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29 Apr 2025

Tyla Gets Her Wings in Teaser for New Single ‘Bliss’: Listen to a Snippet

Seems like Tyla is gearing up for her sophomore album by teasing a new single titled “Bliss” on Tuesday (April 29).

“Take me out of my mind/ Oh-oh-oh, oh, oh-oh/ Take me out of my mind/ Oh-oh-oh, oh, oh-oh/ You take me to bliss,” she’s heard crooning in a video shared to her social media accounts, in which white angel wings magically appear behind her.

The 23-year-old singer-songwriter first teased the song during her Coachella set earlier this month. “Bliss” is also the title of her new signature Erewhon smoothie. Proceeds from smoothie purchases will go to 18twenty8, a non-profit group based in her native South Africa that empowers women between the ages of 18 and 28 by developing strategies for their educational and personal development.

This wouldn’t be Tyla’s only new release following the deluxe edition of her self-titled debut album, which she released in October. She hopped on the remix of fellow South African artist WizTheMc’s “Show Me Love.” The original song reached a new peak at No. 11 on Billboard Global Excl. US this week (chart dated May 3).

In her Billboard Women in Music interview from March, the Impact honoree revealed she would be dropping a “new album” this year. “I’ve changed a lot in a short amount of time because I was kind of forced to with how fast I had to adapt to everything,” Tyla said. “I don’t think it’s going to be the same energy [as Tyla] at all, especially with what I’ve started making. It’s different, but also still Tyla.”

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Listen to a snippet of Tyla’s upcoming single “Bliss” below:

29 Apr 2025

Beyoncé Slays L.A. at Opening Night of Cowboy Carter Tour: Review & Best Moments

“We’re going to scream our faces off!”

So declared two cowboy-garbed fans even before Beyoncé stepped onstage to kick off the first show of her Cowboy Carter Tour last night (April 28). Multiply those two sets of screams by the thousands of others screaming, cheering and dancing inside Inglewood, Calif.’s SoFi Stadium throughout the 35–time Grammy winner’s nearly three-hour performance and that’s how “fun,” “amazing” and “memorable” — as excited fans noted afterwards — the opening night proved to be.

The screaming began at 8:02 p.m. when the lights dimmed and the image of the flag emblazoned across the giant video grid/screen backing the stage (reminiscent of the set-up for Bey’s Renaissance tour stop at SoFi two years earlier) took full effect. Surrounding the front of the catwalk, which stretched out to the center of the venue, were hundreds of fans in standing-only areas milling around to claim their prime viewing space for the show ahead.

There was no opening act. But as the clock ticked down to 8:14 p.m., the audience’s screams and shouts reached a crescendo as lines of female and male dancers were sighted walking in from both sides of the stage. Then the band struck up the first notes of “Ameriican Requiem,” the opening track from Cowboy Carter. Seconds later, Beyoncé appeared, resplendent in all-white from her cowboy hat and form-fitting body suit to a matching fringed jacket and boots. With her waist-length blonde hair blowing behind her, Beyoncé and her dancers — sporting thigh-high white boots — led the audience in a fervent sing-along. And it was on from there.

It was an evening stockpiled with strong-voiced performances, mesmerizing video imagery and staging (golden cows; various iterations of the flag and its red, white & blue motif; a red Cadillac convertible; a neon sign repping her haircare line Cécred as part of a set decoration during one performance) as well as empowerment themes, love of family and “oh my god”-eliciting surprises.

In addition to the “American Requiem” opener, here are several more of the evening’s highlights.

29 Apr 2025

SZA Is No. 1 on the Billboard 200 & Hot 100: Here’s How It’s a Rare Double Rule

SZA crowns both the latest Billboard 200 albums chart and the Billboard Hot 100 songs chart dated May 3. While it’s customary for star acts to lead both lists simultaneously, SZA does so differently than the way that the feat is usually achieved.

As previously reported, SZA’s album SOS rebounds for a 13th week at No. 1 on the Billboard 200. Concurrently, Kendrick Lamar and SZA’s “Luther,” from Lamar’s album GNX – not SOS – logs a milestone 10th week at No. 1 on the Hot 100.

Since the beginning of the 2020s, only three acts have led the charts simultaneously but with a Hot 100-topping song not from the album at No. 1 on the Billboard 200. The two prior to SZA: GNX headed up the Billboard 200 as Lamar’s stand-alone single “Not Like Us” led the Hot 100 for a week in February and Taylor Swift’s 1989 (Taylor’s Version) was No. 1 on the Billboard 200 as the then-four-year-old “Cruel Summer” ruled the Hot 100 for a week in November 2023.

Comparatively, in a hefty 50 weeks this decade, and continuing coordination common since the ‘60s, acts have doubled up atop the Billboard 200 and Hot 100 with albums and songs from those sets. Most recently, Lamar did so twice via GNX: the LP was No. 1 on the Billboard 200 as “Luther” (March 15) and “Squabble Up” (Dec. 7, 2024) topped the Hot 100. Leading the way since 2020, Morgan Wallen’s One Thing at a Time and its smash “Last Night” spent 11 weeks atop the Billboard 200 and Hot 100 side-by-side. (The set and song reigned for 19 and 16 total weeks, respectively.)

Prior to SZA, Lamar and Swift earning such commands, no act had scored such a divergent double-up since August 1997, when Diddy (then Puff Daddy) was No. 1 on the Billboard 200 with No Way Out (with The Family) while being featured with Mase on The Notorious B.I.G.’s Hot 100 leader “Mo Money Mo Problems.” Among artists in lead roles, none had earned the honor before SZA, Lamar and Swift since 1975, when, for two weeks that January, Elton John’s Greatest Hits led the Billboard 200 as his cover of The Beatles’ “Lucy in the Sky With Diamonds,” not on the collection, topped the Hot 100.

The recent relative uptick in the feat suggests that songs’ success can be less tied to album campaigns than in the past. In the case of the acts above, the reign of “Luther” aligns with the recent reissue of SOS; “Not Like Us” was re-diss-covered after Lamar performed it at the Super Bowl LIX halftime show and it won five Grammy Awards, all within an eight-day span in early February; and “Cruel Summer” was revived from Swift’s 2019 album Lover, partly from fan fervor as she performed it early in the run of her The Eras Tour.

Meanwhile, in a digital era, artists can more easily release single tracks than before, while the likes of TikTok and media synchs can more randomly spark popularity for songs not on albums that acts are simultaneously promoting.

Further tying Lamar and SZA together, GNX is No. 2 on the Billboard 200, while the stars kicked off their co-headlining Grand National Tour April 19.

29 Apr 2025

Beyoncé Cowboy Carter Tour: See Photos From Opening Night

Beyoncé launched her Cowboy Carter and the Rodeo Chitlin Circuit world tour on Monday night (April 28) with the first of five shows at SoFi Stadium in L.A. And, as usual, it was a high-energy, high-fashion feast for the eyes and ears that lasted nearly three-hours.

After opening with the Cowboy Carter track “Ameriican Requiem” and her take on the Beatles’ “Blackbiird,” Bey slid into a bit of “The Star Spangled Banner” (via Jimi Hendrix’s searing Woodstock version of the National Anthem) as the video screen behind her flashed an empowering, urgent message: “Never ask permission for something that already belongs to you.” With a pit stop at Lemonade‘s “Freedom,” she was soon joined by 13-year-old daughter Blue Ivy for a run through the medley of Cowboy Carter‘s “YA YA,” and the 2008 I Am… Sasha Fierce track “Why Don’t You Love Me,” during which the teen once again showed off her already formidable dance skills.

Later in the show, one of the singer and husband Jay-Z’s other children, seven-year-old Rumi Carter, made a surprise appearance during “Protector,” smiling and waving to the crowd during her first-ever on-stage appearance with her mom.

While the 36-song set list leaned heavily into Queen Bey’s Grammy album of the year winning LP, it also included stops at some of her most beloved hits, including “Formation,” “Cuff It” and “Crazy in Love” as she paid tribute to her country foremothers and fathers on such banjo- and fiddle-licked tracks as “Texas Hold ‘Em” and “II Most Wanted” while accompanied by two dozen dancers.

The show had a Wild West theme woven throughout the narrative, including the singer riding a giant robotic mechanical bull and peaking with Beyoncé taking on a crusty white cowboy in a gun fight. The night ended with Beyoncé flying around in a classic car as she led a sing-along to the Cowboy Carter single “16 Carriages.”

Check out images from the first night below.

29 Apr 2025

Beyoncé’s Cowboy Carter Tour Setlist: Every Song From the First Show

“Five Nights of Beyoncé!” That was the tagline trumpeted across television and radio throughout Los Angeles ahead of the Monday (April 28) night kickoff for the 35-time Grammy winner’s highly anticipated Cowboy Carter Tour at SoFi Stadium in neighboring Inglewood, Calif.

The 32-market stadium tour — across nine cities in the U.S. and Europe — borrows its name from Beyoncé’s eighth studio album. Released in March 2024, the country-themed project is the second act in a three-album arc that launched with Act 1: Renaissance in 2022. Featuring a mix of R&B, folk, blues and Americana, Cowboy Carter presented guest turns and cameos by country legends Dolly Parton, Linda Martell and Willie Nelson, contemporary stars Miley Cyrus and Post Malone, and emerging Black country artists such as Shaboozey, Tanner Adell and Brittney Spencer. (Not to mention a cast of stellar musicians from Stevie Wonder and Nile Rodgers to Jon Batiste, Gary Clark Jr. and Rhiannon Giddens.)

Powered by hits and fan faves like “Texas Hold ‘Em” (her ninth Billboard Hot 100 No. 1), covers of Parton’s “Jolene” and the Beatles’ “Blackbird” plus “Levii’s Jeans (with Malone) and “Ya Ya,” Cowboy Carter garnered a leading 11 nominations for the 67th Grammy Awards. The album ultimately won three gold gramophones: best country duo/group performance for “II Most Wanted” (with Cyrus), best country album (the first Black artist to claim that honor) and album of the year — an honor that had long eluded Beyoncé, making her the first Black female to win that marquee category since Ms. Lauryn Hill in 1999.

Beyoncé last visited SoFi Stadium when she brought her Renaissance World Tour to the venue. She played three sold-out nights at the venue in September 2023, highlights of which included a surprise appearance by Diana Ross who led the audience in singing “Happy Birthday” to Beyoncé.

On Christmas Day last year, Beyoncé gave fans a glimpse of what might be in store for the Cowboy Carter Tour when she performed several tracks with special guests like Post Malone, Shaboozey and daughter Blue Ivy for the halftime show during the Baltimore Ravens vs. Houston Texans football game at Houston’s NRG Stadium.

Here’s a look at Beyoncé’s opening night setlist for the Cowboy Carter Tour.

  • “Ameriican Requiem”
  • “Blackbiird”
  • “The Star-Spangled Banner”
  • “Freedom”
  • “YA YA”
  • “OH LOUISIANA” (Interlude)
  • “AMERICA HAS A PROBLEM”
  • “SPAGHETTII”
  • “Formation”
  • “MY HOUSE”
  • “Diva”
  • “WHO IS COWBOY CARTER?”
  • “ALLIIGATOR TEARS”
  • “JUST FOR FUN”
  • “PROTECTOR”
  • “FLAMENCO”
  • “DESERT EAGLE”
  • “RIIVERDANCE”
  • “II HANDS II HEAVEN”
  • Medley of “Sweet Honey Buckiin”, “Summer Renaissance” and “Pure/Honey”
  • “Jolene”
  • “Daddy Lessons”
  • “BODYGUARD”
  • “II MOST WANTED”
  • “CUFF IT”
  • “TYRANT”
  • “THIQUE”
  • “LEVII’S JEANS”
  • “DAUGHTER”
  • “I’M THAT GIRL”
  • “COZY”
  • “ALIEN SUPERSTAR”
  • “TEXAS HOLD ‘EM”
  • “Crazy in Love”
  • “HEATED”
  • “Before I Let Go”
  • “16 CARRIAGES”
  • “AMEN”

28 Apr 2025

Coco Jones Spills on ‘Why Not More?,’ Future Collab, Sampling Britney Spears’ ‘Toxic’ | Music You Should Know | Billboard News

Coco Jones has released her debut album Why Not More?, and the R&B singer shares how sampling Britney Spears’ “Toxic” for “Taste” came to life, her experience working with an “in love” Future, how she’s defining R&B in her own way, and more!

What did you think of Coco Jones’ new album? Let us know in the comments below!

Coco Jones:

I didn’t have a plan of, you know, using anything, especially such an iconic Britney sample. So don’t play me, because I would play you back. I think it was iconic that I got a song with Future where he’s actually in love. Learning about myself as an adult while putting out music and learning about myself as an artist. A lot of learning going on in the room. I love to co-write with women. I feel like we just have a similar language, and they get me in a way that sometimes I feel like it’s different for a guy. Sometimes they write a little bit more thoughts-based, and women are more sometimes feelings-based, like literal, like the senses and things like that. Women, I think, commonly write with me, and men commonly make the music. Writing “You” was very easy, I feel, because I write from real-life experiences. For me, I am at a place where I don’t have to keep my guard up in this side of my life, on the personal side. It’s refreshing to have a song that’s like good vibes. I don’t want to leave people with only music for the negative emotions. I want to also have some songs that I feel like are useful for the positive emotions. When you’re having a good day and you want to keep it raw. “Why Not More?” was definitely another song where I just wanted to expand what R&B is to me. 

Keep watching for more!

28 Apr 2025

R&B/Hip-Hop Fresh Picks of the Week: Sasha Keable, Durand Jones & The Indications, Flo Milli & More

Sinners and saints dominated the news last week, following the passing of the late Pope Francis and the continued box office domination of Ryan Coogler’s acclaimed, Michael B. Jordan-led vampire-musical-period drama Sinners.

Sinners once again topped the box office, earning the smallest second-week decline for a R-rated horror title in history. Accompanied by a soundtrack featuring the cast, contemporary hip-hop stars Rod Wave and Don Toliver and blues legend Buddy Guy, Sinners stands as the first true cultural phenomenon of the year.

Coogler’s blues-informed film also gave way to a weekend of formal debuts from the latest generation of rhythm and blues artists. Coco Jones (Why Not More?) and Destin Conrad (Love On Digital), two of Gen Z’s preeminent R&B stars both unleashed their debut studio albums over the weekend, while seasoned R&B greats like Ledisi (The Crown) and Smokey Robinson (What the World Needs Now) dropped their own new sets.

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Over on the hip-hop side, Young Thug reiterated his allegiance to Drake and dropped his first single since his release from jail in October 2024; Flo Milli welcomed her first child; and Kendrick Lamar scored 10 nominations at the 2025 American Music Awards, more than any other artist.

With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Jade Novah’s ode to the ’90s to Aaron Page’s new Domani-assisted joint. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Durand Jones & The Indications & Aaron Frazer, “Flower Moon”

After opening for select dates on Lenny Kravitz’s Blue Electric Light Tour, Durand Jones & The Indications have shared the latest single from their forthcoming Flowers LP. Built on sugary three-part harmonies, mellow guitar, and overall framework ripped from the early ’70s soul playbook, “Flower Moon” is the perfect wind-down tune.

Aaron Frazer handles lead vocals on this cut, his buttery tone adding some beautiful color to picturesque lyrics like, “Well you see, lovers livin’ light like a feather/ Keep it hot in warm summer weather nights/ And the music pours like drinks from the corner/ You can post up too if you want some fun.” The ’70s have had a small moment in popular music ever since the turn of the decade, and “Flower Moon” is one of the rare offerings that rises above the pitfalls of pastiche. — KYLE DENIS

Ray Vaughn feat. Jay Rock, “Klown Dance”

Leading TDE’s next generation alongside Doechii, Ray Vaughn looks to leave an indelible mark on the rap game in 2025 with his The Good The Bad The Dollar Menu mixtape, which he’s compared to his version of Kendrick Lamar’s Good kid, m.A.A.d city. “Klown Dance” finds Vaughn clashing with labelmate Jay Rock, as the pair of shrewd wordsmiths go bar-for-bar over a smooth VanJess sample. The Long Beach native narrates his gritty come-up. “The hood never had a place for doubts/ Look at me wearin’ s–t that I can’t pronounce/ Remember Shaq’s was out/ Couldn’t afford the Jordans/ They roasted a n—a in a Carmelitos,” he raps. — MICHAEL SAPONARA

BunnaB, “Bunna Summa”

Produced by Kristof, BunnaB’s “Bunna Summa” should be played a lot as the weather starts to get warmer. The track, and her Ice Cream Summer EP that she dropped earlier this month, have a throwback sound, as the Atlanta rapper tries to recapture that mid-2000s Southern rap energy. Her music sounds like crisp white tees on a summer day. — ANGEL DIAZ

Flo Milli feat. T-Pain, “Gripper”

After welcoming her new baby boy a few days ago, Flo Milli is back with her new single “Gripper,” which samples T-Pain’s 2005 hit “I’m N Luv (Wit A Stripper).” Flo reimagines the track from the female POV and creates a high-energy anthem that celebrates sexual confidence and not settling for anything less than luxury. She’s in control, calling out a lover who’s hooked on her but reminding him she’s not easily impressed: “Better go buy me a AP.” She balances humor and empowerment, talking about wealth (“I had money before you came”) and independence, while playfully threatening anyone who steps out of line. There’s a lot of flexing, but it’s layered with clever wordplay and a refusal to be undervalued. “Gripper” is a sexy, self-assured banger about knowing your worth, setting the pace in relationships, and embracing your allure. — CHRISTOPHER CLAXTON

Sahsa Keable, “Act Right”

Beyoncé-approved British-Colombian singer-songwriter Sasha Keable is back with her first solo single of the year. Produced by Etienne, “Act Right” finds Keable taking a disappointment of an ex-lover to task over wistful piano chords and plaintive percussion. Perusing both her robust chest voice, raspy falsetto and the full strength of her vibrato, Keable delivers some classic R&B vocal showboating, which the subtle background horns complement perfectly. “‘Cause if you loved me/ You would never hurt me/ That’s to put it simply,” she proclaims in the pre-chorus, as she simultaneously internalizes the truth and holds her torturers accountable. After teasing this track for almost two months, Keable’s full joint meets the lofty expectations. — K.D.

Belly Gang Kushington, “Sorry Mama”

Whether it’s selling $100 white tees or stopping traffic for his From The Streets Performance, Belly Gang Kushington hasn’t wasted any time in 2025 making his presence felt as one of Atlanta’s newcomers, as BGK released his The Streets Is Yours project on Friday (April 25) to capitalize on his momentum. With a penchant for 2000s rap, Kushington calls back to Eminem’s “Cleanin’ Out My Closet” for his cathartic open letter coming clean to his mother on “Sorry Mama,” whom he’s only met a couple of times after she left him as a baby. — M.S.

Bruiser Wolf & Nicholas Craven, “Beat the Charge”

Detroit’s Bruiser Wolf sounds like if Suga Free did spoken-word music about selling drugs instead of the trials and tribulations of a pimp. When you mix that approach with Montreal producer Nicholas Craven’s soulful loops, you get something totally unique. Big Wolf is always good for a great quotable, and there’s really nothing like this out right now, making for a fun, fascinating listen. — A.D.

Aaron Page feat. Domani, “Sympathy”

Houston and Atlanta linked up, and the result is one of the best tracks to drop this week. “Sympathy” finds Aaron Page and Domani opening up about vulnerability, regret and longing for emotional connection. The duo admits they’ve been caught up in the streets — a place that’s offered them no real comfort — and that they’ve been outside for too long, disconnected from love and stability. The “streets” here symbolize the harshness of the world they’re stuck in, making them crave something more nurturing. Produced by B100, Musik Major X and Squat Beats, “Sympathy” is about a man wrestling with his lifestyle and emotions, admitting that he misses the love and peace he once had with someone special. — C.C.

Jade Novah, “90’s Fine”

Modern R&B’s fixation on the ’90s can veer on exhausting, but Jade Novah manages to make that obsession feel fresh with her new “’90s Fine” single. Produced by husband Devin Johnson, “’90s Fine” finds Novah floating over a soulful, percussive mid-tempo landscape accented by subtle synths and delicate strings. It’s a meticulous ode to the song’s namesake era, but the contemporary sheen of Novah’s lyricism brings the track into the 2020s. “Give me your love with no filter / Tell me the truth with no filler / Give me a love that won’t change up,” she croons in the chorus. — K.D.

The Bonfyre, “No Sleep”

The Bonfyre has made her highly anticipated return with her cathartic single, “No Sleep.” The Massachusetts native poignantly opens up about her trials and tribulations along the way, dealing with numbing heartbreak and being the victim of domestic abuse. “My heart is mine to control, l and you don’t know what you’re looking for,” she sings. Putting the pain of her journey into music has reinvigorated Bonfyre creatively, and she’s got plenty more in store for the rest of 2025. — M.S.

Tiwa Savage, “You4Me”

On her new single, Tiwa Savage samples Tamia’s 1998 classic “So Into You” to craft a smooth, heartfelt love song about deep emotional and physical connection. She expresses complete devotion to a partner who stands out from everyone else, celebrating the security, stability and undeniable chemistry between them. “You4Me” is about feeling seen, and swept up in a love that’s equal parts passion and partnership. Tiwa’s smooth vocals and playful lyrics balance flirtation with sincerity, making this track feel sweet, sexy and real. — C.C.

28 Apr 2025

Kaytranada Wants Fans to Dance at Shows: ‘If You Put Your Phone Up, Let’s Move Them Hips at Least!’

Kaytranada isn’t the biggest fan of how audiences choose to enjoy live shows in the age of smartphones and social media.

Over the weekend, the Montreal-based producer responded to a fan on X who apologized on behalf of “real fans” who dance at his shows as opposed to “standing still” in order to capture content for their social media pages. “Kaytranada, I am so sorry you got TikTok famous and now bastards are standing still during ‘Intimidated,’ ‘Freefall,’ ‘Vex Oh,’ ‘You’re the One,’” the fan wrote. “What the f—k is going on??? All points was I miss you @kaytranada please do some private show for the real fans because I can’t take this no more.”

After seeing the fan’s message, Kaytranada responded by saying that it often feels “awkward” when fans choose not to dance a little even as they’re holding their phones up. “I think we have come in this age where everybody’s trying to catch a moment for their own social media presence,” he wrote in response to the fan’s message. “It shows their appreciation instead of them dancing and enjoying shows like we used to do. It looks mad awkward from where I stand as I’m acknowledging the appreciation but we need to go back to where we used to be y’all.”

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He added, “If you put your phone up, let’s move them hips at least!”

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In other Kaytranada news, he was chosen by Mariah Carey to remix her song “Don’t Forget About Us” to celebrate the 20th anniversary of The Emancipation of Mimi, and it was released earlier this month as the special edition’s lead single.

The expanded album will hit streaming and retailers May 30.

28 Apr 2025

Billboard Hot 100 Top 10 Countdown for May 3, 2025 | Billboard News

Morgan Wallen and Post Malone’s “I Ain’t Coming Back” debuts in the top 10. 

Tetris Kelly:
This is the Billboard Hot 100 top 10 for the week dated May 3. Still hanging in the top 10 is “Beautiful Things.” Teddy Swims is at No. 9. Morgan and Post debut a new one at No. 8, while Morgan’s “I’m the Problem” rises three spots. “Pink Pony Club” falls to six. “A Bar Song (Tipsy)” is up to five. “Nokia” is ringing at No. 4, as “Ordinary” moves up to a new No. 3 high. “Die With a Smile” still holds on to No. 2. And as their tour has kicked off, Kendrick and SZA grab a 10th week at No. 1.

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28 Apr 2025

Beyoncé Posts Sneak Peek at Massive Cowboy Carter Tour Stage: ‘She Coming’

A day before the kick-off of her anticipated Cowboy Carter and the Rodeo Chitlin’ Circuit Tour, Beyoncé gave the Beyhive a preview of the outings massive set. In a dramatic 16-second greyscale video titled “SHE COMING” the camera slowly pans from the darkness inside the concourse of Los Angeles’ SoFi Stadium into the light of the empty arena.

As it crests and dips down toward the floor, viewers get a brief glimpse of the elaborate stage set-up, which appears to feature a large star-shaped stage bisected by a long runway in the middle and what looks like a big screen across the back. The tour in support of Queen Bey’s 2024 Grammy Awards album of the year winner Cowboy Carter LP is slated to kick off on Monday night (April 28) with the first of five dates at SoFi Stadium. From there, the singer will play three nights at Soldier Field in Chicago (May 15, 17, 18) and five shows at MetLife Stadium in East Rutherford, N.J. (May 22, 24, 25, 28 and 29).

Trending on Billboard

The outing will then jump to Europe for six shows at Tottenham Hotspur Stadium in London (June 5, 7, 10, 12, 14 and 16) and three in Paris at Stade de France (June 19, 21 and 22) before she hops back stateside for two gigs in her hometown at Houston’s NRG Stadium (June 28, 29). The tour is slated to wind down in July with a pair of shows in Washington,D.C. four nights at Mercedes Benz Stadium in Atlanta and two gigs at Allegiant Stadium in Las Vegas on July 25 and 26.

Check out the stage preview video below.