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Rick Ross has shown himself to be a good businessman. The Miami rapper is already synonymous with chicken wing chain Wingstop, owning around 30 franchises, and now he’s trying his hand at teeth. That’s right, the biggest boss that we’ve seen thus far is opening up a dentist office in a suburb of Atlanta. Late […]

Kendrick Lamar and SZA’s “Luther” leads the Billboard Hot 100 songs chart for a fifth total and consecutive week. The single, whose title is a tribute to late R&B icon Luther Vandross, who is sampled on the track, became Lamar’s sixth No. 1 and SZA’s third. Both Lamar and SZA extend their longest career Hot […]

For over 14 years, Sway in the Morning with Heather B and Tracy G has remained a singular fixture in popular culture. Hosted by Sway Calloway, Heather B. Gardner and Tracy Garraud, the SiriusXM radio show has broadcast candid interviews with almost all of today’s biggest icons. According to Sway and Heather, who sat down with Billboard for a lengthy interview, the key to this hospitality is keeping an open mind around artistic expression. Whether it be rappers, actors, Olympic athletes or tech giants, the hosts take serious pride in being able to feature people from all walks of life.

This openness stems from both hosts’ experiences as recording artists. Sway released a handful of independent albums throughout the 1990s including, most notably, Concrete Jungle with King Tech, which led to Sway’s first radio gig. Heather B, meanwhile, starred in the debut season of MTV’s The Real World: New York before releasing the albums Takin’ Mine and Eternal Affairs in 1996 and 2002, respectively. Their backgrounds have helped the two hosts understand how important it is for creatives to be able to step into a welcoming space.

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“We have Dr. Ian Smith that comes on the show once a month and talks about ways to better your life, but then you might flip it around and have Robert Glasper come and do a jam session that Rapsody will come and rock on,” Sway tells Billboard. “I’m always an artist. The way we do radio is through artistry. It’s not just the science of radio.”

This underscoring of creative freedom has helped the radio program blossom into a cultural touchstone, with unforgettable moments like Kanye West’s infamous 2013 “How Sway?” interview. Now, Sway and Heather will help bring the show from its New York home over to California, anchoring it in Los Angeles to help spotlight West Coast creatives.

Billboard spoke with Heather and Sway about the show’s history, their move to L.A., and a few of their favorite interviews.

Sway, looking back on your career, what has kept you motivated to stay in radio for this long?

Sway: Curiosity, for one, keeps me here. I’m always curious about up-and-coming talent. Whether it’s comedians, actors, artists, people who work in tech, coders. Having a platform where we can be able to speak their voice and get them heard in places where they normally won’t be heard. For me, that’s phenomenal. The show reaches Canada [and] people call in from the West Indies. We had a caller who was listening from France! I’ve never in all my years had this kind of reach, and with it, we’re able to introduce people to a lot of new things in their lives. So coming to L.A. and being from the West Coast, it’s bringing things full circle.

Why did you guys decide now was the time to move the show out to Los Angeles?

Sway: The L.A. fires to me represented a change — a pivot in the environment. I wanted to help rebuild and expand the cultural scene in L.A, to create a platform for artists from L.A. I’m from the West Coast, I have a home in the valley in Tarzana. I did L.A. radio for 10 years in the ’90s and we were able to do a lot of groundbreaking things with my partner King Tech and the World Famous Wake Up Show. Through that show Eminem was discovered, you know what I mean? Through that show, Wu-Tang Clan was discovered, Nas. A lot of big artists go through mainstream radio because we had a syndicated show on that show. So you fast forward to 2025, it’s the same variables, but now we have a bigger platform with a bigger brand. We have a bigger voice, and more resources to do a similar thing. So we came out here to shake it up.

Heather: I think it was necessary. Sometimes, it’s very hard to explain to other people the feelings that you get. It was just a gut instinct. It’s time to elevate, it’s time to move forward, to do the unexpected. Something that people didn’t see coming.

Can you speak more about how you guys have stayed in sync all these years? What has kept your partnership going so strong?

Heather: Don’t even start! So part of it is, you’re usually supposed to have a working relationship, but on the weekends he forced his way into my home with dinners. Then dinners turned into lunch and dinners and now out in L.A., since we live really close to each other, it’s breakfast, lunch, and dinner. This is bonded by food!

Sway: And, and! On one hand, you have Heather B., who was really the first person from our culture to ever be on a mainstream platform consistently like MTV or Real World. Hip-hop culture hadn’t seen anything like that, our community hadn’t seen anything like that! Meanwhile, we’re already family because of the culture, but now we both got a chance to be on this mainstream platform and because of that it gave us global visibility. We have this all accumulated on this one show, so every day you get such a broad audience that we’re talking to and it allows us to share our experiences. I think Heather B. has one of the most powerful voices in radio. It’s real, it’s transparent, it’s rooted in experience and my voice is as well. So we were able to take our reach that we gained and encapsulate it into this show because of the experience.

With that being said, how are you guys feeling about the state of media right now? With everyone making podcasts and TikToks, how important is that experience when it comes to standing above the noise?

Heather: I think what people underestimate all the time is your story. Why are you trying to tell somebody else’s story? Why are you trying to add on to someone else’s experience? I think because of social media and a lot of things, people are always trying to alter their story and alter their experience [and] feel like it needs to be bigger. Just tell your story! And sometimes know when to shut up. If you don’t have anything else to say, give yourself a breath, step back, and just listen because it may be an opportunity for you to learn. That’s what experience has taught me.

Sway: It also teaches you to embrace change. You might have an actor like Bill Murray come on the show. Now, Bill Murray will come on our show and wonder, “What the heck do they know about me?” And they turn around and realize that our experience that you talked about has filled us with knowledge in areas that most people may not have. We found [Bill Murray] dancing in between breaks because he was having such a good time because we know how to talk about his career and keep him current.

With are some of your favorite interviews from over the years?

Heather: So part of my hustle when I was figuring things out was, I ran a catering business out of my home. I used to cook for Tyler Perry, and a full-circle moment happened on the show when he came in. I told him I used to cook for his place and he remembered the food! In the interim, I had done an independent film, and he saw the independent film. It was called B-Boy Blues. [He] saw the film, forgot that I used to cook for him, and I was the same girl from the Sway in the Morning show. Reached out to the director and said, “I wanna work with this woman.” The director sent it to me and he ended up casting me for a season of Sistas. That was a full-circle moment for me I was just blown away by.

Sway: We had The Rock on the show when he was promoting Black Adam. And I’m sitting here really trying to give him the best journalistic approach to this interview because we got layers to our skill set, right? And somebody like The Rock, you gotta really step it up. I’m trying to bring it, trying to find that thread. I’m being all formal with the guy, and he breaks formality with me! He says, “Sway, man. I gotta thank you. There was a time in the ‘90s when I used to come to the Bay Area and you used to put me on radio when nobody else would. You talked to me and you gave me a break when nobody else would. I’ll never forget that, so it’s great that this moment has come full circle. I am who I am and here you are again, giving me opportunity.” So that’s one of the highlights.

Halle Berry was another one — she came on our show and I had the chance to tell her how she’s been a cultural tentpole for our community over these different eras, and she broke out in tears. So to have Halle Berry be that emotional and make that kind of connection with her doing a radio interview, that became one of my favorite moments. [And] I would say, Chadwick Boseman. When Chadwick came just before his untimely passing to promote Black Panther, nobody really knew what he was going through. The whole cast was there and we made him comfortable enough to have a conversation in that interview, and he too got emotional. When that happens, it’s just confirmation that there’s a real human connection being made that supersedes the headlines or whatever metrics you may grow from that conversation. That’s our prerogative. We try to rise above that. When Will Smith came by with Martin, that was special.

Heather: That was special because, they don’t always get the acknowledgment, but we grew up and idolized both Will and Martin for different reasons. To see these two giants come together and do the Bad Boys franchise. That was a moment for me.

What about some of the more challenging interviews? What have you learned when it comes to handling conflict live on the air?

Sway: It takes two people to make it a conversation. So regardless of where that guest may be, I know where I’m at. So if I don’t participate in a confrontation then it can’t be confrontational. But you learn to take the emotion out of it, [and] don’t take it personally. A lot of people be in front of the camera acting. A lot of people be inauthentic in trying to make a moment. We’ve had a lot of people try to make a moment.

Heather: This is where the partnership of it all comes in. So he usually has to tell me to calm down, so we can even it out. I’m always like, “Say something, Sway!” You know? [laughs] So we learn from each other, and I think a lot of times I have to remember, “What would Sway do?” I don’t think he ever thinks, “What would Heather do?” ‘Cause he knows what I would do.

Sway: I had to stop her from punching a few dudes. I’m not even joking.

Basketball player-turned-rapper GELO earns his first No. 1 on a Billboard radio chart as “Tweaker” shoots from No. 3 to rule the Rhythmic Airplay list dated March 29. The track, released on Born to Ball/Def Jam and promoted by REPUBLIC, extends the musical breakthrough season for the rapper, born LiAngelo Ball.
The 26-year-old traveled an unusual route to Billboard’s charts, having first generated attention through with his brothers, Lonzo and LaMelo, for their on-court ability in high school. After graduating, LiAngelo played in international divisions and the NBA’s G-League and Summer League series; his siblings are active players in the NBA.

Back to his current gig – “Tweaker” takes over Rhythmic Airplay as the most-played song on U.S. panel-contributing rhythmic radio stations in the tracking week of March 14-20, according to Luminate. The single enjoyed a 7% increase in plays during the tracking week compared with the week prior. Knoxville, Tenn.’s WKHT-FM registered the most plays in the period, with Honolulu’s KPHW-FM and Greenville, S.C.’s WHZT-FM landing in second and third place, respectively.

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As “Tweaker” rises, GELO wraps, perhaps temporarily, a dominant stretch for Kendrick Lamar at the Rhythmic Airplay summit. Lamar ruled for the last seven weeks through a combination of three songs – “TV Off,” featuring Lefty Gunplay, for four frames, and two SZA collaborations: “Luther” (one week) and “30 for 30” (two weeks).

The debut single for GELO, “Tweaker” began generating attention in late December of 2024 after the rapper previewed a snippet on a livestream hosted by N3on. The single was officially released on Jan. 3 and erupted into a viral sensation, with several rappers praising the track while athletes and sports teams adopted it as a soundtrack for locker room anthems and other celebratory posts across social media. Thanks to the attention, the song clocked 12.4 million official U.S. streams in its first week and debuted at No. 29 on the Billboard Hot 100. (It ranks at No. 62 on the latest published chart, dated March 22).

Elsewhere, “Tweaker” holds at No. 7 on the plays-based Mainstream R&B/Hip-Hop Airplay chart, where it reached a No. 6 best, after a 3% loss in plays for the tracking week. It likewise repeats at its No. 7 peak on the audience-based R&B/Hip-Airplay chart for a third consecutive week, despite slipping to 9.3 million in audience impressions, down 3%.

Meanwhile, GELO’s follow-up single, “Can You Please?,” with GloRilla, is showing favorable momentum as it seeks its first radio charts. Although it remains below the cutoffs for this week’s Rhythmic Airplay and Mainstream R&B/Hip-Hop Airplay, the new cut soars 112% in plays and 75% in plays at the respective formats in the latest tracking week.

All charts dated March 29 will update on Billboard.com on Tuesday, March 25.

Playboi Carti captures his second No. 1 on the Billboard 200 albums chart, as his latest studio project, MUSIC, debuts atop the tally dated March 29. The set debuts with 298,000 equivalent album units earned in the U.S. in the week ending March 20, according to Luminate. That marks the biggest week of 2025 for a rap album. It also arrives with the biggest streaming week for a rap set since 2023.
Playboi Carti previously topped the chart with his last release, Whole Lotta Red, which debuted atop the ranking dated Jan. 9, 2021. MUSIC is the artist’s third top 10-charting set, as he previously visited the region with 2018’s Die Lit, which reached No. 3.

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Also in the top 10 of the new Billboard 200, LE SSERAFIM collects its fourth top 10-charting project, as 5th Mini Album HOT debuts at No. 9.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new March 29, 2025-dated chart will be posted in full on Billboard‘s website on March 25. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of MUSIC’s 298,000 first-week equivalent album units, SEA units comprise 283,000 (equaling 284 million on-demand official streams of the 30 songs on the streaming edition of the album; it debuts at No. 1 on the Top Streaming Albums chart), album sales comprise 14,500 (it debuts at No. 3 on Top Album Sales) and TEA units comprise 500.

With 298,000 units earned in its first week, MUSIC lands the biggest week in 2025 for a rap album, and the second largest overall among all albums — only the debut of The Weeknd’s Hurry Up Tomorrow was bigger so far this year, when it launched with 490,000 units (Feb. 15 chart). Further, as MUSIC’s songs tallied 384 million on-demand official streams combined, that marks the biggest streaming week for any album in nearly a year, since Taylor Swift’s The Tortured Poets Department collected 428.54 million clicks for its songs in its second week (May 11, 2024, chart). MUSIC nets the largest streaming week for any rap album since Drake’s For All the Dogs debuted with 514.01 million (Oct. 21, 2023, chart).

MUSIC was officially announced on Sept. 12, 2024, and went up for pre-order the same day. However, the set’s March 14 release date wasn’t announced until just two days before its arrival (March 12).

MUSIC debuts on the Billboard 200 largely from streaming activity, as it was available to purchase only as a digital download — as a widely available standard 30-song set, as well as three variants exclusive to the artist’s official webstore (the variants each have between one or two bonus tracks).

MUSIC will be issued on CD (across at least eight variants available to pre-order in his webstore) in the coming weeks. The album will also profit in the future from sales generated by an array of deluxe boxed sets (containing branded merch and a CD) that have been available to pre-order on his webstore since last September.

Lady Gaga’s MAYHEM falls to No. 2 in its second week on the Billboard 200, earning 74,000 equivalent album units (down 66%). The next six titles on the list are all former No. 1s. Kendrick Lamar’s GNX drops 2-3 (71,000; down 13%), PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U dips 3-4 (66,000; down 15%), SZA’s SOS slips 4-5 (62,000; down 9%), Sabrina Carpenter’s Short n’ Sweet is steady at No. 6 (57,000; down 7%), Tate McRae’s So Close To What falls 5-7 (52,000; down 18%) and Bad Bunny’s Debí Tirar Más Fotos is a non-mover at No. 8 (50,000; down 4%).

LE SSERAFIM collects its fourth top 10-charting effort on the Billboard 200 as 5th Mini Album HOT starts at No. 9 with 45,500 equivalent album units earned. Of that sum, album sales comprise 38,500 (it debuts at No. 1 on Top Album Sales), SEA units comprise 7,000 (equaling 9.42 million on-demand streams of the five songs on the streaming edition of the album) and TEA units comprise a negligible sum. Sales of the set were bolstered by its availability across more than 20 CD variants (all containing collectible paper ephemera, some randomized).

Rounding out the top 10 of the latest Billboard 200 is Morgan Wallen’s former No. 1 One Thing at a Time, which falls 9-10 with 42,000 equivalent album units earned (down 3%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Sauce Walka is recovering after being shot in broad daylight in downtown Memphis on Saturday (March 22).
The 34-year-old Houston rapper, born Albert Walker Mondane, was shot in the leg outside a hotel near Memphis’ FedExForum when a car with multiple people pulled up and began firing, TMZ reports. He is currently in the hospital and is expected to make a full recovery.

An unidentified man who was with Sauce at the time of the incident died from his injuries at the scene. The victim’s name has not been released. Memphis police are still searching for the shooters, who fled the scene in a white four-door vehicle.

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In a press conference on Saturday, Memphis authorities confirmed that investigators believe Walka and the other individual were specifically targeted by the gunmen. Police do not believe the attack was random.

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“This appears to be a targeted shooting incident,” a Memphis Police representative said, according to the Houston Chronicle. “The victims were outside by a vehicle. The suspect vehicle pulled up. Multiple people got out of that vehicle, fired shots without engaging in any conversation, they got back into the white vehicle and fled.”

Individuals with information about the incident are urged to contact Memphis CrimeStoppers.

Sauce, a Houston native, began his hip-hop career in 2007 and has since released multiple mixtapes. He has collaborated with fellow Houston rappers, including Bun B, Lil’ Keke, Slim Thug and Travis Scott, as well as other hip-hop stars like A$AP Rocky and Migos.

In 2009, Walka was involved in another gun-related incident during a Trae Tha Truth concert. Police also connected him to gang activity in 2018, though he has denied the claims. “I know that I’m a record label, I know that I’m an artist… I’m not into gang activity or any of that stuff,” the rapper stated in response, according to the Houston Chronicle. In 2023, the rapper was reportedly arrested after leading Houston police on a car chase that ended in a crash.

Matthew Knowles is responding to Ye’s controversial remarks about his grandchildren.
In a since-deleted post on X Tuesday (March 18), the embattled rapper — formerly known as Kanye West — questioned the mental capacity of Beyoncé and Jay-Z’s 7-year-old twins, Rumi and Sir Carter. He also claimed the children were conceived through in vitro fertilization (IVF).

Knowles, 73, who managed his superstar daughter early in her career, addressed Ye’s offensive comments in a new interview.

“People pay a price for being stupid, especially in the music industry,” Knowles told TMZ on Friday (March 21). He added, “I’m hopeful Kanye gets the type of help he needs, in terms of mental health.”

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During an interview with Justin LaBoy in February, West revealed that he was diagnosed with ASD (autism spectrum disorder).

Knowles’ remarks follow an Instagram video from his ex-wife Tina Knowles (and Bey’s mom), which many believe was a response to Ye’s comments. In the clip on Wednesday, she said, “What happens when a snowman throws a tantrum? He has a meltdown.”

Tina captioned the since-edited post: “Corny joke, time! It’s hard to remain positive and classy in the face of ignorance and evil. But I know that no weapon formed against me or my family shall prosper. This battle is not mine, but the Lord’s, I know that God has got this.”

Ye has been in the spotlight for his recent controversial remarks, including antisemitic rants and his willingness to engage in beef with just about any of his past collaborators, including Kendrick Lamar, Drake, Ty Dolla $ign, Travis Scott, Playboi Carti, and others.

On March 19, West released a self-directed short film for his Bully album, which stars his son Saint West and was edited by Hype Williams.

Dallas rapper Yella Beezy has been arrested and charged with capital murder in the shooting death of fellow rapper Mo3 on a busy interstate in 2020, according to court records.
Yella Beezy, 33, whose real name is Markies Conway, was indicted by a Dallas County grand jury on Tuesday (March 18) on a charge of capital murder while remuneration. The indictment accuses Conway of hiring a man named Kewon White to murder Mo3, whose real name was Melvin Noble.

The indictment did not provide information on why authorities believe Conway hired White to shoot Noble, who also lived in Dallas.

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Court records did not list an attorney who could speak on behalf of Conway. Calls and emails to representatives for Conway were not immediately returned.

In a Facebook post after Conway’s arrest, Noble’s mother, Nichole Williams Noble wrote, “Justice for my baby!!!!”

The 28-year-old Noble was driving on Interstate 35 in south Dallas on Nov. 11, 2020, when authorities allege White drove up next to him and got out of his vehicle with a gun in his hand. Noble got out of his vehicle and began running south on the freeway as White shot at him, authorities said. Noble and a bystander who was inside a car were shot by White, police said. The bystander survived but Noble died at a hospital.

White and another man, Devin Brown, 32, were later indicted in Noble’s death. Their cases related to Noble’s death remain pending. White, 26, was sentenced in 2022 in a separate case to nearly nine years in federal prison after pleading guilty to a charge of possession of a firearm by a convicted felon.

Conway is best known for his 2017 single, “That’s On Me” and the 2019 song “Bacc At It Again” with Quavo and Gucci Mane.

In October 2018, Conway survived being shot while driving on a tollway in the Dallas suburb of Lewisville when someone pulled up next to him and opened fire, hitting him three times.

Noble had more than 800,000 followers on his Instagram page and was best known for a 2019 remix of the song “Errybody,” with Baton Rouge, Louisiana, rapper Boosie Badazz.

Fans at Rolling Loud react and share their thoughts on our honoree line up for 2025 Billboard’s Women in Music.

Tetris Kelly  

Hanging out at Rolling Loud, talking about some of our favorite women in music. How do you feel about our girl, Tyla? Oh, I love Tyla. I mean, come on, what song gets you going?

Fans

Of course, she goes in on “Water,” but we have the same birthday. 

Tetris Kelly  

What?

Fans

 Aquarius Queen her and I are locked in. We go way back, to be honest The baddest b*tch alive right there. Tyla, I love you like I’m Indian so like half Indian represent. 

Tetris Kelly  

Why do we think like her glow up happens so big? 

Fans 

I think the dancing probably like the “Water,” the “Water” dance with like the…

Tetris Kelly   

How do you feel about Jennie? Because everybody trying to be like Jennie. 

Fans 

She’s cutie patootie Jennie, I was just spinning Jennie over here at the bunny’s beauty bar. I love Jennie. I love BlackPink. I’m a Blink for life. 

Tetris Kelly   

And what do you think is so great about Jennie? 

Fans

She’s just so, like, sweet every time I watch her. I mean, she’s just a great performer and person. And it’s just, I feel like I’m very much of an energy person. And I just feel that great energy off of Jennie. Everybody’s trying to be “Like Jennie.” 

Tetris Kelly

We’re, celebrating our women in music event this month, and Gracie Abrams is being honored. Do you guys know her? 

Fans 

I love Gracie. I think she’s upcoming, she’s very independent. She did her sh*t this to herself. She never needed to feature anything. It’s just her herself. She’s raw. I love that. I think everyone loves her because she’s so emotional, for sure. 

Watch the full video above!

Thee Houston Hottie is hoping to team up with the Swamp Princess. While hanging out with fans on a recent TikTok livestream, Megan Thee Stallion revealed that Doechii is on her list of dream collaborators, with the former currently working on the third act in her Megan album series.
The topic of a team-up with the “Denial Is a River” rapper first came up as Meg gave Hotties an update on her next LP. “Act III is being made,” she told fans on the live. “I’m really just trying to figure out who do I want to do features with at this point in life. I only want to do features with people that … one, I haven’t done a feature with yet, and two, that I listen to on my own time — people that I actually, you know, f— with.”

When viewers started suggesting a certain Florida-born star’s name in the chat, the “Hiss” spitfire said excitedly, “I see Doechii, bi—, I love Doechii.”

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“I do want to do a song with Doechii,” Ms. Stallion added. “That’s on my list. That’s on my album wish list.”

But while Meg did confirm she does have a new song and music video in the works, she also said that she has “no song right now” that would make sense for Doechii to guest on. “I feel like Doechii would be the type of person that you would have to be in the studio to make a song with,” Meg explained. “I would like to hear a beat that she would like to rap over, and also I’m like challenging myself to rap over beats that I wouldn’t normally rap over without losing myself.”

Doechii has certainly been in high demand in recent months, with the musician recently becoming the third woman to ever win best rap album at the Grammys. She is also Billboard‘s Woman of the Year for 2025 and will be honored at the March 29 Women in Music ceremony in Los Angeles.

Thee Stallion’s Megan: Act II dropped in October last year, about four months after the original Megan debuted at No. 3 on the Billboard 200 in July. The rapper is now gearing up to perform at April’s Coachella, an event she has personally dubbed “Megchella.”

The top billing of this year’s festival features Lady Gaga, Green Day, Post Malone and Travis Scott, and there’s one headliner Meg is particularly excited to see take the stage in the desert. “I definitely am going to see Lady Gaga,” she told fans on the live. “Lady Gaga is the motherf—ing girl.”