suda. In this interview, he talked about his roots and what’s behind the creation of his addictive music.
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To start off, could you tell us what led you to start making music?
When I was a freshman in university, I joined an a cappella club. We sang covers of existing songs, and I started writing my own songs in 2022 as an extension of that.
What was the first experience you had with music that opened your eyes to how fun and fascinating it can be?
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There were two things that got me into music. The first was that my dad loved music. He’d often play guitar and sing at home. In the car, too, there was always music playing, and it was often new to me. The other thing is that I played soccer when I was in elementary school. Our offense was amazing, but that meant that us on defense had nothing to do. Apparently, I would just run around dancing. My parents said “dance might be a better fit for him than soccer,” so I started taking dance lessons. That’s what led me to feeling music with my whole body and expressing it through movement.
As an artist and singer, where do you think your own individuality lies, and what do you see as your strengths?
One of my distinctive features is my natural singing voice, but also, in the a cappella group, I spent four straight years doing covers of Disney songs, so I developed the ability to sing with emotion but without becoming pitchy. I think those two are my main strengths.
Where did the name “Kocchi no Kento” come from?
After I graduated university, I worked as a businessman for a year. Putting on that suit and tie, I felt like I was biting off more than I could chew. I wasn’t really myself, so when I was in my suit, I was “that Kento” (in Japanese, “acchi no kento“). When I was singing, on the other hand, I was more my true, natural self. I was “this Kento” (in Japanese, “kocchi no kento“).
Your first single, “Tiny,” is a heartwarming song. It’s the kind of song you wish you could hear when things are tough. I feel that same mindset in all of your songs. I get the sense that that’s what you want to convey and express through your music.
Right. Every time I put out a new song as Kocchi no Kento, I think about the fact that there are people out there who might draw strength from it.
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Have you had any feedback from listeners that really stand out in your mind?
When I released my second single, “Shinuna!” (Japanese for “don’t die”) I was getting dozens of comments a day. Some were saying that they decided to hang in there, while others were explaining why they wanted to die. This flood of comments settled my own turbulent mind, and I was just happy to be able to help people in what little way I could.
“Shinuna!” generated a lot of buzz on video platforms. Is there anything you try to keep in mind or do with respect to how you release your music?
After “Shinuna!” I’d make dances for TikTok to get my music exposed to lots of people. But even more than that, I think it’s important that I make music that I could listen to and enjoy, myself, without ever getting tired of it. Lots of people danced to “Hai Yorokonde,” but what I think is great about that song is that, even now, I like it so much that I can listen to it anytime. If I get tired of a song when I’m making choreography for it with someone, or singing it a cappella, or singing an English version of it, then I can’t put my heart and soul into it. The listeners can hear that. They’d be like “He’s just going through the motions” or “He’s just clinging on to that song.” I think the most important thing is that I really love the music I create, with all my heart.
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On the August 14 dated Billboard JAPAN Hot 100 chart, “Hai Yorokonde” reached a new peak of No.5. When did you first start feeling that this song was getting some traction?
There were a lot of people listening to it on the day it came out. I hadn’t released a song in about six months, so I guess there were a lot of people looking forward to a new song. Then, when I released the dance video on TikTok, even though I hadn’t done a collaboration with anyone, it got a lot of views, so I started realizing “wait a minute, we might have something here.” I got Kazuya Kanehisa to do the music video. He turned it in about a month earlier than expected, and in his email, he wrote “I just couldn’t put my pen down” and “The song is wonderful, so it was smooth and effortless to translate what I was feeling into visuals.” When I looked at what he’d created, I knew it would directly connect with people.
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What kind of song had you set out to create at the start?
Initially, the theme I had in mind was a little different. I suffer from depression but I decided against killing myself. I decided to live. Someone told me “Don’t die,” so I was like “Okay, I won’t,” and I lived. And everyone got used to me being alive, and one day I realized they’d started demanding things of me. Like “You’re alive, and you’ve got time, so how about getting a part-time job?” And I was like, “No, no, no, my goal was to live, and by choosing to live, I’ve already accomplished my goal.” The song was like “You said don’t die, so I didn’t die, but don’t go trying to make more demands.” My goal was, ultimately, to arrive at the conclusion that “Choosing to live is an option in itself. All you need to do is live.” But it gradually became more of an SOS song—more a song about calling out for help.
Like you were doing all you could just by staying alive.
Right, that’s how it turned out.
You released an English version at the end of July. What led to that?
The “giri giri dance” (in English, “at my wit’s end dance”) of the chorus was originally “get it get it done.” But the music video art style was very Japanese, so having a chorus in English didn’t seem right, which is why I changed the way the lyrics were transcribed to “giri giri dance.” Phonetically, they sound the same, but I thought it would be interesting if there were separate Japanese and English versions, and I’d wanted to write an English version from back when I was still in the production stage. Luckily, I got a lot of comments from overseas listeners, so I consulted with my record label, and we decided to release an English version.
I’m sure your number of overseas listeners must be skyrocketing now. Did you think there would be this kind of response from overseas audiences?
No, I wasn’t expecting it. Sure, I hoped that I’d reach people overseas, but I thought that my music would have to take off here in Japan, first, and then after that it would spread overseas. Instead, it happened at almost the same time. I was just really, really lucky. It just goes to show how much we’re living in the age of social media.
Number_i’s “INZM” blasts in at No. 1 on the Billboard Japan Hot 100, dated Aug. 28.
The lead single off the three-man group’s first full album called No.Ⅰ, due Sept. 23, was downloaded 54,560 times during the chart week to hit No. 1 for the metric, while also dominating radio airplay and video views. “INZM” is Number_i’s second No. 1 on the tally following “GOAT,” and the former No. 1 single climbed 78-58 after seeing increases in streaming and video. The group’s previous single “BON” also moved 53-40, with increases in downloads on top of streams and video views.
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Bowing at No. 2 is Nogizaka46’s “Cheat Day.” Released on Aug. 21, the group’s 36th single sold 651,536 copies in its first week to hit No. 1 for sales, while coming in at No. 11 for downloads and No. 17 for radio.
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TREASURE’s “KING KONG” is at No. 3, launching with 178,091 CDs (No. 2) and coming in at No. 3 for radio and No. 48 for streaming.
Trending on Billboard
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After holding at No. 2 for five weeks, Mrs. GREEN APPLE’s “Lilac” slips two notches to No. 4 this week. The track is slowing down slightly overall, with downloads at 77% week-over-week, streaming 98%, radio 81%, video 96%, and karaoke 95%. The pop-rock band’s “familie” also falls 3-5, but increased in streaming (118%) and video (137%), and these two songs are dominating the top two spots on the streaming list this week.
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Kenshi Yonezu’s “Garakuta – JUNK” debuts at No. 10. The hitmaker’s latest single is the theme song for the movie LAST MILE and is included in his new album LOST CORNER, which topped this week’s Japan Hot Albums chart. With 11,286 downloads in its first week, the track hits No. 2 for the metric and also comes in at No. 6 for radio, No. 18 for video, and No. 26 for streaming.
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The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Aug. 19 to 25, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
Modestly titled The Girls Aloud Show, the reunion tour for Girls Aloud has been one of the most anticipated music events of the year for pop fans worldwide, marking a powerful and emotional return to the stage for the beloved U.K. girl group. The outing is the band’s first since disbanding in 2013 and their first time together since the tragic loss of bandmate Sarah Harding, who died from breast cancer in 2021.
With multiple Guinness World Records for chart dominance on The Official U.K. Singles Chart, Girls Aloud has solidified their place in British pop music history. Yet, the years following their breakup allowed personal feuds, mainly between Cheryl, Kimberly Walsh and Nicola Roberts on one side against Nadine Coyle on the other. However, Harding’s death served as a catalyst for reconciliation, with one of her final wishes to bring the women back together as bandmates and friends willing to put the past behind them.
Following the reconciliation and subsequent tour announced at the end of 2023, The Girls Aloud Show tour has grossed $19.1 million from 200,000 fans filling arenas across the 20 dates reported so far to Billboard Boxscore. But beyond the numbers, the real impact of The Girls Aloud Show lies in the heartfelt moments that have defined this reunion.
From emotional tributes to Harding in the show, where the group paused to honor their late friend with tearful speeches and a poignant video montage, to a reimagined Pride concert in August that celebrated the LGBTQ+ community with vibrancy and love, the tour has been a testament to the enduring bond between these women, their fans and the critically acclaimed music from their seven LPs together.
Beyond the celebration, the tour also helped bring awareness and donations to the Sarah Harding Breast Cancer Appeal created by her bandmates in April 2023. As one of Sarah’s parting wishes, the foundation developed the Breast Cancer Risk Assessment in Young Women to find new ways to spot the disease. With its second phase of research funded by initiatives in place during the tour, the show also marked a way to honor Harding beyond the stage.
As Girls Aloud take their final bow this month, the members leave behind a legacy not just of chart-topping hits, but of resilience, forgiveness and the power of friendship. The Girls Aloud reunion felt like more than a comeback; it was a celebration of life, great pop music and the memory of a superstar friend who will never be forgotten.
Read on for the best moments from the reunion.
The Ethereal, ‘Untouchable’ Tour Opener
Image Credit: Courtesy Photo