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Fito Páez has spent more than three decades crafting his new album, Novela. He opens up about why it took so long to create, the inspiration behind the album, his plans for an upcoming tour, how politics are impacting concert attendance, his views on narcocorridos and the secret to his longevity and success.
What are your thoughts on Fito Páez’s Novela? Let us know in the comments!
Sigal Ratner-Arias:Good morning and welcome! We’re here with the legendary Fito Paez to talk about his new album, Novela, and so many more things. What is your favorite Billboard moment? Past, present or future. This moment. It has to be this moment.
Fito Paez: Obviously it’s this one. Clearly, being here with you. You guys have always treated me well. You guys have always loved me, you’ve listened to me, you’ve given me your attention, so that alone is huge. I really appreciate that. I always feel very grateful when people follow you, they join you, they respect you.
You’re a classic, Fito.
We have a quality bond.
It’s your longest album. Why did it take you so long to finish?
I think there are some works, some pieces that are made over time and that are outside the system of anxiety, outside the system of immediate requirements, outside of the industry and outside of productivity. Because someone can make music, but to start out you need to go back to school first. Here, no. One makes music because you want to express yourself because he needs to share or have that want to get it out from inside, or give it life. Or, to start enjoying the language of music, the language of words. So, behind the scenes of that experience, in my case, my whole life, and that’s how it’s going to be until the day I die.
Keep watching for more!
Mexican American powerhouse Fuerza Regida has turned their vision into reality with the release of their ninth studio album, 111XPANTIA, released Friday (May 2). Explored through imaginative storytelling exploratory regional Mexican music sounds, the 12-track album captures the group’s hustle, evolution, and deep connection to their roots.
The title — pronounced “ixpantia” and derived from the Náhuatl word, a dialect of the Aztecs meaning “to manifest” — reflects frontman Jesús “JOP” Ortiz Paz’s lifelong belief in the power of the law of attraction and turning dreams into reality. “This is the most important album of my career, the one that brings everything together,” JOP previously told Billboard Español.
Opening with the gritty anthem “GODFATHER,” it sets the tone for an explorative ride beyond Mexican music, free of collaborations for the first time in the band’s history. From nostalgic nods like “Malboro Rojo” that evoke their early norteño-laden sound to inventive risks like the corrido synth-laced “Nocturno” and innovative banjo riffs on “Peliculiando,” Fuerza Regida expertly balances their street-inspired roots with inventiveness.
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Adding another layer of intrigue, the loop of Vicente Fernández’s live version of “Acá Entre Nos” is subtly reimagined throughout “Ansiedad,” while a hypnotic sample of Ellie Goulding’s vocals from “Don’t Say a Word” is seamlessly woven into “Tu Sancho,” adding another surprise element for fans diving into the album’s details.
111XPANTIA arrives during a period of sky-high momentum for the San Bernardino troupe, following the massive success of their No. 1 hit “Me Jalo” with Grupo Frontera — which topped Billboard‘s Latin Airplay and Regional Mexican Airplay charts — and the teaser track “Por Esos Ojos,” which has already surpassed 154 million streams on Spotify alone since its February release.
With ambition woven into every song, the album continues to testifies Fuerza Regida’s ability to dream big, push boundaries, and stay true to their roots along the way.
They are slated to perform at Madison Square Garden and Hollywood Bowl June 20 and 21, respectively. The album is now available across all streaming platforms and physical formats, including CD and vinyl.
Stream 111XPANTIA below.
Cazzu leads the Billboard Argentina Hot 100 chart for a second consecutive week as “Con Otra” holds steady at No. 1 on the chart dated May 3. The song, released on DALE Play March 19, has remained strong in the chart’s top 10 since its debut at No. 2 (April 5 dated list).
In addition to her recent leader, the Argentinian previously reached a No. 5 high through her Maria Becerra collab, “Animal,” in 2021.
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W Sound, better known as Westcol, Béele and Ovy On The Drums nearly miss the top slot as “W Sound 05: La Plena,” rises 4-2, marking the acts’ highest entry to date. Meanwhile, Emilia, TINI, and Nicki Nicole’s “Blackout” dips 2-3, after topping the ranking for two consecutive weeks in April. Emilia also places another top 10 track on the Billboard Argentina Hot 100: “Bunda,” with Luísa Sonza, which slips 7-8.
Back in the top five, La T y La M’s “Amor De Vago,” featuring Malandro de América, falls 4-3. Alleh and Yorghaki’s “Capaz” holds at No. 5 for a second week, for its eighth week in the upper region during its 13th week run so far.
Karol G’s “Si Antes Te Hubiera Conocido” adds a fourth week at No. 6, after the song dominated for 16 consecutive weeks between 2024-25. Plus, Bad Bunny’s “Baile Inolvidable” jumps 8-7, following two consecutive weeks in the runner-up slot in March.
Ecuadorian Jombriel closes the top 10 with two entries. “Parte & Choke,” with Ryan Castro, Jotta and Alex Krack, holds at No. 9 for the third consecutive week, after it ruled for one week in March. Plus, Jombriel’s most recent single, “Vitamina,” with DFZM, breaks into the top 10, climbing 15-10. The move gives Jombriel his second top 10, while Colombian DFZM earns his first.
The week’s Greatest Gainer honors goes to Pablo Chill-E, whose single “Resentía” leaps 28 positions, surging from No. 49 to No. 21.
Elsewhere, Mattei’s “Pa Las Girlas” becomes the Hot Shot Debut of the week, entering at No. 50.
Lastly, Tobal MJ and Lucky Brown’s “Tiene” opens at No. 78, while rock band Estelares add its third entry with “Ella Dijo” at No. 91. It’s the group’s first appearance in over two years, following “Encantan,” featuring Enjambre, in 2022.
Sin Suela lit up NPR’s Tiny Desk Concert with a historic and dynamic performance, becoming the first artist to incorporate a sign language interpreter as part of the performance that premiered on Thursday (May 1).
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Clad in vibrant orange — a color aligning with his most recent album, Toda Época Tiene Su Encanto, which dropped September 2024 — the Puerto Rican wordsmith and his 12-member troupe brought a genre-bending set to the stage.
The 24-minute performance opened with the love rap “Tengo Una Nota” and and the bilingual “Duolingo.” The artist showcased his versatility with “Mírame,” delivered in a spoken-word, conscious-rap style that highlighted his lyrical depth and storytelling ability. A blend of funk, rap and hip-hop defined the set’s eclectic sound, punctuated by a laid-back yet pulsating performance of “Amor Artificial” and the high-energy “Top.” He closed with the emotional anti-war song “Mambrú.”
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“This is a dream come true for me,” said PJ Sin Suela in a press release. “I remember being in college playing Tiny Desk sessions and thinking, ‘One day I’ll be there,’ and it happened. To this day, if I’m cooking or having friends over, we put on a Tiny Desk. I have a deep respect and love for the platform, and I treated it that way. We prepared, rehearsed and gave it our all. I was able to bring my favorite musicians from Puerto Rico and people I admire and love dearly. I was able to represent what I do visually, musically, and socially.”
Accompanying PJ was a powerhouse ensemble of Puerto Rican musicians, including Jahaziel García on trumpet, Benson Pagán Jiménez on guitar, Gabo Lugo on percussion and Barba Blanca on piano. Alexssa Hernández made Tiny Desk history as the series’ first sign language interpreter. Backing vocalists Verónica Rolón Acevedo and Jeimy Osorio added soulful harmonies to the show.
PJ Sin Suela also used his Tiny Desk debut as a platform for activism, placing stickers on the set that read “Puerto Rico is NOT for sale.” The message — which he carried as a sign during the 2022 Puerto Rican Day Parade — reflects his opposition to policies such as Act 22, which allows wealthy foreigners to exploit the island’s resources.
Watch PJ Sin Suela’s performance on Tiny Desk below.
Shakira is No. 1 on Billboard’s Top Tours chart for March, back on top after ruling the February edition. She led last month’s list with $32.9 million but doubles her earnings on the newest update. According to figures reported to Billboard Boxscore, Las Mujeres Ya No Lloran World Tour earned $70.6 million from 11 reported shows. That’s more than any act has grossed in any March since the charts launched in 2019.
Monthly grosses typically balloon during the summer, when summer weather allows for stadium shows in the U.S. and Europe. With most acts confined to indoor arenas in the fall, winter, and spring, Shakira’s Latin roots fueled a massive stadium run in Central and South America and Mexico. She surpasses Bad Bunny’s March 2024, Coldplay in 2023, Bad Bunny again in 2022, the Backstreet Boys in 2020, and P!nk in 2019. (There was no ranking in March 2021 due to COVID-19).
Mexico was the setting of Shakira’s March shows, hitting Monterrey and Guadalajara before climaxing in Mexico City. There, the Colombian superstar played seven shows at Estadio GNP Seguros from March 19-30, bringing in $46.6 million from 396,000 tickets sold. Those shows are No. 1 on Top Boxscore, more than tripling the gross of No. 2.
Shakira’s seven Mexico City shows set a venue record, eclipsing RBD’s six nights (2023), Daddy Yankee’s five (2022), and Taylor Swift’s four (2023). But demand was so outrageous that she announced four more dates at the same stadium in August, extending to 11 shows.
The Estadio GNP Seguros shows alone would have secured Shakira the No. 1 spot on Top Tours, but her schedule also included two shows apiece in Monterrey ($12.5 million; 88.2K tickets) and Guadalajara ($11.5 million; 70.3K).
Including the tour’s first shows in February and further dates in April, Las Mujeres Ya No Lloran World Tour has earned a reported $111 million and sold 910,000 tickets in Latin America. Shakira re-ups in Charlotte, N.C. on May 13 to begin a 23-show run in the U.S. and Canada. Then, she’ll be back in Mexico, Dominican Republic, and Peru for 18 more dates through November.
Just as Shakira was No. 1 in February and one-upped herself in March, Tyler, the Creator scores a second consecutive month at No. 2 with increased totals. This month, Tyler earned $36.2 million and sold 221,000 tickets, up 25% and 17%, respectively, from last month. It’s the first time that two acts repeated on top in consecutive months in three years, when Bad Bunny and Elton John went 1-2, respectively, in February and March 2022.
Three years after crowning Boxscore charts with his six band mates, BTS’ J-Hope is No. 3 on Top Tours with his first solo shows. Across 10 dates in March, he brought in $26.6 million and sold 149,000 tickets. After three home-town shows in Seoul, he toured North America. Like Shakira, his March peak was in Mexico City, with a $6.1 million double-header at Palacio de los Deportes on March 22-23.
TOMORROW X TOGETHER and NCT 127 represent K-pop elsewhere, with $10.6 million and $7 million, respectively.
Dead & Company follows at No. 4, with the Eagles trailing at No. 7. Both classic rock acts played shows at Las Vegas’ Sphere. As has become common in the last year and a half, the Sin City arena is No. 1 on the Top Venues (15,001+ capacity) chart, combining both bands’ dates – plus two from Anyma – for $45.4 million and 195,000 tickets.
Country music is rooted in the U.S. and has historically struggled to export internationally. So it’s a welcome surprise that this month’s roster of charting country tours include Jelly Roll in Canada, Chris Stapleton in Australia and New Zealand, and C2C Country To Country across the United Kingdom.
Shakira and J-Hope provided Mexican promoter OCESA with some of its biggest wins during March. But they crowd the top 10 of Top Boxscores further with two festivals. Mexico City’s Vive Latino Festival grossed $14.2 million and sold 146,000 tickets in the middle of the month, and Bogota’s Festival Estereo Picnic earned $10.1 million in March’s final days. Altogether, OCESA grossed $140 million and sold 1.3 million tickets.
Every month, Billboard Latin and Billboard Español editors spotlight a group of rising artists whose music we love. Think “diamantes en bruto,” or “diamonds in the rough.” These are newcomers who have yet to impact the mainstream — but whose music excites us, and who we believe our readers should make a point to discover.
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Our latest edition of On the Radar Latin includes a wave of emerging artists, who we discovered either by networking, or coming across their music at a showcase, or elsewhere. See our recommendations this month below:
Artist: Estevan Plazola
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Country: Mexico
Why They Should Be on Your Radar: The world was introduced to Estevan Plazola on a larger scale through Peso Pluma’s Exodo version of “Hollywood,” written by (and featuring) Plazola, which charted at No. 11 of Hot Latin Songs. A grim, introspective corrido with raw poetry about fame and struggle, the song showcased Plazola’s soul-baring songwriting ability, and turned the spotlight on one of música mexicana’s hidden gems. Though he originally released “Hollywood” under Rancho Humilde in 2020, Plazola has collaborated with multiple independent labels before and after.
His most recent release, “Vibrar +,” comes via Peso Pluma’s own Double P Records — a melancholy sierreño with spine-tingling and even haunting melodic arrangements. An early adopter of música Mexicana’s rise, the singer-songwriter released his debut 25 Años (2019) along the genre’s growing revolution. He followed it up with Archive Music, Vol. 1 (2022), a bilingual rap-corridos fusion. With lyrics exploring resilience, hardship and the bittersweet nature of success, the L.A.-based Mexican-American has emerged as an artist whose authenticity strikes a chord with listeners. — ISABELA RAYGOZA
Song For Your Playlist: “Vibrar +”
Artist: Jombriel
Country: Ecuador
Why They Should Be on Your Radar: Jombriel is a 21-year-old rapper poised to become one of the next breakout stars in the Latin urban genre. Last November, he began gaining widespread attention with the release of his viral hit “Parte & Choke,” in collaboration with Alex Krack and Jøtta. The song later counted with a remix by Colombian sensation Ryan Castro, ultimately reaching No.1 on the Billboard Argentina Hot 100 chart in March. His latest releases include “Vitamina” with DFZM, and “GPS,” which features DFZM alongside legends Jowell and Randy — both showcasing Jombriel’s unique, raspy vocals and hard-hitting perreo sound. As someone who’s putting Ecuador’s urban scene on the map, Jombriel is carving out his own musical identity, blending local sonics with dancehall influences. — INGRID FAJARDO
Song For Your Playlist: “Vitamina” (feat. DFZM)
Artist: Kakalo
Country: Mexico
Why They Should Be on Your Radar: I first became familiar with Kakalo about two years ago when Spotify recommended the captivating track “Mil Maneras de Morir,” his collaboration with Carín León. What struck me immediately was not only his enchanting vocal quality, but also his unique interpretive style that adds depth and emotion to the music. This year he represented Mexico at the renowned Viña del Mar International Song Festival in Chile, where he not only drew attention with his performance but also received the Silver Gaviota. Kakalo has showcased his songwriting abilities through collaborations with well-known figures in the industry, including León, Pepe Aguilar and Spanish pop crooner Pablo Alborán. — I.F.
Song For Your Playlist: “Tierra Trágame” (feat. Carín León)
Artist: Melanie Santiler
Country: Cuba
Why They Should Be on Your Radar: A mesmerizing voice blesses Santiler — one I would have never discovered if it weren’t for the music recommendation on Instagram stories. Searching for the perfect 15-second soundtrack for a selfie, I came across Melanie Santiler’s “Un Momentico +” in collaboration with Cuban hitmaker and artist, Dale Pututi. The song immediately captivated me with its slow-tempo, sensual reparto (a musical genre that derives from the barrios of the Caribbean island) melodies, and it drew me outside of Instagram and into her Spotify.
Born and residing in Havana, the 23-year-old artist is bringing an edgy touch to pop music, fusing it with the traditional sounds that best represent her country. Most notably is her effortless sensuality and dreamy, powerhouse vocals, giving life to her empowering alter ego “La Mami Fina” — and which I dare say gives me Rosalía vibes. Though she’s only been releasing music since 2024, Santiler has also penned songs for important female artists, including Ana Torroja and Gaby Moreno. — JESSICA ROIZ
Song For Your Playlist: “Un Momentico +” (feat. Dale Pututi)
Artist: Pascal
Country: Peru
Why They Should Be on Your Radar: Pascal André Marie Fernand Marchand Lañas, simply known as Pascal, has made his name in his native country, where he’s been releasing music since 2018 —first performing songs for soap operas and more recently achieving massive popularity with romantic ballads and urban pop hits like “Nos Duele Tanto,” certified double platinum in Peru, and “Pa La Luna,” his latest release. The 24-year-old singer-songwriter, who studied at Berklee and plays guitar and piano, opened for Camilo in Lima at the end of March, performing live for the first time in front of such a large audience (10,000 people). Now seeking international recognition, he participated in the Gran Canaria Carnival in March with LOS40 and plans to travel next to Mexico to continue expanding his horizons. — SIGAL RATNER-ARIAS
Song For Your Playlist: “Pa La Luna”
Twenty-five years ago, Thalia welcomed the new millennium with Arrasando, an album that would redefine her career and take her to new heights in the music industry, despite already being a star.
With an eclectic tracklist of 12 songs that fused pop with elements of dance, R&B, and Latin rhythms, Arrasando spent two weeks at No. 1 on Billboard’s Latin Pop Albums chart and reached No. 4 on Top Latin Albums. It also topped the charts with “Entre el Mar y una Estrella,” its most successful single, which hit No. 1 on Hot Latin Songs, Latin Airplay and Latin Pop Airplay, while tracks like “Arrasando,” “Regresa a Mí,” and “Rosalinda” also made appearances on the charts.
Released on April 25, 2000, by EMI Latin, the album was produced by Emilio Estefan, Roberto Blades, Kike Santander, and Thalia herself, who also co-wrote eight of the songs.
“The songs on this album are a turning point in my career as a performer, producer, and especially as a songwriter,” Thalia tells Billboard about her sixth studio album. “It’s one of my greatest sources of pride, and knowing that it’s still ‘Arrasandooo’ (triumphing) after 25 years confirms that when things are made with passion and with a team that understands your vision, they resonate in people’s hearts forever.
“This album represents an unforgettable and powerful moment in the music industry at the start of the new century,” the Mexican superstar adds. “It explores those early musical fusions in the industry in 2000 that back then weren’t as common as they are today.”
With more than 2 million copies sold, Arrasando received a wave of accolades, including the Latin Grammy for best engineered album (by engineer Juan Carlos “Charly” Ríos), the Star Award for Thalia at the Billboard Latin Music Awards, and the Premio Lo Nuestro Artist of the People Award, among others.
A quarter of a century later, the Billboard Latin staff dives back into its songs, counting them down below and ultimately getting to our very favorite.
Thalia
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“Pata Pata”
Global Citizen announced additional details on Wednesday (April 30) about the first Latin American edition of its signature event, Global Citizen Festival: Amazonia. Revealed during the Global Citizen NOW summit in New York, the world’s leading international organization advocating for an end to extreme poverty said the inaugural Amazonia show will take place on Nov. 1 at Estádio Olímpico do Pará (aka Mangueirão) in Belém, Brazil.
The show will feature sets from Brazilian superstar headliners Anitta and Seu Jorge, as well as Belém-bred singer Gaby Amarantos, as well as speakers including indigenous leaders Chief Raoni Metuktire and a special guest performance from Coldplay‘s Chris Martin.
Organizers said in a press release the event will focus on “amplifying the voices of indigenous peoples and local communities in the Amazon rainforest” and aim to raise $1 billion to protect, restore and rewild the Amazon rainforest.
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Free tickets to Global Citizen Festival: Amazonia can be earned exclusively for the people of Belém and Pará State in Brazil by taking action on the Global Citizen app or its website. Tickets are also be available by sending a WhatsApp message to +55 (11) 4040-7099 demanding action to end deforestation and support communities on the frontlines of climate impact. The show will be broadcast for free across Brazil on Globo’s platforms.
In an effort to make sure tickets get into the hands of local Pará State residents, including ones without internet or smartphone access, tickets will also be available to people who participate in community volunteering activities in Belém and Pará State, including tree planting, riverbank cleanups and other environmental service projects.
According to Amazonconservation.org, the Amazon — often referred to as the “lungs of the world” — is getting closer to its “tipping point,” when it will no longer be able to generate its own rainfall and support its rainforest ecosystems. Quickly approaching the tipping point of 20%-25% of deforestation, experts say if that point is passed, it could turn the planet’s largest rainforest into a dry grassland.
“In our visits to the Amazon and conversations with Indigenous leaders and community elders, Global Citizen has heard their call, and we are honored to accept their invitation to partner with their communities,” said Michael Sheldrick, co-founder and chief policy, impact and government relations officer for Global Citizen, in a statement. “We acknowledge our responsibility to listen, learn, stand alongside, and amplify — as loudly as we can — both the voices and the urgent needs of Indigenous and local communities. That’s what the Global Citizen Festival: Amazonia campaign is all about. Not only are we laser focused on building a global coalition to raise $1 billion for the rainforest’s preservation, but we are dedicating our advocacy, energy and platforms to centering and amplifying these powerful calls to action, culminating on our festival stage on November 1st to ensure their voices cannot be ignored.”
Organizers pledge that given the event’s efforts to preserve the natural environment in the host nation, the show will be one of the most sustainable, low-impact large-scale events ever in South America. Among the mitigation efforts on tap are a mobile, rechargeable battery-powered stage using solar generation that will be made available to other events in Brazil to reduce their energy impact, as well as a dramatic reduction in waste through compostable packaging, no single-use plastics and the local donation of excess food.
“It is an immense joy to be part of Global Citizen Festival: Amazonia, which is taking place in my homeland, Belém,” added singer Amarantos. “This event is much more than music; it is a global call to protect and value the Amazon, its biodiversity and the people who live here. As an artist from the Amazon, I feel both the responsibility and the pride of bringing the voice of my region to the world, showing how urgent it is to care for our forest, our culture, and our communities. The Amazon is a source of life, resilience and hope. Participating in this collective movement is an important step toward the future we want, where development and preservation go hand in hand. I invite everyone to join in this vital struggle for climate justice and respect for Indigenous and traditional peoples.”
At 20 years old, Mexican music star Xavi became the youngest artist to receive the ASCAP Latin Music Award for songwriter of the year on Tuesday (April 29). Meanwhile, Colombian singer Feid won songwriter/artist of the year for the second consecutive year, while the hit “QLONA” by Karol G and Peso Pluma was named Latin song of the year.
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The American Society of Composers, Authors and Publishers (ASCAP) celebrated El Premio ASCAP 2025, its top ASCAP Latin songwriters awards for the most performed Latin music songs of the past year.
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Xavi, known for his signature romantic tumbados and his unparalleled voice, has captivated a new generation of listeners with hits like “La Diabla” and “La Víctima.” The former topped Billboard‘s Hot Latin Songs chart for 14 weeks, while the latter reached No. 2. By the end of 2024, the Mexican-American singer-songwriter also became the first solo artist to hit No. 1 on the Regional Mexican Airplay chart with his first four songs in a single year, when “Flores” climbed from No. 3 to lead the ranking dated December 21.
Feid, whose Billboard Hot 100 hits include “Perro Negro” with Bad Bunny, “Revolu” with Rauw Alejandro, and “+57” with Karol G and other Colombian collaborators, boasts close to a dozen No. 1 hits on the Latin Airplay chart, including “Doblexxo” with J Balvin, “Si Sabe Ferxxo” with Blessd, and “Háblame Claro” with Yandel among his most recent.
“QLONA,” co-written by songwriter Dani Raw and published by Kobalt Music Publishing, won the ASCAP Award for Latin song of the year. Featured on Karol G’s album Mañana Será Bonito (Bichota Season), the track led Hot Latin Songs for five weeks and reached No. 28 on the all-genre Hot 100.
Among other winners, Universal Music Publishing Group was named publisher of the year for the third consecutive year, thanks to hits like “(Entre Paréntesis)” by Shakira and Grupo Frontera, “Adivino” by Bad Bunny and Myke Towers, “Alch Si” by Carín León and Grupo Frontera, “Gata Only” by Cris MJ and FloyyMenor, and “Igual Que Un Ángel” by Kali Uchis, to name a few.
Additionally, Daddy Yankee broke his own record by earning his 52nd Premio ASCAP as “Bonita” was recognized as one of the most-played songs of the past year.
El Premio ASCAP 2025 honored the songwriters and publishers of the most-performed songs of 2024 in Latin music. Winning songs were determined based on data for terrestrial and satellite radio, and for programmed and on-demand audio streams, all provided by Luminate Data LLC in accordance with ASCAP’s publicly available rules.
Check out a full list of winners on ASCAP’s website.
Los Ángeles Azules and Thalia unite for their first No. 1 on Billboard’s Regional Mexican Airplay chart, as “Yo Me Lo Busqué” flies 9-1 on the May 3-dated list.
“Yo Me Lo Busqué” ascends to the summit with the Greatest Gainer honors, awarded weekly to the song with the largest weekly gain in audience among the chart’s 40 songs. The song earned 6.4 million audience impressions, up 47%, in the U.S. in the week ending April 24, according to Luminate.
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“Yo Me Lo Busqué” was released January 18 via Promotodo. The Mexican label achieves its second No. 1 on the Regional Mexican Airplay chart, thanks to another collaboration featuring Los Ángeles Azules. Their previous hit, “Perdonarte Para Qué?” with Emilia, reached the top spot for one week in September 2024.
As “Yo Me Lo Busqué” takes over Regional Mexican Airplay, Thalia scores her first No. 1, besting her previous No. 5 high through “Tú y Yo” in July 2002.
With their latest chart-topper, Los Ángeles Azules secure their sixth No. 1 on Regional Mexican Airplay, among 17 career top 10 hits. The group’s breakthrough classic, “El Listón De Tu Pelo,” remains their longest-reigning No. 1, holding atop the list for seven weeks in 2000.
Here’s a look at their collection of No. 1 hits since the chart’s inception in 1994:
Title, Artist, Peak Date, Weeks at No. 1“El Listón De Tu Pelo,” Feb. 5, 2000, seven“Nunca Es Suficiente,” featuring Natalia Lafourcade, Jan. 26, 2019, three“Túi Y Tú,” with Cazzu & Santa Fe Klan, May 20, 2023, one“La Cumbia Triste,” with Alejandro Fernández, April 13, 2024, one“Perdonarte Para Que?” with Emilia, July 20, 2024, one“Yo Me Lo Busqué,” with Thalia, May 3
Notably, as “Yo Me Lo Busqué” also takes the lead on the Latin Pop Airplay chart –where it jumps 2-1 with a 39% increase in audience, to 7.2 million– Los Ángeles Azules and Thalia swap successes in new chart achievements. While Thalia scores her first-ever No. 1 on the Regional Mexican Airplay chart, Los Ángeles Azules claim the top spot on the Latin Pop Airplay chart, marking their first No. 1 there. It’s the third No. 1 for Thalia on Latin Pop Airplay, who in addition to her new airplay achievement, has also secured No. 1s on Tropical Airplay, twice, in 2000 and 2002.