genre hiphop
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Cardi B has been teasing her new single “Outside” and fans have been speculating who Cardi is going off on the track. What do you think of Cardi B’s new song “Outside?” Let us know in the comments! Cardi B: “Good for nothing, low down, dirty dogs.” What’s up y’all, it is your girl, Cardi […]
Erykah Badu and The Alchemist are really making an album together, and their first single is finally here. Badu and the West Coast producer dropped their new song “Next to You” at midnight after she performed Badu Presents: Echos 19 in her hometown of Dallas as part of Forever in Rotation, Amazon Music’s Juneteenth celebration. […]
Jim Jones makes his case after a 22-year-old college student from New Jersey said he was influenced more by the Harlem rapper than by Nas on the Don’t Quote Me podcast.
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While stopping by the Joe and Jada podcast posted Thursday (June 19), Jimmy discussed the viral video. “I admired Nas,” Jones admitted. “When it came to dressin’, the wordplay, the music, everything. I was a superior Nas fan, period. I’ll never take that away from him.”
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However, once Jones became a professional rapper and found himself on the frontlines of the Jay-Z and Nas beef when the Diplomats were signed to Roc-A-Fella during the early 2000s, the rapper he once looked up to became an adversary. “But then, as I got in the game, you gotta realize, your idols become rivals,” he said, “Not to take away anything from that. I developed my own style and my own lane that these kids started to gravitate towards to, the same way I gravitated towards Nas when I younger.”
Jadakiss pushed back a bit on that claim, though, and said his son is around the same age and is aware of Nas’ impact on the genre, but Jim brushed it off, attributing it to him being around Jada. “He’s your son,” he retorted. “My son can’t tell you one Nas record. Let’s keep it a buck here. There must be some type of misconception when it comes to Jim Jones and what Jim Jones has done in this game. A lot of these rappers have done a tremendous job. And I take nothing away from them. But they forget, I got a helluva catalog. Gold records, platinum records. Gold albums, platinum albums … Check my track record. Then check everybody else track record.”
“I’m not taking anything away from nobody,” Jones adds. “But I hear the comparisons. N—as be trying to act funny. No, I been spanking a lot of this s–t. I’m talking about the industry. I been putting on … If you want to go to the Billboard entries, pull up Nas’ Billboard entries and pull up my Billboard entries.”
For the record, Jim Jones has two songs (“We Fly High” and “Pop Champagne”) in his catalog that have hit the Billboard Hot 100 with one top 10 hit and no No. 1s. Nas, on the other hand, has 27 songs that reached the Hot 100 with two top 10 hits while also having no No. 1s.
When it comes to albums, Jim has nine entried in the Billboard 200 with three top 10 albums and no No. 1s, while Nas has 27 entries, 16 top 10 albums, and six that have reached No. 1 on the Billboard 200.
You can watch the full episode below.
As summer continues to heat up, stars such as Cardi B, Lorde and Benson Boone spent their Friday (June 20) dropping new singles and albums.
Cardi kept her fans fed with the long-awaited release of her latest single “Outside,” a scathing diss track aimed directly at her soon-to-be-ex-husband Offset. Amidst the many fiery bars the Bronx-native drops throughout the track, she saves some of the best for the songs opening moments, referring to her ex and his ilk as “Good-for-nothing, low-down dirty dogs, I’m convinced/ Next time you see your mama, tell her how she raised a b—h.”
Meanwhile, Lorde hit the nail on the head with her final preview of Virgin on “Hammer,” a pulsating pop anthem that serves as “an ode to city life and horniness,” as she said on X. The synth-heavy production sees Lorde embracing her fluidity throughout the song, as she sings on the pre-chorus that “I burn and I sing and I scheme and I dance/ Some days I’m a woman, some days I’m a man.”
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Elsewhere, back-flipper-in-chief Benson Boone delivers his much-anticipated sophomore album, American Heart, featuring previous singles “Sorry I’m Here For Someone Else” and “Mystical Magical,” while Public Enemy take to the streets with the group’s new protest single, “March Madness,” railing against gun violence, corrupt politicians and police violence.
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Also this week, Karol G celebrates her past as well as her future with the sunny new album Tropicoqueta, Haim turn up the volume on their established pop-rock sound with their fourth studio album I Quit, Megan Moroney laughs off a loser ex who comes crawling back on “6 Months Later” and Sombr finds himself pining for a love that never was on his latest single “We Never Dated.”
Billboard wants to know which new release is your favorite of the week! So let your voice be heard and vote in the poll below.
Public Enemy has new rhymes designed to fill your mind. The iconic hip-hop group dropped new protest song “March Madness” in honor of Juneteenth on Thursday (June 19).
“PUBLIC ENEMY IS STILL FIGHTING THE POWER,” Flavor Flav wrote in a statement posted to X that day before noting how President Joe Biden signed the national holiday into law on June 19, 2021, and that 160 years have passed since the Confederates surrendered in the Civil War in 1865. “But it feels like we are on the brink of something similar with ongoing efforts to dismantle diversity equity and inclusion. We don’t want what’s going on in Israel vs Palestine and now Iran. We don’t want what’s going on Ukraine vs Russia,” he continued. “I hate war. I hate what’s going on around the world and in US. We are supposed to be THE UNITED STATES and war ain’t about Unity. We have our rights and can use them while we still have them. I have this platform and will use it will I still have it.”
Flav then went on to share that the song was a collaboration with students from three universities. “It was an honor to work with the students from Harvard, Berklee, and Howard Universities to create a protest anthem about important issues we are facing as human beings right now,” he wrote before ending with, “MARCH ON,!!”
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The ominous “March Madness” kicks off with audio from a 911 call, with the operator asking if the caller is still hearing shots, with a newscaster then reporting, “You hear the teacher asking for helpAs she also tries to keep her students calm.”
“Now I’m America’s nightmare/ A debonaire black millionaire/ Checking these crooked politicians who ain’t playing fair/ Shut up! Too much talk/ We know you don’t care,” Flav begins in verse one before throwing in one of his famous “Yeaaaah boys.” He goes on to rhyme: “911 is still a jokе/ So no, motherf–ka, you ain’t getting my vote.”
Chuck D comes in on the second verse with a scathing commentary on the numerous school shootings that have taken place in the United States in recent years. “Trigger happy, hi, I wanna ask a question/ Does a gun need to be in a school to teach or nones?/ Kids supposed to have fun, none of this ‘Run for cover for your life, son,’” he raps before blasting lawmakers for “acting scared off the NRA.”
He also addressed the issue in a separate statement. “Gun violence is not normal behavior, but it’s been going on for so long that it’s normalized,” Chuck D said. “We need to treat it like the sickness and the epidemic that it is.”
The Grammy-nominated group is currently on a world tour, which kicked off earlier in June in Florence, Italy. Public Enemy will also be the support act for Guns n’ Roses on several of the rock band’s European tour dates this summer.
Listen to “March Madness” and see Flav’s full statement below:
PUBLIC ENEMY IS STILL FIGHTING THE POWER ✊🏾Today is Juneteenth.It became a federally recognized holiday on June 19, 2021 signed into law by The President. This was only 4 years ago and 160 years since the confederation surrendered during the civil war. But it feels like we… pic.twitter.com/N9AysjcI2S— FLAVOR FLAV (@FlavorFlav) June 19, 2025
Two months after Fat Joe sued his former hypeman Terrance “T.A.” Dixon for extortion over “false and vile accusations,” the one-time employee has filed his own lawsuit accusing the rapper of having sex with two underage girls.
In a complaint filed Thursday in Manhattan federal court, Dixon accuses Fat Joe (Joseph Cartagena) of a “deliberate and sustained campaign of exploitation,” leveling claims of sex trafficking, financial fraud, and racketeering. Most seriously, Dixon claims that he “personally witnessed defendant engage in sexual relations with children who were fifteen and sixteen years old.”
“Minor Doe 1 is a 16-year-old Dominican girl residing in New York,” Dixon writes in his lawsuit, obtained by Billboard. “In exchange for cash, clothing, and payment of her cell phone bill, defendant would get oral sex and other sexual acts performed on him by Minor Doe 1.”
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Those explosive allegations come two months after Fat Joe sued Dixon and his attorney, Tyrone Blackburn, over claims that they were extorting him by making “wholly fabricated, grotesque, and scandalous allegations,” including “unspeakable acts such as pedophilia.”
In a statement responding to the new case, Fat Joe’s lawyer Joe Tacopina called them a “blatant act of retaliation” and a “desperate attempt to deflect attention from the civil suit we filed first.”
“Law enforcement is aware of the extortionate demand at the heart of this scheme,” Tacopina says. “The allegations against Mr. Cartagena are complete fabrications — lies intended to damage his reputation and force a settlement through public pressure. Mr. Cartagena will not be intimidated. We have taken legal action to expose this fraudulent campaign and hold everyone involved accountable.”
Asked by Billboard about Tacopina’s statement regarding law enforcement, Blackburn repeatedly referred to his opposing counsel by the name Joe Taco Bell: “We offered Joe Taco Bell an opportunity for his client and me to meet at the [U.S. Attorney’s Office for the Southern District of New York] to file our respective criminal complaints and he tucked his tail between his legs and never responded. We met with law enforcement. Let’s see where this goes.”
In his Thursday complaint, Dixon says he dedicated his “talent, labor, and loyalty” to Fat Joe for 16 years, serving not just as a hype man but also a “lyricist, background vocalist, security team member, and creative collaborator.” But he says the star manipulated and abused him in myriad ways, ranging from underpayment to threatening his life.
“Defendants systematically engaged in coercive labor exploitation, financial fraud, sexual manipulation, violent intimidation, and psychological coercion against plaintiff Dixon, all intended to enrich defendant Cartagena and his associates while deliberately suppressing, silencing, and erasing plaintiff’s substantial creative, artistic, and commercial contributions, which were foundational to defendant Cartagena’s professional success and personal brand,” Blackburn writes on Dixon’s behalf.
That’s a very different story from the one that Fat Joe himself told first in April, when he sued Dixon and Blackburn for defamation over “a predatory plot, built entirely on lies, to destroy Cartagena’s reputation and business for profit.”
In that case, the star says he “compensated Dixon handsomely” and the hype man “never complained or expressed any dissatisfaction.” But he says the ex-staffer recently started airing false grievances about his pay and other issues, and has published “shocking falsehoods” to social media while making “outrageous financial demands.”
The early lawsuit also names Dixon’s lawyers as a defendant, claiming Blackburn threatened to file baseless legal action. Citing a recent ruling by a New York federal judge that sharply criticized Blackburn’s litigation tactics, the suit calls his behavior “shakedown tactics masquerading as lawyering.”
“Dixon’s and Blackburn’s conduct is … a cold-blooded attempt to extort exorbitant sums from Cartagena by leveraging the specter of public disgrace and professional ruin,” Tacopina wrote in April. “His defamatory statements accusing Cartagena of heinous crimes are devoid of any factual foundation, relying instead on the power of shock, scandal and Cartagena’s high-profile status to maximize leverage.”
The allegations about Fat Joe in the newer case are certainly shocking and scandalous. The complaint is 157 pages – far longer than the typical pleadings in such a case – and comes with an unusual bright red “trigger warning” at the top. It is also replete with photos of the alleged teenage victims, and claims that Dixon faced “credible threats” to his life, including “attempts to lure him into a violent ambush.”
The lawsuit also includes claims under the Racketeer Influenced and Corrupt Organizations Act – the federal “RICO” statute often used in criminal cases against mobsters and drug cartels. Those sprawling claims allege that Fat Joe and his associates operated an illicit enterprise, and also names a number of outside groups as defendants, including Jay-Z’s Roc Nation.
Blackburn included similar civil RICO claims in a sexual assault case he filed last year against Sean “Diddy” Combs on behalf of producer Rodney “Lil Rod” Jones. While a judge has allowed the case to move forward, he dismissed the racketeering claims in March.
Cardi B is back. The Bronx bombshell returned on Friday (June 20) with her thumping “Outside” single, as she’s ready to take over the summer. Cardi announced plans for the song on Tuesday (June 17). “We OUTSIDE this Friday,” she wrote on Instagram, which sent the Bardi Gang into a frenzy. She also unveiled the […]
T.I. has been hit with an intellectual property theft lawsuit over his upcoming movie Situationships, with a web series producer claiming the title is lifted from her own project of the same name.
The rapper (Clifford Harris Jr.) faces trademark infringement claims in a complaint filed Wednesday (June 18) by Featherstone Entertainment, an Atlanta-based production company run by a creator named Cylla Senii.
Senii has made two seasons of the scripted web series Situationships, which chronicles the ups and downs of millennial dating. The show launched on YouTube in 2016 and has since been distributed by BET Digital, Amazon Prime and Tubi.
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According to the complaint, Senii worked between 2019 and 2024 to develop both TV show and movie versions of Situationships. But in the fall of 2024, she says, she was shocked to learn that T.I. and his company, Grand Hustle Films, were about to start filming their own comedy film called Situationships, written, directed by and starring the rapper.
“Defendants are engaging in a common scheme and effort to take advantage of the public’s association of Featherstone’s ‘Situationships’ brand by marketing their own film and entitling it ‘Situationships,’” writes Senii’s attorney.
The lawsuit claims T.I.’s alleged infringement is intentional. Senii’s lawyer notes that one collaborator she worked with to develop her Situationships show is a close friend of T.I.’s family, and that another producer with whom she discussed the project is now working on the rapper’s movie.
Senii says this behavior is “ironic” after T.I. and his wife Tameka “Tiny” Harris’ recent $71 million trial win in their long-running intellectual property battle against toymaker MGA, which took issue with dolls supposedly modeled after their teen pop group OMG Girlz.
“Unfortunately, T.I. is engaging in the same conduct he fought so vigorously to protect himself from in his own intellectual property lawsuit,” writes Senii’s lawyer.
The lawsuit says Senii sent T.I. a cease-and-desist letter in December 2024, but he never responded. Senii has also challenged T.I.’s numerous attempts to obtain a trademark for “Situationships,” with one of T.I.’s applications getting preliminarily rejected in May after an examiner found there was a likelihood of confusion with the web series mark.
Senii is now levying a slew of claims against T.I. and Grand Hustle Films for trademark infringement, unfair competition and civil conspiracy. She’s seeking an injunction that would bar him from releasing his movie under the moniker “Situationships” as well as unspecified financial damages.
Reps for the rapper and Grand Hustle Films did not immediately return a request for comment on the lawsuit.
Fans of Snoop Dogg‘s Doggyland have a new song to sing along to. This time, Snoop’s lovable character Bow Wizzle linked with social media sensation VanVan — who also happens to voice Doggyland‘s Vancy the Dalmatian character — for a new video for a remix of the “Clean Up Song,” which interpolates the classic children’s […]
Muni Long is set to perform at Megan Thee Stallion’s inaugural Pete & Thomas Foundation Gala in New York City next month. The gala is scheduled for July 16 at Gotham Hall in the Big Apple, as the Houston rapper took it upon herself to completely organize the inaugural event. Taraji P. Henson will play […]
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