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Hatebreed’s longtime bassist Chris Beattie has confirmed his departure from the band, calling the decision “uncalled for” and suggesting that “misleading and wrongful statements” were involved in his exit.
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The news comes just days before Hatebreed is set to take the stage at Knotfest Australia, where Slipknot will headline across three cities. Beattie, who co-founded the hardcore outfit in 1994, addressed fans in a statement on Feb. 27.
“I just want to take the time to let everyone know that I am doing just fine and I sincerely appreciate everyone who has reached out,” Beattie wrote on a social media post.
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“I was under the impression a joint announcement would be agreed upon in advance, but since that was not the case I wanted to address your concerns in my own post,” he added.
Beattie also clarified that he did not choose to leave the band and implied that the circumstances surrounding his departure may not have been transparent.
“At this time I am unable to discuss the specifics surrounding my departure from Hatebreed on November 13, 2024,” he continued. “However, I want to clarify that the decision to leave the band was not mine and that my departure was uncalled for and based on misleading and wrongful statements that will be subject to future actions.”
Hatebreed has not issued an official response to Beattie’s claims. The band is still scheduled to perform at Knotfest Australia, with stops at Melbourne’s Flemington Racecourse on Friday, Brisbane Showgrounds on Sunday, March 2, and Sydney’s Centennial Park on March 8. The lineup also includes A Day to Remember, Babymetal, Slaughter to Prevail, Polaris, and more.
Beattie, who has been with Hatebreed since their early days in the Connecticut hardcore scene, was a key part of the band’s sound across eight studio albums. While he has not specified what his next move will be, his comments suggest he may not be stepping away from music entirely.
For now, Hatebreed moves forward without one of its longest-standing members, while fans await more details on what led to the split.
Some of rock’s most infamous relics are hitting the auction block.
A new sale from Potter & Potter Auctions, titled Punks, Monsters, Smut & Madmen: A Countercultural Cross-Section, is offering a selection of music memorabilia that ranges from the iconic to the downright bizarre—including a pair of GG Allin’s blood-signed underwear and strands of Kurt Cobain’s hair.
The Chicago-based auction house will open bidding on March 6, with a catalog featuring dozens of punk and grunge artifacts. Among the standout items is a pair of Allin’s personal underwear, reportedly signed in his own blood.
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According to the listing, the briefs are “Blood-Signed and Inscribed Personal Underwear. N.d. Underwear briefs belonging to GG Allin.”
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It continues: “Signed in blood over the fly and INSCRIBED ‘Suck my a– it smells’ to the reverse side. Stable; one hole near rear inscription; seemingly used; staining.” Infamous for his extreme stage presence and self-destructive performances, Allin’s memorabilia has long been sought after by collectors fascinated with punk’s most chaotic figure.
Cobain’s hair, meanwhile, is making a return to the auction circuit. Back in 2021, six strands of the late Nirvana frontman’s hair were sold for $14,145.
This time, only two strands are available, leading to speculation that the original buyer either retained the remaining pieces or is looking to capitalize on their investment. The listing states that the hair was originally obtained in Birmingham, England, in 1989 by Cobain’s friend Tessa Osbourne while Nirvana was on their Bleach tour.
This isn’t the first time Cobain-related memorabilia has made waves at auction. Items tied to the Nirvana frontman frequently command high prices, with his MTV Unplugged 1959 Martin D-18E acoustic guitar selling for a record-breaking $6 million in 2020, making it the most expensive guitar ever sold.
His cardigan from that same Unplugged performance fetched $334,000, while a paper plate with a setlist written on it sold for $22,400. Despite the more unusual nature of this auction, Cobain’s hair is expected to draw significant interest.
Beyond the Allin and Cobain items, the auction will feature an array of punk and rock memorabilia. Fans of New York’s legendary CBGB will find a storefront awning from the club’s defunct gift shop, as well as a piece of the venue’s dressing room wall, as well as signed items from punk icons like The Ramones and Dead Kennedys.
Paul McCartney is taking a trip back to the ‘70s for a new book, with Wings: The Story of a Band on the Run set to look at his post-Beatles band.
Scheduled for release on Nov. 4 via Liveright/W. W. Norton and Allen Lane/Penguin Press, the book is authored by McCartney and edited by historian Ted Widmer, featuring an in-depth personal account of the band, as told by McCartney, key players, and family members.
Wings was formed in 1971 by McCartney following the dissolution of The Beatles the previous year, the release of his self-titled debut album one week later, and the arrival of 1971’s Ram album with wife Linda. Recruiting Moody Blues co-founder Denny Laine and drummer Denny Seiwell, the band would continue until 1981, releasing a total of seven studio albums, including four consecutive records that topped the Billboard 200.
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“I’m so very happy to be transported back to the time that was Wings and relive some of our madcap adventures through this book,” said McCartney in a statement. “Starting from scratch after The Beatles felt crazy at times. There were some very difficult moments and I often questioned my decision. But as we got better I thought, ‘OK this is really good.’
“We proved Wings could be a really good band. To play to huge audiences in the same way The Beatles had and have an impact in a different way. It was a huge buzz.”
A description of the book notes that it is “organized around nine Wings albums,” implying the narrative begins with 1971’s Ram and also includes 1976’s triple live record Wings over America. The volume also contains 150 black-and-white photographs, of which many are unseen, and focuses on many iconic stories of the band’s history, including how they “survive a robbery on the streets of Nigeria, appear unannounced at various university halls, [and] tour in a sheared-off double-decker bus with their children.”
“Wings was about love, family, friendship and artistic growth, often in the face of tremendous adversity,” adds Widmer. “It was a joy to relive the madcap adventures of a special band, by listening to their stories, and compiling this oral history.”
Wings: The Story of a Band on the Run comes following a number of recent happenings for the group, including a 50th anniversary reissue of 1973’s Band on the Run and the long-awaited arrival of the live record and film One Hand Clapping in 2024. A 50th anniversary reissue of 1975’s Venus and Mars is also scheduled to arrive on March 21.
The Lumineers’ Automatic debuts in the top 10 of multiple Billboard charts dated March 1, paced by its No. 2 starts on the Top Rock Albums and Americana/Folk Albums tallies. In the week ending Feb. 20, Automatic, The Lumineers’ fifth studio album, starts with 29,000 equivalent album units earned in the U.S., according to Luminate. […]
Coldplay has long established itself as a global touring force. By the end of 2024, The Music of the Spheres World Tour had become the most attended tour in history, via 11 legs of international concerts in five continents. Now, the band rules January’s Boxscore recap by breaking new ground with its first shows in India.
Over nine shows between Jan. 9-26, Coldplay grossed $56.6 million and sold 590,000 tickets in January, according to figures reported to Billboard Boxscore. It’s the sixth time that the British quartet has ruled the monthly Top Tours ranking, continuing a cat-and-mouse chase to the record books.
In November, Coldplay scored its fifth win, pulling out of a three-way tie with Beyoncé and Trans-Siberian Orchestra. Then, TSO caught up in December with its own fifth victory. Now, Coldplay inches to six. With a packed schedule between April and September, the band is in a better position to match Elton John and Bad Bunny’s record seven before TSO begins its annual holiday run in November.
Coldplay’s January run began with four shows at Abu Dhabi’s Zayed Sports City Stadium between Jan. 9-14. Those dates earned $28 million and sold 203,000 tickets, securing No. 1 on Top Boxscores. The band’s last trip to the United Arab Emirates was a one-night engagement on New Year’s Eve of 2016, raking in $4.3 million from 31,300 tickets during the A Head Full of Dreams Tour. The 2025 shows averaged $7 million and 50,800 tickets, marking improvements of 63% and 62%. But considering the expansion to four nights, Coldplay was able to sextuple its prior stop.
Then, the band went to India for the first time in its career, playing three shows in Mumbai on Jan. 18 and 20-21, grossing $12.8 million from 164,000 tickets. Finally, there were two shows at Ahmedabad’s Narrenda Modi Stadium. Those grossed $15.7 million and sold 224,000 tickets.
At more than 110,000 for each night, Coldplay broke the record for the largest stadium shows of the 21st century. The Ahmedabad shows sold 111,581 tickets on Jan. 25 and 111,989 on Jan. 26, narrowly bypassing George Strait’s 110,905 at Kyle Field at Texas A&M last June. Strait’s date remains the bestselling U.S. stadium show ever.
This is Coldplay’s second leg of shows in Asia during the Music of the Spheres World Tour. Between November 2023 and February 2024, it grossed $129.4 million and sold 884,000 tickets from dates in Japan, Malaysia, Taiwan and more. Altogether, the entire continent has generated $186 million in grosses for the record-breaking tour, with more shows scheduled in April in Hong Kong and South Korea.
After that, the Music of the Spheres World Tour will continue with 17 shows in the U.S. and Canada, plus 12 in the United Kingdom, scheduled to wrap the trek with 10 hometown shows at London’s Wembley Stadium. Since its 2022 launch, the tour has sold 10.9 million tickets and grossed just under $1.2 billion, making it the best-selling and second highest-grossing tour in Boxscore history.
Coldplay nearly doubles its closest competition, with Luke Combs and SEVENTEEN at Nos. 2-3 with $30.3 million and $28.8 million, respectively. Only three more acts grossed more than $10 million, as the Eagles, Justin Timberlake and ATEEZ follow.
January was a particularly strong month for K-pop groups, with ENHYPEN as the third Korean act in the top 10, at No. 8 with $7.7 million from just two shows. SEVENTEEN and ENHYPEN score with shows in Asia – the former in the Philippines and Singapore and the latter in Japan. ATEEZ had a string of European dates, peaking with more than 22,000 tickets over two nights at London’s O2 Arena.
As is becoming increasingly common since its 2023 opening, Sphere is No. 1 on Top Venues (15,001+ capacity). Both acts who played shows there in January are among the top 10 touring acts, headed by the Eagles at No. 4. Two weekends of dates combined to $18.7 million and 65,600 tickets, pushing the band’s residency to $98 million and 327,000 tickets since its Sept. 20 kickoff. With four February shows still to be reported and more scheduled in March and April, those totals will likely soar beyond $150 million and half a million tickets.
At No. 9, Anyma posts $7.5 million and 52,300 tickets from three shows at the Las Vegas arena. Combined with its five shows in December, the Italian American DJ drove $21 million and 137,000 tickets, marking a successful close to the venue’s first electronic residency.
January is historically a dry month, with Western stadium tours on pause for cold weather. It makes sense then that Asia and Oceania make up nine of the month’s top 10 stadiums, powered by Coldplay and the K-pop acts mentioned earlier, plus Luke Combs with shows in Brisbane and Sydney. They leave room for Mexico City’s Estadio GNP Seguros at No. 8, with $8.9 million from Kygo ($3.3 million on Jan. 25) and Linkin Park ($5.6 million on Jan. 31).
Even indoors, January calendars were light. In November and December, seven arenas eclipsed $10 million in each month, while Sphere is January’s only entry on Top Venues (15,001+ capacity) to gross eight figures.
Radio City Music Hall lores over the Top Venues (5,001-10k capacity) chart with $13.2 million – nearly five times the $2.7 million of Sydney’s Hordern Pavilion at No. 2. The New York theater benefits from the final shows of its Christmas Spectacular, with engagements later in the month from Dave Chappelle, The Giggly Squad, and Hugh Jackman.
The 2025 Louder Than Life festival in Louisville, KY will feature headliners Slayer, Rob Zombie, Avenged Sevenfold, Deftones and Bring Me the Horizon. The 11th edition of the four-day event (Sept 18-21) at the Highland Festival Grounds at Kentucky Exposition Center will welcome more than 160 bands, marking the biggest lineup in the fest’s history, including a number of reunions, anniversaries, farewell shows and runs through classic albums.
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Among the other acts slated to take the six stages are: Lamb of God, Down, Cavalera (performing 1993’s Chaos A.D. in full), Carcass, Municipal Waste, Winds of Plague (reunion), Rob Zombie (playing an exclusive 25th anniversary celebration of White Zombie’s 1995 classic Astro-Creep 2000), Marilyn Manson, Cannibal Corpse, Exodus, the Black Dahlia Murder and Fear Factory (celebrating 30th anniversary of Demanufacture) on night one alongside the reunited Slayer.
Night two will find A7X (in their only U.S. headlining show of 2025) joined by: Breaking Benjamin, Mudvayne, Insane Clown Posse (farewell set), Static-X, Dope (25-year anniversary set), Nonpoint, Sleep Token, Spiritbox, Dayseeker, All Time Low and Hollywood Undead, among others. The third night will feature Deftones along with A Perfect Circle, Stone Temple Pilots, Acid Bath, Failure, Superheaven, Quannic, Bad Omens, I Prevail, Motionless in White, Black Veil Brides, Machine Head, Trivium (playing 20th anniversary celebration of Ascendancy), Chimaira (reunion), August Burns Red, Cypress Hill, Kittie (25th anniversary of Spit) and more.
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The final night pairs Bring Me the Horizon with Evanescence, Knocked Loose, Bilmuri, $uicideboy$, Three Days Grace, Wage War, We Came As Romans, Tech N9ne, Sleep Theory, Flyleaf with Lacey Sturm, Hinder, Crossfade (reunion), Testament, Sebastian Bach, Accept, Yngwie Malmsteen and Iron Maiden singer Bruce Dickinson.
“Louder Than Life has always been about showcasing the future of rock and heavy music while honoring the legends who paved the way. Bands like Bring Me The Horizon, Sleep Token, Bad Omens, $uicideboy$, Motionless In White, Spiritbox, I Prevail, Slaughter To Prevail, Lorna Shore, Wage War, Dayseeker, and Knocked Loose aren’t just performing — they’re defining the next generation of headliners,” said promoter Danny Wimmer in a statement. “At the same time, pioneers like Slayer, Deftones, A Perfect Circle, and Avenged Sevenfold have set the standard, proving that this music is always evolving. This is where the past, present, and future of heavy music collide.”
“We’re coming back to Louder Than Life in Louisville. Get ready f*ckers!” said Slayer bassist/singer Tom Arraya.
Four-day and single-day GA, VIP and Angel’s Envy Top Shelf passes are sale now here.
Check out the full Louder Than Life 2025 poster below.
The All-American Rejects took off like a rocket in the 2000s, reaching No. 25 with its 2003, self-titled debut album and No. 6 with 2005’s Move Along, which sent the pop-punk singalong “Dirty Little Secret” to No. 4 on the Billboard Hot 100. Then came the 2010s. As is typical with bands that find success in a particular musical era, The All-American Rejects’ popularity faded.
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“I think any band that sticks together for this long kind of goes through one of those periods,” Nick Wheeler tells Billboard’s Behind the Setlist podcast. “I grew up on Def Leppard and Bon Jovi, and I remember bands like that had a hard time in the 1990s. Our version of that was the 2010s. We put out a few songs in that in that era. We did a couple tours in that era. But nobody gave a s–t. And that’s fine. We were very lucky to go on that decade-long ride.”
The When We Were Young festival in Las Vegas in 2022 was a turning point for the band. After years spent playing state fairs and theme parks — “It wasn’t fulfilling,” says Wheeler — When We Were Young, which capitalized on nostalgia for emo and punk bands from the ’00s, let The All-American Rejects know there was still immense interest in the band. “On stage, we had so much fun with each other,” he says. “The crowd actually gave a s—t. I wasn’t just a bunch of people eating hot dogs.”
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That led the band to take a leap of faith and set up, as Wheeler describes it, “an actual tour in real venues where people have to pay to show up.” The quartet wasn’t sure anybody would come. “It might be a complete disaster,” he says.
But the band was energized from their experience at When We Were Young and was looking forward to touring with acts they had befriended earlier in their career. “We’re just gonna have fun, and we’re gonna play some real shows for maybe five people,” Wheeler jokes.
Dubbed the Wet Hot All-American Summer Tour, the first All-American Rejects tour in a decade covered the continental U.S. and featured rotating support from The Get Up Kids, New Found Glory, Motion City Soundtrack and The Starting Line. “It ended up being the most successful tour of our entire career,” says Wheeler. “Never would have guessed. Certainly did not expect it.”
The following year, The All-American Rejects toured heavily in the U.S. and made their first trip to South America to perform on the I Wanna Be tour with such bands as Simple Plan and A Day to Remember. At the end of 2024, the band recorded a cover of the 1997 Harvey Danger song “Flagpole Sitta” and released it through Spin Records. The band is now “inspired and creating new music,” says Wheeler. “It’s kind of been this little baby-step snowball that was set in motion two and a half years [ago].”
Listen to the entire interview with The All-American Rejects’ Nick Wheeler in the embedded Spotify player below, or go to Spotify, Apple Podcasts, iHeart, Amazon Music, Podbean or Everand.
Pink Floyd‘s beloved 1972 live film, Pink Floyd at Pompeii — MCMLXXII — will return to movie theaters worldwide beginning on April 24. The film directed by Adrian Maben, will also be screened on IMAX in a digitally remastered, 4K version taken from the original 35mm footage, with enhanced audio that has been newly mixed by Steven Wilson, representing what a release said is the “definitive version of this pioneering film.”
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“Since 1994, I have searched for the elusive film rushes of Pink Floyd At Pompeii, so the recent discovery of the 1972 original 35mm cut negative was a very special moment,” said Lana Topham, Floyd’s director of restoration in a statement. “The newly restored version presents the first full 90-minute cut, combining the 60-minute source edit of the performance with the additional Abbey Road Studios documentary segments filmed shortly after.”
The movie’s re-release will be accompanied by a Legacy Recordings release of the live album on CD, digital audio and for the first time in Dolby Atmos and on vinyl on May 2, featuring performances of the songs “Careful With That Axe, Eugene,” “Something Else,” “Syncopated Pandemonium,” “Storm Signals” and “Echoes – Part II,” among others.
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The film preceded the release of the psychedelic warriors’ landmark 1973 Dark Side of the Moon album, with the band setting up in the ruins of the ancient Roman Amphitheatre in Pompeii, Italy in October 1971 for a gig without an audience. It was the first live concert set in one of the oldest surviving amphitheaters in the world, built in 70 B.C.
According to a release, the movie “documents what Pink Floyd did before they became giants of the album charts on both sides of the Atlantic – where their music remains celebrated to this day. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheatre in Pompeii, Italy, this unique and immersive film captures Pink Floyd performing an intimate concert without an audience… The breathtaking visuals of the amphitheatre, captured both day and night, amplify the magic of the performance. Additionally, the film includes rare behind-the-scenes footage of the band beginning work on The Dark Side of the Moon at Abbey Road Studios.”
Former Floyd drummer Nick Mason said in a statement that Live At Pompeii is a “rare and unique document of the band performing live in the period before” Dark Side of the Moon. The original has been hand-restored, frame-by-frame from the original 35mm cut negative, which was discovered in five “dubiously labeled” cans in the band’s archive and scanned in 4K using “advanced techniques to ensure the finest, sharpest detail.”
Detailing the new 5.1 and Dolby Atmos mix — intended to match how the band sounded on those “scorching hot days in 1971” — Wilson said, “Ever since my dad brainwashed me as a kid by playing The Dark Side of the Moon on repeat, Pink Floyd has been my favourite band. They are my ‘Beatles,’ deeply ingrained in my musical DNA. I first saw Pompeii from a grainy print at a local cinema. It made an incredible impression on me with its untethered and exploratory rock music made by four musicians that seemed to epitomise the notion of intellectual cool. It was an honour to remix the soundtrack to accompany Lana Topham’s incredible restoration of the film, which looks like it could’ve been filmed yesterday.”
Tickets for the film will go on sale beginning March 5 at 9 a.m. ET here.
Check out the album tracklist and a preview of the band’s “Echoes – Part 1” performance below.
Side A
1. “Pompeii Intro”
2. “Echoes – Part 1”
3. “Careful With That Axe, Eugene”
Side B
1. “A Saucerful of Secrets”
2. “Set the Controls for the Heart of the Sun”
Side C
1. “One of These Days”
2. “Mademoiselle Nobs”
3. “Echoes – Part 2”
Side D
1. “Careful With that Axe, Eugene – Alternate take”
2. “A Saucerful of Secrets – Unedited”
The 2025 Rocklahoma festival will feature headlining sets from Five Finger Death Punch, Breaking Benjamin and Shinedown. The hard rock throwdown in Pryor, OK slated to take place from Aug. 29-31 will also feature first-night sets from embattled rocker Marilyn Manson, OG shock rock icon Alice Cooper, The Darkness, Ramones drummer Marky Ramone playing a set of the punk godfathers’ most iconic songs, as well as Hinder, Dorothy, Saliva, Orianthi, The Band Feel, Paralandra and many more.
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Among those joining Breaking Benjamin on night two at the Rockin’ Red Dirt Ranch Festival Grounds will be: Three Days Grace, Knocked Loose, Rage Against the Machine guitarist and solo performer Tom Morello, Starset, Citizen Soldier, Ayron Jones, Drowning Pool, 10 Years, Return to Dust, Zero 9:36, Fan Halen, Fox N’ Vead and others.
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Night three will pair Shinedown with 311, Iron Maiden singer Bruce Dickinson, Flyleaf with Lacey Strum, The Struts, Of Mice & Men, Sunami, Barbarians of California, The Funeral Portrait, Mike Tramp’s White Lion, Chained Saint and Wargasm UK, among others. There will also be a Thursday Night Throwdown kick-off concert with sets from Twisted Sister singer Dee Snider, along with Trixter, Sebastian James, Rocket Science and Crimson Love.
Tickets for the festival will go on sale on Friday (Feb. 28) here.
Last year’s Rocklahoma featured sets from Avenged Sevenfold, Disturbed, Slipknot, Evanescence, A Day to Remember, Lamb of God, Halestorm, Skillet, Mastodon, Clutch, Kerry King, Coal Chamber and a reunited Anthrax.
Check out the full Rocklahoma 2025 Festival lineup below.
Just weeks after confirming a reunion tour, Rilo Kiley have expanded their tour and announced a new compilation album.
After having their plans for a reunion tour announcement prematurely leaked due to an early reveal of the lineup to California’s Just Like Heaven festival, Rilo Kiley officially confirmed their comeback in early February by detailing a ten-date run of U.S. shows.
“It’s going to be wonderful for us, like going back to the purest version of yourself, that early 20s place where everything is possible,” explained vocalist Jenny Lewis. “You’re in a van and Jason’s got the map, Pierre is behind the wheel, and I’m on the shitty acoustic guitar on the bench seat working out a new song with Blake. I don’t think it’s ever been as good as that, when it was just us against the world.”
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Dubbed the Sometimes When You’re On, You’re Really Fucking On Tour in honor of their track “A Better Son/Daughter,” the tour’s announcement also came accompanied by word the band would be reissuing their second album, The Execution of All Things. This new version – subtitled the Frozen Lake Edition – will arrive via Saddle Creek Records on April 25.
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Now, the band have expanded their plans further, continuing their reunion with an additional series of shows in September. Expanding their original run with an extra date in Seattle on May 24, Rilo Kiley will reconvene after summer and perform 13 shows throughout September. Few support acts have been announced for the upcoming gigs, with the band’s May date at Colorado’s iconic Red Rocks Amphitheatre seeing them joined by Julien Baker and Torres, and their performance at Raleigh’s Red Hat Amphitheater featuring the Mountain Goats.
“Planning this reunion over these past months has been like reconnecting with family. We haven’t missed a beat,” bassist Pierre de Reeder said in a statement. “The stakes are only to have a good time, to revel in this nostalgia. Getting to revisit and celebrate the music from that special time of our lives while experiencing it alongside a lot of people that lived it with us back when, and new folks alike.”
The new dates have also been paired news of a new greatest hits-style compilation album, with That’s How We Choose to Remember It scheduled to arrive via Saddle Creek on May 9.
Rilo Kiley first formed in 1998 with actress and musician Lewis joined by Reeder, guitarist Blake Sennett and drummer Dave Rock. Jason Boesel would replace rock in 2001.
The group rose to fame throughout the ’00s, releasing a total of four albums, including their 2001 debut Take Offs and Landings and its 2002 follow-up The Execution of All Things. While 2004’s More Adventurous would give them their debut on the Billboard 200 (albeit at No. 161), 2007 album Under the Blacklight was their most commercially successful, reaching No. 22 on the charts.
The group would play their final show in June 2008, later announcing they had embarked upon a hiatus. In 2013, however, it was confirmed they had in fact disbanded. During their hiatus, Lewis focused on her solo career, releasing a total of four albums since 2008, and reuniting with The Postal Service for shows in 2013 and 2023.
Rilo Kiley – Sometimes When You’re On, You’re Really Fucking On Tour Dates
May 5 – Fremont Theatre, San Luis Obispo, CAMay 7 – Libbey Bowl, Ojai, CAMay 10 – Just Like Heaven, Pasadena, CAMay 12 – The Van Buren, Phoenix, AZMay 14 – Red Rocks Amphitheatre, Morrison, COMay 16 – Kilby Block Party, Salt Lake City, UTMay 17 – Treefort Music Fest, Boise, IDMay 19 – Center for the Arts, Jackson, WYMay 21 – Commodore Ballroom, Vancouver, BC, CanadaMay 23 – McMenamins Grand Lodge, Portland, ORMay 24 – Chateau Ste. Michelle, Seattle, WASeptember 3 – College Street Music Hall, New Haven, CTSeptember 4 – The Met Philadelphia, Philadelphia, PASeptember 7 – MGM Music Hall at Fenway, Boston, MASeptember 8 – SummerStage @ Central Park, New York, NYSeptember 10 – The Anthem, Washington, DCSeptember 11 – Roxian Theatre, Pittsburgh, PASeptember 13 – Bourbon & Beyond, Louisville, KYSeptember 16 – Palace Theatre, Saint Paul, MNSeptember 17 – The Astro, La Vista, NESeptember 21 – Sing Out Loud Festival, St. Augustine, FLSeptember 23 – The Pinnacle, Nashville, TNSeptember 24 – Red Hat Amphitheater, Raleigh, NCSeptember 26 – The Eastern, Atlanta, GA