genre country
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Before Jelly Roll sang a bit of Miley Cyrus‘ “Flowers” to tens of thousands of fans as the day 2 headliner of Stagecoach on Saturday night, the country superstar got a little practice in with his wife, Bunnie XO. Bunnie shared a video of the couple making their way to the Mane Stage over the […]
Morgan Wallen and Post Malone’s “I Ain’t Coming Back” debuts in the top 10. Tetris Kelly:This is the Billboard Hot 100 top 10 for the week dated May 3. Still hanging in the top 10 is “Beautiful Things.” Teddy Swims is at No. 9. Morgan and Post debut a new one at No. 8, while […]
Shaboozey is gearing up for his headlining tour dates of 2025. After taking the stage at both Coachella and Stagecoach, the “Amen” singer announced the stops on his Great American Roadshow tour on Monday morning (April 28). The outing is slated to kick off on Sept. 22 at the Egyptian Room at Old National Centre […]
For Leslie Fram, the highly respected former senior vp of music and talent for CMT, launching her own company that continues her work advocating and amplifying artists’ voices is a natural move.
Fram, Billboard’s 2021 Country Power Players executive of the year, has founded FEMco (Fram Entertainment & Music), a consulting company with divisions focused on artist development, talent booking and production, as well as a B2B arm that will connect outside businesses to Nashville companies.
“I’ve always wanted to start my own company, leveraging my three decades of accumulated experience and opportunities to intentionally design a purpose-driven business that aligns with my personal and professional aspirations,” Fram tells Billboard. “Through my time in radio and television, I’ve gained a wealth of knowledge, skills and insights from various roles, industries and projects that are not just a collection of past events but a foundation for future endeavors with FEMco. Starting my own company, doing what I enjoy most, was the best choice for me.”
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The new company will allow Fram to use her estimable mentoring, community-building and networking skills that she put into practice during her 13-year tenure at CMT, which she left in September. While there, Fram launched a number of programs, including CMT’s Next Women of Country, which gave a platform to nascent female country artists. She also created the Next Women of Country Tour, which paired Next Women of Country participants with established headlining acts. She was also a fierce advocate for equity, pushing CMT to institute its Equal Play initiative, with a commitment to 50/50 video airplay for female artists on the TV network and CMT Music channels.
FEMco
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While at CMT, Fram executive-produced the annual CMT Music Awards, CMT Crossroads and Storytellers. In January, she served as talent producer on CBS Presents Ringo & Friends at the Ryman. Prior to CMT, she had an illustrious background in rock and alternative radio, serving as program director and on-air talent at influential Atlanta alternative rock station 99X before becoming program director and morning show co-host with Matt Pinfield at New York rock station WRXP. She moved to Nashville in 2011.
While FEMco’s other divisions focus on all genders, keeping with her groundbreaking work with female country artists at CMT, Fram has already launched FEMco Presents, “the company’s music-focused production arm that will create multiple opportunities for female artists to increase their visibility and reach via events, sponsorships and more,” Fram says. The first franchise under FEMco Presents is FEMcountry, which will work with women country artists as “a continuation of my work in creating programs like ‘Next Women of Country’ and my passion for elevating female voices in country,” she adds.
FEMcountry soft-launched in March with a singer-songwriter event at Reynolds Lake Oconee in Georgia. “Moving forward, FEMcountry will include writer’s rounds, showcases, listening events both in Nashville and nationwide, along with curating festivals,” Fram says. “The goal is to support female artists in all aspects of their career, finding a stage to play on and to get paid.”
Fram sees her new venture as a through-line in her decades-long work supporting artists. “FEMco will absolutely represent the work I did at CMT in elevating women in country music via FEMcountry,” she says. “A program like ‘Next Women of Country’ is still as relevant today as it was when I launched it over 10 years ago — women are still criminally underrepresented in the country music format.”
Fram also plans to launch FEMpop and FEMrock.
The B2B element will connect companies and brands looking to establish a presence in Nashville with the local music and entertainment market. “Through our extensive industry relationships, we are able to help navigate the city’s unique blend of creativity and commerce with relationships to build authenticity and visibility,” Fram says.
Through FEMco, Fram will also continue working with mtheory CEO Cameo Carlson on another former CMT program, Equal Access, which helps artists and management professionals break into the country music industry.
FEMco will work with artists and companies on an a la carte basis depending upon their individual needs, Fram says.
04/27/2025
Day two of the California country fest was dominated by rising stars enjoying victory lap moments, but also included plenty of big looks for veteran hitmakers.
04/27/2025
04/27/2025
Jelly Roll gave the biggest crowd he’d ever played to their money’s worth, with a cavalcade of starry cameos.
04/27/2025
Lana Del Rey is kissing and telling in her new song “57.5.”
During her debut at the 2025 Stagecoach Country Music Festival in Indio, Calif., on Friday (April 25), the 39-year-old singer revealed in the song’s lyrics that she once locked lips with a major country star.
“I kissed Morgan Wallen/ I guess kissing me kind of went to his head,” Del Rey sang. “If you want my secret to success/ I suggest don’t go ATVing with him when you’re out west.”
The eyebrow-raising premiere of “57.5” came during the alt-pop star’s set on the Palomino stage at Stagecoach. According to the lyrics, the title nods to the singer’s monthly Spotify listenership, measured in millions. Just before premiering the track, Del Rey told festival-goers that it would be “the last time I’m ever going to say this line.”
It remains unclear whether Del Rey and Wallen ever shared a kiss, or when it supposedly occurred. Billboard has reached out to Wallen’s representatives for comment.
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Elsewhere in “57.5,” Del Rey crooned about having “a man” who “really loves me,” a sentiment seemingly referring to her husband, Jeremy Dufrene, whom she married in September 2024.
Dressed in a white gown and performing in front of a set designed to resemble a picturesque rural home at dusk, Del Rey’s Stagecoach set featured a duet with George Birge on his current hit “Cowboy Songs,” a cover of Tammy Wynette’s “Stand by Your Man,” and a singalong to John Denver’s “Take Me Home, Country Roads.”
In addition to debuting “57.5,” she also performed several new tracks from her forthcoming country-leaning studio album, which has yet to be titled or assigned a release date. The new songs included “Ride,” “Husband of Mine” and “Henry, Come On.” (Read Billboard‘s best moment from day one of Stagecoach 2025 here.)
The singer’s upcoming album will follow Did You Know That There’s a Tunnel Under Ocean Blvd, which peaked at No. 3 on the all-genre Billboard 200 in April 2023. To date, Del Rey has earned two top 10 hits on the Billboard Hot 100: 2013’s “Summertime Sadness” and her 2022 feature on Taylor Swift’s “Snow on the Beach.”
04/26/2025
Returning favorites and pleasant surprises marked the highlights from Friday (Apr. 26) at the California country festival.
04/26/2025
The more you watch of Lana Del Rey supposedly going country, the more apparent how ridiculous any talk of her pivoting to any genre really is.
For 15 years now, LDR has essentially been a genre unto herself: a unique and borderline-illogical blending of obviously classic influences with some game-changingly modern sensibilities, one that mostly befuddled critics and radio and the charts early on, even as she was inarguably becoming one of the most important pop stars of her generation. She’s been wildly influential without ever being less than unmistakable; no matter what sonic, thematic or characteristic elements other artists may borrow from her, none of them would ever risk being taken for Lana herself. This is all to say: no matter what style of music she’s making, Lana Del Rey has one genre and that’s “Lana Del Rey.”
But of course, Lana did lean into The Stagecoach of It All while making her debut performance at the Indio, Calif. country festival on Friday (Apr. 25). Singing in a white dress in front of a set of an idyllic-looking rural house at dusk, she looked like she walked on stage straight from an old Loretta Lynn album cover. Early on, she brought out George Birge — himself a Saturday performer at the festival — to duet on his current hit “Cowboy Songs,” an extremely country radio-friendly song Del Rey says she can’t get enough of. (You can certainly imagine a Lanafied version of the chorus, though it was strange to hear her singing on such a zippy and muscular hook in 2025.) And of course, she invoked two all-time genre classics during the show by covering Tammy Wynette’s “Stand by Your Man” (“You can’t do this set without it”), and then closing the proceedings with a family singalong to John Denver’s “Take Me Home, Country Roads,” a recent entry into the LDR cover canon.
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But the new songs? Country-ish in their tempo and in some of their thematic content (and occasional lyrics about “all these country singers”), perhaps, but not in any way that feels at a remove from what she’s done her whole career: Lana has long centered the emotional abandon and cinematic sway of country in her songs. You could hear that even in some of the crowd-elating classics Lana performed in the midst of her Grand Ole Opry moment — tweak a couple lyrics and add some banjo and “Ride” is basically a The Chicks single; turn down the sex and turn up the sarcasm and “Video Games” could’ve been penned by Kacey Musgraves. Nothing about the stately balladry and gender-role explorations of songs like set-opening duo “Husband of Mine” and “Henry, Come On” felt without precedent in her catalog; she could have introduced them as deep cuts from Blue Banisters or Chemtrails Over the Country Club and many of her fans probably would’ve bought it.
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If there was a pronounced difference with Del Rey in Country Mode on Friday night, it was that she seemed… maybe more polite and unassuming than we’re used to her being? Watching her express her very sincere-seeming gratitude at being invited to Stagecoach, and about the size and passion of her Friday night crowd, it was very easy to forget that she was once a highly divisive figure in popular music, one prone to controversy in both her lyrics and public statements. There was no trace of any of that in the smiling, hostly, happy-to-be-here performer who took the stage on Friday night.
Well, almost none. If you missed a little of the unpredictability and ostentatiousness that characterized early-years Lana Del Rey– and still informed highlights from her work up until this decade — then you probably loved “57.5,” a shuffling new song referring to her number (in millions) of monthly listeners on Spotify, which also includes a bridge which begins with LDR proclaiming “I kissed Morgan Wallen” and going onto advise listeners against going ATVing with him. It takes a lot of “yes, really” to explain, but it was still probably the best of the new songs that she debuted: some real country s–t, but more importantly, pure Lana through and through, in a way no other artist or genre could ever totally capture.
Ella Langley received her first Academy of Country Music Award, for new female artist of the year, on Friday afternoon (April 25). While onstage for her set at Rock the Country in Knoxville, Tennessee, Langley received the news via a congratulatory video from Miranda Lambert, the winningest artist in ACM history.
It was hardly a surprise because Langley was the most-nominated artist for the upcoming 60th ACM Awards, with eight nods. None of the other nominees for new female artist of the year – Kassi Ashton, Ashley Cooke, Dasha and Jessie Murph – had more than that one nomination.
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“I’m here to tell you how proud I am of you for being the top nominated artist for the Academy of Country Music Awards this year,” Lambert said in the video. “You are my friend, first and foremost, a fellow dog rescue advocate, you are a co-writer, you are my soul sister in country music and a partner in crime. We are gonna celebrate so big in Dallas, Texas! They ain’t even ready!”
Lambert won in that same category in 2007 – one year after Carrie Underwood took the prize, and one year before Taylor Swift did. (A pretty good run, there.)
This was the second nomination in the new female artist of the year category for both Ashton and Cooke, which means they cannot be nominated in the category again. Dasha and Murph can be, due to the generous policy at both the ACM and CMA Awards whereby new artists can be nominated twice in the category.
Langley, 25, is also nominated for female artist of the year and in four categories for “you look like you love me,” her breakthrough hit featuring Riley Green. The sexy duet is nominated for single of the year, song of the year, music event of the year and visual media of the year. Langley is nominated as both artist and songwriter in the song of the year category and as both artist and director in visual media of the year.
“you look like you love me” reached No. 1 on Billboard’s Country Airplay chart, No. 7 on Hot Country Songs and No. 30 on the Billboard Hot 100. Langley co-wrote all of the songs on her debut album, hungover, which reached No. 11 on Top Country Albums and No. 49 on the all-genre Billboard 200.
Zach Top was presented with the award for new male artist of the year on Thursday. The ACM has yet to present the award for new duo or group of the year. The nominees are Restless Road, The Red Clay Strays and Treaty Oak Revival.
Langley will be celebrated for her win at the 60th ACM Awards, hosted by Reba McEntire. The show will stream live for a global audience on Prime Video and the Amazon Music channel on Twitch on Thursday, May 8, at 8 p.m. ET / 7 p.m. CT / 5 p.m. PT from the Ford Center at The Star in Frisco, Texas. A limited number of tickets are available for purchase on SeatGeek.
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.