genre rock
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In 2025, artists from the indie and pop worlds collaborate and co-mingle regularly enough that it’s almost hard to remember a time when it was ever really that novel. But earlier this century, indie and pop were still isolated enough that in 2009, when Solange took her sister Beyoncé and Bey’s husband Jay-Z to a […]
If you’ve seen A Complete Unknown, or gone to see Bob Dylan in concert over the past few decades, or checked out the the Nobel Prize winner’s social media feeds recently then you know that the rock and roll bard’s factory setting is inscrutable.
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Which, kind of, explains Dylan’s latest inexplicable Instagram missive: a no-context re-post of a 2016 in-store performance by Machine Gun Kelly at Park Ave. CDs in Orlando, FL in 2016. Why MGK? Why this clip? We will never know, but both Kelly and his good pal, singer/producer Mod Sun, were beyond pumped at the unexpected shout-out. (Check out the post here).
“you having a phone is so rad,” Kelly wrote in the comments on the post, with Mod Sun adding, “This is my favorite thing that’s ever happened on the internet.” Other commenters also weighed in with a mix of excitement and confusion, writing, “Bob probably thought this was [A Complete Unknown star] Timothée Chalamet so he reposted it,” “Think MGK has now won against Eminem. The greatest poet of all time has just reposted him,” “I love when Dylan fans get riled ’cause he throws a curveball,” “Bob respectfully what the f–k is this” and “Not a fan of MGK, myself… Genius sees genius. This guy can spit and it seems at least one person named Bob can hear it clearly.”
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While Dylan has posted some on-brand messages lately, including a tribute to his friend and late bandmate Garth Hudson last month following the death of The Band’s longtime keyboardist, the MGK love is in keeping with his out-of-left-field online activity. Earlier this year, the 83-year-old folk rock legend joined TikTok just days before what was slated to be a ban of the app, posting a kind of career retrospective clip, followed by a half dozen other archival videos.
Over on X, the past four months have found Dylan musing about seeing a Nick Cave show in Paris and being impressed by the singer’s moving track “Joy” and giving props to “brilliant actor” Chalamet’s role in A Complete Unknown, predicting that the actor would be “completely believable as me. Or a younger me. Or some other me.”
Classic Dylan.
He’s also paid tribute to another old bandmate, late rockin’ blues giant Paul Butterfield, and, last week, posted another tribute, this time to late bluegrass/country great Don Reno.
And if you scroll through the rest of his Instagram feed, over the past two months, mixed in with promos for his ongoing Rough and Rowdy Ways world tour, you’ll see an archival video of Les Paul introducing late Van Halen guitarist Eddie Van Halen at a Les Paul tribute show in 1988, a random Ricky Nelson performance clip, a snippet of director Fritz Lang’s 1952 noir romance Clash By Night starring Barbara Stanwyck and Marilyn Monroe and a live performance video of beloved guitarist Django Reinhardt.
Mix in a post of the classic Twilight Zone episode “To Serve Man” and a reading of the “Last Testament” of the outlaw (and older brother of Jesse) Frank James.
What does it all mean? Who knows? But in the immortal words of Dylan: “don’t criticize what you can’t understand.”
The 30th anniversary run of the Vans Warped Tour has unveiled the (almost) full lineups for the three get-back shows planned for this year. After teasing a few bold names last month, the two-day festivals in Washington, D.C., Long Beach, CA and Orlando, FL have now rolled out just about all the names for this year’s events, with just a few acts still blacked-out on the super-packed event posters.
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With each stop showcasing between 70-100 bands, there is a little something for everyone at the kick-off D.C. show (June 14-15), which includes: 3OH!3, All Time Low, Asking Alexandra, Atmosphere, Avril Lavigne, Blessthefall, Bowling for Soup, Boys Like Girls, Chiodos, Dance Hall Crashers, Escape the Fate, Fishbone, From Ashes to New, Hawthorne Heights, Ice Nine Kills, Knuckle Puck, Less Than Jake, MGK, Miss May I, Mod Sun, Motion City Soundtrack, Pennywise, Scary Kids Scaring Kids, Senses Fail, Silverstein, Simple Plan, State Champs, Streetlight Manifesto, Sublime, The Aquabats, The Maine, The Red Jumpsuit Apparatus, The Suicide Machines, We Came As Romans, Yung Gravy and many more.
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The Long Beach, CA shows (July 26-27) will feature a number of the same acts as well as: Ava Maybee, Aviva, Better Lovers, Black Veil Brides, Blackbear, Body Count, Cartel, CKY, Cobra Starship, Comeback Kid, Destroy Boys, Dexter and the Moonrocks, Drain, Dropkick Murphys, Drug Church, Enter Shikari, Falling in Reverse, Four Year Strong, Girlfriends, Gogol Bordello, Honey Revenge, Hot Milk, Iann Dior, Ice-T, Kennyhoopla, Landon Barker, Magnolia Park, Mariachi El Bronx, Memphis May Fire, Mom Jeans, Nova Twins, Ringpop!, Slaughter to Prevail, The Interrupters, The Vandals, The Wonder Years, Zulu and more.
The final dates in Orlando (Nov. 15-16) will have a number of the same bands, in addition to: A Loss For Words, Amigo the Devil, Angel Dust, Arrows in Action, Atila, Beauty School Dropout, Chained Saint, Charlotte Sands, Crown the Empire, Drain, Fever 333, Flycatcher, Games We Play, Good Riddance, Gym Class Heroes, Hail the Sun, Head Automatica, Holywar, I See Stars, Jager Henry, Jeremy Romance & the Zero Friends Club, Jutes, Koyo, Left to Suffer, Lolo, Movements, Plain White Ts, Royal & the Serpent, Scene Queen, The Expendables, Thursday and Yellowcard, among others.
Warped Tour was founded by Kevin Lyman and toured the country from 1995-2018, spotlighting hundreds of up-and-coming and classic punk, emo, hardcore and pop punk bands over the years. After shutting things down after the 2018 edition, Lyman rebooting it one more time in 2019 for a three-show 25th anniversary run.
In a statement about this year’s shows, Lyman said, “Putting together a lineup is never an easy task, but each act, both new and returning, plays an important role in delivering an unforgettable experience for fans, especially at the price point we’re offer. We collaborated closely with the bands to create some exciting surprises, exclusive content, and more for fans to enjoy. So follow along, soak in the journey, and who knows — you might just discover your next favorite band!”
Check out the 2025 Vans Warped Tour posters below:
Wet Leg, Underworld, Kneecap, TV on The Radio and Beth Gibbons have been announced as headliners for Wales’ Green Man festival this summer (Aug. 14-17). The event, which is already sold-out, will host an array of U.K., Irish and International acts in the Black Mountains in Wales’ Bannau Brycheiniog National Park over four nights in August.
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Kneecap will headline the opening night’s bill, with indie duo Wet Leg following on the Friday, and dance icons Underworld topping the lineup on Saturday. On the final evening, TV On The Radio and Portishead’s Beth Gibbons (solo) will close the festival with co-headline slots.
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Elsewhere there’ll be performances from Wunderhorse, Greentea Peng, CMAT, Perfume Genius, MJ Lenderman, English Teacher, Fat Dog, Yard Act, Nilüfer Yanya, Warmduscher and more. See the full lineup below.
It’s the latest show announced for Wet Leg as they gear up for their highly-anticipated sophomore album. The band’s self-titled 2022 debut was nominated for best alternative album at the Grammys the following year, and saw them support Harry Styles extensively on his most-recent world tour.
Green Man festival was established in 2003 and has been held annually (aside from 2020) ever since. 2024’s edition was headlined by Big Thief, Sampha, Jon Hopkins, Sleaford Mods, while previous headliners across the two decades include Fleet Foxes, St. Vincent, The War on Drugs, Father John Misty, Fontaines D.C., Kraftwerk and more.
The 25,000 capacity event will also host comedy and theatre performances, literature discussions, science workshops in its wide-ranging program. An accompanying statement by the festival reports that Green Man generates £28 million into the Welsh economy, and is one of the largest independent festivals in the U.K.
Hatebreed’s longtime bassist Chris Beattie has confirmed his departure from the band, calling the decision “uncalled for” and suggesting that “misleading and wrongful statements” were involved in his exit.
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The news comes just days before Hatebreed is set to take the stage at Knotfest Australia, where Slipknot will headline across three cities. Beattie, who co-founded the hardcore outfit in 1994, addressed fans in a statement on Feb. 27.
“I just want to take the time to let everyone know that I am doing just fine and I sincerely appreciate everyone who has reached out,” Beattie wrote on a social media post.
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“I was under the impression a joint announcement would be agreed upon in advance, but since that was not the case I wanted to address your concerns in my own post,” he added.
Beattie also clarified that he did not choose to leave the band and implied that the circumstances surrounding his departure may not have been transparent.
“At this time I am unable to discuss the specifics surrounding my departure from Hatebreed on November 13, 2024,” he continued. “However, I want to clarify that the decision to leave the band was not mine and that my departure was uncalled for and based on misleading and wrongful statements that will be subject to future actions.”
Hatebreed has not issued an official response to Beattie’s claims. The band is still scheduled to perform at Knotfest Australia, with stops at Melbourne’s Flemington Racecourse on Friday, Brisbane Showgrounds on Sunday, March 2, and Sydney’s Centennial Park on March 8. The lineup also includes A Day to Remember, Babymetal, Slaughter to Prevail, Polaris, and more.
Beattie, who has been with Hatebreed since their early days in the Connecticut hardcore scene, was a key part of the band’s sound across eight studio albums. While he has not specified what his next move will be, his comments suggest he may not be stepping away from music entirely.
For now, Hatebreed moves forward without one of its longest-standing members, while fans await more details on what led to the split.
Some of rock’s most infamous relics are hitting the auction block.
A new sale from Potter & Potter Auctions, titled Punks, Monsters, Smut & Madmen: A Countercultural Cross-Section, is offering a selection of music memorabilia that ranges from the iconic to the downright bizarre—including a pair of GG Allin’s blood-signed underwear and strands of Kurt Cobain’s hair.
The Chicago-based auction house will open bidding on March 6, with a catalog featuring dozens of punk and grunge artifacts. Among the standout items is a pair of Allin’s personal underwear, reportedly signed in his own blood.
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According to the listing, the briefs are “Blood-Signed and Inscribed Personal Underwear. N.d. Underwear briefs belonging to GG Allin.”
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It continues: “Signed in blood over the fly and INSCRIBED ‘Suck my a– it smells’ to the reverse side. Stable; one hole near rear inscription; seemingly used; staining.” Infamous for his extreme stage presence and self-destructive performances, Allin’s memorabilia has long been sought after by collectors fascinated with punk’s most chaotic figure.
Cobain’s hair, meanwhile, is making a return to the auction circuit. Back in 2021, six strands of the late Nirvana frontman’s hair were sold for $14,145.
This time, only two strands are available, leading to speculation that the original buyer either retained the remaining pieces or is looking to capitalize on their investment. The listing states that the hair was originally obtained in Birmingham, England, in 1989 by Cobain’s friend Tessa Osbourne while Nirvana was on their Bleach tour.
This isn’t the first time Cobain-related memorabilia has made waves at auction. Items tied to the Nirvana frontman frequently command high prices, with his MTV Unplugged 1959 Martin D-18E acoustic guitar selling for a record-breaking $6 million in 2020, making it the most expensive guitar ever sold.
His cardigan from that same Unplugged performance fetched $334,000, while a paper plate with a setlist written on it sold for $22,400. Despite the more unusual nature of this auction, Cobain’s hair is expected to draw significant interest.
Beyond the Allin and Cobain items, the auction will feature an array of punk and rock memorabilia. Fans of New York’s legendary CBGB will find a storefront awning from the club’s defunct gift shop, as well as a piece of the venue’s dressing room wall, as well as signed items from punk icons like The Ramones and Dead Kennedys.
Paul McCartney is taking a trip back to the ‘70s for a new book, with Wings: The Story of a Band on the Run set to look at his post-Beatles band.
Scheduled for release on Nov. 4 via Liveright/W. W. Norton and Allen Lane/Penguin Press, the book is authored by McCartney and edited by historian Ted Widmer, featuring an in-depth personal account of the band, as told by McCartney, key players, and family members.
Wings was formed in 1971 by McCartney following the dissolution of The Beatles the previous year, the release of his self-titled debut album one week later, and the arrival of 1971’s Ram album with wife Linda. Recruiting Moody Blues co-founder Denny Laine and drummer Denny Seiwell, the band would continue until 1981, releasing a total of seven studio albums, including four consecutive records that topped the Billboard 200.
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“I’m so very happy to be transported back to the time that was Wings and relive some of our madcap adventures through this book,” said McCartney in a statement. “Starting from scratch after The Beatles felt crazy at times. There were some very difficult moments and I often questioned my decision. But as we got better I thought, ‘OK this is really good.’
“We proved Wings could be a really good band. To play to huge audiences in the same way The Beatles had and have an impact in a different way. It was a huge buzz.”
A description of the book notes that it is “organized around nine Wings albums,” implying the narrative begins with 1971’s Ram and also includes 1976’s triple live record Wings over America. The volume also contains 150 black-and-white photographs, of which many are unseen, and focuses on many iconic stories of the band’s history, including how they “survive a robbery on the streets of Nigeria, appear unannounced at various university halls, [and] tour in a sheared-off double-decker bus with their children.”
“Wings was about love, family, friendship and artistic growth, often in the face of tremendous adversity,” adds Widmer. “It was a joy to relive the madcap adventures of a special band, by listening to their stories, and compiling this oral history.”
Wings: The Story of a Band on the Run comes following a number of recent happenings for the group, including a 50th anniversary reissue of 1973’s Band on the Run and the long-awaited arrival of the live record and film One Hand Clapping in 2024. A 50th anniversary reissue of 1975’s Venus and Mars is also scheduled to arrive on March 21.
The Lumineers’ Automatic debuts in the top 10 of multiple Billboard charts dated March 1, paced by its No. 2 starts on the Top Rock Albums and Americana/Folk Albums tallies. In the week ending Feb. 20, Automatic, The Lumineers’ fifth studio album, starts with 29,000 equivalent album units earned in the U.S., according to Luminate. […]
Coldplay has long established itself as a global touring force. By the end of 2024, The Music of the Spheres World Tour had become the most attended tour in history, via 11 legs of international concerts in five continents. Now, the band rules January’s Boxscore recap by breaking new ground with its first shows in India.
Over nine shows between Jan. 9-26, Coldplay grossed $56.6 million and sold 590,000 tickets in January, according to figures reported to Billboard Boxscore. It’s the sixth time that the British quartet has ruled the monthly Top Tours ranking, continuing a cat-and-mouse chase to the record books.
In November, Coldplay scored its fifth win, pulling out of a three-way tie with Beyoncé and Trans-Siberian Orchestra. Then, TSO caught up in December with its own fifth victory. Now, Coldplay inches to six. With a packed schedule between April and September, the band is in a better position to match Elton John and Bad Bunny’s record seven before TSO begins its annual holiday run in November.
Coldplay’s January run began with four shows at Abu Dhabi’s Zayed Sports City Stadium between Jan. 9-14. Those dates earned $28 million and sold 203,000 tickets, securing No. 1 on Top Boxscores. The band’s last trip to the United Arab Emirates was a one-night engagement on New Year’s Eve of 2016, raking in $4.3 million from 31,300 tickets during the A Head Full of Dreams Tour. The 2025 shows averaged $7 million and 50,800 tickets, marking improvements of 63% and 62%. But considering the expansion to four nights, Coldplay was able to sextuple its prior stop.
Then, the band went to India for the first time in its career, playing three shows in Mumbai on Jan. 18 and 20-21, grossing $12.8 million from 164,000 tickets. Finally, there were two shows at Ahmedabad’s Narrenda Modi Stadium. Those grossed $15.7 million and sold 224,000 tickets.
At more than 110,000 for each night, Coldplay broke the record for the largest stadium shows of the 21st century. The Ahmedabad shows sold 111,581 tickets on Jan. 25 and 111,989 on Jan. 26, narrowly bypassing George Strait’s 110,905 at Kyle Field at Texas A&M last June. Strait’s date remains the bestselling U.S. stadium show ever.
This is Coldplay’s second leg of shows in Asia during the Music of the Spheres World Tour. Between November 2023 and February 2024, it grossed $129.4 million and sold 884,000 tickets from dates in Japan, Malaysia, Taiwan and more. Altogether, the entire continent has generated $186 million in grosses for the record-breaking tour, with more shows scheduled in April in Hong Kong and South Korea.
After that, the Music of the Spheres World Tour will continue with 17 shows in the U.S. and Canada, plus 12 in the United Kingdom, scheduled to wrap the trek with 10 hometown shows at London’s Wembley Stadium. Since its 2022 launch, the tour has sold 10.9 million tickets and grossed just under $1.2 billion, making it the best-selling and second highest-grossing tour in Boxscore history.
Coldplay nearly doubles its closest competition, with Luke Combs and SEVENTEEN at Nos. 2-3 with $30.3 million and $28.8 million, respectively. Only three more acts grossed more than $10 million, as the Eagles, Justin Timberlake and ATEEZ follow.
January was a particularly strong month for K-pop groups, with ENHYPEN as the third Korean act in the top 10, at No. 8 with $7.7 million from just two shows. SEVENTEEN and ENHYPEN score with shows in Asia – the former in the Philippines and Singapore and the latter in Japan. ATEEZ had a string of European dates, peaking with more than 22,000 tickets over two nights at London’s O2 Arena.
As is becoming increasingly common since its 2023 opening, Sphere is No. 1 on Top Venues (15,001+ capacity). Both acts who played shows there in January are among the top 10 touring acts, headed by the Eagles at No. 4. Two weekends of dates combined to $18.7 million and 65,600 tickets, pushing the band’s residency to $98 million and 327,000 tickets since its Sept. 20 kickoff. With four February shows still to be reported and more scheduled in March and April, those totals will likely soar beyond $150 million and half a million tickets.
At No. 9, Anyma posts $7.5 million and 52,300 tickets from three shows at the Las Vegas arena. Combined with its five shows in December, the Italian American DJ drove $21 million and 137,000 tickets, marking a successful close to the venue’s first electronic residency.
January is historically a dry month, with Western stadium tours on pause for cold weather. It makes sense then that Asia and Oceania make up nine of the month’s top 10 stadiums, powered by Coldplay and the K-pop acts mentioned earlier, plus Luke Combs with shows in Brisbane and Sydney. They leave room for Mexico City’s Estadio GNP Seguros at No. 8, with $8.9 million from Kygo ($3.3 million on Jan. 25) and Linkin Park ($5.6 million on Jan. 31).
Even indoors, January calendars were light. In November and December, seven arenas eclipsed $10 million in each month, while Sphere is January’s only entry on Top Venues (15,001+ capacity) to gross eight figures.
Radio City Music Hall lores over the Top Venues (5,001-10k capacity) chart with $13.2 million – nearly five times the $2.7 million of Sydney’s Hordern Pavilion at No. 2. The New York theater benefits from the final shows of its Christmas Spectacular, with engagements later in the month from Dave Chappelle, The Giggly Squad, and Hugh Jackman.
The 2025 Louder Than Life festival in Louisville, KY will feature headliners Slayer, Rob Zombie, Avenged Sevenfold, Deftones and Bring Me the Horizon. The 11th edition of the four-day event (Sept 18-21) at the Highland Festival Grounds at Kentucky Exposition Center will welcome more than 160 bands, marking the biggest lineup in the fest’s history, including a number of reunions, anniversaries, farewell shows and runs through classic albums.
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Among the other acts slated to take the six stages are: Lamb of God, Down, Cavalera (performing 1993’s Chaos A.D. in full), Carcass, Municipal Waste, Winds of Plague (reunion), Rob Zombie (playing an exclusive 25th anniversary celebration of White Zombie’s 1995 classic Astro-Creep 2000), Marilyn Manson, Cannibal Corpse, Exodus, the Black Dahlia Murder and Fear Factory (celebrating 30th anniversary of Demanufacture) on night one alongside the reunited Slayer.
Night two will find A7X (in their only U.S. headlining show of 2025) joined by: Breaking Benjamin, Mudvayne, Insane Clown Posse (farewell set), Static-X, Dope (25-year anniversary set), Nonpoint, Sleep Token, Spiritbox, Dayseeker, All Time Low and Hollywood Undead, among others. The third night will feature Deftones along with A Perfect Circle, Stone Temple Pilots, Acid Bath, Failure, Superheaven, Quannic, Bad Omens, I Prevail, Motionless in White, Black Veil Brides, Machine Head, Trivium (playing 20th anniversary celebration of Ascendancy), Chimaira (reunion), August Burns Red, Cypress Hill, Kittie (25th anniversary of Spit) and more.
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The final night pairs Bring Me the Horizon with Evanescence, Knocked Loose, Bilmuri, $uicideboy$, Three Days Grace, Wage War, We Came As Romans, Tech N9ne, Sleep Theory, Flyleaf with Lacey Sturm, Hinder, Crossfade (reunion), Testament, Sebastian Bach, Accept, Yngwie Malmsteen and Iron Maiden singer Bruce Dickinson.
“Louder Than Life has always been about showcasing the future of rock and heavy music while honoring the legends who paved the way. Bands like Bring Me The Horizon, Sleep Token, Bad Omens, $uicideboy$, Motionless In White, Spiritbox, I Prevail, Slaughter To Prevail, Lorna Shore, Wage War, Dayseeker, and Knocked Loose aren’t just performing — they’re defining the next generation of headliners,” said promoter Danny Wimmer in a statement. “At the same time, pioneers like Slayer, Deftones, A Perfect Circle, and Avenged Sevenfold have set the standard, proving that this music is always evolving. This is where the past, present, and future of heavy music collide.”
“We’re coming back to Louder Than Life in Louisville. Get ready f*ckers!” said Slayer bassist/singer Tom Arraya.
Four-day and single-day GA, VIP and Angel’s Envy Top Shelf passes are sale now here.
Check out the full Louder Than Life 2025 poster below.
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