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Amidst the joy and celebration at the 2025 BRIT Awards was a poignant moment of remembrance for One Direction’s Liam Payne, who tragically passed away in October. Jack Whitehall, host of this year’s awards show, introduced the tribute to Payne on stage at The O2 Arena on Saturday (March 1). “It is now time to […]
Chappell Roan seems to have started a trend with her pointed acceptance speech at the Grammys on Feb. 2, in which she challenged labels to provide better healthcare and financial support for their new and developing artists. At the BRIT Awards on Saturday (March 1), several artists used their acceptance speeches to make points that mattered to them.
Myles Smith, whose “Stargazing” was a global hit, posed three questions, to the government, music venues and label executives. Georgia Davies of The Last Dinner Party challenged successful arenas like The O2, where the Brits were held, to do more to support small independent venues, who, she said, were dying. And Chappell Roan had still more to say about artistic freedom and queer joy in her two acceptance speeches.
Here, we look at three artists who used their acceptance speeches at the BRITs not just to recite a laundry list of thank yous, but to actually say something. These are the pertinent excerpts from their speeches.
Chappell Roan
Award: International song of the year for “Good Luck, Babe!”
“Over the years, I have written many songs. I don’t believe in bad art, but let’s just say I had to write a lot of bad songs to get to the good ones, and artists deserve that freedom to write bad songs and to explore horrible concepts and to flop — and rise and not be pressured into making music based off of what’s trending. So, we must continue to support these artists so they can find success on their own terms and have long careers. So, this is dedicated to the people who have helped me protect my bad art and lifted me up along the way.”
Award: International artist of the year
“Chappell Roan was born through experiencing queer joy. It’s so special I had to write an entire album about it. I dedicate this to trans artists, to drag queens, to fashion students, sex workers and Sinéad O’Connor. Because of all those people, they have laid the groundwork for me to be here today. I did not give up because of them and I will continue going because of them.”
Myles Smith
Award: BRITs Rising Star
“Tonight, whilst I have the attention of the nation and this award, which gives me kind of like this really cool speaking power, I want to ask three questions:
“My first is to the government. If British music is one of the most powerful cultural exports we have, why have we treated it like an afterthought for so many years? How many more venues need to close? How many more music programs need to be cut before you realize that we can’t just celebrate success, you have to protect the foundations that make it?
“My second is to the biggest venues in the country and around the world. If artists selling out your arenas and your stadiums started in grass-roots venues, what are you doing to keep them alive?
“And my third, to the industry, to the execs in the room and to the people behind-the-scenes. Are we building careers or are we just chasing moments because moments fade and careers take time. So please stick with artists past their first viral hit, please stick with artists past their first tour, because it really matters to us. And moments, they fade, but careers last forever.”
Georgia Davies of The Last Dinner Party
Award: Best new artist
“We wouldn’t be a band, and a lot of the artists here would not be bands either, without the U.K.’s incredible independent venues, and they are the lifeblood of the music industry and they are dying. And if venues like this, like The O2, like arenas, stadiums across this country contributed even a tiny bit toward these independent venues, then we would not be losing them at this alarming rate. We wouldn’t be here without them. None of this would be happening without them. So, I want to say to those artists who are playing independent venues all over the country tonight — keep going because that’s the best kind of art there is. In a time when art is under threat, that is the most important thing to keep supporting.”
Sabrina Carpenter kicked off the 2025 Brit Awards with a rousing medley of “Espresso” and “Bed Chem” at London’s O2 Arena Saturday night (March 1).
The American pop star — who later on Saturday would be celebrated with this year’s Global Success Award — got the crowd going with a flirty set that referenced the Union Jack and the King’s Guard before moving over to the Short n’ Sweet singer’s heart-shaped bed at the awards show, which was broadcast live on ITV1 and streaming service ITVX in the U.K., and streamed elsewhere via the Brits’ official YouTube channel.
Surrounded by dancers dressed as marching guards for “Espresso,” Carpenter then playfully shed her sparkly, British-inspired bodysuit, paired with thigh-high stockings and garters, for a red negligee and lacy lingerie. She perched herself atop a bed staged at the O2, where she complemented her “Bed Chem” vocals by performing some sultry, synchronized choreography.
Carpenter wrapped her performance with a camera trick implying her attempt to seduce a member of the King’s Guard. Judging by the guard’s wink, it worked.
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Carpenter was awarded with the Global Success honor later in the evening. The award was presented to her by Millie Bobby Brown, who joked that after seeing Carpenter’s steamy Brits performance Saturday night, the singer’s the one who should be handcuffed on stage — a bit she does to someone else for being “too hot” on the Short n’ Sweet Tour. (Brown personally requested to be arrested on stage and got her wish in Atlanta.)
Sabrina Carpenter accepts the Global Success award on stage during the Brit Awards 2025 at the O2 Arena on March 1, 2025 in London, England.
Brown introduced Carpenter to the Brits crowd as “the woman who keeps us all hot and bothered.”
“The first time I ever came to the U.K. was 10 years ago,” the “Please Please Please” hitmaker recalled during her acceptance speech. “I was with my mom. Nobody knew who I was. Maybe 10 people.”
“This week I get to headline the O2 because of you guys,” she said. Carpenter is set to play the 20,000-capacity arena for two nights, on March 8 and 9, as part of the European leg of her tour.
Not one to leave the stage without wise crack, and appreciating that the English get her dry humor, she quipped, “In a very primarily tea-drinking country, you guys streamed the shit out of ‘Espresso.’”
Carpenter also thanked her fans: “This is all because of you and this is for you. Thank you so much. Cheerio!”
While the K-pop scene is an ever-evolving landscape whose definition has expanded beyond a specific genre of music, Yves wants her career to change preconceived notions that tend to separate K-pop idols from being considered complete artists.
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Back in November 2017 when Yves (born Ha Soo-young) was first introduced to the world as the ninth member of LOONA through the dark, atmospheric synth-pop throbber of single “New,” the star may have unknowingly set a standard of experimental excellence that would define her solo career years later. An exploration of newfound artistic expression and identity, a now-unshackled Yves released two EPs last year in Loop and I Did (both of which made Billboard‘s mid-year and year-end best K-pop albums lists) with singles like “Viola” and “Loop” featuring Lil Cherry embracing the club-ready sounds that defined some of 2024’s best records as different album cuts explore everything from racing and acoustic rock as well as airy R&B and soft electronica. To date, I Did has 6,000 equivalent album units of activity through Feb. 20, according to Luminate, with its songs collectively registering five million official on-demand U.S. streams. Furthermore, Yves’ most streamed song in the U.S. is “Viola,” which has 2.16 million official on-demand U.S. streams.
“I always had my own image,” Yves shares backstage at the Brooklyn Paramount ahead of the opening U.S. date of her Apple Cinnamon Crunch tour. “But as my solo career is developing, I think I was able to explore more and show more of myself. I feel like I can express a lot of things now that I couldn’t.”
Embracing the multifaceted flavors of the tour’s unique name, Yves begins the show in a punky, funky black mini-skirt and top for the first half of the show, which includes Madison Beer and Avril Lavigne covers before changing into an all-white ensemble reminiscent of any classic millennium pop star look.
While the 27-year-old connected with fans in person on tour across Europe and the States (and will hit Latin and South America in April), Yves wants all aspects of her career to speak to anyone who feels like an outsider. “What I’m trying to pursue is to become a person where I can freely express myself in the world where there is a lot that can cloud one’s perspective,” she adds. “I really don’t want to put myself in a box.”
As she takes center stage fully on her own as a soloist, Yves seems ready to shine brighter than ever. Read on for more insights from Yves’ concurrent journey of solo stardom and self-discovery.
You’ve performed in the States in the past, but it is your first time as a soloist. How has the tour been going and how are you feeling ahead of your first U.S. concert?
At first, I was very scared. Because on stage all of the members are gone, right? It’s just me. So, I’ve been very nervous, but now I think I can enjoy. I’m 70 percent ready out of 100.
From music to fashion to even social media presence, you’ve been sharing what feels like a totally refreshed person. What has been happening in these past months? Are we seeing the real you?
I always had my own image. Back when I was a part of LOONA, whenever I was wearing my own clothes — so, not the clothes that the company wanted me to wear — my members weren’t able to recognize me in public. But as my solo career is developing, I think I was able to explore more and show more of myself. I feel like I can express a lot of things now that I couldn’t before because I have opportunities, so as I develop more and more, you can see more and more of myself.
One of your biggest changes was signing with PAIX PER MIL. I’ve heard K-pop companies may kind of force an image on an idol or artist, but it seems like they give you a lot of creative freedom?
When I was first searching for agencies to join, most of them told me that I have to be either part of a girl group or they didn’t think I can make it as a solo in meetings. But when I went to PAIX PER MIL, the producer, millic, sent me a long message and told me that I have potential to become a solo artist. So, I was really touched by the message that he sent and also that he believed in my image. So, I trusted him and he trusted me.
I was with my first label for almost eight years and in an idol group so I was obligated to think, “Are these clothes right for me? Can I wear this? Can I pose this way? Can I take a picture like that?” I was unsure about what to do with myself. But the label [PAIX PER MIL] really pushed me to point where I could just express myself and just fully show my version of me. So, I think that’s how my label really supported me. It’s a lot easier to have fun now.
You came out so strong with “LOOP” featuring Little Cherry, “Viola” was one of the best songs of last year but there’s also rock, you’re recording in different languages you, is this the music you personally listen to?
When I was first making the LOOP EP, my musical spectrum wasn’t as big as of now. I used to listen to the same songs that I’ve always listened to, but my producers, millic and ioah, really helped me to expand my musical spectrum. It was kind of like homework, where they’d assigned me to listen to some music that they recommended or sometimes they’d share what kind of music they’re listening to. One thing that I remember is the day that they asked me to make a playlist of what I wanted to do in my solo career so I was able to collect the music that I wanted to perform as an artist and make my choices for my music. So, I think as of now, I can confidently say that I am doing what I want to do in terms of my music taste.
Do you remember what songs were included?
So many songs! When I was a part of LOONA, I felt that I was a member who is good at ballads rather than the kind of dance-pop that I’m doing right now. But when I was collecting the music from my playlist, I was able to collect some funky sounds, alternative sounds, rock sounds, all the different kind of experimental sounds that I’ve never dealt with [as a singer]. That’s when I discovered Caroline Polachek and other artists that I’m into right now.
You have great taste and it’s great you could develop your sound. But on the other side of things, why didn’t you want to go to a group or re-debut in another formation?
During my one year break [in 2023], I was able to interact with my other members of LOONA as well as keep communicating my fans. When I was talking to my fans, they were really the ones who convinced me to pursue a solo career. They really supported me for who I am, my choices, and what I wanted to do. So, I think that kind of really pushed me to become a solo artist. Also, when I was talking to other members of LOONA, we all wanted to reach a happy path for all of us and attempt challenges we hadn’t done before because we were going through a lot together. So, there are the solo artists like me and Chuu, but also other girl groups that were formed with LOONA members.
Despite the hard time, it seems like everyone from ARTMS and Loossemble to even Jade Jeong has loving memories of LOONA. Do you feel the same?
Of course. I’m not sure exactly how to put this in English, but it’s kind of like a sore finger. I feel like, you know, I have to have a finger, but also it kind of hurts and will always give me those memories of my past.
My, one of my favorite lyrics from you is on “Hashtag,” which is “Don’t care what’s fake and who you are/ Yeah, In my world, it is only you and me, babe.” What is your perspective these days on what you wanna personally share, whether it’s your social media, your lyrics, fan interactions?
What I’m trying to pursue is to become a person where I can freely express myself in the world where there is a lot that can cloud one’s perspective. I’m also trying to be a confident person who can make my opinions clear without losing my taste. There is a lot of social media and channels to communicate these days which means there’s a lot of information and opinions. It’s gotten to the point where if you’re a little bit different, people criticize or blame them for being different rather than being accepting for who they are. I think that’s the most important part to consider in this world of social media. I’m sure I’m not the only one who feels like that.
What kind of message would you give to someone who maybe is being criticized or not accepted and needs the kind of confidence you always show?
It’s a huge world. To the people who feel that something is different, even if you feel like you’re alone or you’ve isolated and locked yourselves in, I should share that when you look around, in fact, there are so many people who think like you, share the same beliefs and don’t deny their existence because of people who criticize them. And just like you or I would say, I always want to support you for who you are and don’t feel discouraged or insecure for being different. Don’t stop.
I love that message. Is there anything else you want to share right now?
I don’t know about the mindset abroad, but in Korea there’s a certain boundary of what is an idol and what is an artist. But I’ve honestly always been an artist and an idol equally since I was in LOONA. I want to be in both. It’s an ongoing process and I really don’t want to put myself in a box when I want to be part of both. I think that’s the message that I really wanted to share here.
BINI released their new EP ‘BINIverse,’ and the girl group shares the inspiration behind it, what they’re looking forward to on tour, their love for LISA and more! What’s your favorite track off ‘BINIverse?’ Let us know in the comments! Tetris Kelly: So tell me about ‘BINIverse’ and how excited you guys were to release […]
Benson Boone wasn’t on hand to perform at a birthday celebration for Mark Zuckerberg‘s wife, philanthropist Priscilla Chan, so the Meta CEO simply decided to do it himself. In a truly wild video posted to Zuckerberg’s Instagram Friday (Feb. 28), he jumps on stage at a black-tie party honoring his better half and spreads out […]
LISA is opening up about a negative side of fame.
The BLACKPINK superstar joined Thai radio talk show WOODY FM this week, where she recalled a particularly scary moment with a boundary-pushing fan. “I’ve never shared this before,” she said. “Last year, it was the first time I actually experienced [stalkers] myself. I’ve heard a lot about it from other idol friends, mostly from male idols. But it just happened to me.”
She continued, “Usually, when my flight lands in South Korea, fans will be there waiting at the airport. That’s normal, and I appreciate that they come. But when I got home, I saw them waiting. So I told that person, ‘I’m really not comfortable with this. If you want to see me, let’s meet somewhere public. Showing up like this at my house, I feel uncomfortable.’”
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Thankfully, the superstar noted that things did not escalate further from there and that she is safe.
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Despite the scary situation, LISA has reached a lot of positive milestones in recent months. The singer has officially made her foray into the acting world, taking on the role of Mook in the third season of HBO’s The White Lotus.
She also unveiled on Friday (Feb. 28) her long awaited debut solo album, complete with 15 new tracks and collaborations from Megan Thee Stallion, Future, Tyla and more. The project features the previously released singles “Rockstar,” “New Woman” featuring Rosalía, “Moonlit Floor (Kiss Me)” and “Born Again” with Doja Cat and RAYE.
LISA will soon be reuniting with BLACKPINK, as the foursome announced a summer 2025 world tour earlier this month. It’ll mark the ladies’ first trek together since 2022-2023’s Born Pink World Tour, which supported Billboard 200-topper Born Pink.
Selena Gomez is turning up the heat on her next song with Benny Blanco. On Friday (Feb. 28), the singer/actress shared a teaser for a sultry new song titled “Talk” that is expected to appear on the couple’s upcoming joint album I Said I Love You First. In the clip, she sits in a car […]
Katy Perry is about to hit the road with her Lifetimes Tour after nearly eight years, and the pop star shares what her fans can expect from the new trek, what the setlist is going to include and more!
Are you excited for Katy Perry to go back on tour? Let us know in the comments!
Tetris Kelly: Katy Perry just announced she’s heading to space. But before she does, we talk to her about Gaga, her daughter Daisy and how she’s bringing us to her planet on the Lifetimes World Tour. And we have an exclusive first look at the stage.
So tell me how good you feel that you’re gonna get to see everybody, all across the globe.
Katy Perry:It’ll be the first time I’ve seen everyone in this way, you know, for almost seven and a half, eight years. So they say that, you know, it only takes seven years for all of your cells to rejuvenate, so I’m biologically, I’m a whole different human.
Brand new Katy.
Brand new human. It’s a brand new me.
That’s amazing. And then, I mean, you’ve always had iconic looks. That’s a part of your whole thing. And like every tour has this personality that people get excited to come see, especially the Vegas show.
The photos went wide, I mean, me and a toilet with a poop.
So what’s your favorite part of planning this, and how do you make them feel so different?
I feel like I have created completely different worlds with every single tour that I’ve ever done, even from the very beginning, when I didn’t have a lot of resources, I still created a world. And the worlds have just gotten bigger and bigger, and they’re very experiential. I mean, I remember my one of my first tours, the California Dreams Tour, we were like injecting the smell of cotton candy into the arenas before the audiences loaded in.
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Gracie Abrams has canceled her performance in Brussels on doctor’s orders, with the singer revealing that she’s currently fending off a “gnarly” illness that has left her unable to take the stage. Breaking the news via a handwritten note posted on Instagram Stories Thursday (Feb. 27) — one day before she was slated to take […]