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It’s been three weeks since R&B and soul singer Angie Stone died in a car crash at age 63, and her son is paying tribute to his beloved late mother with a heartfelt Instagram post. Explore Explore See latest videos, charts and news See latest videos, charts and news “Hey mama, I ain’t want nothing, just wanted […]
It’s Billboard Women in Music week, so let’s go ahead and give the ladies their flowers. On Saturday (March 29), Emmy winner Laverne Cox will host the 2025 Billboard Women in Music event, honoring aespa, Ángela Aguilar, Erykah Badu, Glorilla, Gracie Abrams, JENNIE, Megan Moroney, Meghan Trainor, Muni Long, Tyla and Doechii. With Badu earning the Icon Award, Big Glo being named this year’s Powerhouse honoree, Muni Long snagging the Rising Star Award and Doechii — who recently bagged her first Hot 100 top 10 hit with “Anxiety” — landing the Woman of the Year title, this year’s event will celebrate the breadth of women running hip-hop and R&B.
Outside of Women in Music, Ye kept the hip-hop world on its toes by dropping a link to his Bully album, Jack Harlow and Doja Cat joined forces for a new bop featuring a cameo-filled music video and Casey Wasserman — the chairman of the 2028 L.A. Olympics organizing committee — teased a possible Kendrick Lamar performance at the forthcoming Games. Oh, and Playboi Carti notched the biggest Billboard 200 debut of his career, as well as 30 concurrent Hot 100 entries, thanks to his culture-dominating Music LP.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from JT’s summer-ready banger to Nettspend and Xaviersobased’s new link-up. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: JT, “Ran Out”
After taking the world by star with City Cinderella and cemeting herself as a solo artist, JT is back with some more heat. “Ran Out,” an infectious, Y2K-nodding banger in the nonchalant, self-assuered spirit on “Okay,” introduces the Miami MC’s new era, complete with an artsy music video starring famed content creator Quenlin Blackwell. Perfectly timed to grow into a summer anthem, “Ran Out” finds JT reviving the irresistible, slightly whiny delivery of the OG City Girl days while building on her penchant for hooks constructed out of flipping the meaning of a word or phrase multiple times. “Had to stay down, bitches ran out/ My card ain’t work, so I ran out/ The time for these niggas done ran out/ I’m still gettin’ money, I ain’t running out,” she spits in the second half of the hook over bass-heavy production from Ben10k, Danes Blood & 254Bodi. — KYLE DENIS
Nettspend feat. Xaviersobased, “Impact”
Brace for “Impact,” a pair of Gen-Z’s burgeoning rap stars have linked up. Virginia meets NYC as Nettspend and Xaviersobased connect for a glimmering track. Nett’s syrupy AutoTune-laced melodies pace “Impact” with a catchy chorus while Xavier fills in the blanks and closes out his verse relaying his “Saks in the mornin’, Neimans in the evening” shopping habits. Rap’s next generation is carving out its own lane, despite the genre’s elder statesmen begrudgingly lending co-signs. — MICHAEL SAPONARA
FLO feat. Chy Cartier, “Get It Till I’m Gone (Remix)“
FLO & Chy Cartier’s “Get It Till I’m Gone (Remix)” is a bold, empowering anthem about reclaiming power after being taken for granted in a relationship. Rather than wallowing in heartbreak, the song flips the script by showcasing confidence and self-worth, with the artists making it clear that they won’t settle for less. The remix adds a fiery intensity, with Chy Cartier’s verse turning up the heat, proving that walking away is the ultimate flex. With its catchy hooks and unapologetic vibe, “Get It Till I’m Gone” serves as both a declaration of independence and a warning to anyone who fails to appreciate the ladies of FLO and Chy Cartier. — CHRISTOPHER CLAXTON
Droogie Otis feat. Boldy James, “Everything Designer”
Madlib and Your Old Droog are dropping a tape this year, which was news to me until I came across this song. And when you think about it, their styles mesh well together. There’s nothing quite like witty bars over Madlib loops, and MCs like Droog and Boldy have raps like that for days. — ANGEL DIAZ
Jada Kingdom, “G.A.D.”
After spending last year sparring in instantly iconic clashes and ruling fetes with global hits like “What’s Up (Big Buddy),” Jamaican dancehall fusion artist Jada Kingdom is back with a terrific new single ahead of her forthcoming EP. Inspired by local slang that unfairly compares women to drugs, Jada flips the slight on its head, spitting, “Word on the street is girls are drugs/ Dem search fi di tightest buff/ Addicted to the squeeze and clutch/ Wan spend it all pon a serious f–k.” As addictive as she paints women to be, Jada is also primarily concerned with infusing a feminist streak in her reimagning of local slang. “Every gyal man a show me love/ Nah fall fi none, mi put mi feelings up/ Just a girl in a money man’s world/ Mi a have my way, but muss!” she proclaims over the electric guitar-infused Zimi Recrods production. — K.D.
Lil Durk feat. Jhené Aiko, “Can’t Hide It”
Lil Durk tied the knot with India Royale last year, and he opens up about marriage with his Deep Thoughts single. “Can’t Hide It” arrives amid the rapper’s murder-for-hire case as Durk remains behind bars while continuing to flood the streets with music. The raunchy yet romantic track invites Jhené Aiko, who purifies the air and floats above with her celestial vocals while Durk taps into his more melodic side. He even harmonizes alongside the R&B singer turning “Can’t Hide It” into a duet. Look for Smurk’s Deep Thoughts album to be released on Friday (March 28) via Alamo Records. — M.S.
Wolfacejoeyy, “Petty”
Wolfacejoeyy’s “Petty” is a playful yet toxic anthem about turning heartbreak into a competition. Instead of expressing vulnerability, he matches his ex’s energy by flexing his lifestyle, flaunting material success, and even mentioning her best friend. The song captures the ego-driven nature of modern relationships, where social media, status, and revenge take priority over honest emotions. With its smooth, melodic flow and catchy hooks, “Petty” masks frustration with a carefree attitude, making toxicity sound effortlessly cool. — C.C.
Shoreline Mafia, “Back in Bidness”
Shoreline could not have picked a better time to make a comeback as the West Coast is currently in somewhat of a resurgence, thanks largely to Kendrick Lamar and his friends over at TDE. This song and video remind me of when Capone-N-Noreaga came back after War Report with the Reunion album. Shoreline hasn’t dropped an album since 2020’s Mafia Bidness, but this is a perfect lead single to get folks ready for the return. — A.D.
Nija, “32nd Floor”
Three-time Grammy-nominated songwrite Nija is back with a new joint, finally giving us the follow-up to last year’s “Unruly.” When we in the hotel lobby, all of them people ‘round me/ Keep calm, but as soon as we go up, boy you know you got me/ Keep it on the 32nd Floor,” she croons over Eliasodt and Mike Hector’s joint production. The privacy of the penthouse suite is a tired-and-true setting for music’s greatest love escapafes, and Nija doesn’t disappoint with her sultry, guitar-inflected take on the concept ahead of her forthcoming new project, her first since 2022’s Don’t Say I Didn’t Warn You. — K.D.
TheARTI$T, “Ghost”
TheARTI$t’s “Ghost” captures the raw, haunting aftermath of a love that burns out too soon. With vivid imagery of California sunsets and moonlit drives, the song turns heartbreak into a ghostly presence that lingers long after the love is gone. The ARTI$t’s confusion and longing are palpable as they reflect on what went wrong, leaving them to navigate an emotional void. “Ghost” perfectly blends nostalgia with the painful reality of being left with nothing but memories. — C.C.
Reign, “Lowjacc”
Brooklyn rapper Reign delivers a formidable, fiery tape with It’s Up Forever — and “Lowjacc” is a standout on a project filled with them. Across Dizzy Banko’s high-octane production, Reign spits an impressive stream-of-consciousness verse that finds him balancing talking a big game with dropping incomparable nuggets of wisdom. “What you think we trap for? Push a f–king RAV4/ Run this town you gotta build a f–king rapport/ Live on a prayer and call up a f–king task force/ You know the vibes, what the f–k you gotta ask for?” he spits. — K.D.
Kendrick Lamar & SZA’s old-school R&B smash “Luther,” now is in its fifth week atop the Billboard Hot 100, sounds like a natural to receive Grammy nods for record and song of the year when the nominations for the 2026 awards are announced later this year. The song, a nod to R&B legend Luther Vandross, contains a sample of Vandross and Cheryl Lynn’s 1982 rendition of “If This World Were Mine,” which was originally recorded in 1967 by another legendary pair, Marvin Gaye and Tammi Terrell. Its multi-format success in 2025 shows that old-school R&B songwriting values can still be embraced in today’s hip-hop-dominated R&B culture.
But while “Luther” may find favor next year with Grammy voters, Vandross had to wait nine years from his first Grammy nominations in 1982 until he finally won. His Grammy track record stood at 0-9 until he finally scored a W with “Here and Now,” which was voted best R&B vocal performance, male in 1991.
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Vandross was nominated for best new artist at the 1982 ceremony, but lost to Scottish pop singer Sheena Easton (who got off to a faster start, with a No. 1 hit on the Billboard Hot 100, “Morning Train (Nine to Five),” and another top five hit with the Oscar-nominated James Bond theme “For Your Eyes Only”). More surprisingly, Vandross was nominated for best R&B vocal performance six times before he finally won in that category. That’s striking because Vandross is regarded as one of the premier R&B male vocalists of his time, and of all time.
Vandross, who suffered a severe stroke in 2003 and died in 2005 at age 54, won four Grammys during his lifetime. He won four more in the year following his death, including song of the year for “Dance With My Father,” which he co-wrote with Richard Marx.
Vandross isn’t the only R&B veteran who had to wait a good long while to finally win a Grammy. Gaye, who both wrote and recorded the original version of “If This World Were Mine,” had to wait even longer (15 years from the time of his first nomination) to win his first Grammys in 1983. His Grammy track record stood at 0-8 before he finally won best R&B vocal performance, male for his smash “Sexual Healing” and best R&B instrumental performance for an instrumental version that appeared on the B-side of that smash. Tragically, he was killed by his father less than 14 months after his belated double-Grammy triumph.
Vandross and Gaye have nothing on Lionel Richie, whose Grammy track record was a dismal 0-18 before he finally won best pop vocal performance, male, for “Truly,” also in 1983. Richie went on to win album of the year (for Can’t Slow Down) and song of the year (for “We Are the World,” a co-write with Michael Jackson), so we tend to think of him as Grammy royalty, but he had to wait a long while to be admitted to the club.
Lamar’s “Squabble Up” is also a strong candidate for Grammy nods in marquee categories. If either “Luther” or “Squabble Up” wins record or song of the year, coming on the heels of his wins in both categories on Feb. 2 with “Not Like Us,” Lamar would make Grammy history. He would become the fourth artist to win back-to-back Grammys for record of the year (following Roberta Flack, U2 and Billie Eilish), and only the second songwriter to win back-to-back Grammys for song of the year (following Dernst “D’Mile” Emile II, who won for co-writing H.E.R.’s “I Can’t Breathe” in 2021 and Silk Sonic’s “Leave the Door Open” the following year).
The nominations for the 68th annual Grammy Awards are expected in November. The ceremony is expected in February 2026.
Playboi Carti, Chappell Roan and Doechii have entered the top 10, but will any of them claim the No. 1 spot? Tetris Kelly: With new top 10s from Chappell Roan, Doechii and Playboi Carti, this is the Billboard Hot 100 Top 10 for the week dated March 29th. Making her top 10 debut is our […]
Kendrick Lamar and SZA’s “Luther” leads the Billboard Hot 100 songs chart for a fifth total and consecutive week. The single, whose title is a tribute to late R&B icon Luther Vandross, who is sampled on the track, became Lamar’s sixth No. 1 and SZA’s third. Both Lamar and SZA extend their longest career Hot […]
In 2019, Priscilla Renea’s solo career was stalled. She had released an album in 2009, and when it didn’t chart, she had turned to songwriting. Her second album, released in 2018, also failed to make much of an impact. So, Renea decided, a rebrand was in order.
For her new moniker, “I picked Melrose at first. That was terrible, a very short phase,” the 36-year-old recalls with a laugh. “Then I quickly settled on [the word] ‘money’ and went through a few last names like Money Jones, Money Smith. But when I heard the 2 Chainz lyric ‘hair long, money long’ [from 2012’s “I’m Different”], I was like, ‘Whoa. That’s it.’ ”
Join us at Billboard Women in Music 2025 — get your tickets here.
Two years later, the artist now known as Muni Long hit the jackpot. Her seductive smash “Hrs and Hrs,” initially featured on her 2021 EP, Public Displays of Affection, went viral on TikTok and became the then-indie artist’s first No. 1 on Billboard’s Hot R&B Songs chart. In February 2022, it peaked at No. 16 on the Billboard Hot 100 — and helped her land a contract with Def Jam Recordings (through her own imprint, then called Supergiant, now rechristened Muni Long Inc.). In September 2022, the hit appeared on her debut set, Public Displays of Affection: The Album, and won the artist her first Grammy Award, for best R&B performance, at the 2023 ceremony. At the 2025 awards, she won the same Grammy trophy for “Made for Me (Live at BET)” — and declared onstage during her acceptance speech, “Please stop calling me Priscilla… It’s Muni Long now!”
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Born and raised in Gifford, Fla., Priscilla Renea Hamilton wrote her first song at age 8; at 21, she signed a contract with Capitol. But when her 2009 debut album, Jukebox, didn’t chart, she pivoted to writing — and amassed a string of impressive co-writing credits for Rihanna (“California King Bed”), Kelly Clarkson (“Love So Soft”), Ariana Grande (“Imagine”) and Pitbull (“Timber”). As Christopher “Tricky” Stewart — the Grammy-winning hit-maker who executive-produced Muni Long’s Grammy-nominated 2024 album, Revenge — puts it: “She’s a professional song assassin.”
Genny romper, Wolford tights.
Joelle Grace Taylor
But even with those songwriting successes, her second album as Priscilla Renea, 2018’s Coloured, also failed to gain traction. “I started writing songs to make money because I bought into the [idea of] ‘Well, if you write enough hits, then you can be an artist,’ ” Muni Long says. “I gave it my all… I did so much free work, got stolen from and taken advantage of so many times, so many bad deals. I’d also been the only Black person in the room writing all these pop songs for years. So I quit to focus on me… keeping these songs for myself.”
After her 2022 breakthrough, Long released “Made for Me” in 2023. Buoyed by a viral TikTok challenge and a remix with idol Mariah Carey, “Made for Me” peaked at No. 8 on Hot R&B/Hip-Hop Songs and No. 20 on the Hot 100. Two Adult R&B chart-toppers, “Make Me Forget” and “Ruined Me,” quickly followed. (All appear on Revenge.)
“She’s real — there’s no facade with her,” Def Jam chairman/CEO Tunji Balogun says. “In an era where things can sometimes feel forced or indirect, Muni is able to take personal experiences and write about them in a way that projects universally onto her fans. She’s just very unfiltered and people appreciate that.”
Dolce & Gabbana dress, On Aura Tout Vu cuffs and earrings.
Joelle Grace Taylor
The artist recently released a new single, “Slow Grind,” that she says is for an upcoming project she’s already working on: “It’s all songs to make love to; I’m a lover girl.” But Billboard’s 2025 Women in Music Rising Star honoree is also taking a moment to enjoy her long-awaited plaudits.
“There are things that you can’t viral your way, relationship your way or accolade your way into,” she says. “This award signifies to me that I’ve reached a place in my transition as an artist from trying and aspiring to now I am doing, I am becoming. And I only have further up to go.”
This story appears in the March 22, 2025, issue of Billboard.
In 2019, Priscilla Renea’s solo career was stalled. She had released an album in 2009, and when it didn’t chart, she had turned to songwriting. Her second album, released in 2018, also failed to make much of an impact. So, Renea decided, a rebrand was in order. For her new moniker, “I picked Melrose at […]
Fans at Rolling Loud react and share their thoughts on our honoree line up for 2025 Billboard’s Women in Music.
Tetris Kelly
Hanging out at Rolling Loud, talking about some of our favorite women in music. How do you feel about our girl, Tyla? Oh, I love Tyla. I mean, come on, what song gets you going?
Fans
Of course, she goes in on “Water,” but we have the same birthday.
Tetris Kelly
What?
Fans
Aquarius Queen her and I are locked in. We go way back, to be honest The baddest b*tch alive right there. Tyla, I love you like I’m Indian so like half Indian represent.
Tetris Kelly
Why do we think like her glow up happens so big?
Fans
I think the dancing probably like the “Water,” the “Water” dance with like the…
Tetris Kelly
How do you feel about Jennie? Because everybody trying to be like Jennie.
Fans
She’s cutie patootie Jennie, I was just spinning Jennie over here at the bunny’s beauty bar. I love Jennie. I love BlackPink. I’m a Blink for life.
Tetris Kelly
And what do you think is so great about Jennie?
Fans
She’s just so, like, sweet every time I watch her. I mean, she’s just a great performer and person. And it’s just, I feel like I’m very much of an energy person. And I just feel that great energy off of Jennie. Everybody’s trying to be “Like Jennie.”
Tetris Kelly
We’re, celebrating our women in music event this month, and Gracie Abrams is being honored. Do you guys know her?
Fans
I love Gracie. I think she’s upcoming, she’s very independent. She did her sh*t this to herself. She never needed to feature anything. It’s just her herself. She’s raw. I love that. I think everyone loves her because she’s so emotional, for sure.
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“They Don’t Know.” “Are You Still Down” featuring Tupac Shakur. “Someone to Love” featuring Babyface. Jon B’s brand of soulful music has kept female fans screaming for 30 years. Now the Grammy-nominated singer-songwriter-producer-musician is celebrating — and continuing — that legacy with the March 21 release of his eighth studio album, Waiting on You (stream HERE).
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“Man, 30 years,” Jon B tells Billboard of reaching that lofty career milestone. “I love what I do, and Waiting on You is just another product of my loving what I do. I also love my fans, who have allowed me into their lives. We’ve gone this long together and still got that love, so let’s keep this thing going.”
That sentiment is reflected in one of the album’s 11 songs, “Still Got Love,” whose cha-cha groove is reminiscent of another Jon B fan fave, the 2001 club jam “Don’t Talk.” In addition, Waiting on You has already spun off two singles: the ‘90s-vibed title track and the atmospheric ballad “Natural Drug.” On the former, Jon B reunited with Tank, who first collaborated with his fellow R&B purveyor on the title track for another Jon B album: 2004’s Stronger Everyday. Along with Tank, Jon B’s Waiting on You production collaborators include Brady Watt, Loren Lomboy and Donte Jackson.
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Of his and Tank’s musical rapport, Jon B says, “He can play, write and sing. So when you put us in a room, we immediately start talking that musical language. I love his bridge [on “Waiting”] because it brings back the harmonies and energy that we were giving in the ’90s — a little of that old goodness that’s kind of missing in R&B.”
As does the ballad “Understand” featuring late ‘90s-early ‘aughts R&B artist Donell Jones. The album’s other tasty offerings include the uptempo love ode “Hills to the Hood” with rap icon Rick Ross (“WhenI made the track, I thought the only voice that needs to rap on this is Rick Ross”) and the meditative “Show Me” featuring rising star Alex Isley (“Her lineage and classic voice speak for themselves; she sounds ahead of her time.”)
“I only have 11 records on here,” Jon B adds, “so there’s just a different intensity with each song. I don’t feel like there any song that’s redundant or just filler. Every song could be a single.”
The one thing that’s remained constant in Jon B’s creative evolution is his smooth, sexy and supple tenor. It’s what caught fans’ ears in 1995 when debut studio album Bonafide was released by Tracey Edmonds’ Yab Yum label via Epic Records division 550 Music. The set boasted the later Grammy-nominated song with Babyface, “Someone to Love,” which initially appeared on the 1995 Bad Boys soundtrack. Jon B’s enduring catalog has since been sampled by the likes of The Weeknd (“Niagara Falls”), Drake (“Cameras / Good Ones Go Interlude”), Chris Brown featuring a posthumous appearance by Aaliyah (“Don’t Think They Know”) and Gunna and Chloe Bailey (“You & Me”).
Now Jon B is back on deck with Waiting on You, the follow-up to his 2019 single “Priceless” and last formal studio album, 2012’s Comfortable Swagg. All three projects are under his own label Vibezelect. Jon B credits his wife Danette as being “the backbone” of the family operation. “She’s the executive producer, artistic director, stylist and booker,” he explains. “It’s a really cool collaboration between the two of us and has been now for almost 20 years.”
The pair’s next collaboration is Jon B’s Pick Me Up Tour. Named after the album’s newest single, the 10-city trek — with additional dates forthcoming — begins April 11 at The Fillmore in Silver Spring, Maryland and will swing through New Orleans, Dallas, Houston and Chicago, among other cities. Opening for him will be Nigerian-born British singer-songwriter Shaé Universe. “People are really going to be in a trance when they hear her sing,” Jon B promises.
In the meantime, the newly minted 50-year-old says it’s “pretty cool” to come back with new music and new energy. “I feel better and more confident about being an artist than I ever have. After searching for a long time to find my rhythm, I’ve finally figured this whole thing out. Now I’m definitely coming into my own.”
The Kendrick Lamar parade atop Billboard’s Mainstream R&B/Hip-Hop Airplay chart extends for another week, as “30 for 30,” the rapper’s collaboration with SZA, rallies 5-1 to crown the list dated March 29. The track replaces Lamar’s two-week leader “TV Off,” featuring Lefty Gunplay, which itself captured the summit from Lamar and SZA’s other active radio-promoted single, “Luther.” By linking three successive No. 1s, Lamar becomes only the fourth artist to achieve the feat in the 31-year history of the radio ranking.
“30 for 30” surges to No. 1 as the most played song on U.S. panel-contributing mainstream R&B/hip-hop radio stations in the tracking week of March 14-20, according to Luminate. The song added 14% more plays in the latest tracking window compared to the prior week; the swell gives “30 for 30” the chart’s weekly Greatest Gainer honor, awarded to the song with the largest play increase. Southern stations led the final push, with four of the five stations that recorded the most “30 for 30” plays this week — WQBT-FM (Savannah, Ga.), WHXT-FM (Columbia, S.C.) WHZT-FM (Montgomery, Ala.) and WZGB-FM (Louisville, Ky.) — from the region.
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The Mainstream R&B/Hip-Hop Airplay chart ranks songs by weekly plays on more than 70 mainstream R&B/hip-hop (also known as urban) radio stations monitored by Mediabase, with data provided to Billboard by Luminate.
With “30 for 30,” SZA banks her fourth No. 1 on Mainstream R&B/Hip-Hop Airplay. She previously ruled twice in 2023, with “Shirt” and “Snooze,” and added her third, “Luther,” another Lamar collaboration, earlier this month.
For Lamar, “30 for 30” gives the rapper his ninth career No. 1 on Mainstream R&B/Hip-Hop Airplay. To rundown his collection:
“Swimming Pools (Drank),” nine weeks at No. 1, beginning Dec. 8, 2012
“F–kin Problems,” A$AP Rocky feat. Drake, 2 Chainz & Kendrick Lamar; two, Feb. 9, 2013
“Humble.,” nine, June 3, 2017
“Love.,” feat. Zacari; six, Dec. 30, 2017
“Like That,” with Future and Metro Boomin; three, June 1, 2024
“Not Like Us,” 12, June 22, 2024
“Luther,” with SZA; one, March 8, 2025
“TV Off,” feat. Lefty Gunplay; two, March 15, 2025
“30 for 30,” with SZA; one (to date), March 29, 2025
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Further, by linking three successive No. 1s without interruption on Mainstream R&B/Hip-Hop Airplay chart, Lamar is only the fourth artist — and first entirely in lead or co-lead capacities — to achieve the feat since the chart launched in 1993. On the overall list, he joins:
50 Cent in 2005, through one lead role (“Candy Shop,” feat. Olivia) and two featured roles, both on tracks by The Game (“How We Do” and “Hate It or Love It”)
Lil Wayne in 2011, through one lead role (“How to Love”) and two featured roles (Kelly Rowland’s “Motivation” and DJ Khaled’s “I’m on One,” also with features from Drake and Rick Ross)
Drake in 2018, through two lead roles (“God’s Plan” and “Nice for What”) and one featured role (BlocBoy JB’s “Look Alive”)
Elsewhere, “30 for 30” repeats at its No. 5 high on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. Despite no change in rank, the song improved 9% to 13.2 million in weekly audience at the format.
All charts dated March 29 will update on Billboard.com on Tuesday, March 25.