Fresh Picks
Page: 7
We’re whipping through the Carnival calendar, and the music just keeps on coming.
April was a characteristically busy month for the world of Caribbean music, with noteworthy performance, album announcements and historic achievements cutting through the noise. Sean Paul, who recently sat down with Billboard for a wide-ranging interview ahead of his Greatest Tour, won his very first Latin American Music Award, triumphing in the crossover collaboration of the year category for his Feid collab “Niña Bonita.”
“I always learn from my collabs, man,” the “Temperature” singer told Billboard. “There’s no time that I don’t learn… I learn something every time and I take that with me, so it helps my songwriting.”
Shenseea, who collaborated with Paul on her 2022 debut LP, announced her forthcoming sophomore studio album on Tuesday (April 30). Titled Never Gets Late Here, the album is due May 24 and features collaborations with Coi Leray, Anitta and Wizkid. “Hit & Run” (with Masicka & Di Genius) serves as the set’s lead single.
Trending on Billboard
In addition, a pair of performances made major waves. Jamaican dancehall artist Pamputtae opened for Nicki Minaj‘s Pink Friday 2 World Tour in Toronto, CA, on Tuesday. “First and foremost I want to give thanks to the most high God,” she wrote in an Instagram post commemorating her performance (May 1). “Big up [Nicki Minaj] for allowing me to open her second show in Toronto.”
Across the globe, Skeng returned to Guyana to headline the Real All Black concert, marking his first live performance in the country in two years. In 2022, Minister of Home Affairs Robeson Benn proclaimed that Skeng and a bevy of dancehall artists were banned from the country due to their behavior and violence-promoting lyrical content. The emcee delivered a high-octane set that included “Likkle Miss,” which Minaj remixed in 2022 for her Queen Radio: Volume 1 greatest hits compilation.
Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:
Freshest Find: Jaz Elise, “Gunman”
[embedded content]
On this deliciously dramatic mixture of R&B and reggae, Jaz Elise pleads for her rude boy lover to leave his life of reckless abandon behind and settle down with her. It’s a story that’s been told countless times before, but Jaz’s emotive abilities inject “Gunman” with nuance and verve. When she sings, “Me nuh wah fi bury you early/ Nuh wah yuh fi live a life a crime/ So, baby, if yuh love me/ Me beg yuh fi leave it all behind,” you can hear every last bit of desperation dripping from each syllable. Of course, the drama truly intensifies in the song’s final minute, with a swirling orchestra of backing vocals, impassioned ad-libs and grandiose strings driving the song home.
Etana, “Thankful”
[embedded content]
For her take on the Engraph Riddim, Jamaican reggae singer-songwriter Etana flexes the full expanse of her vocal range over swaggering guitars that employ just the slightest bit of swing. “I lift my hands to the man from whence my health comes, yes/ And every day I give thanks for the rising sun, yes,” she croons as she somersaults through dizzying riffs as easily as she dips into the depths of her sultry lower register. A laid-back praise and worship song that doubles as a vocal showcase, “Thankful” is a winner.
Lu City, “Sexy Love”
[embedded content]
St. Lucian duo Lu City has a catalog that stretches across the scenes of dancehall, reggae and electronic music, and their latest LP — I Miss You, the official follow-up to 2022’s Lucidity — offers more of that intoxicating amalgam. On “Sexy Love,” which feels like a dancehall-bred cousin on the Ne-Yo song of the same name name, the duo marry their respective AutoTune-tinged voices over a relatively sparse soundscape that relies on moody synths and a healthy dose of Afrobeats percussion. “Sexy Love,” like all of I Miss You, is a true testament to how the African diaspora’s myriad genres all lead back to each other.
Anika Berry feat. Lil Jelo, “Safe”
[embedded content]
Soca always gets the body moving, and “Safe,” a new collaboration from Anika Berry and Lil Jelo, is no different. Here, their joy isn’t sourced from the Road March or the general Carnival mood. They find their joy in one another and their monogamous love. Their vocal chemistry is strong, with Anika’s vibrato anchoring her “You safe with me / Youn in good hands, you in proper hands” refrain. Their call-and-response structure also helps play up their complementary tones while remaining true to the anthemic nature of power soca.
Subatomic Sound System, Mykal Rose & Hollie Cook, “Get High”
[embedded content]
For the first taste of their forthcoming collaborative album, Subatomic Sound System, Mykal Rose and Hollie Cook have teamed up to deliver a new 4/20 anthem. Although the brooding bass signals a more forward-looking sound, classic reggae production — including ominous conga percussion courtesy of Larry McDonald and sultry brass from Troy Simms — is ultimately the name of game in “Get High.” Most impressive is the track’s mixing, the way Hollie’s upper harmonies are layered evoke the ever-unfurling clouds of marijuana smoke. Mary Jane enthusiasts, your time is now.
Mr. Vegas, “Dancing Grung”
[embedded content]
On this sweet ode to the eternal life of dancehall, Mr. Vegas pays tribute to both the physical and creative spaces that comprise the sound and culture. His flow is catchy and the breakdown at the end is fun, if not a bit on-the-nose. Nonetheless, what’s interesting about “Dancing Grung” isn’t how easy it is to start bussing a wine to — Mr. Vegas has plenty of those — it’s the way he subtly flips the notion of “exerting dominance.” Instead of crowning himself king, he casts himself as Lord of the Vibes on “Dancing Grung.” “Dancehall will never die,” he proclaims at the song’s start, and with a deejay as infectious as him on the helm, he’s absolutley right.
Marcia Griffiths, “Looking Up”
[embedded content]
Reggae legend Marcia Griffiths has still got it. With “Looking Up,” the former I-Threes member offers a slice of sanctified reggae. At 74 years old, not only does her voice still sound like it’s in pristine condition, she also remains a gifted and intelligent vocal performer. Between her pitch-perfect diction and her introspective delivery, her storied life clearly informs every last phrase that she sings. Her conviction is the song’s ultimate anchor. When she sings, “It’s the only life that’s worth living” with that slight tinge of darkness before the light comes in by way of her exclamatory “Looking up!” quip — that’s magic.
Shenseea, “Neva Neva”
[embedded content]
After delighting dancehall fans with Di Genius and Masicka-assisted “Hit & Run” earlier this year, Shenseea introduces a more pop-forward sound with “Neva Neva,” the new single from her forthcoming Never Gets Late Here LP. The song oscillates between straightforward pop and dancehall with more finesse than anything on Alpha, Shensea’s debut album. She remains deep in her dancehall cadence and attitude during the verses, but the hooky chorus pushes her into a space that essential U.S. top 40 radio — and she sounds great. Moreover, “Neva Neva” — with its rumination on the endlessness of a good relationship — offers a smart contrast to the hit-it-and-quit-it energy of “Hit & Run.”
Chippa Don, “Clubscout”
[embedded content]
From the tinny background synths to the breakneck flow switches, Chippa Don flexes his chops as both an emcee and a sonic world-builder on “Clubscout.” Firmly entrenched in the modern dancehall take on gun chunes, “Clubscout” is inherently sinister; “Gwan f–k around around/ Whole place haffi move/ Di glock, di clip long / But di K me a use,” he spits. It’s Chippa’s delivery, however, that makes this song stick. He’s playful, but there’s some bite and snarl to his voice that subtly reiterates that he’s calling his opps out because he knows he can handle them.
Masicka, “Forever”
[embedded content]
Kicking off with contemplative country-adjacent guitar strums, “Forever” is a stunning ballad from Masicka, who released his latest album, Generation of Kings, last year (Dec. 1, 2023). “Forever brave, forever strong / Forever me, that’s who I am,” he croons, making for a ballad that makes the evergreen question of authenticity an introspective one while also showcasing yet another side of Masicka’s sprawling artistic profile. There’s a reason Sean Paul named him dancehall’s current leader.
This month has produced the biggest bounty of great releases from African artists in 2024 so far, with some of the most exciting, innovative and fastest-rising artists and veterans releasing not just big singles, but long-awaited albums — and with much more promised for the coming months as summer approaches.
Tems released her reimagining of Nigerian singer-songwriter Seyi Sodimu’s 1997 smash “Love Me Jeje” following her debut performance of the single at Coachella. It’s the first single from her upcoming debut album Born in the Wild, which will be released in May. Meanwhile, Joeboy linked with teenage sensation Qing Madi, ODUMODUBLVCK and Blaqbonez lined up a distinctive collaboration and Black Sherif turned up the aggression with a new banger.
Nigerian Afropop singer Minz talks a big game on his new single “shadow” with German trio 255, who also produced 1da Banton and Bella Shmurda’s “Evidence” collaboration, which has been featured in this column. Speaking of collabs, Ruger and Bnxn put their past troubles behind them and celebrate their harmonious relationship on their joint album RnB. And Young Jonn helped Jamaican dancehall hitmaker Sean Paul earn his career-first entry on Billboard‘s U.S. Afrobeats Songs chart this month with “Hold On,” from the latter’s long-awaited debut album Jiggy Forever.
Trending on Billboard
“I’m an artist and I go to Africa, and they are so appreciative of what we brought to the table. It’s been a symbiotic relationship back and forth over the years,” he told Billboard in an interview last week about the dynamic between Afrobeats and dancehall music. “We’re using drums from the sound that’s been Afro music, people like Fela Kuti and all of these great musicians, and we’re producing it the way we hear it [and] feel it. In Afrobeats [now], they have taken the hint from how we produce and done their own thing with it.”
We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with our latest Spotify playlist below.
Minz & 255, “shadow”
[embedded content]
Minz dials up 255 for his bouncy new single “shadow.” “It’s certain, you know I’m killing it,” he flexes in the first verse, while assuring his haters won’t go far in the chorus. His self-assured flow fits perfectly with his and 255’s spirited production.
Bloody Civilian, “Head Start”
[embedded content]
On the heels of her electrifying debut EP Anger Management, Bloody Civilian remains a force to be reckoned with on her first single of 2024, “Head Start.” She leaves her opps quaking, so much so “you go think say they be dancers. Congratulations, you’re the best dancers,” she jeers in the chorus. But the track’s stirring Afropop production, with its alarming sirens, ominous synths and intoxicating percussion, will leave listeners dancing right alongside her opps. “This track is quite raw. Basically, I made a vengeance track that’s Afrobeats but is also low-key Travis Scott coded,” Bloody says in a press release.
1da Banton & Bella Shmurda, “Evidence”
[embedded content]
Nigerian singer-songwriters 1da Banton and Bella Shmurda join forces for the first time on their summery two-track pack, Evidence / Holy Man. The first single, “Evidence,” is a vibrant, mid-tempo celebration of their success, with its hook “And the evidence choke/ Evidence choke, and the boys dem know/ Boys dem know, and the everywhere I go” proving its up for the boys. Produced by 255, the track’s acoustic guitar drives its laidback production, while the atmospheric pitched-up melodies interspersed throughout “Evidence” adds an extra touch of levity.
Ruger & Bnxn, “Not Done”
[embedded content]
Ruger and Bnxn make it clear that they’re “Not Done” with their past relationship (even if their ex feels otherwise) on the midtempo closing track of the Afropop stars’ remarkable joint album RnB. Produced by Blaisebeatz, “Not Done” tells the toxic tale of a man who won’t accept the end of a relationship, with Ruger questioning why she would ever want to leave him and Bnxn reminding her who treats her better in the bedroom. “When two artists like us come together, it’s sending a message to everyone around the industry,” Ruger said in a recent Billboard News interview. “For Afrobeats right now, many of us don’t really work together. People don’t drop joint projects like that. But this project actually is taking us to another level.”
Young Jonn feat. Sean Paul, “Hold On”
[embedded content]
Young Jonn links up with reggae legend Sean Paul on the sensual highlight “Hold On” from his debut album Jiggy Forever. With its stirring string arrangement, melodic vibes, Jonn’s come-hither vocals and Paul’s lustful lyrics, “Hold On” is the kind of record you sing while whining up on your significant other or even a stranger on the dance floor on a warm summer’s night. “I recorded this song in Madrid and was actually in the studio with Memphis Depay. He was actually gonna take the beat, but before you know it, I’d recorded the chorus!” he told Apple Music about the song. “I sent the song to my manager — she’s a very imaginative person and was like, ‘We should get Sean Paul on it.’ Earlier this year she sent me a message saying we got Sean Paul; it was crazy!”
Young Jonn, “Bahamas”
[embedded content]
The super-producer has been stringing us along with top-shelf single after top-shelf single for more than a year now, but his Jiggy Forever album is finally here, and it’s no surprise that there are a slew of absolutely beautiful songs sprinkled throughout. His songs have always had a touch of nostalgia, or yearning, to them, both lyrically and musically, and “Bahamas” fits into that lineage perfectly the latest in what is becoming a formidable catalog of big, aspirational hits.
Tems, “Love Me JeJe”
[embedded content]
As she gears up for the release of her debut album Born In the Wild in May, Tems comes with a new single that’s perfectly in her pocket, showcasing her voice and her laid-back style, on a track that takes its name from Seyi Sodimu’s 1997 hit. The hook “I’m on your wave right now/ I’m on your vibe now” — finds Tems right where she’s always been best: feeling her way through the music as effortlessly and coolly as any of us could ever hope to.
Black Sherif, “Shut Up”
[embedded content]
The Ghanaian street MC has been on a roll lately, with his latest single a fiery, in-your-face cut that takes a derisive swipe at the competition, both inviting attacks from others while chronicling his no-doubt rise to the point he’s at now. It’s more aggressive than the “January 9th” single he dropped earlier this year, which took a more introspective approach, but it’s a status he’s earned by this point.
Joeboy feat. Qing Madi, “Adenuga”
[embedded content]
Reliable hitmaker Joeboy recruits the young Nigerian singer Qing Madi to assist him on his latest, a platform for their two voices to dovetail in unexpectedly gorgeous ways as the song winds its way towards its finish. Before that, Joeboy himself tells the story of melting an icy tough exterior as he falls in love, displaying the melodic chops that helped him rise to the top of the Nigerian pop scene. It’s a duet that simply works fantastically.
ODUMODUBLVCK & Blaqbonez feat. Lekaa Beats, “Technician”
[embedded content]
There may not be a more distinctive voice in African music in the past two years than ODUMODUBLVCK, whose flow and style are instantly recognizable and add an element to his music that others could wish to have. But if anyone could rival him for originality it might be Blaqbonez, and this collaboration is two fighters sparring at the highest level, with Lekaa Beats’ vocals the perfect icing.
Although Taylor Swift‘s chart-busting Tortured Poets Department dominated the news cycle of the last weekend in April, the hip-hop and R&B worlds kept churning out hot new tracks and buzzy news stories to keep us occupied.
In yet another update to 2024’s Great Rap War, Drake complied with the Tuapc Shakur estate’s request to take down his new “Taylor Made Freestyle,” which featured verses spit by AI-generated versions of Snoop Dogg‘s and Pac’s voices. Kendrick Lamar has still not responded.
In other news, Ice Spice blessed Cash Cobain & Bay Swag’s “Fisherrr” remix, Ne-Yo smashed his NPR Tiny Desk set with a mixture of hits he’s penned for both himself and other artists, and Eminem announced a new album entitled The Death of Slim Shady (Coup De Grâce) out this summer.
Trending on Billboard
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Susan Carol’s soulful debut to Tommy Richman’s fast-rising smash. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Susan Carol, “Karma”
[embedded content]
Fresh off her first career Grammy win (best traditional R&B performance for “Good Morning” with PJ Morton), Susan Carol is celebrating her recent signing to Def Jam with new single “Karma.” Produced by Harmony Samuels, “Karma” finds Carol delivering a biting vocal performance that plays well against the lush combination of swanky guitars, steady percussion and ornate strings. “Think you better than you is/ And I swear the d–k was mid/ It’s just like a boomerang/ Your’re throwing out bulls–t & it comes right back on you/ There’s nothing left for me to do,” she sings before the production opens up into a soulful symphony of lounge jazz influences. The concept of the song is simple, yet effective, why waste time plotting revenge when you can let karma fight your battles for you? Well said, Susan.
Tommy Richman, “Million Dollar Baby”
[embedded content]
Tommy Richman has arrived. The Virginia native guested on Brent Faiyaz’s Larger Than Life album last year — but now, he’s capitalizing on his chance to fully introduce himself to the world. A TikTok snippet scorched the platform, and “Million Dollar Baby” hit the ground running on Friday (April 26). Released via Brent Faiyaz’s Iso Supremacy in partnership with Pulse Records, “Million Dollar Baby” sounds like a cousin of BROCKHAMPTON’s catalog, with Richman alternating roles and jumping octaves in his vocal range. For those that enjoy a grungier aesthetic, the unpolished DVD version of the track is also available featuring clipped drums and a fuzzy bassline. “Million Dollar Baby” could be making a splash on the Billboard Hot 100 with a lofty debut, as a bona fide song of the summer contender has arrived.
Normani feat. Gunna, “1:59″
[embedded content]
For the first taste of her long-awaited debut studio album, Dopamine, Normani recruits Gunna for a sultry midtempo that combines the lush vocal stacks of Brandy, the effortless seductiveness of Aaliyah and the Fifth Harmony alum’s own trademark enigmatic allure. As he does on his own R&B-adjacent collaborations, Gunna slinks in and out of harmony with Normani, presenting welcome contrasts to the song’s overall languid feel and providing a bit of dynamism for the “Motivation” singer to play off of in the back half. Now that her debut LP finally has a release date (June 14), “1:59” is a solid introduction to the Normani of Dopamine.
Anycia & Cash Cobain, “That’s Hard”
[embedded content]
Here’s an unexpected collaboration from the pair of rising rappers leaving their mark in 2024. Everything Cash Cobain lends his Midas Touch to is turning to gold these days. Cash freestyles another silky chorus and welcomes Anycia into his world with a Slizzy summer on the horizon. She matches his typically laid-back and raunchy vibes. “I’m getting top in the back of a brand-new car/ Nene the hardest/ He singing my s–t by the bar,” Anycia brags in her raspy flow. “That’s Hard” is a fun standout from Nene’s robust Princess Pop That debut, which arrived via UnitedMasters on Friday (April 26).
JT, “Okay”
[embedded content]
JT is on the cusp. Between her smart moves in the fashion world, the fan base she’s solidifying through her current club tour and club-ready records like “Alter Ego” (with Doechii) and now “Okay,” 2024 is shaping up to be a career-defining year for the City Girls rapper. “I’m pretty than a motherf–ker, h–s be lookin’ okay/ She think that she f–kin’ with me, is this bitch okay?/ He said he ain’t f–kin’ ’round, I look at him like, ‘Okay’/ I used to be down bad, but now a b—h okay,” she splits in her typically unbothered tone of rattling production from Akachi and Shawn Ferrari. With a hook this sticky and a string of solo singles as strong as “Okay,” “No Bars” and “Sideways,” JT’s forthcoming City Cinderella mixtape could very well take her to the next level.
Babyface Ray, “Glory”
[embedded content]
A rose bloomed from the concrete of Detroit. Babyface Ray has been as consistent as they come from the thriving Midwest rap scene. Ray basks in his glory as his smoky flow aerates the twinkly production. However, the 33-year-old can’t relate to his Gen Z peers in some ways like publicly broadcasting street violence. “I’m glad I was raised by bosses, these n—as lost in the sauce keep talkin’ ’bout killing/ All of the killers I know, they don’t even talk, so I’m sayin’ too much right now,” he contests. Ray switches gears and paints a picture of his baby boy waving bye-bye from the back of his Benz – it’s all about versatility. He claimed the Summer’s Mine with his 2023 project, we’ll see if he can find his way into the mix again this season.
Camper feat. Tank & Syd, “I Need It”
[embedded content]
Camper, the Grammy-winning producer behind chart-topping hits like Coco Jones‘ “ICU,” is stepping into the limelight. For his new single, the R&B craftsman recruited Syd and Tank, two voices that — while they evoke two separate eras of R&B — make for an absolutely gorgeous duet. Between Syd’s beguiling tone and the buttery seduction of Tank’s delivery, “I Need It” finds the two singers beautifully painting across Camper’s intimate, bedroom-ready production. “Find a better reason/ Why we shouldn’t lay up/ Get back to freakin’ right now/ All I know is/ I need it,” Syd declares.
Bairi, “Man Enough”
[embedded content]
Bairi’s luscious vocals could melt a heart made of ice. Sampling British art-pop group Art of Noise, “Man Enough” finds The Siren radiating about a distant lover trying to decode where they went wrong along the way. “Trapped in your sea, stuck in your weeds, begging you please, come back to me/ But I ain’t tripping if you want to leave, then leave/ Just don’t leave me on an empty guarantee,” she softly sings. Word to Ariana Grande, Bairi’s got no tears left to cry and she’s ready to move on from her former flame who couldn’t perform up to standard. “Man Enough” is just a peek into Bairi’s talent exuded on her intoxicating debut album Fire Siren.
That’s right, the year of beef is still raging on. Just as they did a few weeks ago with their Billboard 200-topping We Don’t Trust You album, Future and Metro Boomin set the tone for the weekend in hip-hop and R&B with a sprawling collection of new collaborations that include a few more shots at a fellow named Drake — or “BBL Drizzy,” if you’re Rick Ross.
Explore
See latest videos, charts and news
See latest videos, charts and news
Alongside We Still Don’t Trust You — 2024’s second joint album from Future and Metro — a pair of diss tracks from Drizzy and Rozay titled “Push Ups” and “Champagne Moments,” respectively. Both songs were worthy additions to the ongoing back-and-forth between Drake and Future & Metro, which came to a head with the Billboard Hot 100-topping, Kendrick Lamar-assisted “Like That.” In other beef-related news, J. Cole made good on his promise to remove “7 Minute Drill,” his response to Lamar’s “Like That” verse, from streaming services, and Uma Thurman offered up her Kill Bill jumpsuit for Drake to truly get battle-ready.
Trending on Billboard
As we await Kung Fu Kenny’s response, let’s parse through this week’s new drops. With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from the latest preview of PARTYNEXTDOOR’s upcoming album to Maiya the Don‘s funky come-hither pop-rap banger. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Jean Deaux feat. Destin Conrad, “Thinkin”
[embedded content]
Taken from her Nowhere, Fast EP, Jean Deaux’s new Destin Conrad duet, “Thinkin’,” is a gorgeous slice of slinky, sultry R&B. “Thinkin’, thinkin’, thinkin’, thinkin’/ But if it wine, how your touch gon’ feel with mine?/ I been/ Drinkin,’ thinkin’/ I’m reminded, we’ll never know if we don’t try,” she croons over ethereal guitars and synths. As he does with essentially every duet he partakes in, Destin Conrad brings a lovely, idiosyncratic dimension to the track, providing a warm vocal complement to Deaux. The atmospheric energy of the record helps bring to life the intimacy-sourced escapism the pair croon about across Lido’s production.
Kalan.FrFr, “Everybody”
[embedded content]
LA rapper Kalan.FrFr delivers a sneak attack of an anthem built on a Bankroll Got It production that’s infused with trademark West Coast bounce. “Everybody got a homie that’s a Blood/ Got a homie that’s a Crip/ Got a homie that’s a b–ch/ Got a homie that’s a pimp/ Got a homie that’s a trick/ Got a homie that whip p—y/ Got a homie p—y whipped,” he spits with a flow that’s as laid-back as it is tongue-in-cheek. Outside of how catchy the track is, “Everybody” is an unlikely ode to how much we all have in common — even if those commonalities are the nefarious activities our homies may or may not be getting up to.
BBG Steppaa, “Bisexual Glock”
[embedded content]
“Glock is bisexual, aim at women too / Niggas told, what you mean what your friend do? / It’s up with the whole town, beefin’ with kin too,” snarls Newark drill rapper BBG Steppaa on “Bisexual Glock,” his provacative new single. While the message is hardly one that should be endorsed, the new track — which features production contributions from AyyoLucas, Spaceman and EMRLD — finds Steppaa proclaiming his ruthlessness when it comes to protecting himself and those most loyal to him. The contrast of the high-drama string-laden embellishments juxtaposed against the drill snares make for a perfectly high-octane listening experience.
PARTYNEXTDOOR, “Lose My Mind”
[embedded content]
Now that dust has settled around PND’s NSFW new album cover, it’s time to get back to the music. For the latest taste of his fothcoming project, Party builds on a sample fo DMX’s classic “Party Up (Up In Here).” In fact, the entire hook is repurposed from that of DMX’s original, with Party providing the lead-in line — “Y’all gon’ make me lose my mind” — as he sings about the borderline tragic allure of beautiful women. The murky trap&B balladry that grounds the track is also quite reminiscent of classic PND.
Maiya the Don, “Mean It”
[embedded content]
“Show me that you need it, that you need it/ Say it like you mean it, like you mean it,” Maiya challenegs a potential lover on “Mean It.” The Bankroll Got It-helmed track banks heavily on the rising New York rapper’s seductive edge, with her gruff tone evolving into something particulalry inviting against the funky left-of-pop/rock production. Showing no signs of slowing down after blowing up with “Telfy” and “Dusties” over the past two years, “Mean It” could turn into a nice spring hit for Maiya the Don.
Future & Metro Boomin feat. The Weeknd, “All to Myself”
[embedded content]
Metro turns the clock back a few decades with some vintage babymaking R&B production to set the candle-lit scene. Motown Future continues his Future Vandross evolution entering his lover era. The Weeknd and his falsetto make another appearance. However, his dulcet assist is soured by speculation he was adding to the flavor of the month, dissing Drake. “They could never diss my brothers, baby/ When they got leaks in they operation/ I thank God that I never signed my life away/ And we never do the big talk/ They shoot us, makin’ TikToks,” he sings.
Tinashe, “Nasty”
[embedded content]
Tinashe leans into her Nasty Nashe alter-ego for her sultry new single. The R&B singer-songwriter’s robotic hook casts a hypnotic spell on listeners and will have them repeating after her within seconds. Nashe has been known to dabble in painting in the studio while recording and she paints an evocative picture with her sensual second verse depicting a perfect date night. “Shotgun, my thighs on his seat/ I ain’t got nothing underneath/ Looks like you’re ’bout to spend the night/ Freak side, I’m ’bout to change your life,” she promises. 2024 is slated to be a busy campaign for Tinashe with “Nasty” serving as the lead single heading into her BB/ANG3L PT. 2 – QUANTUM BABY project.
Key Glock & Young Dolph, “Let’s Go (Remix)”
[embedded content]
Key Glock is one of rap’s reclusive stars, so when he reveals a collaboration is on the horizon, fans’ ears perk up. With the “Let’s Go” remix, Glizzock surprised the Paper Route Empire family with a posthumous appearance from his mentor Young Dolph. Dolph’s verse fit like a glove over the trunk-rattling production so well that fans thought it was AI-generated, a theory that Glock quickly put to rest. His braggadocios assist embodied everything that people loved about the Memphis rapper – brimming with boisterous boss talk and a peek into his raunchy romantic ways. A fitting tribute to one of rap’s voices gone way too soon. RIP Young Dolph.
The Pandora’s Box that Katt Williams opened in January isn’t closing any time soon. While Beyoncé enjoyed big wins in the country and Americana worlds, the rap game was in complete disarray the past week: Grammy-nominated “F.N.F.” rapper GloRilla dominated headlines with the release of her new Ehhthang Ehhthang mixtape which housed a new track titled “Aite” where she spits, “‘Cause Cardi and Nicki on a track would break some f–kin’ records/ Me and JT ain’t the best of friends but we ain’t beefin’.”
While that line was intended to be unifying, it opened the floodgates for heated social media back-and-forth between GloRilla and JT of City Girls. While the exact details of the origin of their beef are unclear, in this instance, JT was upset at being name-dropped in that bar after GloRilla let rumors of her slapping the “No Bars” rapper fly unchecked. This, of course, bookmarked a weekend that began with J. Cole responding to Kendrick Lamar‘s Billboard Hot 100-topping “Like That” verse on “7 Minute Drill.” That track, which served as the final track on his surprise Might Delete Later mixtape, garnered very mixed reactions, and Cole eventually walked the whole thing back by Sunday evening (April 7) at Dreamville Fest.
Trending on Billboard
“That s–t don’t sit right with my spirit,” Cole said. “That s–t disrupts my f–king peace… I want to say right now tonight, how many people think Kendrick Lamar is one of the greatest motherf–kers to ever touch a f–king microphone? Dreamville, y’all love Kendrick Lamar, correct? As do I.”
As we deal with the aftermath of Cole’s culture-quaking decision and continue to wait for Drake’s “Like That” response, there’s still so much new music to explore. With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Fivio Foreign’s fiery new drill anthem to Bryson Tiller‘s sultry new Victoria Monét duet to J. Cole’s cross-generational link-up with Cam’ron. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: The Amours & TA Thomas, “Pick Me Up”
[embedded content]
Ahead of their new Changes EP (out April 26), sister duo The Amours team up with R&B savant TA Thomas for the gorgeous “Pick Me Up.” Forlorn guitars immediately introduce the track, with the duo trading devastating lines about the turbulent nature of growing together in a relationship. Their tight harmonies function as just another instrument in the overall arrangement, which allows for the song to maintain a conversational, back-and-forth feel despite there technically being three vocalists on the track. “You can always be yourself around me/ Caught in the middle of trust and belief,” they croon harmoniously. TA Thomas, of course, delivers a characteristically silky vocal performance that provides just enough depth to contrast with the brighter tones of The Amours.
GloRilla & Megan Thee Stallion, “Wanna Be”
[embedded content]
Most people opened Instagram on Sunday to a two-minute clip of Megan Thee Stallion flaunting “the best a– on IG” while promoting her new GloRilla collaboration “Wanna Be.” While the clip is certainly a winner, so is the new song. Built on samples from a pair of timeless tracks — Soulja Boy‘s “Petty Boy Swag” and Project Pat‘s “Don’t Save Her” — the two Southern rap stars flaunt their independence and reject the notion of being “claimed.” With an all-star line-up of Ace Charisma, Payday, MKMentality and Yo Gotti on production duties, “Wanna Be” boasts one of the most infectious beats of the year so far. If that weren’t enough to secure its spot as a viable summer anthem, both Glorilla and Meg delivery fiery verses and an incredibly catchy, Instagram caption-ready hook, to boot.
Bryson Tiller feat. Victoria Monét, “Persuasion”
[embedded content]
With D’Mile on production, you know you’re in for a treat. Add Victoria Monét and Bryson Tiller, and you’re in for some heat too. “Persuasion,” one of two collaborations of Bryson Tiller’s new eponymous album, is easily one of the LP’s best offerings. Across the bouncy ’90s-inspired instrumental, Bryson and Victoria trade verses where they play with enunciation and innuendo, teasing listeners with phrasing that hints at expletives before delving into something cleaner — and sneakily more nuanced. “He asked if he could grab all on my— absolutely/ I’m in no opposition so I’m gonna sit on that decision tonight,” Victoria croons. The two R&B stars have palpable verve and chemistry on this track, adding just the right amount of dynamism for an instant standout.
J. Cole feat. Cam’ron, “Ready ‘24”
[embedded content]
J. Cole comes out of the gate guns blazing on this Might Delete Later standout, hilariously bragging about being able to pull your girl without a haircut while rocking some Crocs. Admittedly, his puffed-out chest declarations about “nobody being better” than him on the planet are hitting differently after copping a plea at Dreamville Fest and waving the white flag in his feud with Kendrick Lamar. The Barbara Mason-sampling tune uses the same lift as a Dipset classic from two decades earlier, and Cam’ron himself steps into the booth here like he hasn’t lost a step since Diplomatic Immunity dropped.
Khalid, “Please Don’t Fall In Love With Me”
[embedded content]
It’s been a minute since Khalid led R&B conversations as he did with blockbuster hits such as 2017’s “Location” or 2019’s “Talk.” “Please Don’t Fall In Love With Me” could thrust him back into that limelight. Produced by Jason Kellner and featuring an interpolation of Alicia Keys‘ “Unthinkable (I’m Ready),” the new single finds Khalid updating his plaintive, atmospheric R&B style with some trap inflections. Pounding bass soundtracks his nimble rap-sung in the verses, while the production opens up into synthy mirage when he lifts into his falsetto in the hook. “I hope that you believe in the end that I got you/ How can I move forward when every relationship I get in/ Don’t hit the same ’cause it’s not you?” he asks. With a pen as sharp as ever and a sound that feels fresh and believable, Khalid appears to be back on track.
Doja Cat feat. Teezo Touchdown, “MASC”
[embedded content]
Only Doja Cat can flip threats to end a relationship into a light-hearted angelic chorus. With cinematic production that sounds as if it could’ve landed on Kanye West’s Vultures, Doja aims to have her man sleeping on the couch again while revealing this love story needs a rewrite. “You gave me the d–k / Then gave the d–k without the D,” she cleverly rhymes. Teezo Touchdown steps in to play Doja’s romantic interest in the fried relationship, and attempts to win her back. “I need your time, I need your feet cuddlin’ mine,” he sings. Doja Cat and Teezo Touchdown’s rap-singing styles smoothly mesh, making for a robust collaboration between the eccentric RCA labelmates.
G-Eazy feat. Coi Leray & Kaliii, “Femme Fatale”
[embedded content]
After taking over a year off, G-Eazy kicks off his next era by catering to the women and “sex positivity.” In his hitmaking prime, Young Gerald meticulously dished out catchy hooks and he crafts another one centered around Century Steel Band’s “Heaven and Hell Is on Earth.” Eazy invites rising female rap stars Coi Leray and Kaliii to join him at the party and Leray steals the show with a raunchy assist. “Get this p—y, get more wings and I could get him to fly/ G-Eazy want a bite and I could see in his eyes/ But slow down, don’t rush, baby, give it some time,” she raps. With an album on the way set for this fall, it’s a step in the right direction for the Bay Area rhymer looking to reclaim his hip-hop titan status.
As Jamaica prepares for Carnival (April 7), Road March-ers have heaps of new music to celebrate and dance to, including some enjoyable selections from the month of March across reggae, dancehall, soca, calypso and more.
While clashes and the Bob Marley: One Love biopic dominated January and February, respectively, March was all Vybz Kartel‘s. On March 14, the Judicial Committee of the Privy Council (JCPC) overturned the dancehall king’s murder conviction. Having already served 12 years in prison — alongside three other alleged co-conspirators — after being found guilty in 2014 for the 2011 murder of Clive “Lizard” Williams, the dancehall king’s future is now in the hands of Jamaica’s Court of Appeal, as the body decides whether to release him or order a retiral. Fans around the world have taken the JCPC’s decision as a good omen for Kartel’s freedom, including Drake, who shared a picture of a “Free Kartel” t-shirt to his official Instagram story on Tuesday (April 2).
Outside of Kartel, Bob Marley: One Love continues to bless people around the world. On Tuesday (April 2), One Love co-producer Cedella Marley announced a call for U.S. applications for 10 Bob Marley: One Love social impact scholarships. In her announcement — which she made via her official Instagram page — she detailed the scholarships as a partnership between the box office-topping film and the Congressional Black Caucus Foundation.
Trending on Billboard
The 10 scholarships will be granted to undergraduate students “pursuing social justice-related degrees” at HBCUs, including Bowie State University, Clark Atlanta University, Dillard University, Florida A&M University, Hampton University, Morehouse College, Morgan State University, Spelman College, Texas Southern University and the Xavier University of Louisiana.
Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:
Freshest Find: KES feat. Queen Omega, “Rise Up”
[embedded content]
In a recent interview with Billboard, soca superstar Kes detailed his five favorite tracks from Man With No Door — the band’s first album in a decade. One of those tracks, the Queen Omega-assisted “Rise Up,” is also one of the album’s most impressive offerings. Drawing inspiration from social justice-minded roots reggae tracks from acts like Capleton and Richie Spice, “Rise Up” is a brassy, militant ode to that era. Both Kes and Queen Omega deliver impassioned vocal performances that anchor their pleas for “humanity [to] rise up.”
As Kes pointed out in his Billboard interview, this track had to be shared with somebody, particularly Queen Omega who spits a blazing verse that drips with grit and hope. “I have deep love for humanity and sometimes deep concern too of where things are going,” Kes said. “I really wanted to write a song to capture that part of me.”
Skillibeng, “Missbnasty”
[embedded content]
Skillibeng has been a leader of dancehall’s new class for some years now, and he shows no signs of slowing down with his new single, “Missbnasty.” Inspired by a famed adult content creator, Skillibeng gets predictably nasty on this slinky bass-heavy Afrobeats-inflected beat courtesy of P2J. “Lovе when yuh bounce pon my d–k/ Cau yuh sweet like a pornstar b—h/ She’ll steal your interest/ Make a whole profit,” he croons in a voice that’s caught somewhere between a breathless whisper and raspy chant.
Sevana, “Keep Going (Chosen)”
[embedded content]
Fresh off her feature film debut in Bob Marley: One Love, Jamaican singer-songwriter Sevana is back with a brand new single. Titled “Keep Going,” a sultry slice of meditative reggae, the new track finds her crooning, “God know mi special, mi naw fi listen/ Know that I’m a king/ In this wicked jungle and that’s why I sing/ Blessed to be so gifted, so mi caan waste it.” A reminder of your purpose, greatness and claim to a life well-lived is always a welcome reminder, and Sevana delivers one by way of a vocal performance that exudes the warmth and sternness of a beloved mentor.
Romain Virgo, “Red Dress”
[embedded content]
For the midpoint of his The Gentle Man album — which arrived on March 1 — Romain Virgo delivers the thesis of his latest record. On “Red Dress,” Virgo effortlessly morphs into a bachelor, albeit a tasteful one that prioritizes mature, if not wistful, seduction over straightforward sleaze. He employs a strikingly reflective tone as he sings, “Please wear that red dress again/ Take me back to the beginning/ Love to watch you in it/ And I′ll cherish every minute.” The entire album is an exploration of what it means to reflect on different stages of your life, and “Red Dress” presents a Virgo who is ready to be an example of the premiere “gentle man” for the next generation.
Stalk Ashley & Skillibeng, “Really Like You”
[embedded content]
Cash Cobain and Bay Swag’s “Fisherrr” may be signaling a shift in the dominant sound of New York’s music scene, but that doesn’t mean drill is completely out the door. On “Really Like You,” a low-key sexed-up duet between Jamaican singer and internet personality Stalk Ashley and Skillibeng, the skittering snares of New York drill provide an urgent energy to the bare-bones dancehall beat. “One life weh me know bout/ So mi a do whatever I want/ F–k whoever I want, yeah/ And mi really like you baby,” she croons. The song is pretty much as far away from dancehall as you can get, but it is a winning showcase of the versatility of both drill motifs and the artists involved.
Shaneil Muir, “Protected”
[embedded content]
Jamaican singer Shaneil Muir places her focus on the Most High with her new “Protected” single. Soundtracked by raw acoustic guitar, plaintive piano keys and tender finger-snaps, she croons, “Yow damage, mi pray for miself/ Stop worry bout people and mi better miself.” Shaneil’s vocal performance on the song’s verses is the best part of the song, she expertly manipulates her tone to exude the alluring, comforting energy of a storybook reciter. A solemn reprieve from the high-octane tunes of Carnival season, “Protected” finds Shaneil surrendering herself to Jah and trusting that he will stand alongside and behind her as she fights the various battles life sends her way.
D-Major, “Alpha and Omega”
[embedded content]
On his new Morning Prayer EP, Jamaican singer D-Major is in his praise and worship bag. Consisting of six tracks, the project is quite succinct, but standout track “Alpha and Omega” dramatically boosts the EP’s replay value. “With God as your firm foundation, foundation of our lives now/ If you’re in a bad situation, he’ll provide a way for you to get out,” he proclaims over the highly percussive, calypso-inflected production. With a soaring vocal performance that finds assistance with rousing choir-esque background harmonies, “Alpha and Omega” is a delightful slice of gospel-reggae.
Khaliah, “Taboo”
[embedded content]
Effortlessly exuding the sensuality of smooth reggae bass, Khaliah’s seductive, siren-esque tone lifts “Taboo” to towering heights. “Selective with my time, my dear/ But I give to you/ The sweetest love from January/ Straight back to June,” she croons. Almost Tyla-esque in the way that she forgoes expletives and still finds a way to express the sultry come-hither bent of her lyrics, Khaliah makes quite the impression on “Taboo.” Especially when she lifts her voice into a few belts over the song’s final chorus. Unfussy both lyrically and production-wise, Khaliah’s “Taboo” understands that, sometimes, simplicity truly is key.
Upsetta, Loud City & Popcaan, “Devil Works (Never Work)”
[embedded content]
For his take on Upsetta and Loud City’s new “Devil Works” riddim, Popcaan rides the buoyant beat with a proclamation that he’s “nuh ‘fraid of nuh devil works.” His cadence here is a bit brighter than the ones he cycled through on last year’s Best Mood mixtape, but it’s the perfect complement to a song that doesn’t exactly try to hide its sanctified roots. Upsetta and Loud City’s riddim infuses electronic elements into their dancehall bass, but those pounding drums and sparkling synths ensure a sense of levity to go with Popcaan’s heady declarations.
Kabaka Pyramid, Sean Paul & Jemere Morgan, “Energy (Remix)”
[embedded content]
Kabaka Pyrmaid’s Grammy-winning The Kalling LP may have dropped in 2022, but the renowned reggae star is still working the record. Produced by Damian “Jr Gong” Marley, this new Sean Paul-assisted “Energy” remix is set to appear on the forthcoming deluxe edition of The Kalling. Already a funky track bursting with dynamism — from the rollicking guitar riffs to Kabaka’s playful vocal delivery — Sean Paul injects some fiery dancehall flavor with his new verse. “Busy with my own focus mi deh on the grind/ Gotta get my own, gotta set my home in tact/ Can’t waste time cause you will never get that back/ Haffi reach fa di bag, so I get that stack,” he spits. The word “energy” can feel particularly banal nowadays, but this track couldn’t have been titled anything else — it’s literally vibrating with an unbreakable approach to all life has to offer.
When Beyoncé drops, the world stops and listens. And that’s exactly what happened with the release of her incredibly ambitious 27-track Cowboy Carter LP last weekend (March 29). While the record is framed by Queen Bey’s exploration of the Black roots of country music and her own Southern familial roots across Texas, Louisiana and Alabama, there are still healthy doses of the R&B we all know and love from her, courtesy of collaborators ranging from Pharrell Williams and Raphael Saadiq to The-Dream and Nile Rodgers.
Remarkably, a couple of artists across hip-hop and R&B were able to cut through the Cowboy Carter chokehold. Ye (fka Kanye West) predictably inserted himself in the Drake–Kendrick Lamar back-and-forth, claiming that “there is only one GOAT” and that he “washed” both artists on previous collaborations. Tyla, who is currently enjoying the release of her debut studio album, covered the most recent Billboard print issue and revealed why pulling out of Coachella was “the right decision.” Of course, the Head Barb herself, Nicki Minaj, stayed in the news cycle with the announcement of her first sneaker collection, a winning performance at Madison Square Garden and an appearance at the Knicks game with her family (March 31).
Trending on Billboard
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Beyoné and Shaboozey’s genre-obliterating shootout to Felix Ames’ soulful new single. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Tyrese, “I Would Still Say I Do”
[embedded content]
A sweeping eight-minute tribute to the longevity of matrimony, Tyrese‘s “I Would Still Say I Do” is also a tender love letter to tasteful, old-school soul. The “Sweet Lady” singer has been teasing this track on his official Instagram account — where he’s also been subtly documenting the creation of his forthcoming seventh studio album — and it was absolutely worth the wait. Stirring strings and lush piano serve as the anchors for an arrangement that swells into a mini-orchestra, incorporating bits of jazz along the way. “How foolish would it be/ betting it all after losing everything/ And nothing here makes sense/ Love is worth whatever the consequence,” he croons in a tone that expertly balances yearning with true devotion. The subject matter is reminiscent of “I Still Do” from 2015’s Black Rose, but with even more finesse and gravitas.
Beyoncé, Linda Martell & Shaboozey, “SPAGHETTII”
[embedded content]
“Genres are a funny little concept, aren’t they?/ Yes, they are,” country pioneer Linda Martell chuckles at the beginning of “Spaghetti,” a high-camp Western shootout soundtrack housed on Beyoncé’s latest opus, Cowboy Carter. Here, Beyoncé acts as a bridge between country’s past (Martell) and a fearlessly innovative future that ropes in notes of Southern hip-hop, by way of herself and ascendant country star Shaboozey.
With a rap verse that bears the unmistakable dual fingerprints of both Jay-Z and The Harder They Fall‘s soundtrack, Queen Bey asserts power and dominance over everything in her path. In the context of the album, “Spaghettii” is a smart sonic juxtaposition and a thematic complement to its preceding track, which finds Bey carrying out a murder fantasy — the “I ain’t in no gang, but I got shooters and I bang-bang!” lyric is the bridge between the two — while combining the sounds of country and classical music. Oh, did we mention that she’s also doing all of this over a Brazilian funk sample?
Doechii with JT, “Alter Ego”
[embedded content]
An Ayesha Erotica sample + a Tampa-Miami link-up + an Azealia Banks-esque flow = a bop. The equation really is that simple. Are the “Show Me Love”-esque synths a bit predictable? Yes, but that doesn’t mean they’re still not a worthy addition to the song. On “Alter Ego,” Doechii and JT join forces for yet another bad bitch anthem, but with one foot in the world of house music and the other dipping its toes in histrionic Miami Bass-laden hyperpop, the track sounds fresh, even if its subject matter is far from it. Although “Alter Ego” is less immediately accessible than “What It Is,” it’s still a winning showcase of both ladies’ verve and personality. “Fuck these n—as and these b–ches/ I come through and it be crickets/ I come through and moods be switchin’/ I’m the problem, I’m the villain,” JT spits.
Felix Ames, “Mr. Weatherman”
[embedded content]
As the Milwaukee hip-hop scene continues to bask in its moment in the national limelight, Felix Ames is holding down the city’s soul scene. With “Mr. Weatherman” — which serves as the lead single for the forthcoming deluxe version of JENA, his 2023 debut LP — he sings of both life’s more aimless moments and the search for reassurance and comfort that there truly is a light at the end of the tunnel. “I don’t know where I’m going, but I’m going fast,” he croons before begging, “Mr. Weatherman, tell me something better.” For New Yorkers, those lyrics will feel particularly impactful given spring’s reluctance to stick around for more than two days at a time. For everyone, “Mr. Weatherman” evokes consolation the world is craving in the face of times that are as tumultuous as they are unprecedented.
Machine Gun Kelly & Trippie Redd, “Beauty”
[embedded content]
With this new track, Machine Gun Kelly and Trippie Redd try to navigate finding “beauty” in the breakdown. The Ohio-bred duo returned to bring the emo raps for their genre : sadboy joint project and track two is an early standout from the 10-song project. Built around a pitched-up Frou Frou “Let Go” sample, MGK does most of the heavy lifting on the hook and his numbing verse, while touching on substance abuse, addiction and depression. “21 days clean that won’t break a habit/ 22 days later, I’m a f—-g addict/ Lost a real one, so I went and got him tatted/ Can’t eat, can’t sleep, life doesn’t matter,” he raps. MGK and Tripp join forces looking inward to face their demons and turn those harrowing experiences into cathartic art.
DJ Premier & Snoop Dogg, “Can U Dig That?”
[embedded content]
Inject this into hip-hop purists’ veins. DJ Premier’s signature scratches mixed with Snoop Dogg’s West Coast style make for a laid-back boom-bap rap cocktail here. It’s a sight to behold when a pair of the genre’s dignitaries are still raising the bar three decades into their Hall of Fame careers. “We been doing this s–t, mane, ’bout 25, 26/ S–t, I don’t know, we just been doing it,” Snoop reflects on his lengthy relationship with Preemo, in what’s typically been a young person’s sport. The Doggfather ashes his joint while cruising in his low-rider, and takes a second to show love to Cali peers who also changed the game, like 2Pac, E-40, Ice Cube and Eazy-E. Unfortunately, “Can U Dig That?” appears to be a one-off rather than the lead into a collab project from Snoop and Preemo.
It’s March, and the year is starting to heat up with big albums and even bigger singles from some of the heavy hitters of the Afrobeats community.
Billboard‘s current cover star Tyla polishes her signature popiano sound with her self-titled debut album Tyla, while Odunsi (The Engine) recruits artists from around the world to expand the borders of the alté genre on his forthcoming Leather Park Vol. 1 compilation album. And different dynamic duos underline the power of collaboration, from Aya Nakamura and Ayra Starr getting the girls gassed up on “Hypé,” to Tiwa Savage and ODUMODUBLVCK (who was featured on Billboard‘s 2024 R&B/Hip-Hop Artists to Watch list alongside Tyla) reminding everyone about their worth on “100 Million,” to Ruger and BNXN squashing their beef to put together one of the best songs of the year so far.
We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with our latest Spotify playlist below.
Leather Park & Odunsi (The Engine) feat. Minz & Elias Slay6rr, “Crown Bounce”
Trending on Billboard
[embedded content]
Odunsi (The Engine) recruited underground and mainstream international artists as well as producers and engineers for his innovative Leather Park music camp, which took place in Paris Fashion Week last year. The alté leader tapped fellow Nigerian artists Minz and Elias Slay6rr (who were also part of the camp) for the super wavy “Crown Bounce,” the first single from the upcoming Leather Park Vol. 1 compilation album Odunsi executive produced and curated.
On “Crown Bounce,” he’s feeling himself more than all of the girls he has all around the world, comparing himself to both Michaels: “I felt like Jackson when I step/ I felt like Jordan when I shoot.” Minz and Slay6rr can also woo any woman with their infectious, idiosyncratic charm, while the song’s infectious groove can coax any listener to sway their hips. “‘Crown Bounce’ is an extension of a style I’ve been developing for years,” Odunsi tells Billboard. “It expresses my pursuit for mixing classical music as well as nostalgia with modern African groove.”
ODUMODUBLVCK feat. Tiwa Savage, “100 Million”
[embedded content]
Nigerian stars ODUMODUBLVCK and Tiwa Savage are ready to “f–k up the club” with their pricey collaboration “100 Million.” ODUMODUBLVCK fires off verses about his worth, while Tiwa stays in her melodic bag, solidifying her African Bad Gyal status. Sholz and Decster’s polished Afrobeats-meets-drill production (with an underlying lush string arrangement) provides the perfect backdrop for their luxurious lifestyle. That opulence is further highlighted in the accompanying music video, where ODUMODUBLVCK and Tiwa take over the palm tree-dotted streets of Los Angeles, as the former commands The Peppermint Club’s stage from his show back in February.
Tyla, Gunna & Skillibeng, “Jump”
[embedded content]
The South African popiano star recruits Atlanta rapper Gunna and Jamaican dancehall deejay/rapper Skillibeng for the sweltering club banger “Jump,” which will have all the girls sweating off their concealer. Skilli gasses up Tyla by rapping in the intro, “Original gyal, you aren’t a replica (No!)” before she flexes in the first verse, “They never had a pretty girl from Joburg/ See me now, and that’s what they prefer.” The sweat’s bound to be dripping off anyone listening, but leave it to Gunna to provide his girl with the drip: “Told the chauffer take you to a Chanel store/ Ever play with you, it be a world war.” While incorporating amapiano’s log drums, rap’s airhorns and dancehall’s pulsating bass, “Jump” jumps between genres, and can get the party started anywhere around the world.
Kizz Daniel, “Sooner”
[embedded content]
Having already fallen for one woman, Nigerian star Kizz Daniel wishes he had met a second one “Sooner,” the first single on his latest EP TZA — short for Thankz Alot, and meant as a “thank you” for his fans who have been supporting him during his decade-long career (His debut single “Woju” came out in 2014). The Nigerian singer-songwriter feels torn: On one hand, he’s aware he’s already committed to someone, but on the other hand, he doesn’t want to let a new woman go, and finds himself physically tempted to pursue her. Daniel makes his promiscuity entertaining with the song’s steady percussive bounce.
Aya Nakamura feat. Ayra Starr, “Hypé”
[embedded content]
French Malian popstar Aya Nakamura fuels more “Hype” for her first single of 2024 by adding Beninese Nigerian Afropop star Ayra Starr to the mix. Nakamura falls out of love with her terrible ex and hypes herself up as a “hit machine,” while Starr erases her former lover from her memory, singing, “Two chances, too many to track/ Just worry ’bout my bag, I don’t want you back.” And the playful music video makes the power of the Aya x Ayra linkup even more palpable.
Ruger & BNXN, “Romeo Must Die”
[embedded content]
After a few years of publicly jockeying and feuding — some of it in the spirit of competition, some of it petty — two of the most reliable hitmakers in Africa set aside their differences to join forces on this breezy, compelling collaboration that speaks to the primary strength for both artists: melody. It’s a worthy addition to both of their canons, but just as importantly, heals a rift in a way that benefits all — and especially fans.
Tyla feat. Tems, “No. 1”
[embedded content]
Tyla’s self-titled album is the first true event album of the year for African music, and this collaboration with Tems is a clear standout on a project stocked full of great songs. The South African singer-songwriter’s breakout in the past year — crowned with a Grammy for best African musical performance at the Grammys earlier this year — has been one of popular music’s greatest success stories of late, and her teaming up with one of Nigeria’s go-to vocalists of the past few years makes for an engaging and soulful duet that brings the best out of both artists.
King Promise, “Paris”
[embedded content]
King Promise’s rise has been remarkable in recent months, and last year’s “Terminator” was easily a top 10 song of 2023. “Paris” is a great follow, with an amapiano through-line and a hook that is an instant earworm. The Ghanaian star is building a truly top-tier oeuvre, and with a new album on deck for this year, there’s plenty more to come.
Bella Shmurda, “Loner”
[embedded content]
Following the street dance craze of last year’s “Ara (Gen Gen Tin),” Bella Shmurda returns with a more melodic, soulful and introspective cut that shows off his vocals and songwriting skills in a way that goes beyond what he’s been known for in his career so far. A great song, and another step forward for an artist that continues to evolve.
Pheelz, “Go Low”
[embedded content]
With this propulsive, dance-y track, super producer Pheelz comes back with another big track following up on the massive success of last year’s “Finesse.” With a groovy trumpet line, a silky vocal and its strong back line, it’s a perfect cut for dance floors this coming summer.
“Okay, let’s get it” — only one thing mattered this weekend. Well, one verse, rather. On Friday (March 22), Kendrick Lamar came back outside for a culture-rocking verse that threw direct shots at Drake, J. Cole and the very concept of “The Big 3.” That verse appeared on “Like That,” the immediate breakout hit from Future & Metro Boomin‘s new joint album We Don’t Trust You — an LP that easily dominated the weekend’s online conversations. As Drake continues to prep his response to Kung Fu Kenny, several other releases and events are keeping the R&B and hip-hop worlds occupied.
On the R&B front, amapiano crossover sensation Tyla unleashed her debut studio album, TDE R&B crooner SiR returned with his first LP in five years and Bryson Tiller officially launched his eponymous album with his new “Calypso” single. Hip-hop was obviously dominated by the Kendrick, Drake and Future of it all, but GloRilla carved out a bit of airtime for herself thanks to a hilarious clip of her appearing on CNN to comment on her visit to the White House. In the evergreen words of the Grammy-nominated “Tomorrow 2” rapper, “At the end of the day, the day gotta end!”
Trending on Billboard
Freshest Find: Future & Metro Boomin feat. Kendrick Lamar, “Like That”
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from K. Dot’s incendiary verse to Tyla’s sexy summer smash. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
[embedded content]
Kendrick Lamar lit the fuse for rap’s biggest storyline of the year with his scathing assist on Future and Metro Boomin’s “Like That.” Kenny builds off of Future’s earlier shots at the 6 God by taking aim at both of his “Big Three” running mates J. Cole and Drake with a direct response to their Billboard Hot 100-topping “First Person Shooter.” “Yeah, get up with me, f–k sneak dissing/ ‘First Person Shooter,’ I hope they came with three switches,” he raps before throwing more fuel on the fire. “Think I won’t drop the location? I still got PTSD/ Motherf–k the Big 3, n—a, it’s just big me.”
K.Dot takes the gloves off and hones in on Drake while referencing his For All The Dogs album and compares their relationship to Prince and Michael Jackson. “And your best work is a light pack/ N–a, Prince outlived Mike Jack’/ N—a, bum/ ‘For All your Dogs’ gettin’ buried/ That’s a K with all these nines, he gon’ see Pet Sematary,” he snarls. Kendrick and Drake have had an icy relationship since Dot’s atomic “Control” verse back in 2013, and this should ratchet up the cold war a few notches. Don’t look for “Like That” to exit the zeitgeist all that quickly either, as the Three 6 Mafia-sampling hit is expected to earn a lofty debut on the Hot 100 next week. The ball is now in Drake and Cole’s court, with the hip-hop world anxiously awaiting a response.
Tyla feat. Gunna & Skillibeng, “Jump”
[embedded content]
From “Girl Next Door” and the Grammy-winning “Water” to “Truth or Dare” and “Butterflies,” the road to Tyla’s highly anticipated debut studio effort has been a sight to behold. “Jump,” a genre-bending standout from the self-titled LP, continues her track record of steamy come-hither bops that keep her in complete control at all times. Alongside Gunna and Skillibeng, Tyla writes across a sultry soundscape that combines notes of Afropop, dancehall and R&B. “They never had a pretty girl from Joburg/ See me now, and that’s what they prefer/ I don’t touch no wheel ’cause I gotta chauffeur/ First class how I get ’round the world,” she croons in a cadence that emulates the laid-back rap-sung cadence of Rihanna. Perfectly primed to dominate the summer, “Jump” is certainly one to watch.
Big Sean, “Precision”
[embedded content]
History repeats itself with a Big Sean release day being overshadowed by a Kendrick Lamar verse a decade later — who can forget “Control”? Sean ended his hiatus last week with his first offering of 2024, “Precision,” which finds the reinvigorated Detroit spitter coming out of the gate firing on all cylinders. Sean Don’s scintillating flow hasn’t lost its luster and he can still go toe-to-toe with any of his competition in rap. With his finger on the trigger, Sean attacks the bouncy FNZ production with ambition. “My life was a highlight reel that keep on looping/ You can’t just tell me s–t, ho, you gotta prove it,” he boasts. It’s a welcomed comeback single for Big Sean, and hopefully, he won’t be taking his foot off the gas cruising down I-375 anytime soon.
SiR, “Brighter”
[embedded content]
Heavy, SiR’s first studio album in five years, is some truly dark work. The Inglewood-bred crooner parses through addiction recovery, recommitting himself to love in all of its forms, and the vices that he nearly fell victim to. On “Brighter,” the gospel-inflected album closer, SiR delivers a song that embodies all of the hope and tried-and-tested faith that allowed him to survive and make an album like Heavy. “It’s the hardest where the start is/ But I know we’re gonna make it through,” he passionately croons. “Yes, it’s the darkest where the spark is/ But there’s nothin’ more amazin’ than when lights starts breakin’ through.”
Forest Claudette, “Gold”
[embedded content]
With their new Jupiter EP slated for a May 3 release, Forest Claudette is kicking things off with “Gold.” A shimmering amalgam of macabre lyrics, morose piano and strings, tied together with an evocative vocal performance, “Gold” continues building Forest’s stunning catalog of introspective alternative R&B. “I ain’t no damsel, I get distressed/ Burned out my candles, can’t find the rest/ Where’s the bottom? Where’s the edge? / Not there, not yеt,” he ponders. He effortlessly transposes the traditional soul hallmark into something decidedly more contemporary in its penchant for the existential.
Bairi, “Come My Way”
[embedded content]
Bairi (Inspired by Kingdom Hearts character Kairi) might not be a name as well known as others on this list, but she undoubtedly holds her own here. The Hershey, PA native tantalizes listeners with her luscious vocals on the sultry “Come My Way.” She reels in a love interest with a velvety coo: “If you open up to me you won’t regret it/ I can show you paradise through my gate to heaven.” Her seductive songwriting includes an intoxicating melody made to fill the club’s dancefloor. Bairi isn’t going away either, as the introverted gamer will look to carry this momentum into her debut project Baby Siren, which arrives on April 22.
A triad of star-studded events dominated the worlds of hip-hop and R&B over the past week — the 55th NAACP Image Awards, Rolling Loud California and the final weekend of SXSW. At the NAACP Image Awards — which was hosted by Grammy-winning Kennedy Center honoree Queen Latifah — Chris Brown dominated with three wins, including two trophies for “Sensational,” his hit collaboration with Davido and Lojay. Victoria Monét followed with two wins — outstanding album for Jaguar II and best new artist — while Usher took home outstanding male artist, entertainer of the year and the President’s Award. Of course, The Color Purple movie musical cleaned up with a staggering 12 wins, including outstanding motion picture, outstanding soundtrack/compilation album and four individual acting awards.
Explore
See latest videos, charts and news
See latest videos, charts and news
Outside of the awards circuit, hip-hop and R&B had impressive showings at both of March’s marquee music festivals. At SXSW (March 14), PARTYNETDOOR launched his new single “Real Woman,” the first taste from his forthcoming LP, PartyNexxtDoor4, whose release date (April 26) he revealed during his headlining performance at Billboard’s annual THE STAGE at SXSW concert series. A few states over in California, Nicki Minaj turned Inglewood into Gag City, Kanye West and Ty Dolla $ign performed some Vultures cuts without actually performing at all and Metro Boomin and Future previewed some exciting new tracks from their two forthcoming joint albums.
Trending on Billboard
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Sexyy Red‘s latest head-banging anthem to Maxo Kream‘s reflective tribute to his late father. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Rapsody, “Stand Tall”
[embedded content]
As she continues to gear up for the release of her forthcoming fourth studio album, Please Don’t Cry, Rapsody is taking some time to address those who are obsessed with the details of her personal life. “Judgment’s on me, they wondering if I’m a ‘Eat the c—chie’ fan/ All because I choose to style in sneakers and some baggy pants/ Used to make me aggy, wanna black out like the Aggie fans,” she spits over a contemplative Eric G-helmed production that’s delicately tempered with twinkling piano keys.
The hat trick of “Stand Tall,” however, is that Rap isn’t giving the messiest people among us the satisfaction of seeing her dedicate an entire song to their speculation. Instead, she flips the script and uses “Stand Tall” to recenter the conversation around the sanctity of family, learning to live with anxiety and a cheeky reminder to read up on the architects of Black political thought. “Navigating through this business, tryna find some decency/ But you only wonder if I eat c—chie or like some d—k in me/ Y’all need to read Dick Gregory, b—tches,” she rhymes before launching into a chorus that has the charming quality of a letter postscript.
Sexyy Red, “Get It Sexyy”
[embedded content]
For most of 2024 so far, Sexyy has been laying low. Outside of a few shows, she’s been enjoying time with her new baby and the continued success of her smash SZA-assisted Drake collab “Rich Baby Daddy.” With “Get It Sexyy,” Sexxy Red SZN is officially in full effect: Over a characteristically rapturous head-knocking beat — courtesy of go-to collaborator Tay Keith and Jake Fridkis — Sexyy delivers a familiar barrage of irresistible catchy couplets (“Booty shorts, c—chie swole/ Thong all up my booty hole”), hilarious background ad-libs (“I’m his favorite hoe!”) and an ingenious interpolation of the “Little Sally Walker” nursery rhyme — “Little miss Sexyy walkin’ down the street/ I don’t know what to do ’cause the n—as after me/ I’m so f—kin’ sexy, yeah, my skin is bustin’ it/ Diamonds hittin’ hard, n—as wanna drive my tank.”
Maxo Kream, “No Then You a Hoe”
[embedded content]
“No Then You a Hoe” is yet another strong addition to Maxo’s recent stream of standalone singles, but it’s also using that position to mask it being a loving tribute to his late father. “Papa Maxo was a soldier and through me forever livin’,” he proclaims in the song’s final line, but not before a pair of harrowing verses that recount the cyclical nature of the dynamic between family and mortality. Across an incredibly sparse Nascent-produced beat, Maxo spits, “Got a call the other day big brother diagnosed with Lupus / He told me he might die soon, I told him, ‘B—ch, you stupid’/ Cause real gangsters live forever.” Maxo’s delivery is caked in grief, the kind that bubbles under the surface while the person it resides in tries their best to hold themselves together. Equal parts reflective and healing, “No Then You a Hoe” is a home run for Maxo.
MaKenzie & TA Thomas, “Maybe”
[embedded content]
For her first official release under Warner Records, MaKenzie taps TA Thomas for a rousing duet that embodies the hallmarks of ’90s and ’00s R&B vocal collaborations without feeling trapped in a corny pastiche of those eras. “Why can’t you look at me in my eyes?/ Believe me, swear that I’m never gon’ make you cry/ Lately, you keepin’ me up at night/ Runnin’, runnin’ through my mind,” they croon harmoniously in the second verse. Their joint affinity for dizzying descending riffs pairs well with the Rob Knox- and Darryl Pearson-crafted beat, which incorporate warped strings and subtle, grounding percussion.
Elmiene, “Crystal Tears”
[embedded content]
Marking his first new single of 2024, Elmiene’s “Crystal Tears” is a winning collaboration with Grammy-winning R&B savant D’Mile. “I apologize for leaving, and I know that/ If I curse my ways/ Won’t mean you might stay,” he croons in his trademark honeyed tone. The British R&B breakout artist’s voice sounds right at home over D’Mile’s sultry guitar-centric arrangement; he dips into his delicate falsetto to convey the most painful parts of his introspection before bringing in his immersive background harmonies to pair with the introduction of twinkling synths and earthy drums. “My dreams are dragged on/ Dеspite of my home/ I might be alonе,” he sings.
Chief Keef & Mike WiLL Made-It Feat. 2 Chainz, “PULL UP GHOST-CLAN”
[embedded content]
The Trap-A-Holics tags pack Chief Keef and Mike WiLL Made-It’s Dirty Nachos with a dose of 2000s mixtape nostalgia that’s lacking in today’s rap landscape. Sosa pours up and slithers in for a syrupy verse on standout track “PULL-UP GHOST-CLAN” before adding a lean PSA for listeners. “N—as drinking brown lean, actin’ like a sipper/ Be careful, ’cause that s–t will probably f–king kill you,” he contests. 2 Chainz invades the party as the perfect guest star, utilizing elementary rhymes that just wouldn’t work if they were spit by just about any other rapper outside of the Drench God. “Don’t try to compare, I’m in a whole ‘nother category/ Everybody know, my flow is nastier than a lavatory/ I’m straight out the laboratory,” he boasts. Dirty Nachos sets the stage for what should be a banner year for both Mike Will and Sosa.
Don Toliver, “Deep in the Water”
[embedded content]
Building off the success of “Bandit,” Don Toliver delivered the woozy “Deep in the Water” in the middle of the week to stand out from the clutter of New Music Friday. The Cactus Jack artist dives headfirst into an emotional kaleidoscope on “Deep in the Water,” which finds him getting candid about his intimacy with girlfriend Kali Uchis as he attempts to curb the vices throwing hurdles into their relationship. “You said you wanna take control of me but I got all the answers/ You want me done with the strip club, you know I’m done with them dancers,” he croons. An accompanying blue-tinted music video gives fans a first glimpse at Toliver in dad mode; Uchis gave birth to the couple’s first child – a baby boy – earlier this year.