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State Champ Radio Mix

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With his gritty vocal acoustic musical leanings, Alabama native Kashus Culpepper merges the throug lines braided throughout country, folk, blues, soul and gospel music on his slate of raw musical constructions such as “After Me?” and his latest, “Jenni.”

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For Culpepper, who signed with Big Loud Records (home to Morgan Wallen and Charles Wesley Godwin) in 2024, that intertwining is natural, given his musical roots embedded in a small-town church in Alexander City, Alabama, where his first musical influence was church leader Deacon McGee.

“He would start all the hymns out at my church, and he had this crazy voice — almost like Howlin’ Wolf, really raspy — and did these Stevie Wonder-like melodies,” Culpepper tells Billboard. “He’s passed on now, but he has been a huge part of my musical influences. I mean, he’s an artist to me, because of the way he sang and the feeling he gave all of the songs he would sing.”

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It wasn’t until after high school when Culpepper would solidify his own musical inclinations — though he’s the first to admit that making a living through music, his voice and his songs has been a shift for the 27-year-old.

“I’ve been coming up as a blue-collar guy. All my jobs have been very labor-intensive,” he recalls. “But to come to Nashville where everyone’s writing songs every day, recording and being creative, that was something I had to get used to.”

Culpepper was a state champion wrestler in high school and soon found work as an EMT and a firefighter, before joining the Navy and working as a carpenter (construction battalion). In 2020, at the height of a COVID-19 pandemic-caused pause, Culpepper picked up a guitar and began learning cover songs to entertain his fellow Navy troops while they were deployed in Rota, Spain.

“We couldn’t do much, couldn’t work and we couldn’t leave the base, so I started playing guitar,” Culpepper recalls.

By the time Culpepper returned stateside, he began working for a cement company, but his passion for music was already coming into focus. He played open mic nights around the Mississippi coast, before spending nearly a year as part of a local Southern rock band.

“They wanted somebody who could do Lynyrd Skynyrd but could also do older soulful stuff — B.B. King, Tracy Chapman,” Culpepper says. “I didn’t think I was going to go anywhere with music; I just thought it was a good time.”

As Culpepper continued refining his musical skills, the desire to experiment with different sounds led him to step out on his own with the Kashus Culpepper Band. “I wanted to add saxophone and jazz to those country records and those great storytelling songs,” he recalls.

2023 proved a pivotal year for Culpepper, on both creative and business fronts. He was performing at one of Jimmy Buffett’s Margaritaville locations on the southern coast, when an audience request became the catalyst for Culpepper to begin writing his own material.

“Someone came up and asked me to play a Jimmy Buffett song, and I was like, ‘Yeah, I’ll play it.’ But after I finished my set and was packing up my car, I thought, ‘I wish people would come up to me and ask if I can sing my own song.’ So, I realized I wanted to write songs. That same day, I left the coast and came back home for a few weeks and started writing.”

During that three-week timespan, Culpepper’s younger sister encouraged him to start posting on social media; he started posting a mix of original songs and cover songs, such as his version of Tyler Childers and the Food Stamps’ “Messed Up Kid.”

“That was the beginning blocks of everything that was going on. That got me in a lot of rooms and a lot of eyes on my music,” Culpepper says.

Culpepper relocated to Nashville, and in November 2023, released a snippet of the bluesy post-breakup track “After Me?” on TikTok; that snippet has earned over 3 million views. By mid-2024, he had inked a label deal with Big Loud Records and a publishing deal with Big Loud Publishing/Warner Chappell Music. He followed with songs lilke “Who Hurt You,” and his latest, “Jenni.”

“Big Loud picked me up when no one really knew who I was. [Big Loud CEO] Seth [England], [Big Loud partner/producer] Joey [Moi], all of those guys, they didn’t have to pick me up when I was so fresh on the scene. I loved all the artists they had, between Ernest and HARDY, Morgan and Steven Wilson Jr., and I saw they had artists like Charles Wesley Godwin. I was just excited to be around these artists that are so creative.”

Culpepper has continued to stack up career milestones over the past year, making his Grand Ole Opry debut in December. The CAA-aligned singer-songwriter will be opening shows on Leon Bridges’ The Leon Tour beginning in May, in addition to leading his own headlining shows this year.

Billboard caught up with Culpepper, our staff’s Country Rookie of the Month for February, to discuss his career journey, as well as the people and moments that have inspired him and his career goals.

“After Me?” was your first breakthrough. What inspired that song?

I couldn’t sleep one night and started writing in my journal, about these old memories I had from a girl that I talked to way back when. I think I saw something online that she was doing and I got this old blues melody in my head — I had listened to a lot of Muddy Waters the night before, just all this blues stuff. I showed my buddy Mark [co-writer Mark Chandler] the voice memo I had. I [realized] it was really out there, kind of a Temptations, “Ain’t Too Proud to Beg,” — that type of vulnerable feeling.

You wrote “Jenni” after performing “Revival” with Zach Bryan at Buckeye Country Fest in Ohio. What is the story behind that song?

I saw this girl and got inspired, because with “Revival,” it’s so folk, and Americana — it’s almost like a rock song when you see Zach play it. I got inspired by that, and then seeing that girl — she had a huge beer in her hand. I don’t even know how I picked her out from the crowd. She seemed so carefree.

Do you have plans to release a full project?

I’m working on music. I think a lot of the features and a lot of the stuff that I’m doing with writing, I think a lot of people are going to be very surprised with what I have that’s going on.

You are opening shows for Leon Bridges coming up. How does that feel?

I’m so excited about that. My whole family is so excited about it. I’ve been listening to him for so long; I love all his music and he’s a great guy.

What artist would you love to collaborate with?

Right now, I would love to collaborate with Olivia Dean. She’s from the U.K. She’s so good—a mix between R&B, pop and jazz stuff.

What is one album you could listen to forever?

House of Balloons [Mixtape] by the Weeknd — the moodiness of it, the vulnerability of all the songs, the vibe of it, it’s top-tier with that record.

What podcasts are you into?

I’ve been listening to a lot of Two Girls, One Ghost. They talk about horror and hauntings. Between that and [This Past Weekend W/] Theo Von and Joe Rogan [Experience], I’m all over the place.

Musically, what is on your bucket list?

One day I want to do Red Rocks, and I’m excited about all the music coming out and collaborations with artists that I love.

This year’s Stagecoach Country Music Festival will feature an eclectic slate of acts leading its Palomino Stage lineup this year, when the festival returns to the Empire Polo Club in Indio, Calif., on April 25-27.

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Lana Del Rey, Nelly and Sammy Hagar will headline the stage over the course of the three nights, with Rey heading up the Friday (April 25) lineup, followed by Nelly on Saturday and Rock n’ Roll Hall of Famer Hagar on Sunday.

A promo poster for the fest notes that Del Rey’s Friday night performance will be “a very special country set,” while Nelly’s Saturday performance will celebrate 25 years since the release of his signature song “Country Grammar.”

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Also on the Friday night bill are Whiskey Myers, Sierra Ferrell, Nikki Lane, Drake Milligan, Tanner Usrey and Noeline Hofmann.

Del Rey is set to release the country-influenced project The Right Person Will Stay in May. Ferrell picked up four wins at this year’s Grammys, taking home four trophies: best Americana album (Trail of Flowers), best American roots song (“American Dreaming”), best Americana performance (“American Dreaming”) and best American roots performance (“Lighthouse”). Hofmann recently teamed up with Zach Bryan for the song “Purple Gas,” which reached No. 69 on the Billboard Hot 100 last year. Meanwhile, Whiskey Myers recently announced they will team with Tedeschi Trucks Band for a co-headlining tour this year.

Alongside Nelly, Saturday night’s lineup will feature Koe Wetzel, Dylan Gossett, Tommy James & the Shondells, Crystal Gayle, Myles Kennedy and Kashus Culpepper. Wetzel recently notched a multiweek Billboard Country Airplay No. 1 with the Jessie Murph collaboration “High Road’ while the Big Loud Texas/Mercury Records-signed Dylan Gossett is known for songs including “Coal.” Meanwhile, Gayle has earned more than a dozen Hot Country Songs chart-toppers over the years, including signature songs such as 1977’s “Don’t It Make My Brown Eyes Blue” and 1978’s “Talking in Your Sleep.”

The three-day Palomino stage lineup will conclude on Sunday with Hagar as well as performances from “Slide” hitmakers Goo Goo Dolls, as well as eight-time Country Airplay No. 1 hitmaker Tracy Lawrence, and performances from Treaty Oak Revival, The Bacon Brothers, Angel White and Waylon Wyatt.

This year’s main stage headliners will be Jelly Roll, Luke Combs and Zach Bryan, who made his own Palomino Stage debut in 2022. Other artists who have played the Palomino Stage over the years include Merle Haggard, Willie Nelson, George Jones, John Prine, Jerry Lee Lewis, Smokey Robinson, Emmylou Harris, Glen Campbell, Kenny Rogers and Charley Pride.

See the full lineup poster for Stagecoach’s Palomino Stage below:

Palomino Lineup Poster

Courtesy Photo

Morgan Wallen monopolizes all five of Billboard’s country charts (dated Feb. 15) for a record-extending eighth time, highlighted by a No. 1 entrance on Hot Country Songs with his newest single, “I’m the Problem.” Explore See latest videos, charts and news See latest videos, charts and news Wallen also tops the Country Streaming Songs and […]

Will Morgan Wallen take No. 1? Tetris Kelly: This is the Billboard Hot 100 top 10 for the week dated Feb. 15. Up to 10 is “TV Off,” “Beautiful Things” bounces back to nine, “Lose Control” falls to eight, Weeknd and Carti climb to seven. Bruno and ROSÉ are at No. 6. Shaboozey is still at […]

Hardy will bring his amalgam of country and Southern hard rock to fans on his upcoming headlining Jim Bob World Tour, which is visiting arenas and amphitheaters across the U.S. through September, in addition to festival shows in North America as well as his first headlining shows in Europe. Explore Explore See latest videos, charts […]

This week’s crop of new music features songs from mainstream country hitmakers, rising artists and surging alt-country successes. This week’s songs highlight a slate of collaborations. Singer, songwriter and host of Apple Music’s “Today’s Country” Kelleigh Bannen teams with Lady A’s Charles Kelley for the song “Nothin’s On,” while MacKenzie Carpenter teams with trio Midland for “I Wish You Would.” Also, Aubry Rodriguez, daughter of country star Johnny Rodriguez, teams with Vinny Tovar on a remake of Rodriguez’s classic “Pass Me By.”

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Check out all of these and more in Billboard’s roundup of some of the top releases in country, bluegrass and Americana of the week below:

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Kelleigh Bannen and Charles Kelley, “Nothin’ On”

Bannen offers a potent reminder of her musical talent as she teams with Kelley for this moody, pop-leaning, post-breakup slow burn of two ex-lovers who can’t quite move on, despite ample temptations and efforts to do so. Their pitch-perfect harmonies and angst-filled vocals elevate the yearning and emotional tug-of-war the song’s characters are navigating, with Kelley’s ever-soulful voice pairing well with Bannen’s warm, pristine vocal. Bannen wrote “Nothin’ On” with Claire Douglas and Will Bowen, with production by Logan Wall.

Charles Wesley Godwin, “It’s The Little Things”

Godwin’s attuned songwriting and gruff-yet-honeyed voice broke through on albums including How The Mighty Fall and Family Ties. On his latest song, Godwin sings about the struggle to refrain from pining over big, make-or-break moments–or as he sings, “the big pay, the big show”–and learning to focus on the smaller moments that lean toward peace more than prideful gain, and harboring those moments with just as much appreciation. This solo write from Godwin, produced by Al Torrence, will be featured on his upcoming seven-song EP, Lonely Mountain Town, out Feb. 28 on Big Loud.

Vinny Tovar and Aubry Rodriguez, “Pass Me By (If You’re Only Passing Through)”

Aubry Rodriguez, daughter of country music star Johnny Rodriguez, teams with Vinny Tovar (“Gator Boots,” “Leaving With My Heart”) for a fiddle-drenched remake of Rodriguez’s 1972 classic “Pass Me By (If You’re Only Passing Through).” Their voices blend gloriously on this fresh yet stone-cold country rendering of the song, which highlights the enduring heritage of Latino country music. The video for the song, filmed at San Antonio venue The Lonesome Rose, also features a cameo from Johnny Rodriguez.

Mackenzie Carpenter feat. Midland, “I Wish You Would”

The collabs continue with this sensual pairing between Carpenter and Midland lead singer Mark Wystrach. The song centers around two people who find the sparks of a potential romance in a dingy, late-night dive bar. Their vocal chemistry and mutual affinity for a retro-country sound is undeniable, and this tale of an evening spent drinking, singing karaoke and hoping this dive-bar connection could turn into more serves as a perfect sonic setting. Carpenter wrote the song with Jonathan Hutcherson, Jamie Moore and Chris Tompkins, and the song is set to be featured on Carpenter’s debut album Hey Country Queen, which will be released in March.

Angel White, “Running in Place”

White crafts a powerful track centering on the intertwining of identity, family, love, broken truths, and lineage, as White sings potently and vulnerably about processing hard familial truths. At once soulful, country and introspective, this song marks one of White’s best to date, and one that highlights his rugged, engaging voice. Written by White and Dwight A. Baker, with production by Baker, this marks a powerful preview to White’s upcoming March album, Ghost of the West: The Album.

Belle Frantz, “Do Ya”

Mississippi native Frantz has made a name for herself through lending her rich, resonant voice to cover versions of ballads made popular by Reba McEntire and Loretta Lynn. Here, she offers up a new song, written by Frantz, Brandon Hood and Bart Butler, as part of the soundtrack to the hit series Landman. An uptempo, ’90s country-inflected track chockfull of pickup lines and paired with Frantz’s bold, Southern twang, it proves she can handle flirty, uptempo fare just as adeptly as she sings those classic ballads.

Noah Cyrus is showing support for her dad, Billy Ray Cyrus, and his new music amid family drama.
On Friday (Feb. 7), the 25-year-old singer took to her Instagram Story to share a post about Billy Ray’s latest single, “Lost.”

“so proud of my Dads INCREDIBLE new single LOST with my good, old friend @samtinnesz and @tommeeprofitt,” she wrote, alongside a brief teaser of the track and a pair of red heart emojis.

Billy Ray’s “Lost,” featuring Tinnesz and Profitt, marks the 63-year-old country singer’s first new release since his rocky performance at the Liberty Ball during Donald Trump’s inauguration. His appearance on Jan. 20 was plagued by technical difficulties, leading him to perform “Achy Breaky Heart” a cappella for the crowd.

Following the controversial performance, Billy Ray’s son Trace Cyrus, older brother to Miley and Noah, shared an open letter on Instagram expressing concern for his father’s well-being.

“Me and the girls have been genuinely worried about you for years but you’ve pushed us all away,” he wrote. “Noah desperately has wanted you to be a part of her life and you haven’t even been there for her. That’s your baby girl. She deserves better. Somehow just like me she still idolizes you though.”

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On Jan. 25, Trace posted another Instagram letter, claiming Billy Ray had threatened him with legal action after the public plea for his father to “get help.”

Billy Ray, along with his ex-wife Tish, is the parent of Brandi, 37, and Trace, 35, both of whom Billy Ray adopted after marrying Tish. Together, they also share Miley, 32; Braison, 30; and Noah. He is also the father of 32-year-old Christopher, his son with ex-girlfriend Kristin Luckey.

In late January, Billy Ray announced an upcoming album, produced by Braison. The album is expected to be released sometime this summer.

“This is art imitating life, imitating art,” Billy Ray said of the album. “It starts and ends with art. Braison is very talented and ‘25 is his year. I’m glad to be a part of it. This record is gonna be special. I’m gearing up for what will be the journey of a lifetime.”

Kelsea Ballerini had to cut short a concert in Buffalo, New York, on Thursday night after falling ill.
The Patterns hitmaker was five songs into a headlining show at Buffalo’s KeyBank Center as part of her Kelsea Ballerini Live On Tour 2025 trek, when she had to leave the stage due to sickness. A member of Ballerini’s team then came onstage to inform the audience that the show was being postponed.

“This was the conversation I did not want to have tonight,” the teammember said from the stage. Shaking his head, he said, “She just can’t finish. She’s too sick, and we’ve given everything and we tried to do it and unfortunately cannot finish the show tonight. I do not know much beyond that. We are going to be looking at options and you will be receiving emails. Beyond that, there is not much I can say right now.”

Ballerini soon shared her own video on social media, explaining the situation, and thanking her fans for their understanding and patience.

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“Buffalo, I am so so sorry that I could not finish the show tonight. I am sicker than I’m trying to be, and I did not want to let anyone down tonight and I just got through the first few songs and I couldn’t do it. And I am so sorry, but I never want to give you a half-a– show,” she said, noting that they have rescheduled shows in Buffalo as well as in Pittsburgh and in Toronto.

Ballerini said, “And I will make them the best shows I’ve ever played in my whole life, and I will put out every stop for you, and I will make it so worth it. I’m going to go rest now, and get better, so I can really show up for the rest of this tour, and I hope you understand, and thank you for the grace to be human.”

Ballerini has rescheduled three shows on her tour, with the Buffalo date now set for April 11, the Pittsburgh show now set for April 12, followed by the Toronto show on April 13.

The “Cowboys Cry Too” singer’s next scheduled tour stop comes Feb. 10 in Philadelphia.

The time has finally come, Beyoncé is gearing up for what’s sure to be yet another culture-shifting tour.

After showcasing her Billboard 200-topping Cowboy Carter album through a bombastic Netflix-streamed NFL Christmas Day halftime show, Queen Bey uploaded a mysterious teaser promoting a Jan. 14 announcement date across her official social media accounts. Fan theories went wild, and, unfortunately, the devastating Los Angeles wildfires forced Beyoncé to delay her announcement.

Then came the first day of Black History Month (Feb. 1), the day Beyoncé and Netflix slyly edited the very end of her Beyoncé Bowl standalone special to include the official announcement of the Cowboy Carter Tour. The following day (Feb. 2), Queen Bey picked up three Grammys for her historic country and Western-infused LP, including her long-elusive album of the year trophy.

The last time Beyoncé hit the road was for 2023’s Renaissance World Tour in support of her four-time Grammy-winning 2022 Renaissance LP. That trek grossed a jaw-dropping $579 million from 56 shows across North America and Europe. Beyoncé played the entirety of her edifying dance music LP, molding her larger setlist around the record’s narrative and flow. The Renaissance World Tour — which also famously began with Beyoncé serving as her own opening act with an enrapturing ballad section — later topped the domestic box office as Renaissance: A Film by Beyoncé, an acclaimed documentary concert film chronicling the conception and execution of the iconic tour.

Sparkly, silver cowboy hats were all the rage for the Renaissance World Tour, so what will be the color for the Cowboy Carter Tour? Perhaps some of the golden brown hues that have been present throughout the era — from the “Texas Hold ‘Em” single cover to Beyoncé’s dress at the 2025 Grammys. A Beyoncé tour is destined to include new infectious choreography and genius mashups, but she’s never toured an album this downtempo or this outside of her home genre of R&B — so the world truly is her oyster with the Cowboy Carter Tour.

Below is our dream setlist for Beyoncé’s Cowboy Carter Tour. The setlist covers Beyoncé’s discography (yes, including Destiny’s Child, The Gift, and Everything Is Love) and key musical connections to her country music foremothers. When scrolling through this setlist, envision country-fried arrangements of Queen Bey’s pre-Cowboy Carter catalog, and expect the album to be performed largely in tracklist order like Renaissance was at its tour.

We’re aware this show would probably be over three hours (let’s be real, who wouldn’t watch the world’s greatest living entertainer for that long), but considering that there are markedly fewer dates for this tour (at press time), maybe Queen Bey will keep the show going for just a little bit longer!

Act I: Welcome to the Rodeo

Paramount will pause a handful of awards shows for 2025, including the CMT Music Awards, the MTV Europe Music Awards and more, Billboard has confirmed. Other awards shows being impacted are the Nickelodeon Kids’ Choice Awards Mexico and the MTV MIAWs (previously known as the MTV Millennial Awards).
As The Hollywood Reporter first reported, the news came as part of a memo from the office of Bruce Gillmer, Paramount Global’s president of music, music talent, programming and events, media networks/chief content officer, music, Paramount+. According to the memo, the changes come as the company seeks “to reimagine and optimize our events slate going forward.”

Gillmer’s memo added, “Our world-class events remain a key component of Paramount’s music offering as we continue to raise the bar in delivering iconic, unforgettable performances and moments that drive pop culture.”

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In 2022, the CMT Music Awards shifted from CMT to CBS; the annual event had aired on CMT since 2002. In 2023, the show relocated from Nashville to Austin. Last year’s big winners during the CMT Music Awards included Jelly Roll, Lainey Wilson and Dan + Shay.

At the 2024 MTV EMAs, held in November, artists including Taylor Swift and Sabrina Carpenter emerged as top winners.

The memo follows rounds of layoffs that began last year after Paramount Global co-CEO Chris McCarthy noted plans for the company to reduce its U.S.-based workforce by approximately 15%, including at CMT. In August, Paramount also shuttered Paramount TV Studios amid the restructuring and layoffs. The shifts came after Paramount Global agreed to a merger with David Ellison‘s Skydance in July 2024.

See Gillmer’s memo to staffers below.

Team,

We want to share some news. We are pausing a few events for 2025, as we look to reimagine and optimize our events slate going forward. These include the MTV EMAs, MTV MIAWs, Nickelodeon Kids’ Choice Awards in Mexico, and CMT Music Awards.

Our world-class events remain a key component of Paramount’s music offering as we continue to raise the bar in delivering iconic, unforgettable performances and moments that drive pop culture. We have the best team in the business, and we are grateful for your hard work and dedication in bringing these events to life.

Thank you,

Bruce