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Drew Afualo gives flowers to Lauren Jauregui and she shares her admiration for Hayley Williams of Paramore at Billboard Women in Music 2025. Drew Afualo: OK, team. Here we are with the iconic, the legendary, the stunningly gorgeous Lauren Jauregui. Welcome to the Billboard backstage area. Lauren Jauregui: Oh my god, thank you. I’m so […]
This year’s Met Gala was a very different experience for Lorde than the last time she attended the event in 2021.
In a vulnerable voice note sent to fans Tuesday night (May 6), the pop star opened up about having overcome her issues with body image in the four years since she last walked the Metropolitan Museum of Art red carpet, revealing that last time she was there, she’d unhealthily restricted her eating for weeks in preparation.
“I was so hungry,” she recalled of the 2021 gala, the theme of which was “In America: A Lexicon of Fashion.” “I didn’t eat properly for weeks thinking about my little tummy on that carpet.”
This year, Lorde attended once again, sporting a chic slate Thom Browne look that matched the 2025 theme of “Superfine: Tailoring Black Style.” Returning to the Met four years later, the singer said it was “moving” to be back in the same place with an entirely new mindset regarding her body.
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“I was there last night fully in myself, and I didn’t have to not eat, I didn’t have to go to the gym a million times,” she told her fans. “I was just fully in myself. Quite beautiful.”
Lorde has slowly been sharing more and more about her struggles with eating and body image in the lead-up to her new album Virgin, which arrives June 27. On lead single “What Was That,” released in April, she sings, “I wear smoke like a wedding veil/ Make a meal I won’t eat.”
In a recent interview with Document Journal, the New Zealand native elaborated on the lyric: “I had made my body very small, because I thought that that was what you did as a woman and a woman on display … I thought, ‘I’m small. This will communicate to people that I’m taking my position seriously.’”
Now, Lorde says she feels fully “embodied,” meaning this year’s Met — which took place one day prior to her voice note — was a much better experience. “It was definitely my favorite Met,” she said in her message before remarking, “It’s really a reality check of where you’re at in relation to, you know, your own public image and how you feel in your body, how you feel among your peers and how you feel in culture and all that sort of stuff.”
One moment from Monday night (May 5) that did make her “so cringed out” at herself, though, was when she commented that her dress was an “Easter egg” in an interview with Vogue correspondent Emma Chamberlain, leading fans to believe the singer was teasing something musical through her attire. “More will be revealed,” she’d added during the red-carpet chat. “To me it really represents where I’m at gender-wise. I feel like a man and a woman, kind of vibe.”
But in her voice note, Lorde clarified, “Just as it was leaving my mouth, I was like, ‘What are you talking about? No, it’s not [an Easter egg]. The language of Easter eggs, I love it as a concept … [but] for what I was referring to, it was not my vibe,” she said. “Please accept me feeling like a loser, I’m sure you don’t care at all.”
It’s a question that’s long been asked by Smilers around the world: Which Miley Cyrus album is the gayest? According to the singer, there is an official answer. During Spotify’s An Evening With Miley Cyrus event in New York City on Tuesday (May 6), the “End of the World” singer posed herself a rhetorical question […]
Before they reunite in 2025 after nearly two years apart, j-hope says that the members of BTS had to grow separately.
In a new interview on the Zach Sang Show posted Tuesday (May 6), the K-pop star opened up about how he and his bandmates had to go through the sometimes difficult process of evolving as individuals and solo artists amid BTS’ break, during which the guys enlisted in the South Korean military while releasing music independent of the band. “In order to make music as a team in a healthy way, as each of us are making their own music, we each go through personal growth and growing pains that come with it,” j-hope explained.
“We learn many things,” he continued. “And then when we reunite after doing our own things, these experiences will fill us with new strength and energy. And now that’s very soon. Everyone has grown while pursuing their solo projects. I think that will contribute to the music we create as BTS.”
The interview comes nearly seven months after j-hope was discharged from the military, becoming the second member of BTS to finish his service requirements after Jin. In the two years since the band announced that it would be taking a break as the members carried out their mandatory civic duties, j-hope has released an album, 2022’s Jack in the Box, as well as an EP, 2024’s Hope on the Street Vol. 1; both projects charted in the Billboard 200 top 10. His latest single, “Mona Lisa,” dropped in March.
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RM, Suga, V, Jimin and Jung Kook are currently closing in on the end of their respective enlistments, after which the band is expected to reunite. “We will quickly get together and talk about what BTS can do in the future,” j-hope recently told Apple Music 1’s Zane Lowe of the band’s plans post-military. “I think it’s going to be a massive energy.”
On Zach Sang, the “Chicken Noodle Soup” singer also revealed the first thing he did after finishing his own time in the military. “I came to L.A. right away,” he said, laughing. “I wanted to get back into the groove right away. Since I was in a different environment, I wanted to quickly dive back into the places and the culture I loved. I wanted to have fun while gaining new experiences and making music.”
Watch j-hope’s full interview with Zach Sang above.
Maren Morris can speak from experience: No other concert crowd holds a candle to Taylor Swift‘s.
While on The Jennifer Hudson Show Wednesday (May 7), the Texas-born singer-songwriter opened up about performing her Fearless (Taylor’s Version) collaboration, “You All Over Me,” with Swift at one of the pop superstar’s 2023 Eras Tour shows in Chicago. “I’ve never seen a crowd like that, and there’s not a crowd like hers,” Morris raved.
“They’re so supportive, they’re listening to all the lyrics, they want to hear every nuance and breath between words,” she continued. “They’re truly locked in. It was a real treat to experience on that plane.”
The duo sang together at the “Fortnight” musician’s second of three Soldier Field shows in June 2023, which came two years after they first teamed up for the re-release of Swift’s blockbuster 2008 sophomore album. The performance marked the first time they’d ever played “You All Over Me” — a From the Vault bonus track on the revamped Fearless — live.
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But Morris and Swift had been friends long before that, performing the former’s smash “The Middle” together in Arlington, Texas, on the latter’s Reputation Tour in 2018. In November 2023, the “Circles Around This Town” singer told Jimmy Fallon that her onetime collaborator has “been so supportive of me and my career over the years,” adding, “We’re the same age, but looking up to her since I was a teenager, and watching her navigate her country music to pop career so gracefully, and the way she treats her fans is so kind and generous … she’s setting a high bar.”
Morris echoed those sentiments on Hudson’s talk show, telling the host, “I fell in love with [Swift’s] songwriting back in high school, and I just turned 35, so I feel like even before I met Taylor, I had this friendship in my mind with her.”
The interview comes two days ahead of Morris’ fourth studio album, Dreamsicle, which features the five tracks she previously dropped in August on EP Intermission. The new project is also preceded by two singles, “Carry Me Through” and “Bed No Breakfast,” released in March and April, respectively.
Watch Morris gush about Swift on The Jennifer Hudson Show below.
The Backstreet Boys have extended their upcoming summer residency at Las Vegas’ Sphere. On Wednesday (May 7) the veteran man band added a final three shows to the Into the Millennium run, revealing that their final shows of 2025 will take place on August 22, 23 and 24.
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With that trifecta — which will also be the group’s final shows of 2025 — the total number of Sphere gigs has run up to 21. The Live Nation-produced shows from AJ McLean, Kevin Richardson, Brian Littrell, Howie Dorough and Nick Carter will be the first by a pop act in the futuristic venue that has to date hosted U2, Phish, Dead & Company, the Eagles and EDM act Anyma; country star Kenny Chesney will set up shop from May 22-June 21.
Tickets for the newly added dates will go on sale first through the Backstreet Boys Fan Club presale that kicks off on Monday (May 12) at 12 p.m. PT, followed by an artist presale on Tuesday (May 13) beginning at 10 a.m. PT; fans can sign up for the artist presale here through Sunday (May 11) at 10 p.m. PT. A general onsale will kick off on May 16 at 10 a.m. PT here.
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The group will celebrate the 25th anniversary of their landmark Grammy-nominated Millennium album on July 11 with the release of Millennium 2.0. The revamped album will feature 25 tracks, including all 12 remastered originals, as well as live recordings, demos and b-sides.
Speaking to Billboard earlier this year, Carter promised the shows will provide fans with a “sensory overload” experience as they perform the 1999 album, along with some greatest hits and their new single, “Hey.” McLean also suggested that attendees pack “something all white” for the shows.
Check out the full list of BSB Sphere dates below.
July 11, 12, 13, 18, 19, 20, 25, 26, 27
August 1, 2, 3, 8, 9, 10, 15, 16, 17, 22, 23, 24
Fitz and the Tantrums have returned: the pop-rock group have announced that their sixth studio album, Man on the Moon, will be released on July 25 through Atlantic Records, and unveiled the title track of the upcoming full-length on Wednesday (May 7).
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The follow-up to 2022’s Let Yourself Free was a product of feeling less beholden to straining for hits in the studio, says band leader Michael Fitzpatrick. “I think after our first radio hit with ‘Out Of My League,’ there was this insane amount of pressure to keep delivering hits,” he says of the band’s breakthrough 2013 single. “Then we had an even bigger hit with ‘HandClap,’ and there was even more expectation and pressure.
“But today?!” Fitzpatrick continues. “No one knows what a hit is anymore, the landscape is totally different, and that was actually incredibly liberating for us during the making of this record. We said ‘screw it,’ and just did what we wanted 1000% of the time. Zero compromise and all feeling. The air finally came back into the room and writing songs felt joyful and easy again.”
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That process began with the title track, which will serve as the new album’s lead single. While the band released album track “Ruin the Night” in March, “Man on the Moon” represents a jolt of energy for the group, and a return to the soul-pop sound that has defined some of their most well-loved hits.
“‘Man On The Moon’ came about organically in the early days of the writing process for the album,” says Fitzpatrick. “The feelings and ideas that I wanted to write about just kept pointing us back in the Motown/soul direction. Honestly, it kinda felt like coming home.”
After touring extensively behind Let Yourself Free, Fitz and the Tantrums will kick off a summer headlining run on July 24 in San Diego on the eve of the album release. The 31-city North American tour will feature Aloe Blacc and Neal Francis as special guests on select dates, while Ax and the Hatchetman, SNACKTIME and Gable Price and Friends will serve as openers.
Check out the track list to Fitz and the Tantrums’ Man on the Moon and watch the video for the title track below:
“The Good The Bad The Ugly”
“Man On The Moon”
“Withdrawals”
“Oh Maria”
“Ruin The Night”
“Where I Go”
“Young Days”
“Perfume”
“Umbrella”
“Queen of Hearts”
“Waste My Time”
“OK OK OK”
“Motion”
“One Day”
Fiona Apple spent two years as a “court watcher,” taking notes and observing thousands of bond hearings. Those countless hours have inspired the singer’s first new song in five years, “Pretrial (Let Her Go Home),” an intense, percussion-heavy broadside against the U.S.’s cash-bail system.
In a statement at the top of the video for the song that dropped on Tuesday (May 6), Apple wrote, “I saw so many people get caged away simply because they could not afford bail. Before they even got a trial… while still presumed innocent.” As her unaccompanied voice swells up, she sings, “They wouldn’t let her/ They wouldn’t let her/ They wouldn’t let her, wouldn’t let her go home,” and the words “Jail didn’t just hurt them. It hurt their families. It hurt all of our communities” scroll across the screen along with a montage of women impacted by a system that keeps people in jail if they can’t afford to post bail.
Apple said the personal images were shared with her by women who have been trapped in pretrial detention, jailed despite the court system’s presumption of innocence because they could not post bond. Over a second montage, hand drums and a flute bubble up as Apple sings, “They wouldn’t let her go home/ And now there’s no more home.” The singer said in an accompanying statement that for the past five years she’s been volunteering with the Free Black Mamas DMV bailout while witnessing “the stories of women who fought for and won their freedom with the tireless and loving support of the leadership.”
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“I hope that this song and these shared images will help to show what is at stake when someone is touched by a system that won’t let them go,” Apple wrote. The accompanying track produced by Zealous and Special Operation Studios is a tribal-beat homage to mothers who “took on extra shifts/ Still couldn’t pay the bail/ No danger, no flight risk/ But she will stay in jail,” she sings over images of smiling mothers dancing with and hugging their children.
“She was not convicted of anything/ Won’t you let her go home/ Won’t you let her go home,” Apple sings. “At home she’s got two kids/ And grandma needs her care/ Who’ll pack the lunch and give meds/ If she’s in jail not there?” The track also illuminates the cascading effects of mother’s jailed without bail, including falling behind on rent and kids missing school to see their grandma in the hospital after a fall, triggering teachers calling child protective services to report their absence and authorities then taking the children into custody.
“Can’t afford a new phone card, because nobody’s home/ Shame and isolation, economic deprivation/ And there’s no more home” Apple sings. By the fifth verse, Apple’s measured tone turns red as she recounts, “Preliminary hearing’s short, only witness is the cop/ He doesn’t even show up in court and all the charges get dropped/ What the f–k’s the point of all the f–king hell he put her through?/ Took her whole world away and set her up to start ’round two.”
Apple has set up an accompanying “Let Her Go Home” website where fans can find a local bail fund to contribute to on which she notes that “on any given day, 190,600 women and girls are incarcerated in the United States. Over 60,000 women are detained pretrial, presumed innocent, caged in U.S. jails simply because they cannot afford to pay bail. Their average yearly income is just $11,000. Over 66% are mother with minor children.”
The site also features images of some of the women Apple observed with their names and home cities as well as some descriptions, such as: “genuine, generous & creative genius,” “resilient, visionary & determined” and “assertive, authentic & unapologetic.” Apple has long advocated for court watching, including narrating and writing the score for a PSA for the National Courtwatch Network in 2023.
“Pretrial (Let Her Go Home)” is Apple’s fist new original song since the release of her fifth album, 2020’s Fetch the Bolt Cutters.
Watch Fiona Apple’s video for “Pretrial (Let Her Go Home)” below.
Two decades since it took over the global charts, Shakira and Wyclef Jean have reunited up for a special anniversary performance of “Hips Don’t Lie” on The Tonight Show Starring Jimmy Fallon. Explore Explore See latest videos, charts and news See latest videos, charts and news Appearing on the Tuesday (May 6) episode with guests […]
Lady Gaga reportedly played to 2.5 million fans during her concert at Copacabana Beach in Rio de Janeiro, Brazil, on Saturday night. It’s a hard-to-fathom crowd size, considering we’ve never seen anything like it for a concert in the United States. When it comes to free U.S. shows, some estimates put Garth Brooks’ 1997 concert […]
