State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

12:00 am 12:00 pm

Current show
blank

State Champ Radio Mix

12:00 am 12:00 pm


genre latin

Page: 37

Corridos bélicos pioneer Luis R Conriquez is set to hit the road with his Trakas HDSPM U.S. Tour, Billboard can announce. The Live Nation-produced stint will kick off April 25 in New York at the UBS Arena and will visit major cities across the country, including San Antonio and Las Vegas before wrapping up Oct. […]

J Balvin and Feid’s “Doblexxo” snags the No. 1 spot on Billboard’s Latin Airplay chart as the song climbs 6-1 for its first week atop the March 15-dated list. The song lands at the summit in its 13th week.
“I feel super excited to know that our fans have embraced this song in such a way,” Balvin tells Billboard. “Feid’s talent is undeniable and our chemistry when it comes to making music has always been amazing. I can’t wait to sing ‘Doblexxo’ live during my upcoming Rayo tour.”

Trending on Billboard

In the tracking week ending March 6, “Doblexxo” pulled 8.4 million audience impressions earned in the U.S., according to Luminate; that’s a 32% gain from the week prior when the song generated 6.1 million.

With “Doblexxo,” Balvin achieves his record-extending 37th No. 1s since the Latin Airplay chart began in 1994, opening a wider gap from his next competitor (Ozuna, 34 champs). Feid bags his ninth ruler. The latter last reached the top with “Si Sabe Ferxxo,” with Blessd, which spent a week at No. 1 in June 2024.

Except for 2024, Balvin has placed at least one champ every year during his decadelong No. 1 chart career, dating back to “6AM,” featuring Farruko (May 2014). He completed his most lucrative period in 2022, placing nine No. 1 hits between February and October then. The year before, Balvin reached his second-best run, with six No. 1s in 2019.

Good reception across Latin rhythmic stations also spurs its coronation on the Latin Rhythm Airplay chart, where “Doblexxo” jumps 3-1. There, Balvin also stands firmly ahead of the rest, with 37 No. 1s. (Daddy Yankee follows with 35.)

The song’s 13-week climb to No. 1 marks a longer stride to the top than Balvin and Feid’s past pair-up, “Porfa” — where Maluma, Nicky Jam, Sech and Justin Quiles are also part of the billing — as it ruled after eight weeks in August 2020.

“Doblexxo” is the fourth radio promoted single from Balvin’s sixth studio album Rayo, which debuted and peaked at No. 5 on Latin Rhythm Albums last August.

All charts (dated March 15, 2025) will update on Billboard.com tomorrow, March 11. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

After performing at Viña del Mar, Bacilos sits down to talk about how they feel about their performance, being huge Carín León fans, how their career has changed since they first started, releasing Pequeños Romances as independent artists and more!

Ingrid Fagardo:Hi, friends at Billboard, we’re here at Viña del Mar, finally. Today, we’re here with Bacilos. How are you?

Bacilos:Really good, thank you. What a great invitation, and it’s great to be considered for Viña, thank you.

Ingrid Fagardo:We’ve really enjoyed this week in different forms. We’ve seen you guys as judges. How do you feel about Bacilos:this week being a judge and being a fan?

Bacilos:Because we’ve also had the opportunity to see artists that we admire on the stage, and obviously we admire the guys to have the courage to come here, to this novelty of a stage, and to be able to come to this monster. It requires a lot, it inspires a lot, and there’s a lot of respect.  

Ingrid Fagardo:It’s the first time you’re judging right?

Bacilos:Yes, the first time. 

Ingrid Fagardo:I know that the night when you guys were performing, you guys made us dance. It was a really, I don’t know, it was a night full of partying. It didn’t matter how cold it was, the time didn’t matter, it was literally a Bacilos party. 

Bacilos:Yes, it was beautiful. The people were great. After Marc performed … Well to sing and perform after Marc felt like a responsibility, a challenge almost, but the people stayed. They stayed outside on a cold night. 

Keep watching for more!

This is partner content. “Brilla Conmigo” is a short-form video series featuring Latin artists Elena Rose, Mariangela and Joaquina, showcasing how beauty, health and wellness fuel their creativity. Through candid conversations, they discuss how self-care, cultural pride and personal empowerment nurture confidence, which plays a key role in their artistry. Partnering with Invisalign to enhance […]

On the evening of July 23, 2024, the last night of her global tour and her fourth sold-out date at Santiago Bernabéu Stadium in Madrid, a visibly emotional Karol G told the crowd of 55,000: “I’m going to say that truly, tonight will be the most amazing of my life.”

It was, at the very least, a grand finale to the highest-grossing tour ever by a Latin female artist, grossing $313.3 million across 56 concerts, according to Billboard Boxscore. Karol G’s Madrid shows were also record-setting, selling 220,000 tickets and making her the first artist to sell out four shows at the stadium, which finished renovations earlier in 2024.

The fact that a Latin American artist could move so many tickets in a major European city underscores Spain’s growing importance as not just a bridge for Latin music between the Americas and Europe but also a place for music in Spanish — the new global pop — to grow.

In 2023, Spanish promoters and venues reported gross ticket sales of nearly 579 million euros ($604.5 million) to Spain’s Association of Music Promoters, an extraordinary 26.5% increase from revenue of 459 million euros ($479 million) in 2022. While Karol G, Luis Miguel and Taylor Swift brought stadium headlining tours to the country, according to its ministry of culture, Spanish talent is also robustly represented at the stadium level with recent shows from Manuel Carrasco and Dellafuente.

Numbers from the country’s ministry of culture, compiled by the legal and business management firm Sympathy for the Lawyer, show that 40.5% of concertgoers in 2024 attended shows of Spanish pop/rock, followed by 11.1% who went to see canción de autor (similar to singer-songwriter performances).

Meanwhile, beyond the live scene, Spain’s music consumption has grown exponentially.

According to year-end numbers reported by Promusicae, Spain’s music industry trade group, there were 98.5 billion audio streams across all platforms in 2024, compared with 87 billion the previous year. More than 1,180 artists notched over 10 million streams and 70 had more than 100 million streams.

That report of growth aligns with figures from global music industry trade association IFPI. In its Engaging With Music report, IFPI stated that Spanish music consumers averaged 22.1 hours per week of listening, compared with the global average of 20.7.

Spain’s receptiveness to music of all genres and provenance is evident in its five top-selling albums of 2024. According to Promusicae, Swift’s The Tortured Poets Department was the bestseller, followed by Karol G’s Mañana Será Bonito at No. 2, Spanish artists Quevedo’s Donde Quiero Estar at No. 3 and Saiko’s Sakura at No. 4 and Bad Bunny’s 2022 album, Un Verano Sin Ti, at No. 5.

Quevedo at the 2024 Latin Grammy Awards in Miami.

Jason Koerner/Getty Images

No wonder labels are increasingly turning to Spain to develop pan-regional artists. Examples include the success of Colombian artist Camilo after the pandemic; Venezuela’s Joaquina, who won best new artist at the 2023 Latin Grammy Awards and whose first tours were in Spain; and Colombian stadium pop-rock band Morat, which is signed to Universal Music Spain.

And although Spanish-born artists have a tougher time crossing over into the U.S. and Latin American markets than vice versa, a new generation of acts that includes Quevedo, Rels B, Bad Gyal, Aitana, Arde Bogotá and Rosalía is showing that reaching fans in the Americas may be more feasible than ever.

Fifteen months after the Latin Grammys were held in Spain in November 2023 — the show’s first foray outside the United States — Billboard will host a reception for Spain’s industry leaders on March 18 and recently spoke with some of those executives to ask what’s next for the dynamic market.

‘A Flow Of Cultures In Two Directions’

Given its crucial location as an entryway into Europe and its cultural significance as the birthplace of Spanish, “Spain is a place of fusion between Anglo and Hispanic cultures. It’s a flow of talent and culture in two directions,” says Vicent Argudo, head of music for Prisa Media. “Spain imports Latin styles into the old continent and adapts them to pop. It’s a place for mainstream experimentation.” While Spain for years seemed impenetrable for Latin American genres like reggaetón and regional Mexican, an influx of immigrants, coupled with increasing global acceptance of the Spanish language, has turned Spain into a market that imports and reinvents genres. “Spain gives Latin sounds a pop vision that makes them more accessible to the world,” Argudo says.

A Breeding Ground For International Talent

For José María Barbat, president of Sony Music Iberian Peninsula, Spain is a nonstop talent generator, from Julio Iglesias in the ’80s to Rosalía or C. Tangana today.

“In this context, we’re certain the next big Spanish star is around the corner,” Barbat says. “We continue to see artists with the skills necessary to jump to an international stage, showing there’s not only talent but also an industry ecosystem ready to channel all that creativity.” Proof of that is Arde Bogotá, a Spanish rock band garnering success in an urban world. “It speaks to the importance of keeping an eye out not just for popular genres,” he says, “but for talent coming out of niche genres.”

Artist To Watch: “I’m particularly excited about Lia Kali, a very well-rounded and very young artist we just signed,” Barbat says. “She has a mind-­blowing voice and the ability to cross over in a big way into other Latin markets.”

Rosalía at the 2024 Met Gala in New York.

Mike Coppola/MG24/Getty Images

The Power Of A Cutting-Edge Stadium

The Spanish music industry is experiencing a golden era, a prime example of which, says Live Nation Spain president Pino Sagliocco, is the newly renovated Santiago Bernabéu Stadium and the sold-out shows it has hosted from Spanish artists Hombres G and Alejandro Sanz, as well as Swift and Colombia’s Karol G. “Those tours highlight unprecedented growth in Spain’s music history, breaking records in the years after the pandemic,” Sagliocco says. “The global industry now recognizes the country’s leadership and enormous potential as a key platform for the growth of Latin music in Europe.” While concerts at Bernabéu were suspended last September due to noise ordinance issues, its string of sold-out shows by artists both local and international highlighted the enormous, previously untapped potential of a state-of-the-art stadium in the nation’s touristy capital. “The global industry now recognizes the country’s leadership and enormous potential as a key platform for the growth of Latin music in Europe,” Sagliocco says.

Spanish As The ‘New Normal’

For José Luis Sevillano, CEO of AIE — Spain’s collecting society for performers, with over 35,000 members in Spain alone and representing the rights of over 800,000 performers globally — music in Spanish is on the brink of “becoming a magnificent new normal.” Not only does music in Spanish now top global charts, “but at the same time it’s placed new value on the diversity and plurality of our culture in the entire world,” he says. AIE’s most recently reported numbers registered a 29% growth in rights collection last year compared with 2023, and AIE’s study on consumption habits in Spain also found that Spanish-­language music was more listened to than English-­language music on streaming platforms. Plus, after 30 years of work, Spain adopted new legislation providing better compensation and working conditions for artists and musicians. “This will eventually lead to a more just and balanced music ecosystem,” Sevillano says, “which is basic in allowing creators to develop their talent to its full potential.”

Challenge For 2025: “Finding a responsible, respectful and balanced development of [artificial intelligence] for artists,” Sevillano says.

A Streaming Boom

Streaming dominates Spanish music consumption, accounting for nearly 90% of the market, according to Promusicae. Meanwhile, Spanish artists have become major streaming draws worldwide. In 2023, Spanish acts generated royalties of more than 123 million euros ($128.5 million) on Spotify, which is almost four times the royalties they generated on the platform in 2017, according to Spotify’s head of music for Southern and Eastern Europe, Melanie Parejo. That growth “is reflected in local consumption but also in the capacity to generate global business,” Parejo says, noting that over 50% of all royalties generated by Spanish artists on Spotify in 2023 came from listeners outside of Spain. In 2024, Rels B was the Spanish artist most listened to outside of Spain.

Rels B attended Milan Fashion Week in 2024.

Pietro S. D’Aprano/Getty Images

An ‘Explosion’ Of Talent

What was once an insular market is now having an international impact. “The Spanish music industry has undergone a radical transformation in the last decade, becoming a market with great global projection with artists like Rosalía, C. Tangana, Quevedo and an explosion of indie proposals like La La Love You,” says Carlos Galán, host of industry podcast Simpatía por la Industria. “Stylistic barriers have been broken, and even the chasm that existed between alternative and mainstream has grown smaller.”

Challenge For 2025: The fact that “every day there’s a new festival” is huge, Galán says. “But truly, it’s a bubble I’m afraid to see burst. All have identical lineups, little innovation and no one is betting on emerging talent.”

Sponsors Serious About Music

Few brand initiatives surrounding music are as complex and developed as Banco Santander’s Santander SMusic. The bank offers a 360 media platform that includes editorial content and live performances, in addition to its branded events, concerts and partnerships with labels and artists. “In a year we’ve executed over 235 presales and sold 600,000 tickets, becoming a point of reference for music in Spain and creating a complete ecosystem of exclusive content,” says Felipe Martín Martín, Santander España’s director of media, sponsorships and events. Santander’s SMusic has partnerships with festivals including Mad Cool, Sonorama and Rockland, as well as with companies like Universal, Sony and Los 40. But Martín Martín is especially excited about the growth of music tourism in Spain, “maximizing that No. 1 spot Spain has held in the global ranking of tourism to music festivals since 2022.”

An International Gateway

Spain’s geography offers easy access from both the United States and Latin America and to the rest of Europe. “It has the potential [to be a] port of entry for Latin artists to other European markets, particularly the U.K., France, Italy and Germany, who all provide strategic opportunities in the live market,” says Narcis Rebollo, president/CEO of Universal’s Global Talent Service, which manages and books over 100 artists including Aitana, Pablo Alborán, David Bisbal, Lola Índigo and Joaquina. The potential is already being realized in Spain, where ticket sales jumped more than 26% from 2022 to 2023 and more than 250% in the last decade, according to Spain’s Association of Music Promoters.

Growing Trend: “Brand investment in music has grown more than 100%,” Rebollo says, “with music being used as a new driver for brands to position their products.”

Aitana performed at the 2024 Morrina Festival at Port of A Coruna in A Coruna, Spain.

Cristina Andina/Redferns

A Good Partner

Spain’s impressive market stats, including its sizable listening and streaming growth per capita, make it a source of local talent and a priority for imported talent. “We’re listening to more than 260 million songs per day,” Warner Music Iberia president Guillermo González Arévalo says. “Coming to Spain to promote their new albums has had a great return on investment and recognition for artists like Dua Lipa, Myke Towers, Coldplay, Charli xcx and Linkin Park, who have charted high on our charts paving the way for their next tours.” In 2024, Towers was the most listened to artist on Spotify in Spain.

Looking Forward: Warner is also expanding activity in its recently opened music hub in Madrid. “Each day more music is written, and there are more collaborations created with Latin artists,” González Arévalo says.

A Flexible Market In Constant Evolution

Spain’s music market is known today for its strong festival culture and its affinity for music in Spanish, regardless of origin — and it has been receptive to new trends of late. In November 2023, the popular reality music competition Operación Triunfo relaunched on Amazon Prime Video. “It highlighted the extraordinary capacity of the format to adapt to new digital consumption trends, bringing in traditional viewers and new generations,” head of Amazon Music Spain Claire Imoucha says of the show, which will return in September. Christmas music also got a boost in new formats, with artists like David Bisbal, Niña Pastori, and Camilo and Evaluna (who had an Amazon Music Original song in November) reimagining traditional repertoire and “consolidating Christmas as a key consumption period.”

What Comes Next: “Spanish music is living an extraordinary moment, with genres like rock and flamenco displaying their capacity for evolution and renovation,” Imoucha says. “Artists like Arde Bogotá and Carolina Durante are leaders in a new rock scene, and artists like Israel Fernandez, María José Llergo and Ángeles Toledano are bringing a contemporary twist to historic genres.”

Antonio Garcia (left) and Pepe Esteban of Arde Bogotá onstage at the Coca Cola Music Experience Festival in Madrid in 2024.

Juan Naharro Gimenez/Redferns

A Consolidated Value Chain

“Our music industry is a very professionalized industry in every sector of its value chain,” Promusicae president Antonio Guisasola says. “In addition, we have great artistic talent that is mixing genres and renovating the different roots genres of the many cultures that coexist in Spain.” A sign of maturity of the market was the launch of its Spanish Academy of Music, “where all music professionals in the country get together to honor the work we did in the year,” Guisasola says, and the first Academy of Music Awards took place last June.

Beyond Major Cities

The growth of Spain’s music scene has translated to consumption outside major cities, says Alfonso Santiago, CEO of concert promoter Last Tour, which also puts together the annual BIME conferences in Bilbao, Spain, and Bogotá, Colombia. “There’s a wide spectrum of cities beyond the big capitals that have good venues and audiences that respond favorably,” he says. That openness is particularly evident and growing among younger generations. “Traditionally, adult fans have been more close-minded,” he says. “I’m excited to see a young audience open to discovering new things.”

A Rich Culture

Spain’s location has helped foster its rich musical output. “We have a confluence of music from Latin America, Northern Africa, local folklore and, of course, our great contribution to the world’s art, flamenco,” Sony Music Spain GM Blanca Salcedo says. Sony’s new 5020 Studios have become a perfect place to mine that cultural landscape. The studios, which opened a year ago, “are hugely valuable for this purpose,” Salcedo says. “It’s a unique space that combines the best technology, design and services to foster our artists’ creativity.”

A Festival Destination; Many Collaborations

In addition to its massive stadium concerts, Spain hosts nearly 900 music festivals a year, according to the latest Oh, Holy Festivals report. “Spain has established itself as a key market for tours and festivals, positioning itself as a global tourism destination for music,” says Jorge Iglesias, founder and CEO of concert promoter Iglesias Entertainment. In addition, a series of very successful cross-cultural collaborations — including Quevedo and Bizarrap’s “Bzrp Music Sessions, Vol. 52,” which topped Billboard’s Global 200 and Global Excl. U.S. charts in 2022 — has renewed interest in the country as a talent incubator.

A Prominent Indie Scene

The diversity of genres in Spain “is richer than ever,” says Believe Spain GM Maite Díez, adding, “The local independent scene has gained great prominence.” Case in point: Indie artist Iñigo Quintero, whose hit “Si No Estás” made history as the first track by a solo Spanish artist to reach No. 1 on Spotify’s global chart. On Spotify, nearly 60% of all royalties generated by Spanish artists come from indie labels or artists, Díez says. By extension, there has been “an explosion of new talent that has gone from the digital ecosystem to massive success,” including Daniela Blasco, a finalist at the Benidorm Fest song contest.

A Mature Industry

Beyond streaming strength, “Spain’s music industry is mature in all its subsectors,” says Soco Collado, president of Spain’s music federation Es Música, which represents and promotes the industry’s collective interests. “We have huge established artists, a young scene creating spectacular things and the companies working at every level are very solid and are investing,” she says. The sustained growth of streaming stands out for Collado, and she’s particularly excited about a new generation of very young female artists who are “super committed and creating musical marvels,” including flamenco artists María José Llergo, Angeles Toledano and La Tania.

New Opportunities

Universal Music Spain co-managing director Alicia Arauzo was struck by the recent success of David Bisbal’s Todo Es Posible en Navidad, which topped Promusicae’s albums chart in December. “It feels like we tapped a local vein with Christmas music, opening up an eternal opportunity [for the music],” she says. The proliferation of stadium concerts has also been a breakthrough for Spain, she says, along with “the growing strength of female talent, both local and international.”

This story appears in the March 8, 2025, issue of Billboard.

After being nominated for inclusion in the Rock & Roll Hall of Fame — a historic first for a Spanish-language act — and after successfully touring Latin America and Spain, Mexican rock band Maná will tour the U.S. and Canada this fall, Billboard can announce.
The “Vivir Sin Aire” tour, so titled after the iconic song of the same name from 1992, will play more than 30 dates, extending through early 2026. The tour kicks off September 5 with back to back shows at Frost Bank Center in San Antonio, Texas. The band will play a total of 21 cities, including first-ever performances in Nashville, St. Louis, Baltimore, Montreal and Detroit, as well as multiple shows in Chicago, Dallas, Phoneix, San Jose and Miami.

As part of the tour, Maná will play four dates at the Kia Forum in Los Angeles, with the shows doubling as part of their residency at the venue. With the completion of these four shows, Maná will break the record for most arena shows in the Los Angeles area, according to tour promoter Live Nation. The Mexican rockers will have performed a remarkable total of 44 arena concerts, two more than Bruce Springsteen, who holds the record with 42 arena shows.

Trending on Billboard

A portion of proceeds from the tour will go toward establishing the “Latin Luchonas” (Fighting Latinas) program, created in honor of Rosario Sierra, the late mother of vocalist Fher Olvera. Sierra raised Olvera and his sisters as a single mom after his father died when he was still a child (Olvera has memorialized both parents in different songs). The program, created in partnership with the Hispanic Heritage Foundation, will “empower Latina women entrepreneurs through scholarships, mentorship and leadership opportunities,” according to a press release provided to Billboard.

The Vivir Sin Aire Tour is presented by Live Nation and sponsored by Yaamava’ Resort & Casino in San Manuel, Calif., where Maná has twice performed private shows. Tickets will go on sale starting Friday, March 14 at 10 a.m. local time at Mana.com.mx.

Find all tour dates below:

MANÁ – VIVIR SIN AIRE 2025 TOUR DATES

Friday, Sept. 5 – San Antonio, TX – Frost Bank Center

Saturday, Sept. 6 – San Antonio, TX – Frost Bank Center

Thursday, Sept. 11 – Morrison, CO – Red Rocks Amphitheatre

Friday, Sept. 19 – St. Louis, MO – Enterprise Center

Saturday, Sept. 20 – Nashville, TN – Bridgestone Arena

Friday, Sept. 26 – Chicago, IL – United Center

Saturday, Sept. 27 – Chicago, IL – United Center

Friday, Oct. 3 – Montreal, QC – Bell Centre

Saturday, Oct. 4 – Toronto, ON – Scotiabank Arena

Friday, Oct. 10 – Boston, MA – TD Garden

Saturday, Oct. 11 – Baltimore, MD – CFG Bank Arena

Saturday, Nov. 1 – Dallas, TX – American Airlines Center

Sunday, Nov. 2 – Dallas, TX – American Airlines Center

Friday, Nov. 7 – Phoenix, AZ – PHX Arena

Saturday, Nov. 8 – Phoenix, AZ – PHX Arena

Friday, Nov. 14 – Los Angeles, CA – Kia Forum

Saturday, Nov. 15 – Los Angeles, CA – Kia Forum

Friday, Nov. 21 – Los Angeles, CA – Kia Forum

Congratulations are in order for Lele Pons and Guaynaa, who are expecting their first child together.
The Venezuelan influencer, 28, and Puerto Rican singer-songwriter, 32, shared the exciting news in a social media post on Sunday (March 9).

“We’re PREGNANT!!!!!” Pons and Guaynaa wrote in a joint Instagram post, alongside a photo gallery showcasing her baby bump. “Can’t wait to meet you! We love you- Mom & Dad.”

In the heartwarming post, which was also translated into Spanish, the YouTube sensation shared several pictures and videos with her husband, including an ultrasound photo, a sweet moment of Guaynaa kissing his wife’s stomach, and another shot of the couple pressing their bare tummies together.

Numerous celebrities, friends and fans flooded the comments to congratulate the happy couple. “Yesssssssss !! 100 meses guardando secreto te amoooo,” Anitta wrote, while Paris Hilton left a smiling face with heart-eyes emoji. “Congrats, los quiero mucho!” Luis Fonsi added.

Pons and Guaynaa first met in 2019 and released their first collaboration, “Se Te Nota,” in 2020. The playful urban pop song spent 18 weeks on the all-genre Billboard Global 200 (where it peaked at No. 44), 25 weeks on the Billboard Global Excl. U.S. chart (No. 19 peak) and 11 weeks on Hot Latin Songs (No. 25).

Trending on Billboard

After months of speculation about their relationship, Pons made it Instagram official in December of that year. Guaynaa proposed during Steve Aoki’s set at Tomorrowland in 2022. The couple tied the knot in March 2023.

The pair released their debut collaborative album, Capitulaciones, in April 2023. The 10-track album, a partnership between Interscope Records and Guaynaa, features eight duets, one solo track from Pons, and another from Guaynaa. The project spans a variety of genres, including urban pop (“Abajito”), reggaetón (“Natural”), reggae (“A Que No”) and bachata (“Todo Sabe Más Rico”).

“Lele and I beat to different rhythms. In music, I can tell you that it is quite cool, because she has a different thinking and approach and drive, she has other filters in her head when she analyzes music,” Guaynaa told Billboard Español in 2023. “My filters are more about the conceptual elaboration of the album, the musicality, the storytelling, the beginning and the end. There were many disagreements for that very reason, but at the end of the day, I think we managed to develop a project, and that makes us very happy.”

Check out the couple’s baby announcement on Instagram here.

This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new music including collaborations between Oscar Maydon and Netón Vega’s Amigos? No.” and Kapo and Myke Towers’ “ILY.” Plus, Banda MS released its highly-anticipated album Edición Limitada. In another collab, Argentine rapper Tiago PZK teamed up with Teddy Swims for sometimes “Sometimes,” the […]

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

Explore

See latest videos, charts and news

See latest videos, charts and news

Tiago PZK & Teddy Swims, “Sometimes” (Grand Move Records/Warner Music Latina)

In the midst of his new musical era as Gotti, Tiago PZK teams up with the Grammy-nominated Teddy Swims for “Sometimes.” The bilingual track — co-produced by John Alexis, Marcus Lomax, Pontus Persson, and Tatool — is a sensual and soulful R&B jam that connects the Argentine rapper and country-pop star’s distinct powerhouse vocals. “Sometimes,” focus single off of Tiago’s GOTTI B EP, is focused on the desire to end a relationship without resentment. “Sometimes pienso en tu cuerpo (I think of your body)/ Sometimes pienso en lo nuestro (I think of us)/ Sometimes muero por dentro (I die inside),” goes the heartwrenching chorus. — JESSICA ROIZ

Nathy Peluso, “Erotika” (5020 Records/Sony Music España)

Trending on Billboard

Salsa music isn’t just alive, it’s still winning fans — or, in this case, making some go back to it. After dabbling in the genre with songs like “Mafiosa,” “La Presa” and “Sugga,” Nathy Peluso this week releases “Erotika,” inspired by the erotic salsa scene of the 1990s in New York City. Co-written by the multifaceted Argentine singer and rapper alongside Manu Lara, Servando Primera and Danicrazytown, “Erotika” presents a provocative narrative about the passion that a certain person awakens in her. “You make me erotic/ Like ’90s salsa music/ Like a crazy person I begin to dance/ And I want you to feel my madness/ You make me erotic/ As if Grupo Niche were playing/ I’m thinking/ Tonight I’ll undress you,” Peluso sings in the chorus, over vibrant arrangements of brass, bass and percussion. It is a sensual song in which the artist reclaims a style of salsa traditionally performed by men. — SIGAL RATNER-ARIAS

Oscar Maydon & Netón Vega, “Amigos? No.” (Rancho Humilde)

Oscar Maydon and Netón Vega, Billboard‘s Latin Artists on the Rise for January and February, respectively, have joined forces for this slowed-down corrido tumbado that takes on the ever-so relatable theme of heratbreak. Just like its title, the lyrics of “Amigos? No.” are honest and direct. “She plays dirty, she knows how to manipulate me/ She wants to be my friend and I’m here so in love,” Vega sings. “She doesn’t look at me the way I look at her/ I give her my life, and she won’t even give me a kiss,” Maydon adds. Both artists lament being friend-zoned in their relationships, and they navigate how to tell that person they want more than just a friendship. — GRISELDA FLORES

Banda MS, Edición Limitada (Lizos Music)

Consisting of 14 songs powered by their traditional Sinaloan style, Edición Limitada includes songs like “Tu Perfume,” a romantic ballad that served as the set’s first single and already has over 150 million combined streams on Spotify and YouTube. “Mesa Para Uno” is another key track, as it talks about the physical absence of a loved one who has transcended — a theme the band takes on for the first in its 22-year career. But joyful dance tunes are also present on the band’s 18th studio album: “Mamacita” combines huapango with catchy and easy-to-remember lyrics, while fans will be able to relate to “Estás Cancelada” since it features the essence of most of their big hits: lyrics about heartbreak.

On Edición, you can hear the three Banda MS vocalists: Alan Ramirez, David Castro and Walo Silvas. The latter spoke to Billboard about the production: “It was made with so much time and so much care that each song was well thought out — it is the album that has taken us the longest but the wait was worth it.” Silvas also told Billboard that his favorite songs on the album are “Mesa Para Uno,” “Agárrate Fuerte” and “Amor Caro.” — TERE AGUILERA

Kapo x Myke Towers, “ILY” (Sony Music Latin/La Industria)

Kapo continues on his streak of dropping feel-good, optimistic music, and for his latest single, “ILY” (which stands for “I love you”), he reeled in Myke Towers to help. Produced by Miguelangel, Zazueta and Gangsta, the song blends smooth Afropop beats with urban melodies. Singing about an instant chemistry and wanting to spend the rest of the days with that special someone, Kapo chants: “After those kisses, I can get married/ Baby, if it’s with you, I’m not scared of skipping all the steps.”

Towers adds saucy, deep rap verses, offering: “I thought I wasn’t going to get involved, and my instinct failed me.” The Colombian breakthrough star and Puerto Rican urban sensation co-wrote the song alongside Orlando J. Cepeda Matos, Julio Emmanuel Batista Santos, Juan Diego Medina Vélez, Julián Turizo, Miguel Ángel Díaz Vélez and Daniel Rondón. — J.R.

Check out more Latin recommendations this week below:

Eladio Carrión shares what he loves about his fans, what to expect from his new album, how he’s preparing for the tour, why he loves performing and more!

Ingrid Fajardo:Hello, my friends at Billboard! Today from Viña del Mar we are with the great Eladio Carrión. 

Eladio Carrión:Hello, hello, hello!

How are you? It’s a pleasure to have you here. We’re enjoying the view. I was telling you that we brought a bit of San Juan.

Clearly, I feel like I’m in San Juan here next to the hill. 

Exactly, next to the hill. How are you, Eladio? How do you feel? Nervous?

I’m really good, I never get nervous. I was an athlete for many years. Those are pure nerves when you’re going to compete against other people. Do you get me? This is moreso eagerness to get on the stage, to see how the experience is, to see how people enjoy the show. You get me? It’s more eagerness than nervousness.

What–

I’m doing good though, how are you?

I’m doing good, too. What have you listened to or what expectations do you have for the “monsters,” as fans call it here,

The “monsters?” They call themselves “monsters”?

The fans do because it’s not easy.

Oh no, what are they here? They’re the best, right? Here they’re part of the top five fandoms in the world. I love to come here for that reason. They live the music, the feelings at the shows. You get me? They enjoy it because there’s nothing more beautiful to be an artist, a singer and see the people enjoying the music. Do you really get me? There’s nothing more beautiful than that.

Keep watching for more!