genre hiphop
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If you’re tired of Kendrick Lamar, he’s not going anywhere for at least three years. Earlier Thursday (March 20), Casey Wasserman — the head of the Wasserman talent agency and the chairman of the 2028 L.A. Olympics organizing committee — spoke with The Associated Press in Greece during the 14th International Olympic Committee session and […]
Cam’ron and Mase are planning on dropping a project together.
The childhood friends have had a tumultuous relationship over the years dating back to the late ’90s, when they had a falling out over an appearance in Cam’s video for his hit single “Horse & Carriage.”
Since the two have reconciled, they got into business together and started their increasingly popular sports talk show It Is What It Is in 2023.
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Now, they plan on strengthening their relationship by making music with each other again.
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On March 19, Cam posted a clip on Instagram. “Harlem Fact check season. Sorry Murder, I had to give them a small sample. Willie Burgers (The EP) July 4th. I’m from old Harlem. Where the dirty kitchen was open pass 12pm. Maybe I’ll drop the full song on @talkwithflee 2mr morning,” he wrote. “We got so many joints in da stash.”
Produced by ADM Beatz, Cam started the song off by rapping, “Shouts Mason Betha, I’m Cameron Giles/ I’m sorry, Richard Porter, I’m sorry, Kevin Chiles/ I’m sorry, Bumpy Johnson, y’all always gettin’ chedda/ It come to Harlem, baby girl, nobody did it better.”
Cam also posted snippet on Talk With Flee earlier Thursday morning, and he’s calling it “Tupperware Freestyle.”
Last week, Mase announced that he’s planning on releasing his first album since 2004’s Welcome Back, and he wants to drop it on the first day of the Diddy trial, which is Monday, May 5. He also claimed that the project will be a “triple CD” and that Cam helped him pick the songs.
You can watch the freestyle below.
The style of dancehall currently dominating the streets of England is quite different from the dancehall that ruled the Billboard Hot 100 in the early 2000s. Trap dancehall — the aptly named subgenre of trap-infused dancehall — has been king for the last couple of years, and Manchester-bred Jamaican dancehall artist 1Ski OG is looking to leverage his new stage name into a grand return to the royal court.
“When I came up with the name 1Ski Mask, it wasn’t planned,” he exclusively tells Billboard over Zoom while visiting family back home in Manchester, Jamaica. “I was just having fun and called myself that, it went viral and the name stuck with me at that time. Some artists already had the name overseas, so I was informed that for new releases I could no longer release under that name. I never wanted to stray from the name or change it completely, so I just removed the mask part. The ‘OG’ is a shortening for ‘original,’ I wanted people to know it’s still the same original 1Ski Mask.”
A former social media comedian, 1Ski OG rose to prominence as 1Ski Mask with “Dawkniss,” a Falconn-assisted single that arrived in spring 2023. To date, the song has amassed more than 1.5 million streams on Spotify alone, helping him score a deal with Against Da Grain/Epic Records by October 2024. In the years that followed, 1Ski’s musical output slowed down, due in large part to him taking some time to recalibrate following his signing and name change. Now, he’s readying a new project due later this year and launching his 1Ski OG era with a pair of new songs that he calls “more universal”: “Feel Like” and “Double Life.”
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For both songs, 1Ski took inspiration from his personal life. His “gyal at di time” served as the muse for “Feel Life,” which was recorded a year ago, and “Doube Life” is the product of his desire to “speak to the experience of living a double life with [yourself] and your partner” and his general observations of toxicity in daily interactions. The new songs build on the trap dancehall foundation he established upon his debut, but the melodic flourishes of their respective soundscapes signal a push into a more expansive sound.
“I’m not the kind of person who sticks to one sound because I’m thinking about longevity,” he says while musing over trap dancehall’s current dominance. “You have to create music that can last and trap dancehall is not so lasting. I don’t think it’s fully crossed over yet outside of New York, Florida, and Connecticut – places with a lot of Jamaicans. But what if you want to reach Africa or England or Canada? You have to always be open to change. The more potent and structured songs that we can all relate to are the ones that last. I still have trap and hardcore dancehall, but you have to have a mixture.”
With a new name, new music, and a clear, intentional focus behind the next stage of his career, 1Ski OG is ready not just to reintroduce himself, but also establish himself as one of the leading Caribbean artists of his class.
“We have to evolve and put the face behind the brand,” he stresses. “[The new name] gives you different options in terms of styling because nothing is tied to the mask anymore. The power is not in the mask, the power is in me.”
Watch the official “Feel Like” music video below.
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Primary Wave said on Thursday it partnered with The Notorious B.I.G.‘s estate to acquire a stake in the Brooklyn rapper’s music publishing and recordings, as well as certain name, image and likeness rights.
Terms of the deal were not disclosed. The Wall Street Journal reported earlier on Thursday that Biggie Smalls’s late mother, Voletta Wallace, reached the deal with Primary Wave shortly before her death earlier this year, and that it valued his estate at $200 million.
The celebrated MC was born Christopher Wallace on May 21, 1972, in Brooklyn, and while he was killed in 1997, his influence on hip-hop and rap and his role in launching the careers of artists like Lil Kim and Junior M.A.F.I.A. has led to the sale of more than 28 million albums in the United States and a steady rise in the value of his works.
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Biggie’s albums Ready To Die, Life After Death and the posthumously released Born Again spent the combined equivalent of more than 3 years on Billboard‘s top album sales chart, with Life After Death and Born Again both hitting No. 1.
The rap icon had 15 songs chart on the Billboard Hot 100, including “Mo Money Mo Problems” featuring Puff Daddy, Ma$e and Kelly Price, which was No. 1 for two weeks in 1997, “Hypnotize,” which spent three weeks at No. 1 the same year, “One More Chance/Stay With Me,” “Big Poppa/Warning” and “Juicy/Unbelievable.” Biggie was inducted into the Rock and Roll Hall of Fame in 2020.
Primary Wave’s portfolio of songs includes works by Whitney Houston, The Doors, James Brown, Stevie Nicks, Nirvana, Prince and Bob Marley. The company and estate described this as a “panoramic partnership that will encompass The Notorious B.I.G.’s music publishing and recordings, as well as his name, image and likeness.”
Name, image and likeness rights are needed to license an artist’s work for films. Known for its role in licensing music for biopics, like Bob Marley: One Love and Whitney Houston: I Wanna Dance With Somebody, Primary Wave is currently involved in biopics about Boyz II Men and Boy George—both of which are in production.
“The estate and Primary Wave will collaborate on all business moving forward in an effort to continue the incredible and innovative ork done thus far with one goal in mind, to keep the legacy of The Notorious B.I.G. alive,” the company said in a statement.
It’s been a long road from Playboi Carti’s Whole Lotta Red to Music. King Vamp ended the drought with his first album in four-plus years on March 14.
The loaded 30-track album features superstar guests from The Weeknd to Travis Scott, and showcases Carti’s full artistic repertoire. Billboard Unfiltered returned on Wednesday (March 19) with a new episode covering Carti’s new LP from all angles.
“I think this Music album is probably the best showcase of all the different sides to Carti,” staff writer Kyle Denis said. “You get his pop sensibility side on records like ‘Backr00ms,’ and you get some of the rage rap stuff … I love how throw-everything-at-the-wall it was.”
Denis “sighed” every time Travis Scott popped up for a feature. “The best Travis verse for me that was on ‘Backr00ms,’ and that one wasn’t on the album,” he added. “I love how Kendrick kind of slid into Carti’s world. I think that was the highlight for me, seeing him adapt to the vamp stuff.”
Denis “had a great time with Music,” but thinks that it was way too long at 30 tracks. “There’s a great 16-track album hidden somewhere,” he said.
Music is expected to debut atop the Billboard 200, and all 30 tracks could possibly enter next week’s Billboard Hot 100.
Senior charts and data analyst Trevor Anderson highlighted “Evil J0rdan” as when the album really started to take off for him, and noted Kendrick Lamar’s performance in Carti’s world holding his own. “I think he does a good job of playing in the background, but obviously making his presence known,” he said.
He wonders if Carti can have that pop breakthrough run as a hitmaker, but couldn’t land on one track he thought would take off. “‘Rather Lie’ could be a radio record,” Denis said. “Both Kendrick joints will probably do fine. ‘Fine Shit’ is one that popped out to me.”
Lizzo returned last week with her “Still Bad” single as she plots her comeback for 2025. That didn’t come without an X rant, in which she clapped back at haters of the track and called out the mistreatment of Black women artists.
“This is not the first time she has had records that haven’t connected. Right after ‘About Damn Time,’ she tried to push ‘To Be Loved,’ and that didn’t really pop off in a way remotely comparable to ‘About Damn Time.’ I don’t think the culture’s moved beyond corny pop songs,” Denis said. “There’s always going to be an audience for that.”
Watch the full episode above.
Alleged Rollin’ 60s Los Angeles Crips gang leader and music executive Eugene “Big U” Henley Jr. has been charged as part of a 107-page sprawling indictment that compares his “Big U Enterprise” to a “mafia-like organization,” the Department of Justice announced on Wednesday (March 19).
According to the DOJ, Henley, 58, remains at large and is considered a fugitive as he faces conspiracy charges related to the Racketeer Influenced and Corrupt Organizations (RICO) Act. He and his associates are accused of racketeering, extortion, human trafficking, fraud and the murder of a 21-year-old aspiring rapper who signed to his Uneek Music label, among other charges.
Henley is credited with helping launch the career of rapper Nipsey Hussle, who was a member of the Rollin’ 60s in South Central Los Angeles prior to his death in 2019.
Two others named in the indictment, Sylvester “Vey” Robinson and Mark “Bear Claw” Martin, have been arrested on the same criminal complaint in which Henley was charged; both were expected to appear in U.S. District Court in L.A. on Wednesday afternoon. Overall, 10 Rollin’ 60s members have been arrested in the past 24 hours, while another four were already in custody. Law enforcement is currently tracking down five other defendants, “three of whom are expected to be in custody shortly,” according to the DOJ press release. In addition to Henley, one other unnamed defendant is considered a fugitive.
“The allegations in the complaint unsealed today reveal a criminal enterprise that engaged in murder, extortion, human trafficking, and fraud — all led by a supposed anti-gang activist and purported music entrepreneur who was nothing more than a violent street criminal,” said acting U.S. Attorney Joseph McNally in a statement.
McNally continued: “Eliminating gangs and organized crime is the Department of Justice’s top priority. Today’s charges and arrests target the leadership of this criminal outfit and will make the neighborhoods of Los Angeles safer. I am grateful for the work of our prosecutors and law enforcement partners.”
According to the DOJ, Henley was involved in the murder of rapper “R.W.” — the victim’s initials — who signed to his Uneek Music label in January 2021. While recording at a studio in Las Vegas, R.W. allegedly recorded a diss track taking shots at Henley. According to the DOJ, Henley and Robinson then confronted R.W. in Vegas, with Henley allegedly later shooting R.W. in the head and leaving his body in a ditch off Interstate 15. He also allegedly had the studio’s security camera footage scrubbed and ordered any witnesses not to speak with authorities following the murder.
The indictment states that Henley rose to prominence with the Crips gang in the 1980s and has remained a leader within the organization. The feds accuse him of leveraging his relationships with the Rollin’ 60s to the benefit of his Big U Enterprise, which allegedly used violence, fear and intimidation tactics to increase its power.
While associated with the Rollin’ 60s, Big U Enterprise is being treated as an independent organization tied to various crimes also including robbery, exploiting sex workers and illegal gambling.
Per the Los Angeles Times, athletes, celebrities and musicians were among Henley’s extortion victims, who were required to “check-in” for “protection” when visiting Los Angeles. He allegedly defrauded companies, donors, athletes and celebrities, including former NBA star Shaquille O’Neal and Golden State Warriors forward Draymond Green. Henley allegedly took donations from both men that were meant for charity and transferred the funds to his personal bank account.
After Playboi Carti dropped his new ‘MUSIC’ album, Ye went on X to call out both Playboi Carti and Kendrick Lamar. Keep watching for the full story. What do you think of Ye’s latest rant? Let us know in the comments below! Playboi Carti is snapping back at Ye’s latest series of hate-speech and conspiracy-theory-fueled […]
Jermaine Dupri is in the news again, but instead of trying to have a conversation around independence, he’s having one about Drake’s relationship with DJs across the country.
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On Tuesday night (Mar. 18), J.D. tweeted about being impressed by the Toronto rapper’s influence with club DJs. “That boi Drake got a DJ alliance like no other artist I’ve ever seen,” he said. “But most of you n—as probably don’t understand what I’m saying cause [you don’t] be outside.”
That boi Drake got a DJ alliance like no other artist I’ve ever seen, but most of you niggas probably don’t understand what I’m saying,cause uon be outside— Jermaine Dupri (@jermainedupri) March 18, 2025
As usual, folks on X misinterpreted what the record executive said, so he sent out another tweet a couple hours later clarifying what he was trying to say. “Okay, I see people saying ‘DJ alliance’ is crazy,” he followed up. “So, let me tell y’all what I saw. I walked in the club and the DJ was shouting out a group of people from the West Coast and they must’ve been like, ‘Play some West Coast sh—t.”
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Adding, “And before he dropped ‘Not Like Us,’ he said, ‘I might get in trouble for this’ and I was like, ‘Whoa!’
Ok I see people saying DJ alliance is crazy, so let me tell y’all what I saw, I walked in the club and the dj was shouting out a group of people from the west coast and they must’ve been like play some west coast shit and before he dropped not like us, he said I might get in…— Jermaine Dupri (@jermainedupri) March 19, 2025
Last week, the So So Def founder posted a video clarifying a question he had about independent artists where he asked, “Can somebody tell me what the goal of being an independent artist is today because all of the things that people are chasing is sh—t major artist do, what’s the thing that indie artist do that make it special?”
Many fans jumped on him, assuming that he was speaking down on independent artists, but apparently he was legitimately trying to understand why some artists chose to not to sign with a major label and admitted that “you never know everything.”
In other Drake news, UMG has asked a federal judge to put a hold on discovery a day after requesting the case be dismissed. The record giant alleged that Drake and his team have been requesting “highly commercially sensitive documents.”
In today’s episode of ‘Billboard Unfiltered,’ Billboard staffers Carl Lamarre, Trevor Anderson and Kyle Denis are reacting to Playboi Carti’s first album in five years, ‘MUSIC,’ and sharing their thoughts on everything he delivered on the album. They also go into Lizzo’s X crash-out over ‘poptimism,’ the public’s reaction to Leon Thomas putting out the “Mutt” remix with Chris Brown and more!
What do you want to hear more of? Drop your suggestion in the chat!
Carl Lamarre:
Yo, yo yo, yo what’s going on y’all and welcome to a fresh episode of Billboard Unfiltered. Gentlemen- what it do, what it do, what it do?
Kyle Denis:
Chilling man, how are you?
Carl Lamarre:
I am good. No complaints, well rested. Not bad at all.
Trevor Anderson:
Okay? What got you so well rested out here?
Kyle Denis:
I mean sleep, probably.
Trevor Anderson:
Well… that tends to be the number one ingredient.
Carl Lamarre:
It’s nice outside.
Trevor Anderson:
Yeah springtime is starting a little bit out here in New York.
Carl Lamarre:
Concerts are picking back up outside shortly, we got a couple in NYC this week so…
Kyle Denis:
Had Jordan Adetunji at Mercury Lounge last week, it was a great show.
Carl Lamarre:
Bowizzle, Omarion, yeah you know I might have to bring it back.
Trevor Anderson:
That is some millennial sh– right there.
Carl Kamarre:
I’m an old head, but you know in the midst of all this old head sh–, I’m trying to have some YN moments with this new Playboi Carti ‘MUSIC’ album. Whoo we are talking about this colossal 30-track project, which has some heavy-hitters with Kendrick Lamar, The Weeknd, we should say Kendrick Lamar thrice because we got three Kendrick Lamar records on there.
Keep watching for more!
Attorney Tony Buzbee is withdrawing from more than a dozen sexual abuse lawsuits against Sean “Diddy” Combs in New York federal court two days after telling a judge he had “made an error in judgment” by failing to disclose that he was not admitted to practice law in that court.
Buzbee, who’s filed more than 20 cases against Combs and has fought an acrimonious battle with Jay-Z after filing a lawsuit by a woman who briefly accused him of rape, filed motions Wednesday (March 19) to withdraw across 15 different civil lawsuits in the Southern District of New York, the federal court district covering Manhattan.
The moves came two days after Buzbee told Judge Ronnie Abrams in one of those cases that he’d “made an error in judgment by failing to inform you that I was not admitted to the Southern District” and would “remedy this error by withdrawing my representation” until he was admitted.
In the same filing, Buzbee stressed that he was “in good standing of the New York State Bar” and would still be “eminently qualified” to continue handling the case, but said he would step away “as I sort these issues out.”
“My admission status has become a distraction that has shifted the focus of the matter away from where it should be, which is securing justice for the plaintiff,” Buzbee told Judge Abrams in the Monday letter.
The lawsuits against Combs will proceed with other attorneys at the helm, and Buzbee will remain in cases filed in New York state courts or other jurisdictions. Buzbee did not return a request for comment from Billboard, but in a Tuesday statement to the Houston Chronicle, he said: “Until that administrative issue is sorted out, my colleagues who are formally admitted in the SDNY will continue to push those cases while I continue to march forward in the New York State cases.”
Combs is facing a flood of abuse accusations, including dozens of civil lawsuits and a sweeping criminal indictment from federal prosecutors. He faces a jury trial on those charges in May; if convicted, he’s looking at a potential life prison sentence.
Buzbee, a well-known plaintiffs’ attorney in the Houston area, announced in October that was representing 120 individuals who had been victimized by Combs and would soon begin filing civil lawsuits on their behalf. He’s since filed more than 20 such cases, mostly repping anonymous Doe accusers who say the star sexually assaulted or raped them.
In December, Buzbee added Jay-Z as a defendant to one of those cases, accusing the star of joining Combs in raping an unnamed 13-year-old girl in 2000. The star vehemently denied the shocking allegations and has subsequently sued Buzbee and the accuser for defamation. In February, Buzbee’s client voluntarily dropped the case against Jay-Z without a settlement.