State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm


genre pop

Page: 53

Ed Sheeran‘s next era is locked and loaded, with the pop star revealing Wednesday (March 19) that his new album and its lead single — a snippet of which he also premiered on Instagram — are ready to go. In a video, Sheeran hangs out in the studio with his producer, Ilya Salmanzadeh, as they […]

With Billboard Women in Music just around the corner, we took to the streets of Los Angeles to find out from fans who their favorite powerful woman in the music industry is and why. From Rihanna to Mariah Carey, we find out who the public loves! Who do you think is a powerful woman in […]

For the first time in the five-month span of the Top Gabb Music Songs chart, a song stays at No. 1 for more than one month.
Lady Gaga and Bruno Mars’ “Die With a Smile” crowns the February 2025 tally as the most-played song on Gabb Wireless phones that month, reigning for a second month in a row after debuting atop the January 2025 tally.

Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts.

“Die With a Smile” reigns after rules on the monthly chart for Benson Boone’s “Beautiful Things,” KSI’s “Thick of It” (featuring Trippie Redd) and Jelly Roll’s “Run It” in October-December 2024, respectively.

The Gaga/Mars duet concurrently reigned on the Billboard Hot 100 for two weeks in February 2025, ruling the Feb. 1- and Feb. 15-dated lists, and appears at No. 2 on the most recent tally, dated March 22.

Trending on Billboard

Mars makes it a sweep of Top Gabb Music Songs’ top two, as his and ROSE’s “APT.” jumps 7-2 – a new peak after previously reaching No. 3 on the December 2024 ranking.

No song hits the chart’s top 10 for the first time, though Drake’s “God’s Plan” returns to the region, rising five spots to No. 7 (the song’s peak so far remains No. 4, achieved on the November 2024 tally).

In fact, though all but four songs make some sort of movement on the 25-song February 2025 list versus their January 2025 ordering, just one is a debut: Forrest Frank’s “Drop!,” which bows at No. 19. It’s the first song to appear on the chart that was released in 2025, as it premiered on Jan. 24. The tune started at No. 18 on Billboard’s Hot Christian Songs survey dated Feb. 8 and appears at No. 33 on the most recent ranking.

See the full top 25 below.

Top Gabb Music Songs

“Die With a Smile,” Lady Gaga & Bruno Mars (=)

“APT.,” ROSE & Bruno Mars (+4)

“Beautiful Things,” Benson Boone (+1)

“Thick of It,” KSI feat. Trippie Redd (-2)

“Face 2 Face,” Juice WRLD (=)

“Run It,” Jelly Roll (-3)

“God’s Plan,” Drake (+5)

“Slow It Down,” Benson Boone (=)

“Please Please Please,” Sabrina Carpenter (+1)

“Stargazing,” Myles Smith (-1)

“Golden Hour,” JVKE (re-entry)

“Deja Vu,” Olivia Rodrigo (-1)

“Butterfly Effect,” Travis Scott (+3)

“Ain’t No Love in Oklahoma,” Luke Combs (-7)

“Too Sweet,” Hozier (-1)

“Love Somebody,” Morgan Wallen (-1)

“Heat Waves,” Glass Animals (re-entry)

“Let You Down,” NF (=)

“DROP!,” Forrest Frank (debut)

“Stressed Out,” Twenty One Pilots (+3)

“Bones,” Imagine Dragons (-4)

“Enemy,” Imagine Dragons (-1)

“Saturn,” SZA (+2)

“Wildflower,” Billie Eilish (-4)

“Hope,” NF (re-entry)

DROPS FROM JANUARY 2025: “Popular,” Ariana Grande; “Defying Gravity,” Ariana Grande feat. Cynthia Erivo; “I Always Wanted a Brother,” Braelyn Rankins, Theo Somolu, Aaron Pierre & Kelvin Harrison Jr.; “Lil Boo Thang,” Paul Russell

Benny Blanco and Selena Gomez captured a retro feel with their new “Sunset Blvd” music video, and song was inspired by the newly engaged couple’s first date. “This song felt like such a moment in time where you’re just fully lost in someone and you’re past that point and you’re like, ‘OK, I’m not scared […]

BLACKPINK‘s LISA dropped a high-energy YouTube Music Nights Special Stage Performance video for her solo single “FUTW” on Tuesday night (March 18). The visual is a static shot of the singer and six backup dancers on a stage framed by blood red columns, with all seven women wearing variations on black leather bikinis. Explore See […]

BTS‘ j-hope is setting ARMY up for his latest masterpiece with a second tease of the upcoming solo single, “Mona Lisa.” The official 30-second teaser of the song due out on Friday (March 21) continues the fine art-theme of the previous sneak, which peeled back a nine-second taste of the tune’s smoothed-out R&B vibe.
In the new look, Hobi sits on a long white bench in a mostly blank-walled gallery space in bedazzled acid-washed jeans, black boots, a black leather jacket and backwards baseball hat, elbows on his knees as he contemplates the silence. The only action comes when he turns around to look at the series of five photos of a woman in various states of profile, each of which is being blown around by a fan behind the singer.

There is no music in the teaser, and the only action comes with j-hope stands up and an unseen hand smears his face with white paint as the song’s title pops up on screen.

Trending on Billboard

Last week, j-hope shared a brief preview of the song, containing a buzzy, glitched-out beat and wavering bass line with inaudible vocals. In a statement, the singer’s label, BIG HIT, described the hip-hop/R&B song as exuding his “smooth, laid-back charm… expand[ing] his musical spectrum, solidifying his status as one of the most dynamic and sought-after global artists.”

It continues, “‘MONA LISA’ is a love song that pays tribute to celebrating one’s unique beauty. It explores an infatuation towards a person whose beauty is one of a kind.” It was, of course, inspired by Leonardo da Vinci’s iconic masterpiece of the same name with the legendary sly smile, with the track likening “the praise for the alluring person to the timeless masterpiece. It conveys that what truly moves someone is not external beauty, but rather the distinctive characteristics that make each person special.”

BIG HIT promises that the bouncy tune “seamlessly blends a groovy rhythm with a funky chord progression, creating an irresistibly refreshing sound,” noting that “as the song builds, the chorus toward the end invites an infectious sing-along, amplifying the uplifting, feel-good atmosphere.”

“Mona Lisa” is the follow-up to Hobi’s recently released digital single featuring Miguel, “Sweet Dreams,” which will debut at No. 66 on the Billboard Hot 100 dated March 22.

Check out the official “Mona Lisa” teaser below.

After publicly hard-launching her romantic relationship, Lucy Dacus is taking a moment to acknowledge her recent friendship with pop star Chappell Roan.
In a new interview with People, Dacus revealed that she and the “Pink Pony Club” singer have become friends over the course of the last year, saying that she is “really cherishing” her “new friendship” with the pop phenom.

Pointing to a recent example of that new rapport, Dacus said that Roan was there to support her when she was having a rough time recently. “I had kind of a bad week a couple of weeks back, where putting out music just feels worse, and it made me wonder if I should just skip to the part of my life where I live off the land and have a job that isn’t my name,” she said. “And [Chappell] was just like, ‘No, what you make is important and makes a lot of people feel less lonely.’”

Trending on Billboard

That relationship has proven to be a two-way street. When Roan was feeling overwhelmed with her sudden, meteoric rise to international recognition last year, the singer told Rolling Stone that Dacus and her Boygenius bandmates Phoebe Bridgers and Julien Baker were there to talk her through the experience of sudden fame, and how bad fan interactions can often feel “abusive and violent.”

Dacus recalled that same instance in her new interview, explaining that all three members of her rock supergroup know what it’s like to go from cult following to sudden, headline-making success. “When she was feeling spread really thin, all of us in Boygenius were encouraging her and telling her that it’ll die down,” she said. “It is just a really spinny trip when everybody has something to say about you.”

The news comes during a big week for Dacus. Along with continuing to promote her fourth studio album, Forever Is a Feeling (out March 28), the “Talk” singer also confirmed that she is in a relationship with Boygenius bandmate Baker in an interview with The New Yorker. “I want to protect what is precious in my life, but also to be honest, and make art that’s true,” Dacus said of her decision to open up about her relationship. “I think maybe a part of it is just trusting that [my relationship]’s not at risk.”

Roan, meanwhile, is fresh off the release of her country anthem “The Giver.” In a conversation on Amazon Music’s Country Heat Weekly, Roan said that her jump to the country genre was simply born out of a funny idea rather than a new direction for her music as a whole. “I’m not trying to convince a country crowd that they should listen to my music by baiting them with a country song,” she said. “I just think a lesbian country song is really funny, so I wrote that.”

It would have been a trio for the ages. According to a new interview with Barbra Streisand‘s A&R rep Jay Landers, when the singer was working on her 1993 Back to Broadway album, in the midst of recording some of the Great White Way’s most beloved tunes by Oscar Hammerstein, Richard Rodgers, Stephen Sondheim, Kurt Weill, Leonard Bernstein and Frank Loesser, someone came up with the brilliant idea to cover the Annie Get Your Gun classic “Anything You Can Do I Can Do Better” as a duet with Madonna and another very special guest.

Explore

See latest videos, charts and news

See latest videos, charts and news

“David Foster created a demo and we said, ‘well, who could we do this with?’” Landers said. “And we chose Madonna and… Bette [Midler]. So it was going to be the three of them.” As envisioned at the time, the triple-headed vocal extravaganza would then end with all three women in the lady’s room, with Madonna and Bette kvetching, “‘God, she’s such a b–ch! She’s so controlling’ and this and that and the other thing and blah, blah, blah. And then we hear another stall open and, ‘Ladies! I’m in here!’ And that’s how the song was going to end,” he said.

Trending on Billboard

Landers noted that Foster had cooked up a “brilliant” arrangement for the trio that started off in a manner similar to the Irving Berlin-penned version we all know and love, in which Annie Oakley and Frank Butler engage in a playful musical game of one-upmanship; the original version appeared in the Ethel Merman/Ray Middleton 1946 cast recording for the show. But when it came to the Madonna section where she sings, “Anything you can sing, I can sing sweeter,” Landers said Foster dropped in a “Madonna disco beat.”

Similarly, when it came to Midler’s section, Foster slid in a “Wind Beneath My Wings”-style motif. “So it touched upon their sounds,” Landers explained. “Really clever.” Landers’ job was to wrangle all three women, who, amazingly, all agreed to do the session. That is, he lamented, until Madonna was unable to participate at the last minute for an undisclosed reason.

Watch Landers tell his musical fish-that-got-away story below.

Miley Cyrus has lost her initial bid to dismiss a copyright case claiming her chart-topping “Flowers” ripped off the Bruno Mars song “When I Was Your Man,” allowing the high-profile lawsuit to proceed toward a trial.
Seeking to end the case at the outset, attorneys for Cyrus had argued that the plaintiff who filed the lawsuit lacked the legal “standing” to pursue it. The case was filed not by Mars himself, but a financial entity called Tempo Music Investments that bought the rights of his co-writer Philip Lawrence.

But in a ruling issued Tuesday, a Los Angeles federal judge rejected that argument, calling it “incorrect” and a “misunderstanding” of existing legal precedents.

Trending on Billboard

“Tempo now steps into Lawrence’s shoes and is a co‐owner of the exclusive rights of the copyright,” Judge Dean D. Pregerson wrote. “Because Lawrence as a co‐owner could sue for infringement, Tempo as co‐owner, in lieu of Lawrence, can sue for infringement without joining the other co‐owners of the copyright.”

Attorneys for Cyrus called Tempo’s partial ownership a “fatal and incurable defect in plaintiff’s claim,” but Judge Pregerson ruled that endorsing the star’s argument would be a radical shift in the legal landscape and have a profound economic and creative impact.

“Such a limitation would diminish the value of jointly owned copyrights, because buyers would be less interested in purchasing a copyright that they cannot enforce, thereby disincentivizing co‐authorship and collaboration in works,” the judge wrote. “This would undermine Congress’s intent.”

In rejecting it, the judge took Miley’s argument to its rational endpoint: “If, as songwriter defendants’ arguments seem to suggest, a co‐owner’s right to sue for infringement is lost upon transfer, then if all original co‐authors transferred their interest, the copyright could never be enforced.”

Tuesday’s ruling is only an initial decision, and does not mean that Tempo will win its case against Cyrus. As it moves ahead, her attorneys will pivot to more substantive arguments – that her song simply did not infringe the Mars hit because they share only “unprotected ideas and musical building blocks.”

Attorneys for both sides did not immediately return requests for comment on Tuesday.

“Flowers,” which spent eight weeks atop the Hot 100, has been linked to “Your Man” since it was released in January 2023. Many fans immediately saw it as an “answer song,” with lyrics that clearly referenced Mars’ song. The reason, according to internet sleuths, was that “Your Man” was a favorite of Cyrus’ ex-husband Liam Hemsworth — and her allusions were a nod to their divorce.

When “Flowers” was first released, legal experts told Billboard that Cyrus was likely not violating copyrights simply by using similar lyrics to fire back at the earlier song — a time-honored music industry tradition utilized by songs ranging from Lynyrd Skynyrd’s “Sweet Home Alabama” to countless rap diss records.

But Tempo sued in September, claiming “Flowers” had lifted numerous elements beyond the clap-back lyrics, including “melodic and harmonic material,” “pitch ending pattern,” and “bass-line structure.” Tempo, which had purchased a fractional share in the song from co-writer Lawrence, argued it was “undeniable” that Cyrus’ hit “would not exist” if not for “Your Man.”

In her motion to dismiss the case, attorneys for Miley said that the total lack of involvement from Mars and the song’s two other co-writers was not some procedural quirk in the case, but rather a fatal flaw: “Without the consent of the other owners, a grant of rights from just one co-owner does not confer standing.”

Of course Joe and Kevin Jonas were in the house on Tuesday night (March 18) to support their brother Nick Jonas in his return to Broadway in The Last Five Years. The siblings were reunited on the stage with Nick’s co-star, Adrienne Warren in a family snap at the kick-off of preview performances at the […]