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The All-American Rejects took off like a rocket in the 2000s, reaching No. 25 with its 2003, self-titled debut album and No. 6 with 2005’s Move Along, which sent the pop-punk singalong “Dirty Little Secret” to No. 4 on the Billboard Hot 100. Then came the 2010s. As is typical with bands that find success in a particular musical era, The All-American Rejects’ popularity faded.
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“I think any band that sticks together for this long kind of goes through one of those periods,” Nick Wheeler tells Billboard’s Behind the Setlist podcast. “I grew up on Def Leppard and Bon Jovi, and I remember bands like that had a hard time in the 1990s. Our version of that was the 2010s. We put out a few songs in that in that era. We did a couple tours in that era. But nobody gave a s–t. And that’s fine. We were very lucky to go on that decade-long ride.”
The When We Were Young festival in Las Vegas in 2022 was a turning point for the band. After years spent playing state fairs and theme parks — “It wasn’t fulfilling,” says Wheeler — When We Were Young, which capitalized on nostalgia for emo and punk bands from the ’00s, let The All-American Rejects know there was still immense interest in the band. “On stage, we had so much fun with each other,” he says. “The crowd actually gave a s—t. I wasn’t just a bunch of people eating hot dogs.”
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That led the band to take a leap of faith and set up, as Wheeler describes it, “an actual tour in real venues where people have to pay to show up.” The quartet wasn’t sure anybody would come. “It might be a complete disaster,” he says.
But the band was energized from their experience at When We Were Young and was looking forward to touring with acts they had befriended earlier in their career. “We’re just gonna have fun, and we’re gonna play some real shows for maybe five people,” Wheeler jokes.
Dubbed the Wet Hot All-American Summer Tour, the first All-American Rejects tour in a decade covered the continental U.S. and featured rotating support from The Get Up Kids, New Found Glory, Motion City Soundtrack and The Starting Line. “It ended up being the most successful tour of our entire career,” says Wheeler. “Never would have guessed. Certainly did not expect it.”
The following year, The All-American Rejects toured heavily in the U.S. and made their first trip to South America to perform on the I Wanna Be tour with such bands as Simple Plan and A Day to Remember. At the end of 2024, the band recorded a cover of the 1997 Harvey Danger song “Flagpole Sitta” and released it through Spin Records. The band is now “inspired and creating new music,” says Wheeler. “It’s kind of been this little baby-step snowball that was set in motion two and a half years [ago].”
Listen to the entire interview with The All-American Rejects’ Nick Wheeler in the embedded Spotify player below, or go to Spotify, Apple Podcasts, iHeart, Amazon Music, Podbean or Everand.
Pink Floyd‘s beloved 1972 live film, Pink Floyd at Pompeii — MCMLXXII — will return to movie theaters worldwide beginning on April 24. The film directed by Adrian Maben, will also be screened on IMAX in a digitally remastered, 4K version taken from the original 35mm footage, with enhanced audio that has been newly mixed by Steven Wilson, representing what a release said is the “definitive version of this pioneering film.”
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“Since 1994, I have searched for the elusive film rushes of Pink Floyd At Pompeii, so the recent discovery of the 1972 original 35mm cut negative was a very special moment,” said Lana Topham, Floyd’s director of restoration in a statement. “The newly restored version presents the first full 90-minute cut, combining the 60-minute source edit of the performance with the additional Abbey Road Studios documentary segments filmed shortly after.”
The movie’s re-release will be accompanied by a Legacy Recordings release of the live album on CD, digital audio and for the first time in Dolby Atmos and on vinyl on May 2, featuring performances of the songs “Careful With That Axe, Eugene,” “Something Else,” “Syncopated Pandemonium,” “Storm Signals” and “Echoes – Part II,” among others.
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The film preceded the release of the psychedelic warriors’ landmark 1973 Dark Side of the Moon album, with the band setting up in the ruins of the ancient Roman Amphitheatre in Pompeii, Italy in October 1971 for a gig without an audience. It was the first live concert set in one of the oldest surviving amphitheaters in the world, built in 70 B.C.
According to a release, the movie “documents what Pink Floyd did before they became giants of the album charts on both sides of the Atlantic – where their music remains celebrated to this day. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheatre in Pompeii, Italy, this unique and immersive film captures Pink Floyd performing an intimate concert without an audience… The breathtaking visuals of the amphitheatre, captured both day and night, amplify the magic of the performance. Additionally, the film includes rare behind-the-scenes footage of the band beginning work on The Dark Side of the Moon at Abbey Road Studios.”
Former Floyd drummer Nick Mason said in a statement that Live At Pompeii is a “rare and unique document of the band performing live in the period before” Dark Side of the Moon. The original has been hand-restored, frame-by-frame from the original 35mm cut negative, which was discovered in five “dubiously labeled” cans in the band’s archive and scanned in 4K using “advanced techniques to ensure the finest, sharpest detail.”
Detailing the new 5.1 and Dolby Atmos mix — intended to match how the band sounded on those “scorching hot days in 1971” — Wilson said, “Ever since my dad brainwashed me as a kid by playing The Dark Side of the Moon on repeat, Pink Floyd has been my favourite band. They are my ‘Beatles,’ deeply ingrained in my musical DNA. I first saw Pompeii from a grainy print at a local cinema. It made an incredible impression on me with its untethered and exploratory rock music made by four musicians that seemed to epitomise the notion of intellectual cool. It was an honour to remix the soundtrack to accompany Lana Topham’s incredible restoration of the film, which looks like it could’ve been filmed yesterday.”
Tickets for the film will go on sale beginning March 5 at 9 a.m. ET here.
Check out the album tracklist and a preview of the band’s “Echoes – Part 1” performance below.
Side A
1. “Pompeii Intro”
2. “Echoes – Part 1”
3. “Careful With That Axe, Eugene”
Side B
1. “A Saucerful of Secrets”
2. “Set the Controls for the Heart of the Sun”
Side C
1. “One of These Days”
2. “Mademoiselle Nobs”
3. “Echoes – Part 2”
Side D
1. “Careful With that Axe, Eugene – Alternate take”
2. “A Saucerful of Secrets – Unedited”
The 2025 Rocklahoma festival will feature headlining sets from Five Finger Death Punch, Breaking Benjamin and Shinedown. The hard rock throwdown in Pryor, OK slated to take place from Aug. 29-31 will also feature first-night sets from embattled rocker Marilyn Manson, OG shock rock icon Alice Cooper, The Darkness, Ramones drummer Marky Ramone playing a set of the punk godfathers’ most iconic songs, as well as Hinder, Dorothy, Saliva, Orianthi, The Band Feel, Paralandra and many more.
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Among those joining Breaking Benjamin on night two at the Rockin’ Red Dirt Ranch Festival Grounds will be: Three Days Grace, Knocked Loose, Rage Against the Machine guitarist and solo performer Tom Morello, Starset, Citizen Soldier, Ayron Jones, Drowning Pool, 10 Years, Return to Dust, Zero 9:36, Fan Halen, Fox N’ Vead and others.
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Night three will pair Shinedown with 311, Iron Maiden singer Bruce Dickinson, Flyleaf with Lacey Strum, The Struts, Of Mice & Men, Sunami, Barbarians of California, The Funeral Portrait, Mike Tramp’s White Lion, Chained Saint and Wargasm UK, among others. There will also be a Thursday Night Throwdown kick-off concert with sets from Twisted Sister singer Dee Snider, along with Trixter, Sebastian James, Rocket Science and Crimson Love.
Tickets for the festival will go on sale on Friday (Feb. 28) here.
Last year’s Rocklahoma featured sets from Avenged Sevenfold, Disturbed, Slipknot, Evanescence, A Day to Remember, Lamb of God, Halestorm, Skillet, Mastodon, Clutch, Kerry King, Coal Chamber and a reunited Anthrax.
Check out the full Rocklahoma 2025 Festival lineup below.
Just weeks after confirming a reunion tour, Rilo Kiley have expanded their tour and announced a new compilation album.
After having their plans for a reunion tour announcement prematurely leaked due to an early reveal of the lineup to California’s Just Like Heaven festival, Rilo Kiley officially confirmed their comeback in early February by detailing a ten-date run of U.S. shows.
“It’s going to be wonderful for us, like going back to the purest version of yourself, that early 20s place where everything is possible,” explained vocalist Jenny Lewis. “You’re in a van and Jason’s got the map, Pierre is behind the wheel, and I’m on the shitty acoustic guitar on the bench seat working out a new song with Blake. I don’t think it’s ever been as good as that, when it was just us against the world.”
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Dubbed the Sometimes When You’re On, You’re Really Fucking On Tour in honor of their track “A Better Son/Daughter,” the tour’s announcement also came accompanied by word the band would be reissuing their second album, The Execution of All Things. This new version – subtitled the Frozen Lake Edition – will arrive via Saddle Creek Records on April 25.
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Now, the band have expanded their plans further, continuing their reunion with an additional series of shows in September. Expanding their original run with an extra date in Seattle on May 24, Rilo Kiley will reconvene after summer and perform 13 shows throughout September. Few support acts have been announced for the upcoming gigs, with the band’s May date at Colorado’s iconic Red Rocks Amphitheatre seeing them joined by Julien Baker and Torres, and their performance at Raleigh’s Red Hat Amphitheater featuring the Mountain Goats.
“Planning this reunion over these past months has been like reconnecting with family. We haven’t missed a beat,” bassist Pierre de Reeder said in a statement. “The stakes are only to have a good time, to revel in this nostalgia. Getting to revisit and celebrate the music from that special time of our lives while experiencing it alongside a lot of people that lived it with us back when, and new folks alike.”
The new dates have also been paired news of a new greatest hits-style compilation album, with That’s How We Choose to Remember It scheduled to arrive via Saddle Creek on May 9.
Rilo Kiley first formed in 1998 with actress and musician Lewis joined by Reeder, guitarist Blake Sennett and drummer Dave Rock. Jason Boesel would replace rock in 2001.
The group rose to fame throughout the ’00s, releasing a total of four albums, including their 2001 debut Take Offs and Landings and its 2002 follow-up The Execution of All Things. While 2004’s More Adventurous would give them their debut on the Billboard 200 (albeit at No. 161), 2007 album Under the Blacklight was their most commercially successful, reaching No. 22 on the charts.
The group would play their final show in June 2008, later announcing they had embarked upon a hiatus. In 2013, however, it was confirmed they had in fact disbanded. During their hiatus, Lewis focused on her solo career, releasing a total of four albums since 2008, and reuniting with The Postal Service for shows in 2013 and 2023.
Rilo Kiley – Sometimes When You’re On, You’re Really Fucking On Tour Dates
May 5 – Fremont Theatre, San Luis Obispo, CAMay 7 – Libbey Bowl, Ojai, CAMay 10 – Just Like Heaven, Pasadena, CAMay 12 – The Van Buren, Phoenix, AZMay 14 – Red Rocks Amphitheatre, Morrison, COMay 16 – Kilby Block Party, Salt Lake City, UTMay 17 – Treefort Music Fest, Boise, IDMay 19 – Center for the Arts, Jackson, WYMay 21 – Commodore Ballroom, Vancouver, BC, CanadaMay 23 – McMenamins Grand Lodge, Portland, ORMay 24 – Chateau Ste. Michelle, Seattle, WASeptember 3 – College Street Music Hall, New Haven, CTSeptember 4 – The Met Philadelphia, Philadelphia, PASeptember 7 – MGM Music Hall at Fenway, Boston, MASeptember 8 – SummerStage @ Central Park, New York, NYSeptember 10 – The Anthem, Washington, DCSeptember 11 – Roxian Theatre, Pittsburgh, PASeptember 13 – Bourbon & Beyond, Louisville, KYSeptember 16 – Palace Theatre, Saint Paul, MNSeptember 17 – The Astro, La Vista, NESeptember 21 – Sing Out Loud Festival, St. Augustine, FLSeptember 23 – The Pinnacle, Nashville, TNSeptember 24 – Red Hat Amphitheater, Raleigh, NCSeptember 26 – The Eastern, Atlanta, GA
Tom Waits has added his talents to the final episode of Italian documentary series, Il Fattore Umano (The Human Factor), with his work accompanying stories of homelessness in America. Explore Explore See latest videos, charts and news See latest videos, charts and news The eight-part series, created by the Italian public television channel RAI3, offers […]
Metallica hit the stage for the first time on March 14, 1982, at Radio City in Anaheim, Calif. — with the original lineup of James Hetfield, Lars Ulrich, future Megadeth founder Dave Mustaine on guitar and Ron McGovney on bass, playing covers of Diamond Head and Sweet Savage songs, as well as their own “Hit the Lights” and “Jump in the Fire.”
More than four decades later, the San Francisco Bay Area-based thrash metal troupe is still at it — arguably bigger and better than ever. “Playing shows was always the thing,” Hetfield said some years ago. “We wanted to make records, yeah — but when we first got together we just wanted to play, man, just get on stage and play.”
Mission accomplished, it’s safe to say. Metallica has toured the world many times to this point — and thanks to a 2013 performance in Antarctica, it is in fact the only band that’s played on all seven continents. It’s been a constant touring presence, too; 2001, when the group was searching for a new bass player, is the only year Metallica didn’t play any shows, and it’s mixed full-scale, multi-year world tours with lighter-but-still-significant concert runs.
Over the decades, the band has performed more than 1,600 times, moving from dive bars to stadiums and headlining at events such as Woodstock ’94, Monsters of Rock, Lollapalooza, OzzFest and more. As other members entered the lineup — guitarist Kirk Hammett (1983-present) and bassists Cliff Burton (1982-86), Jason Newsted (1986-2001) and, since 2001, Robert Trujillio — Metallica polished its performing craft to the point where it could even play shows alongside the San Francisco Symphony. Its stage productions have also become legendary; Metallica is the band that introduced the idea of the Snakepit, an in-stage fan area, and it’s made use of all manner of pyrotechnics and other visual effects, but never eclipsing what really brings fans to the shows — pulverizing, complex, epic music that makes heads bang, eardrums bleed and venue walls rattle.
“I don’t know if we could ever lose our edge because our music is a quality of our persons, our being,” Hammett explains. “It’s just very natural for us to sound the way we do. It flows like water. There’s never any shortage of really aggressive, edgy, energetic music from us, because that’s part of who we are as people. It’s not an affectation; it’s who we really are.”
Here’s our ranking of the group’s many long and sometimes strange road trips.
Summer Sanitarium Tour (2000)
My Chemical Romance, Deftones and Blink-182 will headline this year’s Shaky Knees Music Festival in Atlanta’s Piedmont Park on Sept. 19-21. They will be joined by an eclectic roster of rock and pop acts including Lenny Kravitz, Sublime, The Marias, Pixies, Cage the Elephant, The Black Keys, Public Enemy, Vampire Weekend, Alabama Shakes, Lucy Dacus and Devo, among many others.
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The 12th edition of the fest will move from its previous home in the city’s Central Park — and from its typical spring slot in May to the fall — with a pre-sale slated to kick off on Thursday (Feb. 27) at 10 a.m. ET, with a public on-sale to follow if tickets remain; ticket information is available here.
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This year’s line-up also includes: Idles, Spoon, Inhaler, Joey Valence & Brae and the Lambrini Girls on night one alongside the Deftones, with The Backseat Lovers, TV on the Radio, The All-American Rejects, Johny Marr, The Beaches, Mannequin Pussy, Bilmuri, Cmat, Scowl and Michigander warming up the stage for MCR on night two.
Night three will feature Wet Leg, the reunited 4 Non Blondes, Franz Ferdinand, Stereophonics, The Stews, Fleshwater, Murder By Death, Mdou Moctar and special guest “Weird Al” Yankovic performing before Blink.
Last year’s edition was top-lined by Noah Kahan, Weezer and Foo Fighters, as well as sets by Arcade Fire, Young the Giant, Interpol, Queens of the Stone Age, The Offspring, Royal Blood, Billy Idol, Portugal. The Man, Dinosaur Jr., Waxahatchee and many more.
Check out the Shaky Knees 2025 poster with full artist roster below.
A feature-length documentary chronicling heavy metal icon Ozzy Osbourne‘s six-year struggle to recuperate from a devastating 2019 fall, Ozzy Osbourne: No Escape From Now, will debut on Paramount+ later this year. The movie, currently in production, is described as an intimate look into the 76-year-old rock legend’s personal life since the injury that has colored much of his life in the years since.
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“This is Ozzy Osbourne like you’ve never seen before: an honest, warm and deeply personal portrait of one of the greatest rock stars of all-time, detailing how the singer’s world shuddered to a halt six years ago, forcing him to contemplate who he really is, confront his own mortality and question whether or not he can ever perform on stage for one last time,” reads a release announcing the project that is being directed by BAFTA-winner Tania Alexander (Celebrity Googlebox). “Addressing his health issues and impact of his Parkinson’s diagnosis, the film showcases the central role music continues to play in Ozzy’s life – also proving his mischievous sense of humor remains resolutely intact despite it all.”
In a statement, Osbourne added, “The last six years have been full of some of the worst times I’ve been through. There’s been times when I thought my number was up. But making music and making two albums saved me. I’d have gone nuts without music.”
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Osbourne released the albums Ordinary Man (2020) and Patient Number 9 (2022) before announcing in 2023 that he had been forced to permanently cancel the European leg of his No More Tours II outing and retire from touring after a cascading series of health problems following a 2019 fall at home in which he damaged his spine. That incident was followed by diagnoses of Parkinson’s disease — which has rendered him unable to talk — and emphysema.
According to the release, Alexander began filming the doc in 2022, during recording sessions for the double-Grammy-winning Patient Number 9 album, and the cameras will continue to roll into this summer as Osbourne prepares to take the stage for what he says will be his final performance with Black Sabbath on July 5.
“My fans have supported me for so many years, and I really want to thank them and say a proper goodbye to them. That is what the Villa Park show is about,” Osbourne said of the sold-out, all-star gig in his hometown of Birmingham that will feature support from Metallica, Slayer, Anthrax, Guns N’ Roses, Tool, Rival Sons, Pantera, Lamb Of God, Mastodon, Alice In Chains, Halestorm, Gojira and a supergroup featuring Smashing Pumpkins singer Billy Corgan, Rage Against the Machine’s Tom Morello, David Ellefson, Fred Durst, Jonathan Davis, Wolfgang Van Halen and more; actor Jason Momoa will host the event.
Ozzy recently revealed that due to his physical limitations and an inability to walk anymore he will not play a full Black Sabbath set at the final show. Profits from the mega-gig will go towards organizations including Cure Parkinson’s, a U.K. charity working to end the disease.
The documentary will feature Ozzy and wife/manager Sharon Osbourne and the couple’s children, as well as many of the singer’s musical compatriots, friends and bandmates, including: Tony Iommi (Black Sabbath), Duff McKagan (Guns N’ Roses), Robert Trujillo (Metallica), Billy Idol, Maynard James Keenan (Tool), Chad Smith (Red Hot Chili Peppers), guitarist Zakk Wylde, producer Andrew Watt and friend/musician Billy Morrison.
“This film is an honest account of what has happened to Ozzy during the last few years. It shows how hard things have been for him and the courage he has shown while dealing with a number of serious health issues, including Parkinson’s,” said Sharon Osbourne in a statement. “It’s about the reality of his life now. We have worked with a production team we trust and have allowed them the freedom to tell the story openly. We hope that story will inspire people that are facing similar issues to Ozzy.”
Members of the British band The 1975 cannot be held personally liable for losses of a Malaysian music festival that was shut down by authorities after lead singer Matty Healy kissed a male bandmate on stage, a London judge ruled Monday.
The organizer of the Good Vibes Festival is seeking 1.9 million pounds ($2.4 million) in losses after Healy criticized the country’s anti-homosexuality laws and then kissed bassist Ross MacDonald at the Kuala Lumpur show in July 2023.
Footage of the kiss sparked a backlash in the predominantly Muslim country, where homosexuality is a crime punishable by up to 20 years in prison and caning. Some LGBTQ+ groups also criticized the band for endangering its community and disrupting the work of activists pushing for change.
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Future Sound Asia sued The 1975 Productions LLP in the High Court over breach of contract and said its four members owed a duty of care. But the band’s lawyer argued that the suit should only target the company — not the musicians.
Judge William Hansen said the claims against the band members were “bad as a matter of law and that there is no good reason why the matter should go to trial.” He allowed the case to proceed against the company, but ordered FSA to pay 100,000 pounds ($126,000) in legal costs.
Band attorney Edmund Cullen had argued the claim was an “illegitimate, artificial and incoherent” attempt “to pin liability on individuals” because FSA only had a contract with the band’s company.
FSA’s attorney Andrew Burns said authorities had initially refused to let the band perform because of reports about Healy’s drug addiction and subsequent recovery. They relented after the band promised he would follow guidelines and regulations, he said.
When the band played the same festival in 2016, they had agreed not to swear, smoke, drink, take off clothes or talk about religion and politics on stage, Burns said.
Burns said the band deliberately provoked Malaysian authorities in 2023 by smuggling a bottle of wine on stage, and through Healy’s “obscene speech” and the kiss. He said the band also performed a “second-rate set of songs” to upset the crowd.
“They could be argued to have been on a frolic of their own rather than simply acting within the course of their ordinary role as LLP members,” Burns said.
The band was supposed to be paid $350,000 (276,000 pounds) for a one-hour set, Burns said.
The show wasn’t the first time Healy made a political statement in the name of LGBTQ+ rights: he kissed a male fan at a 2019 concert in the United Arab Emirates, which outlaws same-sex sexual activity.
After the show in the Malaysian capital, The 1975 canceled its concerts in Taiwan and Jakarta, Indonesia.
The Malaysian government has blacklisted the band.
This article was originally published by the Associated Press.
