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London DJ PAWSA has announced his biggest U.K. show to date, with a homecoming gig at the city’s Gunnersbury Park next summer.
The dance producer, born David Esekhile, will host PAWSA In The Park – All Day Long in the capital’s Gunnersbury Park on Aug. 8, with more acts to be revealed at a later date. The news follows the 34-year-old’s recent viral success with his latest single, a reimagined version of The Adventures of Stevie V’s iconic 1989 track “Dirty Cash (Money Talks).” Watch the video below.

A fan presale will begin at 10 a.m (GMT) on Nov. 27. General tickets are set to go live at 10 a.m on Nov. 29 via Ticketmaster.

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As one half of the duo behind scene-leading label Solid Grooves, PAWSA has enjoyed an ever-burgeoning career over the past decade. Since 2016 he has held annual residencies in Ibiza and regularly tours clubs across mainland Europe. In 2021, he won Best Producer at DJ Mag’s Best of British Awards.

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PAWSA released his debut EP, Pilot, in 2014 via the renowned Lost Records label, a key player in the U.K.’s techno and house music scenes. The following year, he founded Solid Grooves alongside DJ Michael Bibi – the sister company of Solid Grooves club night, which hosts regular happenings in London, Ibiza and Berlin.

This past summer has seen PAWSA perform at Circoloco Amsterdam and Chicago’s ARC Music, among many other major festivals. In July, he made a surprise appearance at Bibi’s One Live event at London’s Finsbury Park.

Meanwhile, Gunnersbury Park, which can hold up to 30,000 fans, has become something of a central hub for major British dance music events in recent years. Throughout summer 2024 alone, the park played host to the electronic-focused Waterworks Festival, a drum ‘n’ bass weekender (DnB Allstars), and headline gigs from Annie Mac and Fisher.

The reunion tour rolls on: Oasis have announced a trio of shows to take place in Asia next year, the latest gigs added to their Live ‘25 reunion tour.  The Gallagher brothers will head to Seoul, South Korea on Oct. 21. for a show at the Goyang Stadium before heading to Tokyo, Japan for a […]

Linkin Park have made a triumphant return to the top of the ARIA Albums Chart with From Zero (via Warner Records and Machine Shop), their eighth studio album and the first release since 2017’s One More Light.

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Their latest milestone Down Under is especially poignant as it marks the debut of their new lineup, featuring Mike Shinoda, Brad Delson, Joe Hahn, Dave Farrell, Emily Armstrong, and Colin Brittain, following the heartbreaking loss of former frontman Chester Bennington in 2017.

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From Zero adds to Linkin Park’s storied ARIA legacy, with every studio album they’ve released landing in the top three. This new chart-topper joins the ranks of Hybrid Theory (2000), Minutes to Midnight (2007), and A Thousand Suns (2010), cementing their place as one of the most successful rock acts in ARIA history.

Australian rapper Illy also delivered a standout performance on the charts, landing at No. 4 with Good Life. As his seventh studio album, Good Life marks his fourth trip to the Top 10, following the successes of Cinematic (No. 4 in 2013), Two Degrees (No. 1 in 2016), and The Space Between (No. 1 in 2021).

On the international front, Shawn Mendes debuted at No. 24 with his fifth studio album, Shawn. The Canadian hitmaker, who previously claimed the No. 1 spot in 2018 with Shawn Mendes and reached No. 2 with 2020’s Wonder, remains a force to be reckoned with on the ARIA charts.

In a posthumous triumph, U.K. hip-hop icon MF Doom makes his first-ever ARIA Albums Chart appearance. The 20th-anniversary edition of his classic MM.. Food enters at No. 29, proving the late legend’s music continues to resonate with fans old and new.

On the ARIA Singles Chart, Gracie Abrams is ruling the airwaves, holding steady at No. 1 for a second week with her track That’s So True.

She joins the ranks of powerhouse female artists like Mariah Carey, Taylor Swift, and Billie Eilish who have dominated the top spot this year, with female artists claiming the No. 1 position for 25 weeks in 2024, including an unbroken streak of 16 weeks.

Gretta Ray made an unforgettable return to the stage during Missy Higgins’ ARIA Hall of Fame induction at the 2024 ARIA Awards.
The Melbourne-based singer-songwriter joined a powerhouse lineup including Amy Shark, Angie McMahon, G Flip, and Higgins herself for a moving performance of “Scar” amid Higgins’ induction into the ARIA Hall of Fame. The show marked Ray’s first performance in six months after recovering from a severe heart infection.

“This was my first moment back on stage in 6 months, and I cannot express how good it felt and how thankful I am,” the “Upgraded” singer wrote on Instagram. Reflecting on the experience, she called it a “dream come true” to share the stage with Higgins, one of her biggest musical inspirations. “Missy is such a giant part of what inspired me to pursue a career in music, and I am so lucky to have her to look up to and learn from.”

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The ARIA Awards marked the culmination of months of recovery, and Ray’s return to the spotlight was as much a personal triumph as a musical one. She went on to share a poignant memory of walking through Sydney city, listening to Higgins’ ARIA chart-topping album The Second Act.

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“Yesterday morning I walked around Hyde Park listening to the title track of her latest album on repeat, thinking about her lyrics but it’s intermission, life’s calling me back… How lucky am I to still feel so tightly held by her songs all these years later, and to sing them alongside her wtf !” she said, adding, “A dream come true.”

Earlier this year, Ray revealed her battle with infective endocarditis, a rare and severe heart infection that left her hospitalized in London for five weeks.

“I wanted to let you know that the sickness I am recovering from is a rare disease called infective endocarditis – a severe infection in the heart that for me, caused a multitude of distressing repercussions,” she explained in an Instagram post on July 30.

“It happened very suddenly and frighteningly, and as a result, took a moment to be diagnosed. Nonetheless I am so, so lucky that I caught it early, and landed in such a great hospital here in London that took amazing care of me. I was then transferred to a second hospital – one that is famous for dealing with this particular disease.”

The illness led to the cancellation of her remaining 2024 shows, including a showcase at BIGSOUND, as she focused on her recovery.

Ray documented the harrowing journey on social media, explaining the toll it took on her physically and emotionally. “I’m overwhelmed by the outpouring of love on my latest post, you are all so incredibly kind and it really means the world to me, thank you x,” Ray wrote in an update to fans in July.

“I wanted to clarify that luckily I’m not having to deal with this experience on my own – due to the seriousness of my condition my family are here in London taking care of me I am in good hands here in a really good hospital. Just taking it day by day. Lots of love.”

Ray’s career has been defined by her remarkable talent and early achievements. In 2016, she won Triple J Unearthed and the prestigious Vanda & Young Global Songwriting Competition, launching her into the national spotlight.

Her debut album, Begin to Look Around, was released in 2021 and earned nominations for an ARIA Award and a J Award, while her sophomore album, Positive Spin, followed in 2023, earned critical acclaim and a shortlist nod for the Australian Music Prize. The single “Heartbreak Baby” further cemented her reputation, receiving a nomination for Song of the Year at the 2024 APRA Music Awards.

The 2024 ARIA Awards delivered a night of unforgettable performances. The Pixies surprised audiences with a world TV exclusive of “Where Is My Mind,” Kane Brown performed alongside Troy Cassar-Daley with a stirring vocal cameo from Kasey Chambers, and Jessica Mauboy collaborated with 3% and Julian Hamilton of The Presets for a high-energy set featuring “Won’t Stop” and “Our People.” A

Ava Max brought the house down with a medley of hits, and emerging talents CYRIL, Becca Hatch, and Budjerah delivered a genre-bending showcase.

Missy Higgins’ induction into the ARIA Hall of Fame at the 2024 ARIA Awards was nothing short of a love letter to her iconic career and the profound influence she’s had on Australian music.

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Held at Sydney’s Hordern Pavilion on Gadigal land on Nov. 20, the event honored Higgins’ two decades of chart-topping hits, emotional storytelling, and unwavering authenticity.

The night was capped by a powerhouse performance featuring Higgins alongside fellow powerhouse performers Amy Shark, Angie McMahon, Gretta Ray, and drum dynamo G Flip — who nabbed “Song of the Year” award for “The Worst Person Alive”. Together, they delivered a high-energy medley of Missy’s most beloved songs.

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In her emotional ARIA Hall of Fame Induction speech prior to the performance, Higgins said, “I really have to gather myself. What an incredible honour it is to accept this award and to stand up here tonight in front of all you guys, my music pals my music industry family. Some of you I’ve been touring alongside for over 23 years. And I feel so bloody fortunate to have shared this journey with you all.”

Higgins didn’t just reflect on her career but also made a powerful call to action for the Australian music industry, throwing her support behind homegrown artists.

“The young singer-songwriter just starting out won’t be as fortunate as me,” she explained. “We have to keep demanding local content here. We can’t lose Australian stories. We lose that, we lose who we are.”

Since her 2004 debut, The Sound of White, Higgins has been a force in Australian music. The album, which included unforgettable tracks like “Scar” and “The Special Two,” achieved 12-times platinum certification and spent seven non-consecutive weeks at No. 1 on the ARIA Albums Chart. Her follow-ups—On A Clear Night (2007) and The Ol’ Razzle Dazzle (2012)—also soared to No. 1.

Her latest record, The Second Act, released in September via EMI Australia, continued the streak, becoming her fourth album to top the ARIA Albums Chart.

In a candid interview with Rolling Stone AU/NZ discussing her first full-length release in six years in September, Higgins explained, “I generally take really big breaks in between albums and then when I come back, I’m immersed in the process. I’m very obsessed with it, and it becomes my entire life for a while. It’s like the ‘birth, death, rebirth’ circle. Going around and around.”

Missy also picked up the Best Australian Live Act award for her Second Act tour, which has sold over 100,000 tickets. Reflecting on the tour, she shared, “I was in tears at the beginning of this tour because I didn’t know how I was going to sing these songs every night,” adding that it turned out to be the “best bloody therapy.”

When news of her prestigious induction into the ARIA Hall of Fame was announced back in September, Higgins said, “I feel very honoured and grateful. So many artists I love and admire are in the ARIA Hall of Fame, so it feels a bit surreal to be joining them. This year has already been really special, now this is going to make it even more memorable.”

The 2024 ARIA Awards were packed with unforgettable performances. The Pixies shocked the audience with a surprise world TV exclusive of their classic “Where Is My Mind.” Down Under supporting Pearl Jam on tour, the ’90s alternative rock icons also recently announced their own Aussie tour, which will see them return to the country next year.

U.S. country star Kane Brown joined Troy Cassar-Daley onstage for a heartfelt duet, with a surprise vocal appearance by Australian music legend Kasey Chambers.

Jessica Mauboy lit up the stage, teaming with Best Hip Hop/Rap winners 3% and Julian Hamilton of The Presets for a stunning rendition of “Won’t Stop” and “Our People.” Rising stars CYRIL, Becca Hatch, and Budjerah delivered a genre-blurring performance that highlighted the future of Australian music, while Ava Max brought a high-energy medley of her hits, including “Sweet but Psycho,” “Kings & Queens,” and her new single collaboration “Forever Young” (ft. David Guetta and Alphaville).

Watch Missy Higgins and Friends perform at the 2024 ARIA Awards here.

The 2024 MAMA Awards have arrived!
Going into the three-day international K-pop awards ceremony taking place at Hollywood’s Dolby Theatre (on Nov. 21) and the Kyoawea Dome in Osaka, Japan (Nov. 22-23), aespa is the leading nominee, racking up eight nods, including multiple recognitions in the night’s “Grand” awards like the Visa Artist of the Year, Visa Song of the Year, and Visa Album of the Year. Following the girl group is JENNIE with seven nominations, with the BLACKPINK star’s solo work earning her recognition in Grand award categories like Artist and Song of the Year.

Acts like Girls’ Generation’s TAEYEON, SEVENTEEN, (G)I-DLE, IVE, LE SSERAFIM, and RIIZE all scored multiple nods across the Grand awards as well.

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The MAMAs officially kicked off in Los Angeles on Thursday, Nov. 21, with a morning media press conference with US performers J.Y. Park and RIIZE previewing their performances. In sharing details about his Anderson .Paak collaborative performance night, Park teased a slightly impromptu performance with his “favorite drummer” where the two focused more on feeling out the performance in the moment. Meanwhile, RIIZE shared their stage invoked Michael Jackson with eldest member Shotaro teasing a dance section between himself and member Wonbin that drew inspiration from an “eclipse.”

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Who will emerge the big winners across three nights of awards, performances and more surprises? Follow along with Billboard throughout as we keep track of the winners, updating live. 

Best New Male Artist82MAJORALL(H)OURSAMPERS&ONENCT WISHNOWADAYSTWS

Best New Female ArtistBABYMONSTERILLITMEOVVQWERUNISYOUNG POSSE

Best Male GroupENHYPENNCT DREAMSEVENTEENStray KidsTOMORROW X TOGETHERZEROBASEONE

Best Female Group(G)I-DLEaespaIVELE SSERAFIMNewJeansTWICE

Best Male ArtistBAEKHYUNJiminJung KookLim Young WoongTAEMIN

Best Female ArtistIUJENNIENAYEON (TWICE)TAEYEONYUQI ((G)I-DLE)

Best Dance Performance Male SoloJimin– WhoJung Kook – Standing Next to YouKEY – Pleasure ShopTAEMIN – GuiltyTAEYONG – TAP

Best Dance Performance Female SoloHWASA – NAJENNIE – You & MeNAYEON (TWICE) – ABCDSUNMI – Balloon in LoveYUQI ((G)I-DLE) – FREAK

Best Dance Performance Male GroupNCT 127 – Fact Check RIIZE – Love 119SEVENTEEN – God of MusicStray Kids  – LALALALAENHYPEN – Sweet VenomTWS – plot twist

Best Dance Performance Female Group(G)I-DLE – Super Ladyaespa – SupernovaILLIT – MagneticIVE – BaddieLE SSERAFIM – EASYNewJeans – How Sweet

Best Vocal Performance SoloBIBI – Bam Yang GangIU – Love wins allLEE MU JIN – EpisodeLim Young Woong – WarmthTAEYEON – To. X

Best Vocal Performance Group(G)I-DLE – FateAKMU – HeroDAVICHI – A very personal storyPLAVE – WAY 4 LUVRed Velvet – Cosmic

Best Rap & Hip-Hop PerformanceDEAN – DIE 4 YOULee Young Ji – Small girl (Feat. D.O.)Leellamarz -Boys Like Girls (Feat. Gist, Jayci yucca)RM – LOST!ZICO – SPOT! (Feat. JENNIE)

Best Band PerformanceDAY6 – Welcome to the ShowHYUKOH, Sunset Rollercoaster – Young ManLUCY – The knight who can’t die and the silk cradleN.Flying – Into YouQWER – T.B.H

Best CollaborationGroovyRoom – Yes or No (Feat. HUH YUNJIN of LE SSERAFIM, Crush)Jay Park – Taxi Blurr (feat. NATTY of KISS OF LIFE)Lee Young Ji – Small girl (Feat. D.O.)Sung Si Kyung, Naul – Even for a momentZICO – SPOT! (Feat. JENNIE)

Best OSTCrush – Love You With All My Heart (Queen of Tears OST)ECLIPSE – Sudden Shower (Lovely Runner OST)LEE CHANGSUB – Heavenly fate  (A Not So Fairy tale OST)Roy Kim – Whenever, Wherever (My Demon OST)TAEYEON – Dream (Welcome to Samdal-ri OST)

Best Music Videoaespa – ArmageddonIU – Love wins allIVE – HEYAK.Will – No Sad Song For My Broken Heart (Prod. Yoonsang)SEVENTEEN – MAESTRO

Best Choreographyaespa – SupernovaILLIT – MagneticLE SSERAFIM – CRAZYNewJeans – SupernaturalRIIZE – ImpossibleTAEMIN – Guilty

Visa ARTIST OF THE YEAR

Visa SONG OF THE YEAR

Visa ALBUM OF THE YEAR

Visa FANS’ CHOICE OF THE YEAR

FANS’ CHOICE MALE / FANS’ CHOICE FEMALE

In just two months, MEOVV has leaped onto the K-pop scene by showcasing a promising range and bold artistry set to claw out a legacy all their own.
The five-member girl group is the first-ever launched by THEBLACKLABEL, the agency founded by legendary producer Teddy with over 25 years in crafting K-pop classics by the likes of BIGBANG, 2NE1, PSY and BLACKPINK, that now houses top talent like Rosé, Taeyang, Jeon Somi and more. The excitement around MEOVV’s debut translated into a record deal with Columbia Records, millions of views on the group’s intriguing, fashion-forward teaser visuals, and bold debut single “MEOW” roaring onto Billboard’s World Digital Song Sales chart at No. 10 in September.

Despite the ultra-polished visuals and Teddy’s guiding hand, MEOVV balances raw confidence and relatability as seen in their two new singles: the energetic anthem “BODY” and emotionally charged “TOXIC.” The songs establish the five-piece’s immense range of potential, effortlessly transitioning from a fierce, pump-up track to a throbbing, electro-pop midtempo with universal emotional resonance.

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MEOVV members Sooin, Gawon, Anna, Narin and Ella’s impressive multilingual abilities — able to communicate in English, Korean, Japanese, Chinese, and Spanish — are matched by an undeniable warmth and relatability. Speaking with Billboard from Seoul during an evening Zoom call, the members spoke mostly in English but flowed seamlessly between languages, exuding a genuine camaraderie that belied their relatively short time as a group. Even with just months under their belts as a team, the group spoke about the pride they had in their music (especially as “TOXIC” was co-written by Gawon and Narin) and hoping to be a place of comfort for fans (emphasizing how they want to be relatable and authentic).

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As MEOVV continue to prowl forward on their journey together, get to know the K-Pop Rookie of the Month for November 2024 as they share details about how they formed, advice from BLACKPINK, their inner cats and more.

MEOVV just debuted in September with two new singles in November. How have these past couple of weeks and months been for you?

GAWON: Wow. Super hectic, but very exciting.

ELLA: Where we came out with our debut only about a month ago, we got to see a lot about how we kind of are on stage in front of people so it was really a good learning period of time to see what we could do better, what we could maybe work on or keep doing. It was like a good time to learn and grow. And now we’re ready for our next release.

Can you tell us how MEOVV formed and what it was like when the five of you came together?

NARIN: We all come from different backgrounds and have lived very different lives. So when we first met at THEBLACKLABEL, we were like complete strangers. But I think we also had that strong connection to each other since we all love music — we have a strong, shared passion for music, shared vision, common interests and everything. I think it was very natural for us to connect to each other and really become a team.

GAWON: Yeah, I think that just brought us together. And then one day we just found ourselves recording “MEOW,” filming videos, preparing, and rehearsing. SOOIN unnie and I knew each other from a few years back and then we reunited at THEBLACKLABEL and it was like, “Oh my God, what the heck, you’re here!”

NARIN: And I think when we first started recording our first debut song, “MEOW,” we all have so different voices and it’s very unique, but when recording, it was all just like becoming one song.

GAWON: And I think we started to feel like, “Oh, this makes so much sense.” Like, when we were also in the studio, we just sonically made sense. At that time, we didn’t really like, know each other on a deeper, deeper level so I think through those kind of processes and preparing for our debut, we got to know each other and we bonded over that. I think it just felt right. Yeah, it felt right. 

You are the first group from THEBLACKLABEL, millions of people have viewed just your trailer teasers, the “MEOW” music video earned over 30 million views. Did you feel pressure to live up to any expectations?

ELLA: I think there definitely was times of pressure, but I think it was mostly, like, excitement — we were excited to finally put out music now. But when there were moments of pressure, I think we channeled it well into working hard.

GAWON: Yeah and when there were moments of pressure, it was mostly just excitement. Like, “Yeah! We’re gonna debut! Yeah!” I think we were able to turn that into motivation and just fuel for the fire that we had while preparing to be out in the world.

MEOVV is the newest girl group produced by Teddy, a legendary producer. Were you Teddy fans or fans of any of the artists he worked with in the past?

SOOIN: We were all definitely fans.

GAWON: I came from the States, but I was still surrounded by his music growing up. It’s just everywhere.

NARIN: And his music is just so iconic.

GAWON: With the legacy that he created in music, we’re just so excited to be able to continue that as MEOVV. I love everyone and everyone he worked with — even 1TYM!

K-pop fans may have knew ELLA’s background and being close with the BLACKPINK members. How did you get to know them?

ELLA: It just came naturally because when I first came to THEBLACKLABEL, I met them when I was really young, just one time in the studio when they were working. Then while we were preparing for our debut, we got a lot of tips and advice from them so they’re really supportive. It’s kind of crazy thinking like, “Oh, I met them kind of doing what we’re doing now.”

GAWON: It really puts things into perspective. They’re so sweet and give such such great advice.

ELLA: They’ve been doing this for so long — it’s like, what better person to get advice from than them? They know it best.

In September, “MEOW” debuted at No. 10 on the World Digital Song Sales chart. Did you see the news?

NARIN: I definitely remember the moment when GAWON unnie found it out and then she told us — I think we were in the elevator, yeah —

GAWON: I was just scrolling and I was like, “Huh? What?”

ELLA: We didn’t believe her at first!

NARIN: We said, “What do you mean Billboard? What do you mean?” And then we all started cheering.

ALL: Yay, Billboard! [Cheering and laughing]

Let’s discuss the new singles “TOXIC” and “BODY.” What do these songs mean to MEOVV?

GAWON: Well these two new releases are very different from “MEOW.” The two songs are very contrasting to each other. But at the same time, they’re able to simultaneously compliment each other in a way where it just balances everything out.

NARIN: “TOXIC” is very emotional and very honest; it’s more vulnerable. We’re also more emotionally attached to this one because we wrote the lyrics. It’s been a minute since we wrote, but GAWON and I were in the studio and they just put on a random song, which was just the beat and maybe melodies for the chorus on “TOXIC.”

GAWON: Yeah, melodies for the chorus and a theme of “toxic.” This song is about being toxic and then, um, he [Teddy] left us in the studio. He was like, “Oh, I have to go do something. You guys do whatever you want with it. Have fun.” [Laughs]

NARIN: I love how the emotions that we had while writing lyrics are now for everyone to share with us.

GAWON: It shines in the music video too, it’s just a lot of shared emotions. It’s kind of like a full circle moment. We love “TOXIC.”

Would it be safe to say “TOXIC” is everyone’s favorite single over “BODY”?

NARIN: Oh, that’s very tricky because “BODY” feels like one of our members now — it’s like our friend. It’s always there in the practice room…

ELLA: It’s always there…

GAWON: …in the car. It’s this kind of energy that we just hold with us everywhere we go. Especially moments before stage, we’re like, “Let’s go, let’s go!”

How was shooting the music videos?

GAWON: Oh my god, it’s so special…both videos for each of the songs hold a very special place in our heart because It was very natural; it was very pure. Like us in our purest forms [for “TOXIC”].

ELLA: It wasn’t even like a music video shoot. It was just like, “Oh, it was like a hangout moment” and they were just capturing the moment. And then with “BODY” it’s just like, we just had so much fun; we just had so much fun having a party. We were bonding after that.

ANNA: There was a scene [in “TOXIC”] where we were just like running around the street, just playing like little girls, Everyone was watching us. Actually. It wasn’t like a set, It was just [outside] on the street and when the light green, It was like, “Let’s just go!” and then we started running, jumping, lying down. It was really nice.

ELLA: It wasn’t a [traditional music video] set, we were outside and when recording started, it was like, “Let’s just go!” and we started running, jumping, lying down.

What messages do you want to share with “TOXIC” and “BODY”?

NARIN: They’re both about our raw emotions and our authenticity. 

GAWON: They’re very honest so I feel like people could look forward to that and we hope that a lot of people can resonate with both songs in these different aspects of being confident but also at the same time being able to be more vulnerable about your true emotions and your experiences.

ELLA: I hope that when people watch the music video, they’re entertained by watching us and our sort of vulnerability and emotion, but they are also like they also can kind of find that with themselves.

GAWON: Yeah, I hope they see themselves in us.

As a fun question about your concept, I’d love to know what kind of cat your members identify with one another.

ELLA: Starting with GAWON unnie, she’s such a big cat — like a leopard.

SOOIN: Or a cheetah! She has long legs too, she’s big and tall.

ELLA: And she likes cheetah print so it’s your vibe.

NARIN: And Anna Jang?

ELLA: She’s like a kitten!

NARIN: You’re like a little, white English Shorthair; that’s what you are!

ELLA: But it has to be a baby,

SOOIN: A small, shy baby, kitten.

ANNA: I agree with that. [Laughs]

NARIN: I feel like SOOIN needs blue eyes, because she loves blue, she’s obsessed with blue…

SOOIN: I love blue. [Shows blue accessories, notebook and blue phone case]

ELLA: So, a Siamese cat with blue eyes.

SOOIN: I like it.

ELLA: And for NARIN, I think you’re not a regular cat but from The Aristocats animation, what’s the one with the pink bow’s name? Marie from The Aristocats, yeah.

GAWON: She is so Marie.

NARIN: Thanks, I like that.

GAWON: You know what you are, ELLA? You are Puss in Boots — like a tabby cat.

NARIN: With the smirk.

ELLA: Yeah, I like the orange ones — that’s my personality too. I like it.

Thank you for the very satisfying answers across the board. To wrap up, looking at MEOVV overall, what are your goals and dreams as a group?

ELLA: I just hope that people will get inspired listening to our music and maybe discover more about themselves and their emotions. 

GAWON: Being able to connect with more people through our music, I just want people to feel something when they see us. Whatever emotion that may be, just to share experiences and feelings together. In terms of goals, I think we just want to establish MEOVV further and just create our identity and while also keeping our own individuality.

What else should we look forward to, or do you want to share with fans now?

SOOIN: We have so many songs that we’re working on and we picked the best out of the best for this release. So, it’s just only a bit of what they’re about to show to the world. We hope that people are looking forward to us in the future!

ANNA: This time, our songs are really good so I want to show a better performance while preparing for it. In the future, I hope I can show it to the fans around the world soon.

GAWON: One last thing I would like to say is that we’ll just thank you for your continued support — all the fans and everyone who is tuning into our music.

In just two months, MEOVV has leaped onto the K-pop scene by showcasing a promising range and bold artistry set to claw out a legacy all their own. The five-member girl group is the first-ever launched by THEBLACKLABEL, the agency founded by legendary producer Teddy with over 25 years in crafting K-pop classics by the […]

The winter edition of Belgian dance mega-festival Tomorrowland has announced a sprawling lineup for its event this March in the French Alps. The bill includes Tomorrowland regulars Afrojack, Amelie Lens, Steve Aoki, Axwell, Nervo, Armin van Buuren and Kolsch, along with a flurry of acts including Agents of Time, Joris Voorn, LP Giobbi, Hugel, Nina […]

The 2024 ARIA Awards lit up Sydney’s Hordern Pavilion on Nov. 20, celebrating the best in Australian music— but it was Troye Sivan and Sydney duo Royel Otis who were the big winners of the evening.

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Fresh off his SWEAT tour with Charli XCX, Sivan dominated for the second consecutive year, taking home three major awards: Album of the Year and Best Pop Release for Something to Give Each Other and Best Solo Artist. It follows his impressive performance at the 2023 ARIAs, where he collected four trophies, including Song of the Year.

The pop powerhouse said when receiving the coveted Album of the Year award, “I literally don’t have anything to say. Genuinely, totally, totally speechless, thank you guys, so, so much,” before delving into the deeply personal inspiration behind his record.

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“This album has completely, completely changed my life. It was inspired by the moments between lockdowns in Melbourne. I was single, and really depressed and lonely, and then those little glimpses of hope in between. I just started to go out and hook up with random people,” Sivan said.

The crowd erupted in cheers, but the camera quickly panned to his mother, who was seen covering her ears in mock horror. Sivan laughed and apologized: “Oh, my mum, sorry mum! Guys, my mum has seen the craziest s— at my shows, this is like, nothing for her.”

He went on to share a specific encounter that shaped the album’s direction: “So, I was going through the break-up, really, really depressed, and I meet this one guy. I have this one-night stand with him, right? And we have this incredible, incredible connection. And I’m like, oh my God, I thought the connection could only look like one thing, you know? And then I started to realise just how many people there are in the world and how many incredible connections of all kinds can feel, and how it can present in all of these different ways.”

Sivan added that he wrote the album “about this random stranger that I never saw again.” However, he later ran into the same man at a wine bar in Melbourne after the album’s release.

“The album is out at this point and it’s going really well,” he said. “And then the crazy thing is, that I said to him – the album is out at this point and it’s going really well – and I said to him, just so you know, it’s sort of about you,” adding that the man told him the album had helped him through a breakup.

The singer ended with: “So, music is just really, really cool. So yeah, go have a one-night stand with someone—you never know what could happen!”

Sivan’s latest album has been hailed as a defining moment in the pop powerhouse’s career. The record debuted at No. 1 on the ARIA Albums Chart, marking his first-ever chart-topping album in Australia. It has garnered nearly 250 million streams globally, earned two Grammy nominations, and was shortlisted for the prestigious Australian Music Prize.

“Rush” not only debuted at No. 77 on the Billboard Hot 100 — marking Sivan’s first solo appearance on this chart since 2018 — but it also topped the Dance/Electronic Streaming Songs and Dance/Electronic Song Sales charts, amassing over 23.4 million global streams to date.

As Sivan prepares for his Something to Give Each Other Tour, his momentum shows no signs of slowing. The tour, kicking off in late 2024, includes stops in Australia and New Zealand, with highlights like back-to-back performances at the Sydney Opera House Forecourt on Nov. 28 and 29, marking a homecoming for the artist.

Beyond Troye Sivan’s big night, the 2024 ARIA Awards delivered plenty of standout moments. Royel Otis, consisting of Royel Maddell and Otis Pavlovic, pulled an impressive four-award haul, for Best Group presented by Stan, Best Rock Album, Engineer – Best Engineered Release (Chris Collins), and Producer – Best Produced Release (Chris Collins).

First Nations hip hop trio 3% — consisting of Nooky, Dallas Woods, and Angus Field — won Best Hip Hop/Rap Release for “KILL THE DEAD” and Best Cover Art (Daniel Boyd and Nomad Create).

Hardcore Sydney group SPEED, who are set to be part of the Coachella 2025 lineup, took out the gong for Best Hard Rock/Heavy Metal Album.

Teen Jesus and the Jean Teasers took home the Michael Gudinski Breakthrough Artist Award and Dom Dolla nabbed the win for Best Dance/Electronic Release for “Saving Up,” marking his third ARIA Award. Meanwhile, Angie McMahon proved her indie prowess, snagging Best Independent Release for Light, Dark, Light Again.

The night also saw Missy Higgins inducted into the ARIA Hall of Fame, a heartfelt moment celebrating her incredible legacy, topped off with her win for Best Australian Live Act Presented by Destination NSW. G Flip struck a chord with fans, clinching Song of the Year for “The Worst Person Alive”, while Taylor Swift’s global dominance continued as she was crowned Most Popular International Artist.

The 2024 ARIA Awards were packed with show-stopping performances, showcasing the incredible talent and diversity of Australian music. Troy Cassar-Daley brought the crowd to its feet with a heartfelt performance featuring U.S. country star Kane Brown and a surprise appearance by Kasey Chambers. Jessica Mauboy teamed up with hip-hop standouts 3% and Julian Hamilton of The Presets for a high-energy rendition of “Won’t Stop” and “Our People.”

The night wasn’t short on surprises either—CYRIL, Becca Hatch, and Budjerah created a soulful, genre-blending moment that spotlighted Australia’s rising stars, while The Kid LAROI brought the house down with his high-energy set. Ava Max lit up the stage with a medley of her hits, and The Pixies stunned with a surprise world-exclusive TV performance of “Where Is My Mind” in support of Ausmusic T-Shirt Day.

Wrapping it all up in style was a performance from Missy Higgins, alongside Amy Shark, Angie McMahon, Gretta Ray, and G Flip, who landed Song of the Year for “The Worst Person Alive.”

More winners on the night included Tkay Maidza for Best Soul/R&B release, Emily Wurramara for Best Adult Contemporary Album, Mia Dyson for Best Blues & Roots Album, Bluey for Best Children’s Album, Tones And I (Nick Kozakis and Sela Vai) for Best Video Presented by YouTube, Missy Higgins for Best Australian Live Act presented by Destination NSW,  Taylor Swift for Most Popular International Artist, Midlife for Best Jazz Album and DOBBY for Best World Music Album. 

ARIA CEO, Annabelle Herd, said of the evening: “All of us at ARIA are so proud of this genuinely global-facing industry that proved tonight exactly how much Australia has to be proud of when it comes to homegrown music. I’m beyond excited for the future of Australian music after seeing the incredible talent of the winners, performers, and nominees at this year’s Awards. Thank you to YouTube, DNSW, all of our partners, and the incredible ARIAs team, especially broadcast EP Craig Campbell and Event Producer Brendan Maher. Here’s to another incredible year of Ausmusic in 2025!”

Mel Silva, VP, Google Australia on behalf of YouTube added: “Year after year, the ARIA Awards prove to be an incredible celebration of Australian music. Huge congratulations to all of this year’s winners and nominees – you’re absolutely crushing it! YouTube is honored to continue our partnership with ARIA, and to help connect fans around the world with their favourite artists – from the Red Carpet mirror-selfies, to the incredible content created by artists, to showcasing unforgettable performances and amazing talent like Missy Higgins’ Hall of Fame induction. You can check it all out on YouTube.”

See all the 2024 ARIA Award winners here.