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Billboard Women in Music 2025 BTS has added yet another hit music video into YouTube‘s Billion Views club, as their 2016 clip for “Blood Sweat & Tears” has surpassed the milestone. “Blood Sweat & Tears” is the group’s eighth music video to reach one billion views, and the list also includes “Butter,” “Dynamite,” “Boy With Luv” featuring Halsey […]

Gracie Abrams‘ “That’s So True” ascends a spot to No. 1 on Billboard’s Adult Pop Airplay chart (dated April 5). The song is her first leader on the radio ranking. It previously became her first No. 1 on any airplay chart when it crowned Pop Airplay for two weeks in March. The song, on Interscope/ICLG, […]

Billboard Women in Music 2025 You can call her Queen Li? At her Auckland, New Zealand, concert Wednesday (April 2), Dua Lipa paid tribute to the country’s biggest pop star by performing a cover of Lorde‘s “Royals.” In clips from the show, the “Levitating” artist looks glamorous in a lacy black bodysuit and fuzzy cream […]

Billboard Women in Music 2025

Ten years after making a cameo in Taylor Swift‘s “Bad Blood” music video, Olivia Pompeo has nothing but love for the pop star — especially after the generous gift she gave the Grey’s Anatomy actress for a children’s charity on set.

While on The Jennifer Hudson Show Wednesday (April 2), Pompeo reflected on Swift tapping her to star in the Billboard Hot 100-topping 1989 single’s all-star visual, which premiered at the 2015 Billboard Music Awards. “Taylor is such a good girl,” the Golden Globe nominee said. “I didn’t know her, and she invited me to be in the video and I thought, ‘Oh that would be fun.’ It was the easiest thing.”

Pompeo added that she still gets “a lot of points” with daughters Stella and Sienna — whom she shares with husband Chris Ivery, along with son Eli — for having starred in the VMA-winning project. “That got me so much mileage with both of the girls for a stretch.”

“At the time, Chris and I, we do a lot of volunteering for Children’s Hospital Los Angeles here,” she continued. “They have an amazing program at Children’s where they make music for the babies in the NICU and for the parents who have to go to work all day and they can’t be with the kids, they record their voices singing nursery rhymes or telling them stories, and they play it for the babies in the day when the parents can’t be there.”

“It’s a really nice program, but they need money to run it,” Pompeo said before revealing that Swift chipped in big at the drop of a hat. “So I just got up the hutzpah and asked Taylor, ‘Could you write me a big old check for Children’s?’ And she knew me all of 20 minutes, and that girl wrote me the biggest check without blinking an eye.”

It may have been Swift’s first 20 minutes of knowing Pompeo, but the Grammy winner had been a fan of hers for years. She’s long been vocal about her fandom for Grey’s and named one of her cats Meredith Grey after Pompeo’s character on the show.

A couple years ago, fans even thought that Swift might make a cameo on the medical drama, which is still on the air after 20 years. The rumors turned out to be false, but Pompeo told Extra of a future Swift appearance, “I think she’s pretty busy, but that would be fun … I would love it.”

Watch Pompeo talk about Swift’s generosity on The Jennifer Hudson Show above.

Billboard Women in Music 2025 Lucy Dacus just had a magical moment as a Lady Gaga fan. After the Boygenius star covered the pop icon’s Mayhem single “Abracadabra” on BBC Radio 1’s Live Lounge, Gaga left Dacus stunned by showering the rendition with praise on TikTok. Commenting on a video of the “Ankles” singer’s performance […]

Billboard Women in Music 2025

Submit questions about Billboard charts, as well as general music musings, to askbb@billboard.com. Please include your first and last name, as well as your city, state and country, if outside the United States.

Or, reach out on Bluesky.

Let’s open the latest mailbag.

Hi Gary,

Remember when you, myself and another Billboard reader went over music acts with the longest streaks of gaining a new Billboard Hot 100 top 10 year after year? We had come to the consensus that, with 12 years apiece, Mariah Carey (1990-2001) and Prince (1983-94) were the two front-runners in that club. Well, now we have a third.

Thanks to his “Rather Lie,” with Playboi Carti, which debuted on the March 29 chart, The Weeknd has now put a new song in the Hot 100’s top 10 for a 12th consecutive year.

Here’s a rundown of all of his top 10s, in chronological order of their peaks:

2014: “Love Me Harder,” with Ariana Grande (No. 7 peak)

2015: “Earned It (Fifty Shades of Grey)” (No. 3); “Can’t Feel My Face” (No. 1, three weeks); “The Hills” (No. 1, six weeks)

2016: “Starboy,” feat. Daft Punk (entered the tier that October at No. 3, on its way toward topping the first Hot 100 of 2017)

2017: “I Feel It Coming,” feat. Daft Punk (No. 4)

2018: “Pray for Me,” with Kendrick Lamar (No. 7); “Call Out My Name” (No. 4)

2019: “Heartless” (No. 1, one week)

2020: “Blinding Lights” (No. 1, four weeks, eventually earing the honor of the Hot 100’s all-time biggest hit); “Smile,” with Juice WRLD (No. 8)

2021: “Save Your Tears,” with Ariana Grande (No. 1, two weeks); “Take My Breath” (No. 6); “One Right Now,” with Post Malone (No. 6)

2022: “Creepin’,” with Metro Boomin & 21 Savage (debuted at No. 5 that December and then hit a No. 3 high in 2023)

2023: “Die for You,” with Ariana Grande (No. 1, one week); “K-POP,” with Travis Scott & Bad Bunny (No. 7)

2024: “Young Metro,” with Future & Metro Boomin (No. 9); “Timeless,” with Playboi Carti (No. 3)

2025: “Rather Lie,” with Playboi Carti (No. 4, as this email is being typed)

Who else to tie such a historic streak than The Weeknd, right? Someone who happens to be: A, one of my favorite popular music acts of all time, and B, known for citing Prince as an influence.

Regards,

Jake RiveraMashpee, Mass.

Hi Jake,

Thanks for pointing out the update, and congrats to The Weeknd on his record-tying streak of Hot 100 top 10s in 12 consecutive years (or more than 600 weekends).

Notably, another act has joined the mix for potentially matching the mark: Drake is now up to an active streak of 11 years in a row with new Hot 100 top 10s, from 2015 (“Hotline Bling”) through 2025 (“Gimme a Hug” and “Nokia”). He could, thus, tie the record next year — or The Weeknd could claim the honor all to himself with at least one new top 10 in 2026.

Meanwhile, what about the same feat on the Billboard 200 albums chart? On first thought, a lengthy streak of annual new top 10s might seem less likely there, as, compared to singles, acts for the most part don’t release as many as albums, and somewhat rarely every year historically.

Let’s count down the artists, from The Beatles to Taylor Swift, Drake and more, with the most consecutive years of sending at least one new album to the Billboard 200’s top 10 (dating to Aug. 17, 1963, when the chart began combining mono and stereo releases into one ranking). The act atop the list might seem surprising, although perhaps less so once looking into why.

Seven consecutive years with new Billboard 200 top 10s:

Taylor Swift: 2019-25

Future: 2014-20

Pentatonix: 2013-19

Luke Bryan: 2011-17

Kenny Chesney: 2004-10

Dave Matthews/Dave Matthews Band: 2001-07

Earth, Wind & Fire: 1975-81

The Beatles: 1964-70

Andy Williams: 1963-69

Eight consecutive years:

Blake Shelton: 2010-17

Chicago: 1970-77

Nine consecutive years:

Drake — the record-holder among soloists (or groups with largely fixed lineups): 2015-23

And, the act with the longest such streak overall …

12 consecutive years (the same as the Hot 100 record):

The leading group – of rotating members – tallied all 24 of its Billboard 200 top 10s from Kidz Bop 7 through Kidz Bop 32. (In that run, only Kidz Bop 17 and Kidz Bop 30 missed the tier, both reaching No. 12; meanwhile, the collective has hit a No. 2 best with five releases.)

The act scored its record run of consistency in the Billboard 200’s top 10 thanks to its steady stream of all-ages covers of big pop hits. Kidz Bop Kids additionally earned 101 entries, including 42 top 10s, on the Kid Digital Song Sales chart, both bests in the list’s history. Four reached No. 1, led by their family-friendlier take on Meghan Trainor’s former Hot 100 No. 1 “All About That Bass,” which led for six weeks in 2015.

In 2014, Victor Zaraya, then an executive for the ensemble, mused about its win-win nature. “It’s favorable to have your song being sung,” he said. “Maybe a kid heard the Kidz Bop cover of an artist’s song before they heard the actual version. Will they remember it as a Kidz Bop song? Maybe. Will they remember it with the original artist? Maybe. But it’s only furthering that artist’s song.”

Beyond remakes of familiar songs, Zaraya noted that the act’s singers contributed to the enduring appeal of Kidz Bop, which in 2025 celebrates its 25th year, including with tour dates. To date, the troupe has sold 18.7 million albums and drawn 8.1 billion official streams for its songs in the U.S., according to Luminate.

“We want to let kids know that [the Kidz Bop Kids] are real — they sing, dance and perform,” Zaraya said. “They can be brand ambassadors for us. They have personalities. They are stars.”

Billboard Women in Music 2025

You’ve already had your “hot girl summer,” so, naturally, it’s time for “single girl summer.” At least it is according to the caption on an Instagram post from Haim on Tuesday (April 1), in which the sister trio previewed another song from their upcoming fourth album. In the clip, the siblings chill out on a stoop as lead singer Danielle lip synchs along over the marching drum-like beat as blasé New Yorkers walk through frame without breaking stride.

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“Renters’ rights, squatters’ rights/ I’ll be the gatekeeper for the rest of my life,” she sings along to the funky rhythm. “I don’t want your charity/ Spend a night in the cold if it keeps me free,” she adds. While the group only provided a 12-second preview of the song, the self-actualized nature of the lyrics are in keeping with the theme of the untitled album’s first single, “Relationships,” which delved into the hot-cold nature of affairs of the heart.

As if any other clues were needed that the new album might lean into the labor of love lost, the caption over the video reads: “this is your sign to leave him.”

At press time the trio also featuring drummer Alana and bassist Este Haim have not announced the title, or release date, of their upcoming album, the follow-up to 2020’s Women in Music Pt. III. In a recent interview in i.d. magazine, self-proclaimed “serial monogamist” Danielle said the new album is the first they’ve made without the involvement of her longtime boyfriend, producer Ariel Rechtshaid, and that she’s single for the first time since 2011. “Being single now, I’m just trying to embrace it, because I’m… I feel like I’m the age where I need to embrace it,” she said.

Alana said that the album is “the closest we’ve ever gotten to how we wanted to sound,” with Danielle diplomatically adding that working again with another longtime collaborator Rostam was “very quick, kinetic with him, which I really love as an artist… Maybe before, it wasn’t that way, it was kind of a more… longer, searching, labored situation.”

According to the article, the proof is in the meat of songs such as opening track “Gone,” described as a “blast of post-breakup energy that feels like one long, cathartic scream after years of pushing everything down thanks to lyrics such as: “You can hate me for what I am/ You can shame me for what I’ve done/ You can’t make me disappear/ You never saw me for what I was.” The track reportedly features an as-yet-uncleared sample from George Michael’s “Freedom ’90.” In a tribute to her love of Beyoncé’s Cowboy Carter, Danielle said she was inspired by the samples on that album, noting, “It doesn’t feel ‘F–k you’ to me — it feels like… ‘I’m gonna do my thing.’”

Check out the new song preview below.

Billboard Women in Music 2025

Selena Gomez and benny blanco’s first collaborative album, I Said I Love You First, debuts at No. 1 on Billboard’s Top Album Sales chart (dated April 5). It’s the fourth leader for Gomez and first for blanco. The set sold 71,000 copies in the U.S. in the week ending March 27, according to Luminate. It’s the best sales week for Gomez since 2015 and blanco’s best sales week ever.

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Of the 71,000 sold, vinyl purchases comprise 21,000 – the biggest week on vinyl for either artist. The title – the first album pairing from the real-life couple – also enters at No. 1 on the Vinyl Albums chart.

In total, I Said I Love You First is Gomez’s eighth top 10 on Top Album Sales, and the first for blanco.

Also debuting in the top 10 on the latest Top Album Sales chart: Japanese Breakfast’s For Melancholy Brunettes (& Sad Women) and My Morning Jacket’s is.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.

Of the 71,000 copies sold of I Said I Love You First, physical sales comprise 38,000 (21,000 on vinyl and 17,000 on CD) and digital download sales comprise 33,000.

The opening-week sales of I Said I Love You First were bolstered by its availability across seven vinyl variants (different color editions, some with alternate covers; including a signed version), three CD versions (a standard CD, a signed edition, and a zine/CD version with expanded packaging), a deluxe box set containing branded merch and a CD, and 10 different digital download iterations.

Of the download editions, firstly, there was a widely available standard set at digital retail. Then, through the album’s opening week, nine additional download variants were issued, all initially exclusively available through Gomez’s webstore, and each sold for $5. All of the variants included the standard album’s 14 songs, plus bonus material. Five of the variants each had one bonus track (“Stained,” “Talk,” “That’s What I’ll Care [Seven Heavens Version],” “Scared of Loving You [Live From Vevo]” and “How Does It Feel To Be Forgotten [Live From Vevo],” respectively) and one contained two bonus cuts (an acoustic version and extended version of the album single “Call Me When You Break Up”). There was also an Explained: Narrated by Selena Gomez edition (with 14 bonus tracks with Gomez providing commentary on each of the set’s 14 songs), a Slowed & Reverbed edition (with 14 bonus slowed and reverbed versions of the album’s songs) and an Instrumentals edition (with 14 bonus instrumental versions of the tracklist).

All nine of the variants became available in the iTunes Store on Wednesday (March 26). The variants were only sold in the iTunes Store through March 27, the final day they were also sold in Gomez’s store.

Lady Gaga’s chart-topping MAYHEM is a non-mover at No. 2 on Top Album Sales with a little over 13,000 sold (down 44%).

Japanese Breakfast lands its best sales week ever and highest charting title on Top Album Sales as For Melancholy Brunettes (& Sad Women) debuts at No. 3 with 13,000 sold. (It’s the second top 10 for the act.) The album’s sales were aided by its availability across eight vinyl variants (including a signed version), along with a standard download, CD and cassette edition. Vinyl sales tallied up to just over 10,000 – the act’s best week on vinyl, and it yields at No. 2 debut on the Vinyl Albums chart.

Kendrick Lamar’s former No. 1 GNX is steady at No. 4 on Top Album Sales (a little more than 11,000; down 9%) while The Weeknd’s chart-topping Hurry Up Tomorrow jumps 15-5 (11,000; up 92% following the release of a deluxe CD boxed set edition of the album sold in the artist’s webstore).

My Morning Jacket’s latest studio album, titled is, debuts at No. 6 on Top Album Sales with nearly 10,000 sold – with 7,000 of that sum on vinyl. It’s the fifth top 10-charting effort for the act. It also launches at No. 4 on the Vinyl Albums chart. The set was available across five vinyl variants, along with a standard CD and download edition.

Rounding out the rest of the top 10 on Top Album Sales: Sabrina Carpenter’s former leader Short n’ Sweet slips 6-7 (nearly 10,000; down 5%), LE SSERAFIM’s HOT falls 1-8 in its second week (8,000; down 80%), Playboi Carti’s MUSIC drops 3-9 (just over 7,000; down 51%) and Chappell Roan’s chart-topping The Rise and Fall of a Midwest Princess dips 9-10 (7,000; down 13%).

Billboard Women in Music 2025 Lucy Dacus performed her own magic trick on Lady Gaga’s “Abracadabra.” The Boygenius star joined BBC Radio 1 this week, where she covered Gaga’s Mayhem hit. While Gaga’s version is punchy and anthemic, Dacus strips it back for hers, singing alongside a pianist and acoustic guitarist, opting for a more […]

While Selena Gomez is never out of the spotlight for too long, it had been a full half-decade since we last got an LP from her — 2020’s Rare — until the release of I Said I Love You First this March.

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The new project — released as a collaborative album with her longtime collaborator and fiancé, star producer Benny Blanco — debuts at No. 2 on the Billboard 200 this week (dated Apr. 5), with 120,000 units moved in its first week, according to Luminate. Though the set is Gomez’s first LP since leaving backing band The Scene not to debut atop the chart, it also arrives with her best-ever debut numbers, and launches four hits on this week’s Billboard Hot 100 (though none in the top 40).

How should Gomez and Blanco feel about their opening performance? And what other producer-singer teamups might we like to see full albums from? Billboard staffers discuss these questions and more below.

1. Selena Gomez and Benny Blanco’s I Said I Love You First album debuts at No. 2 on the Billboard 200 with 120,000 units moved in its first week. On a scale from 1-10, how pleased should they be with that opening performance?

Rania Aniftos: 10, absolutely. Gomez hasn’t released an album in five years, and to come back with such success alongside the love of her life must be incredibly validating.

Stephen Daw: I’m giving this a 9. Sure, a No. 1 debut would have been nice here, especially considering that Selena’s last two solo albums topped the Billboard 200 in their first outings. But, take one look at the numbers and you’ll see that I Said I Love You First had a better first week than Stars Dance, Revival and Rare. The only album that managed to beat I Love You on this week’s chart was Playboi Carti’s immediate megahit MUSIC, which very few albums would have been able to beat in the first place — so this high of a debut is ultimately a huge deal for both Selena and Benny. 

Kyle Denis: An 8. I think they should both be thrilled. Obviously, a No. 1 is nice, but this debut gives Benny his highest charting Billboard 200 entry as a lead artist, and Selena earns her largest week by units. They also landed several songs on the Hot 100, so this is unquestionably a win for them. 

Jason Lipshutz: An 8. While Gomez and Blanco narrowly missed out on a No. 1 debut, the pair have to be pretty proud of posting a greater first-week equivalent albums unit total than Gomez’s Rare did five years ago — and that album had a No. 1 single in “Lose You to Love Me.” A collaborative project like this is never guaranteed a major commercial bow, and the half-decade gap between Gomez studio projects could have easily slowed momentum, so the fact that I Said I Love You First started so strong should be seen as a major win by all parties involved.

Andrew Unterberger: A 7. It’s an impressive first-week number, and the buzz around the album seems to be mostly positive, but the number of late-week variants released of I Love You would seem to suggest the artists and their teams were really hoping for a No. 1 debut, and they couldn’t quite get over the top there.

2. Though as a chronicling of their love story, obviously the album means a great deal to both Selena Gomez and Benny Blanco personally, which of the two do you think it means more career-wise? 

Rania Aniftos: Selena. She’s been through a lot, both personally and medically, over the past few years and has even thought about saying goodbye to her music career. Thankfully, Blanco inspired her to use her musical talents again and it paid off. Again, this is probably so validating and exciting for her, and I’m looking forward to what she’s going to release in the future.

Stephen Daw: Benny Blanco, for sure. While Benny has a handful of Hot 100 hits as a featured artist on others’ tracks (and a few dozen No. 1s as a producer and songwriter), his sole credit on the Billboard 200 was his 2018 Friends Keep Secrets EP, which hit a No. 41 peak in 2019. To score a No. 2 debut with his fiancée is no doubt a huge personal milestone for the singer as well as being a massive coup for his professional career. 

Kyle Denis: This is tough because I don’t really think it means that much for either of them in the grand scheme of things. Similar to PND with the Drake joint album last month, I Said I Love You First smartly leverages Selena’s star power to lift Benny to commercial heights that he’s never seen before – and likely wouldn’t ever see – as a billed lead artist. The album is also a reminder of what a solid pop craftsman Benny is, so I wouldn’t be surprised if it leads to his phone ringing a bit more in the coming months. 

As for Selena, between starring in an Oscar-winning film (Emilia Pérez) and picking up her first SAG Award (Only Murders in the Building) earlier this year, she didn’t really need to put out another album. She seems more fulfilled on the acting side and the projects have been acclaimed and successful – and we haven’t even gotten into her Rare Beauty empire and other business endeavors. If anything, this new album is probably a cathartic moment for Selena; it’s proof that there’s still an audience interested in her music and a reminder that she can still have fun and be present while making music. I don’t think this album revitalizes her as a major player in the 2025 pop game, but it does show us that the musical avenue is still open for Selena Gomez – whether she’s prioritizing it or not. 

Jason Lipshutz: Blanco. As Gomez has nimbly balanced the different parts of her career — recently co-starring in the Oscar winner Emilia Pérez, prepping a new season of Only Murders in the Building, in addition to her various brand and sponsorship deals — music can become part of a whole, her creativity diversified after years of studio output that resulted in several chart hits. While Blanco has enjoyed phenomenal success as a producer and songwriter, this is the first week in which he’s credited as an artist on a top 10 album! That accomplishment has to be meaningful, especially with a project as personally important as this one.

Andrew Unterberger: I think it’s Blanco, as despite multiple career’s worth of hits and an ever-rising Q rating, he’s still mostly felt like The Guy Behind The Guy for most of his career. On those grounds, I’m sure that getting to play The Guy Alongside His Superstar Fiancée on a full big-selling pop album is pretty rewarding and meaningful.

3. Gomez and Blanco have a quartet of songs scattered around the Hot 100 this week, led by the Gracie Abrams-featuring “Call Me When You Break Up” at No. 46 and the Marias-assisted “Ojos Tristes” at No. 59. Do you see any of those songs as being the lasting breakout hit from the project, or do you think it’ll be something else from the album — or will it not generate such a hit at all?

Rania Aniftos: It’s going to be “Bluest Flame,” especially as we head into the summer. The Charli XCX-written song is already generating buzz on TikTok, and leaning into the dance/electronic world has previously worked well for Gomez, as we’ve seen with her past Kygo, Zedd and Marshmello collaborations. I can see it becoming the breakaway hit from the album.

Stephen Daw: While I do think that “Ojos Tristes” is one of the best tracks off the album, I think it’s either going to be “Call Me When You Break Up” or nothing here. Gracie Abrams is still riding high with “That’s So True” rising through the Top 40 of the Hot 100, and “Call Me” is the most immediately memorable tracks off the album. The songwriting, the performances and the production all lend themselves well to becoming a modest hit here. 

Kyle Denis: I think “Ojos Tristes” is the album’s best bet for a lasting hit, though there’s an outside chance that “Bluest Flame” could do a little something. Generally, I’m not expecting a major hit from the album at all.

Jason Lipshutz: I am waiting for “Bluest Flame” to start getting some club pickup, particularly as the weather heats up and pop fans are salivating for Brat Summer II. The album highlight, co-written by Charli XCX herself, leaps off the speaker with movement and moxie; Gomez has been part of dance hits in the past, but she’s never operated at this Boiler Room-ready frequency before, and the surprise is part of the appeal. Maybe “Bluest Flame” never cracks the top 40, but I could certainly see this one becoming a cult favorite and minor hit.

Andrew Unterberger: It’s very telling about where pop music is in 2025 that the dreamy, downtempo bilingual collaboration with The Marias feels like it has a higher commercial ceiling than the hooky, uptempo teamup with Gracie Abrams — but “Ojos Tristes” certainly seems to have captured the moment and the momentum. Which is objectively pretty cool, even though I think “Call Me When You Break Up” is probably the better song.

4. While Selena Gomez was one of the biggest pop stars of the 2010s, she hasn’t put out a full album since Rare at the very beginning of the (pre-pandemic) 2020s. Do you think I Said I Love You First and its rollout re-establishes her as a major pop star of this decade as well? 

Rania Aniftos: Sure, especially because Gomez is unique in her pop style. She’s always balanced vulnerability and ethereal sexiness well — and in an era of fun, flashy pop, it’s nice to see the return of a softer pop artist.

Stephen Daw: Does I Said I Love You First show that Selena is a great performer who deserves to be considered in the 2020s canon of pop stars? Sure. Do I think it signals the return of Pop Star Selena Gomez? No, and that is fine! Selena has made it clear in plenty of interviews that pop stardom is not something she’s aspiring for in this decade — in fact, it’s very likely that we won’t hear another solo Selena Gomez album, based on what she’s told us. I Said I Love You First, to me, is proof of concept that if Selena wanted to continue with her pop career, she very easily could; but that doesn’t mean that she will. 

Kyle Denis: I think it reinforces her overall brand strength and general celebrity, but none of these songs have really caught on in a meaningful way, she and Benny couldn’t overcome Carti’s second week despite a breadth of variants, and the music of the record seems to have taken a backseat to the sappy theatrics of the press run – whether it’s a radio interview or that t-shirt. The album’s gotta at least spin out one top 40 hit before we talk about the reinvigoration of her pop star pull. 

Jason Lipshutz: No — but that’s not the story that Gomez is trying to tell, or what she wants the album to represent. If Gomez wanted to seize the modern pop crown, she would have released a solo album full of radio-friendly gestures, instead of a swirling, slightly muted collaborative album with her fiancé designed as a peek through the keyhole into their relationship. Gomez has built her career in such a way that she doesn’t require hit singles to attract attention when she decides to return to music, and I Said I Love You First marks an idiosyncratic (and satisfying) check-in rather than any type of commercial bid.

Andrew Unterberger: I think it demonstrates what a big star she is in general, and how much people like her and want to see her do well. I don’t think she has the hitmaking clout she did a decade ago, and she probably won’t again, but she doesn’t seem to particularly care about that, nor should she. Regardless, any time she releases a new album for the remainder of her career — assuming that’s a thing she continues doing — it will absolutely be a major event for pop fans.

5. What’s another big-name artist-producer pop combo who you would like to see do a full album together? 

Rania Aniftos: Addison Rae as the artist with Charli XCX as the producer. Give us the full Y2K fantasy!

Stephen Daw: Give me an entire album of Sam Smith and Disclosure songs ASAP. “Latch” and “Omen” are two of my favorite songs in Smith’s discography, simply because their voice blends perfectly with Disclosure’s dance flourishes. A whole album of recession pop bops from these two would be a dream come true. 

Kyle Denis: I’ve needed this since 2019, and there’s still a chance it could happen with the final season of Euphoria, but I desperately need to hear a collaborative project between Zendaya and Labrinth. We’re also owed a joint EP from Ariana Grande and Cashmere Cat; “Be My Baby,” “Quit” and “Adore” have all held up beautifully. And because good things come in threes, I’ll also put in my bed for a Lorde-Disclosure project. “Magnets” is still a banger!

Jason Lipshutz: To think outside the box and stretch the definition of “producer” a bit: why haven’t we gotten any sort of collaboration between Adele and Rich Paul yet? Let’s get Adele at the NBA All-Star Halftime Show! Let’s have LeBron James deliver some spoken-word interludes on Adele’s next album! For fans of polished pop and professional basketball, the opportunities could be endless.

Andrew Unterberger: Calvin Harris and Dua Lipa have both fallen on somewhat hard times hit-wise — could a full-length team-up album be all it takes to have the pop world fall in love with them once more?