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Bobby Brown Thinks Britney Spears ‘Butchered’ Her Cover of ‘My Prerogative’

Bobby Brown isn’t a fan of Britney Spears‘ rendition of his hit song “My Prerogative.”

During a recent appearance on Club Shay Shay with Shannon Sharpe, Brown addressed whether he asks to hear an artist’s rendition of a song they want to sample or cover before giving his blessing. “Yes, I gotta hear it,” he said without hesitation. “Because you don’t know what these kids will say these days. These kids will say some sh– that you don’t want your song associated with.”

Sharpe then asked him if there was an instance where he enjoyed one of those songs, but the legendary singer couldn’t think of one, saying, “I don’t think they really did justice to any of the samples that they have done to my songs,” before admitting that he hated Britney’s remake of “My Prerogative,” from Brown’s genre-defining album Don’t Be Cruel back in 1988.

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“Britney Spears butchered ‘Prerogative,’” Brown told Shannon. “Teddy Riley produced it, but that was a butchering that I couldn’t take it. I cleared it only because it was Britney Spears and I was thinking… Teddy Riley is doing it too, so you know, but I felt it was a butchering.”

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Spears released her version in 2004 as one of three new songs on her compilation album Greatest Hits: My Prerogative. Someone should tell Bobby that Swedish production duo Bloodshy & Avant handled production on her version, and not the song’s original producer Teddy Riley.

You can watch the full conversation below.

Muni Long Wields ‘Superpowers’ for Third No. 1 on Adult R&B Airplay Chart

Muni Long extends her hitmaking run on Billboard’s Adult R&B Airplay chart (dated April 19) as “Superpowers” climbs one spot to reach No. 1 on the radio ranking. The single ascends after its 1% gain in weekly plays made it the most-played song on U.S. panel-contributing adult R&B radio stations in the tracking week of April 4-10, according to Luminate.

As “Superpowers” asserts its supremacy, it replaces Chris Brown’s “Residuals” after a two-week stint. The former champ slides to No. 2 with an 8% decline in plays for the week.

Thanks to “Superpowers,” Muni Long achieves her third No. 1 on Adult R&B Airplay, after “Make Me Forget,” a one-week leader in August 2024, and “Ruined Me,” which logged two weeks on top last November.

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Further, with all three singles from her Revenge album, the set is the first to produce a trio of champs since Tank’s R&B Money launched three leaders in 2021-2022 from its standard edition – “Can’t Let It Show,” “I Deserve,” and “Slow,” featuring J. Valentine – and another from its 2024 deluxe reissue, “See Through Love,” featuring Chris Brown.

Among albums by women, Revenge becomes just the third set with three No. 1s in the 31-year history of the Adult R&B Airplay chart. It joins Toni Braxton’s self-titled debut, which spawned four leaders, “Another Sad Love Song,” “Breathe Again,” “Seven Whole Days” and “You Mean the World to Me” in 1993-94, and Alicia Keys’ The Diary of Alicia Keys, which sent “You Don’t Know My Name,” “If I Ain’t Got You” and “Diary,” feat. Tony! Toni! Tone! to the summit in 2004.



Elsewhere, “Superpowers” slips 14-13, dropping one rung from its peak, on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, the track registered 7 million in audience for the week, down 3% from the prior week’s total.

Beyond its radio results, “Superpowers” debuts at No. 25 on Hot R&B Songs, a multi-metric chart that combines radio airplay with streaming and sales data for its rankings. The arrival gives Muni Long her 12th entry on the list, a count that includes three top 10s: the three-week No. 1 “Hrs and Hrs” in 2022, and a pair of 2024 hits, “Made for Me” (No. 2) and “Ruined Me” (No. 10).

Amaarae’s ‘BLACK STAR’ Era, Coachella Set & Touring With Sabrina Carpenter | Billboard News

Amaarae is entering her BLACK STAR era, and the singer shares her excitement about previewing new music, her history-making Coachella performance, the differences between weekend one and two, touring with Sabrina Carpenter and Childish Gambino, her thoughts on women owning their sexuality in the music industry and more!

Are you excited for BLACK STAR? Let us know in the comments below!

Tetris Kelly:
From the desert. Miss Fountain Baby, Amaarae. What’s up, girl? 

Amaarae:

I’m good, I’m good, I’m good. It’s BLACK STAR now, it’s ‘BLACK STAR now. We’re getting ready for album mode. So, you know.

We know you’re getting ready for album mode because you were out there at the desert just dropping new music. So how did it feel to, like, release new stuff on such a great stage?

Man, it was incredible. I think the crowd responded really well. I’m excited to drop the new music. I’m excited for this new chapter. And it was insane. It was insane. Like the energy was nuts. 

And how do you even prepare for something like Coachella?

You don’t prepare for Coachella. Coachella prepares for you. No, I feel like you just have to lock in mentally. Like, I’m not even kidding. There’s so many moving parts for the show. And I think, like, at some point I had to melt down a little bit. 

Yeah, because, like do you get nervous? How do you, like, how do you handle your nerves? 

I think it just gets to a point where it’s like, you have to end up on that stage, and you have to give the people a show. And I think for a stage this big and just kind of, like, this prominent, you I can’t, like, lose, you know, I can’t afford to lose. So it’s just lock that mind in and we just go. We just go. 

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Here Are the Billboard Hot 100’s Top Songs of 2005: Nos. 100 to 1

This week, Billboard is publishing a series of lists and articles celebrating the music of 20 years ago. Our 2005 Week continues here with a look back at the Billboard Hot 100 chart’s top songs from that year, to go with the list of staff favorites our editorial team published earlier this week.

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Fifteen years into her Billboard chart career, Mariah Carey was still achieving firsts.

In 2005, the superstar’s smash “We Belong Together” spent 14 weeks at No. 1 on the Billboard Hot 100 songs chart, between that June and September, and went on to top the year-end survey – Carey’s first title to rule the annual recap.

Carey had dominated the 1990s like no act in any previous decade, becoming the first artist to lead the Hot 100 in every year of a decade (1990-99; she expanded her record chart-topping streak to 11 years, through 2000). By 2005, she was back in familiar triumphant territory thanks to the sultry second single from her album The Emancipation of Mimi. The set debuted at No. 1 on the Billboard 200 in April 2005 and logged 74 weeks on the chart, the most for an album of hers since Daydream a decade earlier.

“My real fans have always been with me through great times and not-so-great times,” Carey shared in the 2005 year-end Billboard print issue. “That’s why I think we have a really close, special connection.”

Carey’s command was just one of the highlights on the 2005 year-end Hot 100. Elsewhere, 50 Cent boasts four entries in the top 20; Carrie Underwood places with her American Idol coronation ballad, “Inside Your Heaven”; and hits dot the ranking from the debut solo albums from No Doubt’s Gwen Stefani and Matchbox Twenty’s Rob Thomas.

As Billboard celebrates 2005 Week, revisit the 2005 year-end Hot 100 chart, as originally revealed in the Dec. 24, 2005, publication. The recap is based on performance on the weekly Hot 100 charts dated Dec. 4, 2004, through Nov. 26, 2005. (You can also check out every year-end Hot 100 Songs chart since 2006 here.)

Victoria Monét Preps for Billboard Women in Music 2025 in ‘Red Carpet Radiance’ | Billboard

This is partner content.

Victoria Monét gives fans a glimpse at the making of her look for Billboard Women in Music 2025 with some help from Sol de Janeiro. See below for a list of products used during filming.

Victoria Monét:

What’s up, you guys? It’s your girl Victoria Monét here. Come get ready with me as I prep for Billboard Women in Music with Sol de Jainero. In order to feel confident on a red carpet where all cameras are flashing your way, I feel like it’s very important to bring your A game. My natural element is usually brown tones, but tonight I’m going for something that feels sensual and a little bit mysterious. One of the most important steps of the red carpet prep is definitely moisturizing my body. I’m really, really enthusiastic about glowy skin. The Brazilian Bum Bum Cream by Sol de Janeiro really, really accomplishes that for me. It really saves the day. One of my best beauty secrets is that I spray Cheirosa 62 Perfume Mist on the top of the cream. That combo is undefeated, that makes me smell amazing. Every time I hug somebody on the red carpet, they’re always just complimenting my smell. My daughter Hazel, I actually also spray Cheirosa 62 on her that I feel like helps comfort her at school too, because she smells like mama. To me, it smells like summer in a bottle. It is my favorite gourmand. That’s one of my best-kept secrets. You are so welcome, because you’re gonna get so many compliments. Billboard Women in Music is super, super important. It’s very beautiful when women stick together. 

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TLC’s Story to Be Told in Upcoming ‘CrazySexyCool’ Musical

TLC’s story is heading to the stage. Bill Diggins’ Diggit Theatrical Group is producing a musical about the beloved Grammy-winning trio that will premiere in 2026.

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CrazySexyCool – The Musical will tell the “mostly true” story of Tionne “T-Boz” Watkins, Lisa “Left Eye” Lopes, and Rozonda “Chilli” Thomas, as they formed TLC and broke barriers as women in the music industry. Diggins is producing the musical, with Stephen Gabriel serving as executive producer.

Kwame Kwei-Armah (One Love: The Bob Marley Musical) wrote and directed the piece, while Chloe O. Davis created the powerful choreography to some of TLC’s biggest hits that will be featured in the musical, including “Ain’t 2 Proud 2 Beg,” “Waterfalls,” “Creep,” “Unpretty,” and “No Scrubs.”

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“TLC completely changed the game,” Diggins said in a press statement. “Their music gave a voice to women everywhere, empowering them to be confident and unapologetic. But this isn’t just a story about the music; it’s about the sisterhood between these women and what kept them together through both unimaginable challenges and chart-topping success.”

T-Boz added, “Bringing this story to the stage is a dream come true. We have performed in a lot of different venues all over the world throughout our career, but bringing our story and music to the theater is a totally new and exciting challenge.”

Chilli agreed, noting, “We have some of the best people in the business working on this project. Audiences will get to hear our story – mostly fact with a sprinkle of fiction – told in our own way, and of course it’s set to all your favorite hits!”

CrazySexyCool – The Musical will host its world premiere at Arena Stage in Washington, DC, in June 2026 for eight weeks as part of the venue’s 75th anniversary season. For more information on the show, check out its official website here.

Common, Patti LaBelle and De La Soul Set for Retooled MATI Festival in St. Louis

The MATI Festival and Conference is returning for its fifth edition in St. Louis, Missouri later this year, organizers announced on Tuesday (April 15). Taking place Sept. 12-14 in the Grand Center Arts District, the festival — which is leaning into the acronym for Music at the Intersection — will feature over 100 performances and presentations across three main stages and several nearby venues.

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This year’s headliners include rapper-actor Common with Pete Rock, R&B icon Patti LaBelle, hip-hop influencers De La Soul, jazz composer Branford Marsalis, recent Grammy winner Lucky Daye and neo-soul singer-songwriter Leon Thomas. Local trumpeter Keyon Harrold returns as MATI’s artist-in-residence, while Pedrito Martinez joins as the artist-at-large, performing across multiple sets.

With a new format and identity focused on celebrating “St. Louis Made” music, MATI honors the city’s heritage rooted in blues (the National Blues Museum is down the street), jazz, soul, R&B and more, alongside artists from culturally connected regions like the Caribbean and Mississippi Delta. Local artists such as Ryan Trey, The Baylor Project, Marquise Knox and Weedie Braimah will feature prominently.

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MATI’s footprint has also been tinkered with to provide a barrier-free experience, replacing a stage on Washington Avenue with food trucks, street performers and other family-friendly activities. Three main stages—The Big Top, Field Stage and The Sovereign —will host the headliners, while a new “MATI Places” initiative will activate adjecent indoor venues with acts, DJ sets, poetry slams, workshops, panels and keynotes, with the conference portion now spanning the full weekend.

Passes go on sale April 18 here, with weekend passes priced at $150. Special MATI Places-specific day passes will be available this summer.

Presented by the Kranzberg Arts Foundation, MATI is supported by the Steward Family Foundation and Regional Arts Commission of St. Louis.

“If you’ve been to MATI, you can feel that it’s special,” said Chris Hansen, executive director of Kranzberg Arts Foundation. “It’s a microcosm of the city: all ages, races, ethnicities. No neighborhood divides. People who can afford tickets and people who can’t. All joyous. All together in the streets of Grand Center. We want to keep MATI a true, representative community experience.”

The lineup includes Common & Pete Rock, Patti LaBelle, Lucky Daye, Leon Thomas, De La Soul, Branford Marsalis, John Medeski’s Mad Skillet, Karl Denson’s Tiny Universe, The S.O.S. Band, The Budos Band, Leela James, Arooj Aftab, The Baylor Project, The Womack Sisters, Coco & Breezy, Pedrito Martinez, Keyon Harrold, Delvon Lamarr Organ Trio, Pirulo Y La Tribu, Butcher Brown, Marquise Knox with Funky Brass Band, Brothers Lazaroff Super Friends, Weedie Braimah & The Hands of Time and more.

Coachella 2025 Weekend 1 Recap: Lady Gaga, JENNIE, Tyla & More Bring Hot Performances | Billboard News

The first weekend of Coachella 2025 featured some of the hottest stars, including JENNIE, LISA and Cardi B. Tyla brought out Becky G for her set, Lady Gaga delivered a monster performance, and Megan Thee Stallion surprised the crowd by bringing out Ciara, and more! Keep watching to catch everything you missed at Coachella!

Who was your favorite performance of the weekend? Let us know in the comments!

Tetris Kelly: 

From on stage with the hottest sets and surprises to backstage with the artists themselves and the hottest parties in the desert, we are taking you to Coachella in Billboard All Access Coachella. Day 1 was all about LISA and Lady Gaga, but before we hit the Polo Fields, Billboard hung out with White Claw and Maren Morris on Thursday night. Then on Friday, we got the day started with some shopping and getting refreshed at 818. Damien kept all the vibes going at Yuma before we got to see Anyma join Yeat at Sahara. Lisa slayed Sahara with her hits and some new ‘Alter Ego’ tracks, and even XG was excited for Lady Gaga. It was a spectacle, as expected, for Gaga.

Some of the desert’s hottest moments came at night, and Nylon had festivalgoers and stars dancing the night away. We also dropped by Zenyara for Desert Nights.

Day 2 kicked off by getting charmed with Pandora at a relaxing oasis. Over at the Ace Hotel, Billboard and Amazon teamed up with comedian and musical improviser Reggie Watts, who pulled up and offered attendees some sick beats on top of a colossal-sized couch.

And, of course, the famous Revolve Fest with Cardi B herself! Then we got to go say hi to ENHYPEN before their big set. The K-pop kings lit up the stage with hot choreo, and the fans loved it all. After the set, they were so happy.

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GloRilla, Summer Walker, Muni Long & More Set for 2025 ESSENCE Festival Stage

GloRilla, Summer Walker, Muni Long, Maxwell and Boyz II Men are among the first wave of contemporary stars and legends announced for the 2025 ESSENCE Festival of Culture. Presented by Coca-Cola, the annual music and lifestyle event will take place July 4-6 in New Orleans.

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In addition to the aforementioned acts, the lineup of headliners and performers includes Davido, Nas, The Isley Brothers, Donell Jones, Buju Banton and New Orleans’ native son Master P. Banton and GloRilla will be making their ESSENCE Festival debuts as well. Grammy-winning songwriter/producer Jermaine Dupri will also curate a tribute to the legacy of multifaceted industry icon Quincy Jones. Titled “ESSENCE Flowers,” Dupri’s special salute will “bring together artists who’ve sampled, studied or shared space with the music titan,” according to the press release announcement.

“We Are Made Like This” is 2025’s theme as the festival celebrates the 55th anniversary of its namesake, ESSENCE magazine. Serving as hosts for the evening series of concerts will be actor/comedian Anthony Anderson and cultural curator Kenny Burns.

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A mix of returning and new lifestyle experiences will round out the weekend’s various offerings. These include the ESSENCE Food & Wine Festival, ESSENCE Film Festival, BeautyCon and ESSENCE Authors.

In celebration of its 30th anniversary last year, the 2024 ESSENCE Festival of Culture featured eight-time Grammy Award winner Usher in a special performance of his classic 2004 album Confessions. Attendees were also treated to performances by Janet Jackson, Victoria Monét, Charlie Wilson, Birdman & Friends Presents 30 Years of Cash Money Millionaires and a tribute to Frankie Beverly & Maze.

Here Are the Lyrics to Leon Thomas’ ‘Mutt’ & Chris Brown Remix

Leon Thomas earned his first-ever Billboard Hot 100 entry with his sensual breakthrough hit, “Mutt.” The track peaked at No. 21 on the all-genre tally and received a viral remix from Chris Brown.

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“There [are] sides to me that I haven’t shown the world yet, so I’m spoon-feeding them,” Thomas told Billboard recently. “You need to hide the medicine in the candy. This deluxe is me stepping deeper into my purpose.”

Below, find the lyrics to Leon Thomas’ “Mutt,” as well as the lyrics to the Chris Brown remix.

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She said, “Take your time, what’s the rush?”
I said, “Baby, I’m a dog, I’m a mutt”
She said, “Take your time, what’s the rush?”
I said, “Baby, I’m a dog, I’m a mutt”
I’m a dog, I’m a mutt

I can’t smoke on reggie, so pardon my bluntness
I see past pretty faces so I got trouble trusting

But I’ll let my guard down for you
Said I’ll put my guard down for you
Said I’ll be vulnerable
So you can break my heart if you want to

She said, “Take your time, what’s the rush?”
I said, “Baby, I’m a dog, I’m a mutt”
She said, “Take your time, what’s the rush?”
I said, “Baby, I’m a dog, I’m a mutt”
I’m a dog, I’m a mutt

New crib, told her, “Come through,” it’s time to break it in
Thirty-two like my pants size ’cause them niggas tried breaking in
New condo, say your name at the front
You can stay if you want
It’s been one of those nights, one of those nights I ain’t had in a minute
It’s been a minute, had to pop a shroom to recreate the feeling
But it’s never the same as the first time we did it
First time we did it

But I’ll let my guard down for you (for you)
Said I’ll put my guard down for you
Said I’ll be vulnerable
So you can break my heart if you want to

She said, “Take your time, what’s the rush?”
(Take your time, what’s the rush?)
I said, “Baby, I’m a dog, I’m a mutt”
She said, “Take your time, what’s the rush?” (The rush)
I said, “Baby, I’m a dog, I’m a mutt”
I’m a dog, I’m a mutt

Lyrics licensed & provided by LyricFind
WRITERS
Leon Thomas, Lazaro Camejo, David Kenneth Phelps, Robert Gueringer
PUBLISHERS
Lyrics © ROB GUERINGER MUSIC GROUP LLC, Sony/ATV Music Publishing LLC

She said, “Take your time, what’s the rush?” (Oh)
I said, “Baby, I’m a dog, I’m a mutt”
She said, “Take your time, what’s the rush?” Oh
I said, “Baby, I’m a dog, I’m a mutt”
I’m a dog, I’m a mutt

I can’t smoke on Reggie, so pardon my bluntness
I see past pretty faces, so I got trouble trusting

But I’ll let my guard down for you
Said I’ll put my guard down for you
Said I’ll be vulnerable
So you can break my heart if you want to

She said, “Take your time, what’s the rush?”
I said, “Baby, I’m a dog, I’m a mutt” (hey)
She said, “Take your time, what’s the rush?” (Ooh)
I said, “Baby, I’m a dog, I’m a mutt” (yeah)
I’m a dog, I’m a mutt (oh)

How can I take it easy, babe?
With the way you do that thing I like
Keep on grabbin’ on my chains
You’re comin’ home with me tonight
Baby, I’m a different breed
And not your typical
Oh, I love it when you make me chase
Might just listen when you tell me stay
This ain’t no temporary feeling (temporary feeling)
The way that body talk
I’m lovin’ what I’m hearin’ (oh)
You don’t gotta say anything
We can take our time, what’s the rush?
You can bring a friend, girl, I don’t judge
You know I’m a freak, got me tryna eat it up
Shawty, I’m a trick, I’ll get you what you want
With them other girls, ain’t no trust
Said I only let my guard down for you
So you can break my heart if you want to, girl

She said, “Take your time, what’s the rush?” (Take your time, what’s the rush?)
I said, “Baby, I’m a dog, I’m a mutt” (I’m)
She said, “Take your time, what’s the rush?” (The rush, ooh)
I said, “Baby, I’m a dog, I’m a mutt” (ooh)
I’m a dog, I’m a mutt (mutt, oh, oh)

Oh, yeah
Ooh, yeah
Oh

Lyrics licensed & provided by LyricFind
WRITERS
Christopher Brown, D. Phelps, Dana Portalatin, Ell Trent, Freaky Rob, Lazaro Andres Camejo, Leon Thomas, Mariah Martinez, Ryan Press
PUBLISHERS
Lyrics © Sony/ATV Music Publishing LLC