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Kendrick Lamar’s “Not Like Us” resurges to No. 1, from No. 20, on the Billboard Global 200 chart (dated Feb. 22), fueled by his performance of the song during the Super Bowl LIX halftime show Feb. 9. He also boasts five of the chart’s top 10.
Meanwhile, Lady Gaga and Bruno Mars’ “Die With a Smile” rebounds for a ninth week atop the Billboard Global Excl. U.S. chart.

The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

“Not Like Us” drew 113.2 million streams (up 176%) and sold 39,000 (up 424%) worldwide Feb. 7-13. The seething diss track – which on Feb. 2 won the Grammy Awards for record and song of the year, among its five victories – adds a third week atop the Global 200. It debuted at No. 1 on the May 18, 2024, chart and became a pop-culture fixture, spending the next eight weeks in the top 15. It was further boosted by Lamar’s Juneteenth The Pop Out: Ken & Friends concert – in which he performed the song five times. It rebounded for a second week at No. 1 on the July 20 chart, following the July 4 premiere of its official video. The song’s 30-week break between No. 1 from July to this week marks the longest excluding holiday fare in the chart’s history.

Lamar also soars back to the Global 200’s top 10 with “Luther,” with SZA (12-4, as it returns to its best rank); “TV Off,” featuring Lefty Gunplay (27-8, after hitting No. 5); and 2018’s “All the Stars,” with SZA (74-10 for its first week in the tier, becoming Lamar’s 12th top 10 and SZA’s eighth). All four songs were also part of his halftime performance.

Lady Gaga and Bruno Mars’ “Die With a Smile” dips to No. 2 after nine weeks at No. 1 on the Global 200 starting last September and ROSÉ and Mars’ “APT.” backtracks 2-3 following 12 weeks on top beginning in October.

Plus, Gaga’s “Abracadabra,” unveiled (through a MasterCard commercial) during the Grammy Awards Feb. 2, bounds 10-5 in its second week on the Global 200 led by 78.4 million streams worldwide in its first full tracking week (Feb. 7-13); it drew 47.7 million from its release through Feb. 6.

“Die With a Smile” rebounds 2-1 for its ninth week atop Global Excl. U.S., with 107.7 million streams (up 3%) and 5,000 sold (down 8%) outside the U.S. Feb. 7-13.

“APT.” descends to No. 2 after a record 15 weeks at No. 1 on Global Excl. U.S. beginning in November.

“Not Like Us” leaps 27-3 on Global Excl. U.S., surpassing its prior No. 5 best; “Abracadabra” vanishes from No. 9 and reappears at No. 4 in its second week on the chart; and Billie Eilish’s “Birds of a Feather” falls 4-5, after three weeks on top last August. Plus, “Luther” leaps 19-7, after reaching No. 6.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 22, 2025) will update on Billboard.com tomorrow, Feb. 19, a day later than usual due to the Presidents’ Day holiday in the United States Feb. 17. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

That’s so true that something is going on between Gracie Abrams, Selena Gomez and Benny Blanco. Gomez and Blanco have been continuing the roll-out of their upcoming album, I Said I Love You First, and the couple took to Instagram this week to tease what seems to be a collaboration with Abrams. It all started […]

The first round of grants targeting wildfire relief efforts in Los Angeles following last month’s all-star FireAid benefit concerts were announced on Tuesday (Feb. 18). The $50 million-worth of phase one gifting — representing half of the estimated $100 million raised by the shows — will prioritize “community-based organizations that are on the front lines of wildfire relief.”
The groups, which organizers said have the infrastructure, experience, and in-place relationships to “efficiently and equitably” deliver assistance to fire-impacted individuals, are each for $100,000 or more and targeted toward immediate relief; phase two will be more focused on rebuilding efforts following the series of fires that killed 29 Angelenos and destroyed more than 16,0000 homes and structures.

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The organizations are split into several buckets, including emergency aid to children and families, school recovery funding, targeted support for vulnerable youth and foster youth and funds to help with educational continuity via a grant to A Sense of Home.

The community hubs and conveners grant will send funds to Abundant Harvest LIFT, a community crisis center that distributes information, financial assistance and connects individuals with critical resources for survivors of the Eaton Canyon fire. Other groups covered by this grant include: Chabad Jewish Community Center of Pacific Palisades, Clery Community Coalition, Inc., Deliverance Tabernacle Church, First AME Pasadena, Flintridge Center, Friends Indeed, Harambee Ministries – Pasadena, Jewish Federation of Los Angeles, Kehillat Israel Synagogue, LA Voice Benevolence Fund, Masjid al Taqwa, NAACP of Pasadena, Pasadena Church, Pasadena City College Foundation, Pasadena Jewish Temple & Center, Pasadena Seventh Day Adventist, St. Vincent de Paul Society’s St. Elizabeth Conference of Altadena, the Santa Monica College Foundation, Victory Bible Church Pasadena and YMCA Metro.

Disaster relief will distribute direct cash aid for Angeleno’s most critical needs, as well as coordinated efforts to clear hazardous waste, test water quality and restore safe living conditions. The grantees for those efforts include: Alliance for a Better Community, Black LA Relief & Recovery Fund, Brotherhood Crusade, CA Conservation Corps, CA Native Vote Project, Change Reaction, CORE, Heal the Bay, Jewish Free Loan Association, LA Conservation Corps, LA County Household Relief Fund, LA Works, Inc., Latino Community Foundation, My Tribe Rise, Pasadena Community Foundation Eaton Canyon Fire Relief Fund and Team Rubicon.

Grants covering food access and security needs for those displaced residents who are in shelters without cooking facilities and who face challenges sourcing nutritious meals will go to: Buddhist Tzu Chi Foundation, Hollywood Food Coalition, Hunger Action Los Angeles, Los Angeles Food Policy Council, Las Angeles Regional Food Bank, Meals on Wheels, Saint Vincent, Meals on Wheels, West, Office of Food Equity, Our Big Kitchen Los Angeles, Project Angel Food and Westside Food Bank.

Aid for frontline, displaced workers and small businesses to assist first frontline workers possibly facing displacement, financial strain and mental health challenges, as well as workers who commuted to affected areas for jobs and small businesses needing relief to rebuild will go to: CA Firefighters Benevolent Fund, IDEPSCA, Inclusive Action For the City, LA Region Worker Relief Fund, Labor Community Services Program of Los Angeles, Los Angeles Black Worker Center, Philipino Workers Center and Restaurants Care Project.

Health and housing assistance for wildfire survivors facing physical and mental health challenges due to exposure to smoke and poor air quality, as well as stress and trauma, include: Dena Heals, Didi Hirsch, Door of Hope, Foothill Family Service, Greenline Housing Foundation, LA Coalition of Community Clinics, LA Family Housing Corporation, LIFT-Los Angeles, NAMI Westside LA, Neighborhood Housing Services of Los Angeles County, Pacific Clinics, St. Joseph Center, The People Concern, Union Station Homeless Corporation, United American Indian Involvement and Vision y Compromiso.

Los Angeles’ vast musical community will also get some assistance after many musicians and artists lost their homes, equipment, studios and income in the fires. The funds will provide direct aid to affected artists, as well as mental health services, employment in community programs and support for small arts organizations to ensure their survival. The grantees include: Armory Center for the Arts, LA Arts Community Fire Relief Fund, LA Commons, LA County Arts & Creative Recovery Fund, MusiCares Foundation, Music Health Alliance – Music Industry Mental Health Fund and Sweet Relief Musicians Fund.

Organizations helping Angelenos facing displacement, trauma and having trouble navigating survivor services who will receive funds include: 211LA, Bet Tzedek, Dena Care Collective, Imagine Los Angeles, Inc., Legal Aid of LA, Neighborhood Legal Services of Los Angeles County – BAILA and Public Counsel.

Schools around the L.A. region have had classes severely disrupted due to the fires while some have faced closure as displaced students — especially those from low-income households in college — struggle with housing, financial aid stability and campus resources. Aid for those groups will go to: California Charter School Association, Communities in Schools of Los Angeles, LA Community College Foundation, LAUSD Foundation, Pasadena Educational Foundation, Palisades Charter HS and Project Camp.

Supportive services for vulnerable populations including seniors and people with disabilities who may confront issues accessing aid, healthcare and stable housing will get a boost with grants to: Disability Community Resource Center, Jewish Family Services of Los Angeles, Malibu Senior Center, Pasadena Senior Center and Special Needs Network Inc.

Click here to see the full list.

Organizers says the first phase of funds will be distributed by the end of February. The second phase will focus on sustaining long-term recovery, remediation and rebuilding, as well as addressing environmental issues. Fundraising for the fund is still open.

January’s two shows at L.A.’s Intuit Dome and Kia Forum were seen by more than 50 million viewers across 28 streaming platforms, who tuned in to performances by more than 30 artists including Green Day with Billie Eilish, Jelly Roll, Katy Perry, Lady Gaga, Olivia Rodrigo, Peso Pluma, Stevie Wonder, Lil Baby, Tate McRae, Sting, Alanis Morissette, Anderson .Paak with Dr. Dre and Sheila E, Dawes, John Mayer, a Nirvana reunion, Joni Mitchell, a reunited No Doubt, P!nk and the Red Hot Chili Peppers, among many others.

Little Monsters have spent the last few months patiently waiting for Lady Gaga‘s long-anticipated seventh studio album. Now, Mother Monster is giving them yet another tease ahead of the LP’s release. In a post to Instagram Reels on Tuesday (Feb. 18), Gaga revealed the full tracklist for her forthcoming album, Mayhem. Featuring already-released singles “Die […]

Back in 2018, Paul Simon performed the final show of what he called his farewell tour. The gig at Queens’ Flushing Meadows Corona Park in September 2018 came after Simon, 83, revealed that he was suffering from significant hearing loss, a situation that ramped-up significantly during the sessions for the singer’s 2023 song cycle, Seven Psalms.

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“Quite suddenly, I lost most of the hearing in my left ear, and nobody has an explanation for it,” he said at the time. “So everything became more difficult.” Simon said he thought the issue wold “pass” or “repair itself,” though it did not and he conceded back then that he would likely never tour again.

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Then, surprisingly, there Simon was on Sunday night (Feb. 16) opening the three-plus hour SNL50 Celebration special singing a duet with Sabrina Carpenter on his song “Homeward Bound.” And on Tuesday (Feb. 18), Simon announced that he’s hitting the road this spring and summer for a run of North American dates on the “A Quiet Celebration Tour.”

The shows that will have the Rock and Roll Hall of Famer playing multiple nights in a row in most cities, and it’s slated to kick off on April 4 at the Saenger Theater in New Orleans, followed by stops in Austin, TX, Denver, Minneapolis, Kansas City, St. Louis, Dallas, Nashville, Milwaukee, Chicago, Toronto, Vienna, VA, Boston, New York, Philadelphia, Long Beach, CA, Los Angeles, San Francisco and Vancouver before winding down with three shows at Benaroya Hall in Seattle; see the announcement poster here.

The gigs in smaller rooms than Simon has typically played, will allow the singer to perform the songs from Seven Psalms live for the first time. According to a release, the settings are “in intimate venues where the acoustics are optimal in consideration of the severe hearing loss that he incurred over the last few years.”

A presale for select shows on the tour will kick off on Thursday (Feb. 20) at 10 a.m. local time, with a public on-sale slated for Friday (Feb. 21) at 10 a.m. local time here.

Check out the dates for Paul Simon’s 2025 A Quiet Celebration North American tour below:

April 4 – New Orleans, LA @ Saenger TheaterApril 5 – New Orleans, LA @ Saenger TheaterApril 8 – Austin, TX @ Bass Concert HallApril 10 – Austin, TX @ Bass Concert HallApril 11 – Austin, TX @ Bass Concert HallApril 14 – Denver, CO @ Paramount TheatreApril 16 – Denver, CO @ Paramount TheatreApril 17 – Denver, CO @ Paramount TheatreApril 20 – Minneapolis, MN @ Orpheum TheatreApril 22 – Minneapolis, MN @ Orpheum TheatreApril 23 – Minneapolis, MN @ Orpheum TheatreApril 26 – Kansas City, MO @ Midland TheatreApril 28 – St. Louis, MO @ Stifel TheatreApril 29 – St. Louis, MO @ Stifel TheatreMay 7 – Dallas, TX @ AT&T Performing Arts CenterMay 8 – Dallas, TX @ AT&T Performing Arts CenterMay 11 – Nashville, TN @ Ryman AuditoriumMay 13 – Nashville, TN @ Ryman AuditoriumMay 14 – Nashville, TN @ Ryman AuditoriumMay 17 – Milwaukee, WI @ Riverside TheaterMay 18 – Milwaukee, WI @ Riverside TheaterMay 21 – Chicago, IL @ Symphony CenterMay 23 – Chicago, IL @ Symphony CenterMay 24 – Chicago, IL @ Symphony CenterMay 27 – Toronto, ON @ Massey HallMay 29 – Toronto, ON @ Massey HallMay 30 – Toronto, ON @ Massey HallJune 6 – Vienna, VA @ Wolf TrapJune 7 – Vienna, VA @ Wolf TrapJune 10 – Boston, MA @ Boch Center, Wang TheatreJune 12 – Boston, MA @ Boch Center, Wang TheatreJune 13 – Boston, MA @ Boch Center, Wang TheatreJune 16 – New York, NY @ Beacon TheaterJune 18 – New York, NY @ Beacon TheaterJune 20 – New York, NY @ Beacon TheaterJune 21 – New York, NY @ Beacon TheaterJune 23 – New York, NY @ Beacon TheaterJune 26 – Philadelphia, PA @ Academy of MusicJune 28 – Philadelphia, PA @ Academy of MusicJune 29 – Philadelphia, PA @ Academy of MusicJuly 7 – Long Beach, CA @ Terrace Theater, Long Beach Performing Arts CenterJuly 9 – Los Angeles, CA @ Disney HallJuly 11 – Los Angeles, CA @ Disney HallJuly 12 – Los Angeles, CA @ Disney HallJuly 14 – Los Angeles, CA @ Disney HallJuly 16 – Los Angeles, CA @ Disney HallJuly 19 – San Francisco, CA @ Davies Symphony HallJuly 21 – San Francisco, CA @ Davies Symphony HallJuly 22 – San Francisco, CA @ Davies Symphony HallJuly 25 – Vancouver, BC @ The OrpheumJuly 26 – Vancouver, BC @ The OrpheumJuly 28 – Vancouver, BC @ The OrpheumJuly 31 – Seattle, WA @ Benaroya HallAugust 2 – Seattle, WA @ Benaroya HallAugust 3 – Seattle, WA @ Benaroya Hall

Kendrick Lamar takes over the top 10 of the Hot 100, but will he hit No. 1 again? Tetris Kelly: The Grammys followed by the Super Bowl see some influence on the charts. This is the Billboard Hot 100 top 10 for the week dated Feb. 22. SZA and Kendrick are up to 10, “Pink Pony […]

ROSÉ isn’t slowing down any time soon. Just over two months after she dropped her debut solo album, the BLACKPINK star revealed that her girl group also has new music coming out soon in a new interview with The Cut published Tuesday (Feb. 18), in which the Aussie performer also opened up about her relationship with collaborator Bruno Mars and her thoughts on K-pop trainees needing therapy. 
Fans already knew that BLACKPINK was heading for a comeback in 2025, with the group announcing earlier this month that a world tour was imminent. But in the new interview, ROSÉ went another step further and confirmed that the band will soon have fresh songs to perform once they take the stage, telling the publication straightforwardly, “We will be coming out with new music soon.” 

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Of the group’s reunion, the “Toxic Till The End” singer added, “We just knew there was no reason for us to stop it, right? As much as we all needed some time to go out and explore and be our own people, we still have business left to do. We’ve got to do some more damage.” 

Whenever the new music does drop, it’ll follow 2022’s Billboard 200-topper Born Pink. After touring the album across the world throughout 2023, ROSÉ and bandmates LISA, JENNIE and JISOO temporarily paused group activities to focus on solo projects for about a year.  

And in ROSÉ’s case, that year “off” has seen her drop her first-ever solo LP, rosie, featuring Billboard Global 200 No. 1 single “APT.” with Bruno Mars, with whom the “On the Ground” artist says she’s grown “very close.” 

Detailing how the Silk Sonic star helped her finish rosie track “Number One Girl” when she was struggling, ROSÉ shared one of the most valuable lessons she’s learned from Mars: You can’t rush the songwriting process, no matter how much you might want to. “I’d always feel like, ‘It’s my fault, I should have an idea by this time,’ or, ‘Maybe I’m just not good enough,’” she told the publication.  

“Bruno showed me that, as a creative, you have to listen to your intuition and your timing, and you’re allowed to trust in it,” she continued of her duet partner. “I’ve become more confident in what feels right to me and in doing whatever it takes to have that come to life.” 

But before she was a chart-topping soloist or part of the world’s biggest girl group, ROSÉ was a teenager training for future superstardom at YG Entertainment. While reflecting on her career start, she shared her thoughts on whether young signees should have built-in access to therapy as K-pop trainees — echoing what Ariana Grande recently said about young stars needing counseling in their record label contracts.  

“Oh yes, please,” ROSÉ said of the idea for mandatory mental health resources. “I think toward the end of my training, there was. But now if I were to do an academy, I’d give them a therapist. Once a week.” 

See ROSÉ for The Cut below:

Fashion-forward singer Tyla dropped into the Jennifer Hudson Show on Tuesday (Feb. 18) to give a sneak peek at her new British Vogue cover and tease her anticipated look at the upcoming Met Gala. She also talked about performing at last year’s Victoria’s Secret fashion show and performing with her musical mirror, Sabrina Carpenter.
“She’s literally like me, like we don’t take things too serious, so it was a lot of laughing,” Tyla said of appearing on Carpenter’s first-ever holiday special in December, during which the two women collaborated on a rendition of “This Christmas.”

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“It was really fun doing that and being… because I haven’t done a duet like that with another artist,” Tyla said. “Yeah, it was cute.” Now that she’s got Carpenter ticked off her bucket list, Hudson asked if there is anyone else Tyla dreams of teaming up with. “Like a dream song, just passion, like not serious, I would want to do something with… an older artist,” she said. “Like Brian McKnight… or a Babyface, something like old R&B.”

Tyla also responded to silly internet rumors that she “stole” some wings at the VS runway special, telling Hudson that at one point someone told her she could go into the “wing room” and “pick any wing” she wanted. “So I was having the time of my life, trying on all the wings,” Tyla laughed, as the image of the white feather version she chose flashed on the screen behind her; at the time, she captioned a stunning pic from the special with the words, “Earned my wings” in the post that got a heart emoji from Carpenter.

“‘That’s mine!’” she remembered thinking when she saw them at the show where she walked alongside Angels Gigi Hadid, Tyra Banks and Adriana Lima, at the event that also featured a performance from BLACKPINK’s LISA.

And, not that she’s looking to take all the gigs, but asked if she’s interested in moving into acting, Tyla said she’d love to “do something more creative” with a fellow envelope-pushing musician, such as Frank Ocean, Childish Gambino or Tyler, the Creator. “Something more creative… but dream role? I want to be a princess,” she said with a smile. “Like an African princess. I think that would be cute.”

After making the scene at her first Met Gala last year, last week it was announced that Tyla will be part of the 2025 Met Gala Host Committee team alongside André 3000, Simone Biles, Dapper Dan, Doechii, Ayo Edebiri, Regina King, Spike Lee, Janelle Monae and Sha’Carri Richardson, among others. Though she’s not sure what her outfit will be yet, Tyla promised that it “will be hot… you know that,” without revealing any additional details.

In her new British Vogue cover, the 23-year-old South African native charted her quick rise to fame and gave a hint of what musical direction she is headed in after the worldwide breakthrough of “Water,” the debut single from her self-titled first album that topped out at No. 7 on the Billboard Hot 100.

“I really feel like I have changed so much since ‘Water’ and my debut album. I have grown into a different version of myself. A little more spicy, a little more bold. I’m excited to just put that into the music,” she told the magazine. And while her global acclaim could easily lead to product extensions into a beauty or booze line like other pop stars, Tyla said she’s focused on her main gig.

“Music is my first love,” she said, while keeping her options open. “Maybe one day I’ll want to dabble in acting, beauty, creative directing, fashion… I really have a love for it all and I know I can do it all.”

Tyla will appear alongside aespa, Erykah Badu, GloRilla, Angela Aguilar, Gracie Abrams, Jennie, Megan Moroney, Meghan Trainor and Muni Long at March 29th’s 2025 Billboard Women in Music event.

Check out Tyla on the Jennifer Hudson Show below.

Kendrick Lamar’s “Not Like Us” blasts back to No. 1, from No. 15, on the Billboard Hot 100 songs chart (dated Feb. 22), sparked by his performance of the song during the Super Bowl LIX halftime show Feb. 9.

The scathing diss track – which on Feb. 2 won the Grammy Awards for record and song of the year, among its five victories – adds a third week atop the Hot 100. It debuted at No. 1 on the May 18, 2024, chart and became a pop-culture fixture, spending the next eight weeks between Nos. 2 and 6. It was further boosted by Lamar’s Juneteenth The Pop Out: Ken & Friends concert – in which he performed the song five times. It rebounded for a second week at No. 1 on the July 20 chart, following the July 4 premiere of its official video.

“Not Like Us” leads the Hot 100 again after a break of 29 chart weeks (and 30 total, encompassing a week off the chart while holiday hits decorated the ranking) – the third-longest break between time at No. 1 in the chart’s 66-year history (surpassing two hits that waited nine weeks each between stays on top: Olivia Rodrigo’s “Vampire,” in 2023, and Miley Cyrus’ “Wrecking Ball,” in 2013).

Among all songs, the only longer breaks between No. 1 Hot 100 runs belong to Chubby Checker’s “The Twist” and Mariah Carey’s “All I Want for Christmas Is You.” The former returned to the top after a record wait of a year, three months and three weeks, between 1960 and 1962, after it re-entered the chart thanks to new popularity among adult audiences; Carey’s Yuletide anthem has led for 18 total weeks, via annual reigns since December 2019.

Meanwhile, “Not Like Us” becomes the first non-holiday song to top the Hot 100 three separate times with breaks of two or more months in between each domination.

Lamar additionally ties his longest Hot 100 command, as he first led for three weeks last April with “Like That,” with Future and Metro Boomin. He has earned five No. 1s, also ruling for a week each with “Squabble Up” in December (thus, in between his second and third turns at No. 1 with “Not Like Us”); “Humble.” in 2017; and as featured on Taylor Swift’s “Bad Blood” in 2015.

Additionally, two songs reach the Hot 100’s top 10 for the first time, led by Chappell Roan’s “Pink Pony Club” (18-9), after she performed the song on the Grammys and won for best new artist and has drawn continued attention for her acceptance speech calling for improvements in artists’ healthcare. Plus, SZA’s “30 for 30,” featuring Lamar, leaps 22-10 after she guested during Lamar’s halftime show performance.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 22, 2025) will update on Billboard.com tomorrow, Feb. 19, a day later than usual due to the Presidents’ Day holiday in the United States Feb. 17. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

‘Not Like Us’ Streams, Airplay & Sales

Charli XCX loves to keep her fans on their toes and in a new Instagram post over the weekend the singer hinted that she might have another hard pivot just around the corner. After headlining the second weekend of Australia’s Laneway Festival — where she shared the bill with Remi Wolf, Beabadoobee and Clairo, among others — the Grammy-winning “Von Dutch” singer said she’s considering swerving into yet another new musical lane.
“I really had fun doing it and it got me thinking, what if we made a record with guitars or strings… or both? Lou Reed era maybe, I dunno just saying,” Charli said in a video re-posted by a fan in which she said the Clairo track “Sofia” is one of her favorite songs. “I heard it before it came out, like, a few years ago, and I always loved it,” she said of the tune the pair collaborated on at Laneway on Friday (Feb. 14) in Melbourne.

Charli adding that she texted Clairo before the show and asked if she wanted to team-up on a live version of the tune that was released as the third single from Clairo’s 2019 debut studio album, Immunity.

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It wouldn’t be out of the question for the singers to team-up, as Clairo was featured on “February 2017” from Charli’s 2019 album, Charli.

One of the co-producers of Charli’s career-defining 2024 Brat album, Finn Keane, recently told Grammy.com that the 32-year-old singer is itching to “do the complete opposite thing again” on her next LP. “Some of the conversations we’re having and music we’ve been playing around with the last couple of months have been completely the opposite [of Brat]. I love that spirit. It’s the iconoclastic impulse to rebuild something completely different, to show that you actually could do this other thing,” said Keane, who noted that a big turn from the club aesthetic of Brat is “very in keeping with her ethos.”

Keane doubled-down, saying that all the musical discussions they’ve had since XCX released her Brat and it’s completely different but also still brat remix album last year have been kind of “anti-Brat. I doubt that’ll stick, but that’s been a really interesting thing to observe and makes me very optimistic and excited about [what’s next],” he said.

Charli ‘s Brat world tour will ramp up again in April with a show in Mexico City at Axe Ceremonia on April 5, followed by headlining sets at the Coachella festival in mid-April and the kick off of her U.S. arena tour on April 22.