genre pop
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Lady Gaga and Bruno Mars’ “Die With a Smile” tallies a 16th week at No. 1 on the Billboard Global 200 chart. The song also adds for a 13th week atop the Billboard Global Excl. U.S. survey. The ballad first led both lists last September.
Plus Drake’s “Nokia” hits the Global 200’s top 10, rising 13-8, and W Sound, Beéle & Ovy On the Drums’ “La Plena (W Sound 05)” reaches the Global Excl. U.S. top 10, thumping 14-9.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“Die With a Smile” continues atop the Global 200 with 91.3 million streams (down 4% week-over-week) and 6,000 sold (down 3%) worldwide April 4-10. At 16 weeks, the song solely claims the second-longest No. 1 run since the chart began:
19 weeks at No. 1, “All I Want for Christmas Is You,” Mariah Carey (2020-25)
16 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
15 weeks, “As It Was,” Harry Styles (2022)
14 weeks, “Flowers,” Miley Cyrus (2023)
12 weeks, “APT.,” ROSÉ & Bruno Mars (2024-25)
“APT.” holds at No. 2 on the Global 200; Alex Warren’s “Ordinary” keeps at its No. 3 high; Billie Eilish’s “Birds of a Feather” flutters 5-4 following three weeks at No. 1 last August; and Doechii’s “Anxiety” dips 4-5 after reaching No. 3.
Drake’s “Nokia” surges 13-8 on the Global 200. It drew 39.9 million streams (up 9%) and sold 12,000 (up 28%) worldwide April 4-10, after its official video premiered March 31. Drake adds record-extending 36th top 10 since the chart began, lifting him further past runner-up Taylor Swift (33).
“Die With a Smile” collects a 13th week at No. 1 on Global Excl. U.S., with 74 million streams (down 7%) and 3,000 sold (down 8%) outside the U.S. The song ties for the third-longest domination in the chart’s archives:
19 weeks at No. 1, “APT.,” ROSÉ & Bruno Mars (2024-25)
14 weeks, “All I Want for Christmas Is You,” Mariah Carey (2021-25)
13 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
13 weeks, “Flowers,” Miley Cyrus (2023)
13 weeks, “As It Was,” Harry Styles (2022)
“APT.” is steady at No. 2 on Global Excl. U.S.; “Ordinary” holds at its No. 3 high; “Birds of a Feather” lifts 6-4, after three weeks at No. 1 last August; and JENNIE’s “like JENNIE” slips 4-5 after hitting No. 3 high.
Plus, all-Colombian collaboration “La Plena (W Sound 05)” bounds 14-9 on Global Excl. U.S. with 35.7 million streams (up 8%) outside the U.S. Billed to W Sound, Beéle & Ovy On the Drums, the track marks the first top 10 for each act (with W Sound the team-up series between Westcol and Ovy on the Drums).
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated April 19, 2025) will update on Billboard.com tomorrow, April 15. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
LISA and ROSÉ may not have shared a stage as BLACKPINK at Coachella this year, but that doesn’t mean they weren’t together throughout the festival as the former made her solo performance debut in the desert Friday (April 11). Following LISA’s performance on the Sahara Stage opening night, the two ladies got together in what […]
Kendrick Lamar and Drake go head-to-head for No. 1 on the Hot 100. Tetris Kelly:This is the Billboard Hot 100 top 10 for the week dated April 19. “Beautiful Things” is at 10. Morgan Wallen is still at nine. “Lose Control” slips to eight. Alex Warren’s “Ordinary” joins the top 10. “A Bar Song (Tipsy)” […]
In 2025, Billie Eilish is one of the most famous monikers in the entertainment industry. But a decade-plus ago, it was simply the name of a young girl who wanted to be called anything else, with the star revealing in a new British Vogue cover story that she “absolutely hated” her first name when she was growing up.
More than a dozen famous friends — from Sabrina Carpenter to Chappell Roan, SZA and Greta Gerwig – interviewed her for the piece published Monday (April 14), but Eilish was especially candid when Idris Elba asked whether she was proud or embarrassed of her unusual name when she was younger. “I absolutely hated my name when I was a kid,” the two-time Oscar winner replied. “‘I thought Billie was a boy’s name.’ That’s all I ever heard every day of my life.”
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“I remember just being so mad, and all I wanted was to have a girly name, like Violet or Lavender, some sort of, you know, pretty flowery name,” she continued. “And it’s so funny because now there’s no other name in the universe that could be my name besides Billie. I love my name so, so, so much. It really is the only possible choice for who I am.”
Noting that she was named after her grandfather, William, Eilish added that she found more confidence after realizing that an actress in one of her favorite shows shared her name. “The first female Billie I think I knew of was Billie Piper, from Doctor Who,” she told the publication. “I loved Doctor Who, so I was very, very excited about that. But then at the same time I was jealous and mad because I was like, ‘Why would anybody say my name and mean someone else? Unacceptable!’”
Though she fully embraces her name now, the nine-time Grammy winner also said in the piece that she still struggles with self-confidence. In response to a question from Nicki Minaj — who observed that Eilish sometimes seems “uncomfortable with how beautiful” she is — about whether she ever worries her physical attributes might “overshadow” her music, the “Lunch” singer replied, “Nicki, this question made me tear up a little.”
“I’ve never really felt very beautiful or seen myself in that way, so I definitely never struggled with the idea that it would overshadow anything, since I didn’t even really see it myself,” she continued. “I’ve had to really convince myself that I am beautiful.”
Eilish added, “Being a woman is hard.”
The interview comes a couple days after the singer-songwriter joined Charli XCX onstage at Coachella 2025 for a surprise performance of their Billboard Hot 100 No. 12 duet “Guess,” after which the “Von Dutch” artist shared a photo on Instagram of herself posing with her collaborator as well as fellow special guests Troye Sivan and Lorde. Eilish’s third studio album, Hit Me Hard and Soft, arrived in May last year and debuted at No. 2 on the Billboard 200.
See Eilish on the cover of British Vogue below.
Katy Perry blasted off into space on Monday morning (April 14) with an all-female crew on a Blue Origin rocket. The flawless lift-off from the Jeff Bezos-owned company’s West Texas facility on a perfect blue sky day found the space tourists hurtling through the atmosphere at nearly mach 3.
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In the lead-up to the flight, CBS aired footage of the women sitting in the windows of an SUV and waving to the gathered crowds as the were driven up to the launch pad. Nearly three minutes into the flight, the crew module separated from the booster, sending the rounded cone into near space approximately 62 miles above Earth in the area called the “Kármán line,” an imaginary boundary that’s viewed as the dividing lien between Earth’s atmosphere and outer space.
The all-female flight had Perry joined by Jeff Bezos’ fiancée Lauren Sanchez, as well as CBS Mornings co-anchor Gayle King, aerospace engineer Aisha Bowe, civil rights activist and Nobel Peace Prize nominee Amanda Nguyen, producer and entrepreneur Kerianne Flynn. CBS News cameras captured the moment when the capsule separated from the booster, with King’s longtime best friend Oprah Winfrey bursting into tears of joy.
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The crew experienced about three to four minutes of weightlessness before the fliers strapped back in for their descent back to Earth. CBS aired broken audio of the crew marveling at the sight of Earth from space, as well as footage of the booster returning to Earth for a soft, perfectly upright landing.
At the eight and half minute mark the capsule’s parachutes deployed and viewers could hear screams of joy from within the nose cone as they made a soft touchdown in the desert. Within minutes, Blue Origin staffers raced to the capsule in trucks filled with the fliers’ friend and family to celebrate the trip.
Bezos opened the hatch on the capsule and greeted Sanchez with a big hug and kiss as she emerged, with Perry emerging and appearing to thrust a tiny daisy into the air before dropping to her knees to kiss the ground.
In an interview with the crew after their final training on Sunday, CBS sat down with the women and asked them to describe how they were feeling in one word. Perry chose “worthiness,” while Gayle King went with “blessed,” as well as “surrender.” She explained, “this is such an unlikely place for me to be and so in my mind I’ve said okay, I feel well-prepared for this moment after the training we’ve had for the last couple of days. But it still hasn’t eased the fear that I have.”
Asked what surprised her about the training — which she’s been doing in between rehearsals for her upcoming world tour — Perry joked “so many seatbelts!” Perry, 40, was also asked if she planned to sing in space and she said she had an idea that would not be “about me or for me. It will be for the beautiful Earth that we get to see. Because I think the perspective that we’re all gonna walk away from is like, ‘oh my gosh, we have to protect our mother. Fiercely.”
Speaking to the AP last week, Perry explained her reason for taking the trip. “I am talking to myself every day and going, ‘You’re brave, you’re bold, you are doing this for the next generation to inspire so many different people but especially young girls to go, “I’ll go to space in the future.” No limitations,’” said the singer. “I’m really excited about the engineering of it all. I’m excited to learn more about STEM and just the math about what it takes to accomplish this type of thing.”
Check out footage of the launch below.
Katy Perry is almost ready for launch — and she’s giving fans a peek inside the capsule before liftoff.
The pop star is set to board Blue Origin’s NS-31 mission on Monday morning (April 14), joining a groundbreaking, all-female crew for the company’s 11th human spaceflight.
Ahead of launch, Perry shared a behind-the-scenes look from inside the capsule, posting a video to Instagram where she appears in full flight gear with her fellow passengers.
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“I think I’m gonna sing,” she says in the clip. “I’ve got to sing in space!” As the camera pans to show the six-woman team seated together, Perry adds, “These are all of my astronaut girly friends,” flashing a grin as the capsule runs through final simulations.
Joining Perry on the mission are journalist Lauren Sánchez, aerospace engineer Aisha Bowe, civil rights activist and Nobel Peace Prize nominee Amanda Nguyen, producer and entrepreneur Kerianne Flynn, and CBS Mornings anchor Gayle King. The crew is scheduled to launch at 7 a.m. CT from Blue Origin’s West Texas facility, where they’ve spent the past several days completing astronaut training.
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This will mark the first all-women crewed mission to space since Valentina Tereshkova’s historic solo flight in 1963.
Earlier this week, Perry described the emotional resonance she felt while preparing for the mission, explaining that she experienced what she believed were signs from the universe that confirmed she was on the right path.
“When I was invited to come on this voyage, I looked up the capsule. On the very front of it is the outline in the shape of a feather and when I saw that it was like a total confirmation because my mom has always called me Feather,” she said.
“Then they reveal the capsule name… The capsule’s name is Tortoise. A wave, just the most energetic wave, just shot through my body. My mom calls me two nicknames. Feather and Tortoise. What are the chances that I’m going to space on a rocket in a capsule with my symbol, the feather, called Tortoise?”
“There are no coincidences,” she added. “And I’m just so grateful for these confirmations and so grateful that I feel like something bigger than me is steering the ship.”
Perry has embraced the symbolism and style of the mission, joking in a separate post, “There will be lash extensions flying in the capsule… Mine are glued on. They’re good.” She added, “Space is going to finally be glam.”
Lauren Sánchez echoed the sentiment, saying, “We’re going to put the ‘a**’ in astronaut.”
For Perry, the mission also serves as a message to young women. “I’m motivated more than ever to be an example for my daughter that women should take up space — literally and figuratively,” she wrote on Instagram.
After the short journey into space — which will include four minutes of weightlessness before returning to Earth — Perry will begin her Lifetimes Tour in support of her upcoming album 143, launching April 23 in Mexico City.
The flight will be broadcast live on CBS with coverage beginning at 7 a.m. ET with a special edition of CBS Mornings, followed by the “Gayle Goes to Space” special at 9 a.m. ET. Paramount+ will also stream the entire Blue Origin launch and flight.
Benson Boone is making the leap from Coachella to the SNL stage in just a couple weeks, when he’ll perform live as musical guest on the May 3 episode. It will mark Boone’s first appearance on Saturday Night Live. His SNL debut will be alongside Abbott Elementary star Quinta Brunson, who’ll serve as host for […]
Lizzo has a message for President Donald Trump’s economic policies.
During her April 12 appearance as the musical guest on Saturday Night Live, the 36-year-old rapper-singer wore a black T-shirt with the word “TARIFFIED” in bold red letters — a clear jab of Trump’s newly announced 145% tariff on Chinese imports.
Appearing on the Jon Hamm-hosted episode, Lizzo used the platform to promote her upcoming fifth album, Love in Real Life, which currently has no official release date. This marked her fourth appearance on the iconic sketch comedy show (she also hosted once in 2022).
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For her opening performance, Lizzo took the stage with a trio of backup singers and an electric guitar to perform a medley of “Love in Real Life” and “Still Bad.” After a brief shredding session, she ditched the guitar and was joined by a crew of dancers, all dressed in black, to finish off the high-energy performance — all while rocking her politically charged “TARIFFIED” shirt.
Later in the show, Lizzo delivered a show-stopping performance of “Don’t Make Me Love You,” a likely track from Love in Real Life. Channeling an ’80s vibe, she stunned the audience in a shimmery gold dress, with her hair blown by wind machines as she belted out the powerful song.
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Lizzo confirmed last month that Love in Real Life is officially complete. “ALBUM IS DONE YALL!” she shared on Instagram, posting a photo of herself in the studio with a playful caption: “ASTROLOGY EXPERTS Do my mercury got micro braids? Cus I got an emergency root canal, announced SNL & finished my album all in one day today.”
So far, Lizzo has released two tracks from the upcoming album: “Still Bad” and the title track. Aside from “Pink” for Greta Gerwig’s 2023 Barbie soundtrack, the first singles from the project mark the Yitty founder’s first proper releases since 2022’s Special, which reached No. 2 on the Billboard 200 and spawned two-week Billboard Hot 100 No. 1 single “About Damn Time.”
Watch Lizzo’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
The long tail of Brat is visible to the naked eye at Coachella 2025, where this weekend a not insignificant portion of the crowd is dressed in the kind of asymmetrical ruffled skirts, wraparound sunglasses and black knee-high boots that Charli XCX has popularized during her culture-shaking marathon run around the album, which came out two months after last year’s Coachella.
Given that we’ve all been living through the many seasons of Brat ever since, it felt apt, reasonable and more or less expected that Charli kept her Saturday night performance almost entirely album-centric, using the slot on the Coachella mainstage — where she last appeared in 2023 — to spotlight the LP’s music, collaborators, aesthetic and attitude. The biggest twist came at the end, when she raised questions about whether or not it might be coming to a close.
The set began promptly at 7:20 p.m. with strobe-light black and white graphics on Coachella’s giant screens building a feeling of hype. Then began the strains of “365,” with Charli appearing at the center of the giant stage dressed in black micro-shorts with a chain belt, black knee-highs, a black bra, sheer black over shirt and black sunglasses, which, per usual, stayed on for the duration of the show.
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She then went directly into “360” and then “Von Dutch,” during which she strutted through the crowd before returning to the stage and demanding “You ready to sing? Louder b—h!” before launching into the chorus and then going directly into “Club Classics.” By this point, the “I want to dance to me, me, me” refrain felt thematic in the sense that the entire show was kept very spare in terms of production, with the only major set piece being a riser that was used to once or twice lift Charli off the stage so she could be a bit higher while she danced. It was altogether a stark contrast to the absolute maximalism of Lady Gaga’s set on the same stage the night prior.
By comparison, Charli’s set was truly a spotlight on and a showcase for her and her stage presence. While she was able to carry the massive mainstage on her own without many bells, whistles or a single backup dancer, it also demonstrated that things are more fun with friends, as a litany of Brat collaborators joined Charli at various points to perform their respective album cuts.
The first of these moments was from Troye Sivan, Charli’s co-headliner on the 2024 Sweat Tour, who came out to sing their jaunty sex romp duet “Talk Talk” — with the great chemistry these two have palpable throughout and Charli seeming a bit more overtly joyful while performing alongside her pal.
After this came Charli’s solo performances of “I Might Say Something Stupid” and then “Apple,” which in extremely Brat fashion she sang while walking around the stage while carrying the party world drink vessel of choice, a red Solo Cup. Meanwhile, the camera panned to regular Charli associates Gabbriette, Alex Consani and Quenlin Blackwell doing the viral Apple dance in front row.
Then it was Lorde‘s turn, with the Australian star (whose jeans and t-shirt contrasted with Charli’s more club-ready outfit), coming out to sing her part on the “Girl, so confusing” remix. It was a pleasure to see the pair strutting side-by-side down the stage’s catwalk, with the moment reminding one of the power and beauty of these two working it out on the remix and catharsis in the duo’s confessional edit of the song. “Make some f—ing noise for Lorde,” Charli demanded from the crowd, before declaring “Lorde summer 2025” into the mic and Lorde then exiting after a big hug between the two.
It was moments later that Billie Eilish (wearing baggy shorts, an oversized polo shirt and a backward baseball hat) was onstage to do her part on the undeniable “Guess” remix, with the crowd having one of its biggest bursts of energy of the entire show during the song’s electro build. Quick cut edits of the pair dancing in strobe-ey lights flashed on the screen with the word “GUESS” intermittently transposed over them.
After Eilish’s exit, Charli literally crawled down the catwalk, with the crowd cheering as she thrust her hips on the stage and then crawled back towards the camera while screaming. She then stood up and just headbanged, her signature long black hair flailing. The show then shifted into softer, lovier territory while Charli sang her 2019 Lizzo collab “I Blame It On Your Love,” one of a three non-Brat songs that made it into the show. “Unlock It” from 2017’s Pop 2 had come earlier, with Charli then closing the entire performance with her classic 2012 Icona Pop collab “I Love It,” a crowd favorite and a high-energy closer.
But that wasn’t quite the end of the show. After the music, Charl stood onstage flanked by the giant screens that flashed messages seemingly beamed directly from her stream of consciousness: “Does this mean that Brat summer is finally over?” the words asked. “Idk? Maybe? Wait was it? No?? Yeah cuz duh it was already over like last year. Wait. Was it? NO??? I don’t know who I am if it’s over???” F–KKKKKKKK.”
Then the declaration momentarily took hold of itself, declaring “Wait. I remembered. I’m Charli” with images of the her name in various fonts flashing on the screen before the statement resumed by saying “and honestly… I just want this moment to last forever.” After a series of images at Charli at various points throughout her career, the screens flashed a clip of a green flag emblazoned with “Brat” waving, and then consumed in flames.
“PLEASE DON’T LET IT BE OVER,” the statement declared, at which point the show was officially done. But rest assured, Charli will be back next Saturday — same time, same place — for Coachella’s second weekend.
The upcoming remake of The Bodyguard has found its director. Grammy-nominated and Emmy Award-winning filmmaker Sam Wrench, best known for directing the 2023 concert film Taylor Swift: The Eras Tour, has been tapped to helm Warner Bros.’ reimagining of the iconic 1992 romantic thriller, according to The Hollywood Reporter. The original film famously starred Whitney […]