State Champ Radio Fresh Picks
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New week, new Fresh Picks! From drill love songs by J Hus and Maiya The Don to rap rhythms by Atlanta heads SwaVay and KEY!, we have a wide range of sounds to help you power through another steamy week.
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And of course, check out this month’s Fresh Picks (so far) in our Spotify playlist, linked below.
Freshest Find: J Hus feat. Jorja Smith, “Nice Body”
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J Hus is the latest addition to the streak of U.K. rappers (following Dave and Central Cee) who have crossing over and dominating the scene as of late. Last Friday (July 14), the Gambian-British rapper released his long-awaited third album, Beautiful and Brutal Yard, with a handful of features including big names like Drake, Burna Boy and Jorja Smith. Hus and the lattermost teamed up for a slowed down heater, “Nice Body,” a track about being with your lover through thick and thin. Hus and Smith duet, finishing each other’s sentences — making for a rather steamy track.
Alex Mali, “DinnerTime”
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Brooklyn native Alex Mali knows her self-worth and with “DinnerTime,” the singer is giving fans a taste of her upcoming debut album, Trust the Process (out August 16). With the hard-hitting new single, Mali explores the concept of women comparing themselves to “a snack” or “a meal,” delving into her own perspective and redefining what it means to be sexy. “Finding yourself is a journey and you should allow yourself the grace to find the beauty in every phase, every setback and every triumph,” she shared. “Go through those emotions with confidence in knowing that all will be as it’s meant to be because you have appreciated the evolution and trusted the process. Keep going.”
SwaVay, “UH”
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“I don’t need no cosign, p—y, I’ll just get my own bag,” Swavay raps. The Atlanta rapper released the deluxe version of his 2022 album Almetha’s Son on which includes two new singles, “UH” and “DUBLIN” featuring Ben Reilly and NASAAN. SwaVay gravitates towards mid-song beat switches, with “UH” being a prime example. The song laces a thumping bass line and 808 claps with orchestral loops as SwaVay stomps all over the beat with fiery bars.
Maiya the Don feat. Shawny Binladen, “Luv U Better”
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Maiya The Don recruits Shawny Binladen for a drill flip of Mary J. Blige and Lil Kim’s 1997 hit, “I Can Love You.” The Brooklyn rapper declared her song, “Luv U Better,” a track to post your man to — as she took to socials to hard launch her boyfriend, Wu-Tang: An American Saga actor Siddiq Saunderson, as part of the song’s promo.
Mack Keane, “Chances”
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On “Chances,” Mack Keane is feeling all the feels. The L.A.-based singer learns to let go and take a chance on love with the sultry, conga-driven song that went through 12 iterations before Keane landed on the final product. “It’s a real story and a timestamp of that period of my life, which is always the intention of my music,” he shares in a press release. “The lyrics in the second verse are my favorite because it’s something that I’m still learning to do in my life today: letting go, accepting the things that I can’t control, and staying present and grounded in this reality. I’m really happy to finally get this one out in the world.”
KEY! & Redd Smash, “Crank Dat”
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Like its title suggests, KEY! and Redd Smash pay homage to 2000s Atlanta hip-hop with their new single “Crank Dat.” Sporting vintage ATL sports team jerseys and fitteds, the song’s video sees the two and their crew cranking dat, hitting the folks and hitting the woah. “Crank Dat” will appear on KEY!’s upcoming project, Marquis.
Happy Monday! With new R&B/hip-hop releases dropping left and right, it can be quite overwhelming navigating the newcomers in the genre. But that’s why Fresh Picks exists! This week, we have an eclectic array of sounds, from alt-R&B and Jersey club to jazz rap — everything you need to get you through this second week of July.
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And of course, don’t forget to check out this month’s Fresh Picks (so far) in our Spotify playlist, linked below.
Freshest Find: Dominic Fike, “7 Hours”
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This week’s Freshest Find goes to alt-rock/rap/pop straddler, Dominic Fike: last Friday (July 7), the multi-hyphenate released his second album, Sunburn, a collection of older songs that explores themes related to his past. Fike explores his alt-R&B side with standout album cut, “7 Hours,” where he sings about driving seven hours to see his lover, only for them to not give him the time of day.
FendiDa Rappa feat. Cardi B, “Point Me 2”
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Cardi B is continuing her outstanding feature run by hopping on FendiDa Rappa’s “Point Me 2.” The collab comes after Fendi’s viral Jersey club-inspired single, “Point Me to the Sl-ts,” where she calls out her male counterparts (“N—-as dissing when they rap, should we call it drill?/ N—-as capping in they raps, should we give ’em deals?”) and proudly showcases her lust. Here, Cardi checks in around the 2:20 mark and wastes no times matching Fendi’s energy, rapping, “B—hes talkin’ all that rah rah, I don’t feel it though/ Like the Plan B didn’t work, baby, I’m in this hoe.”
LUCKI, “2021 Vibes”
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The Cash Cobain-produced track “2021 Vibes” sees LUCKI delving deeper into his world of hazy hedonism. Through a drowsy delivery, the Chicago rapper calls himself the “codeine cowboy in the flesh” — which makes sense given the title of its parent album, s*x m*ney dr*gs.
Mick Jenkins feat. JID, “Smoke Break-Dance”
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Mick Jenkins and JID linked to take a smoke break: this bass and piano-driven jazz rap song is particularly introspective, with an accompanying video that shows scenes of Jenkins unbothered amongst chaos and young Black men succumbing to societal pressures. “Smoke Break-Dance” acts as a conversation piece about Black male plight in America, with the end of the video including a bell hooks quote that reads, “The first act of violence that patriarchy demands of males is not violence toward women. Instead patriarchy demands of all males that they engage in acts of psychic self-mutilation, that they kill off the emotional parts of themselves. If an individual is not successful in emotionally crippling himself, he can count on patriarchal men to enact rituals of power that will assault his self-esteem.”
Avenoir, “WHO DO U LUV”
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Slowing things down a little, Avenoir goes deep in his bag on his new single, “WHO DO U LUV.” The Canadian singer questions his lover’s feelings towards him, but also assures that the two can rekindle their emotions by making love, before the four-minute song concludes with an electric guitar solo.
AntsLive, “Ooh La La”
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UK rapper AntsLive is practicing his French on “Ooh La La.” With his (not actual) grandfather in tow in the video, the rising rapper shows a chic side to his repertoire, with his trademark tongue-in-cheek vocals about ongoing relationships and international love interests.
Marques Martin, “Butterfly”
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Brooklyn-based musician Marques Martin collides synths and deep bass lines for a chaotic, yet somehow cohesive, new offering called “Butterfly.” “The beat at most points feels heavy, but then the synth floats euphorically in and out of the song,” he told Billboard about the song’s productions. “The combo gives the track gravity and lets it sit in a middle ground of aggressive/assertive but uplifting.” “Butterfly” appears on his new EP, sex on the first.
We’re back with a certified-fresh round of picks from the best acts in emerging R&B and hip-hop. Victoria Monet is spicing up the summer with her latest single, “On My Mama,” while Amindi and Ambré are digging into our deeper side with their introspective and smooth new offerings. On the hip-hop side of things, alternative duo Paris Texas are keeping us on our toes, while SoFaygo leans into his inner rock star.
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Don’t forget to share the wealth by checking out our Spotify playlist linked below & sharing it with your friends.
Freshest Find: Forest Claudette, “Pool Boy”
On his soulful new EP, Everything Was Green, Forest Claudette shines across genre spaces. On “Pool Boy,” the 23-year-old singer dips their toes into funk and hip-hop, delivering a timeless cut with a worthy message. “If I apologize with heart in hand/ With heavy eyes/ Will that absolve me?” he contemplates within the groovy track’s opening lines.
Victoria Monét, “On My Mama”
Victoria Monet is on a roll. The R&B rising star dips into her vicious rap flow on the Chalie Boy-inspired “On My Mama.” Interpolating the Texas rapper’s breakout single, Monet adds a feminine edge, breathing new life into the confident 2009 cut.
Amindi, “green house”
Boasting one of those timeless tones and cadences, Amindi can’t go wrong. “Green house” is no exception, as the Inglewood native paints a pretty picture of romantic wonder, singing, “Thinkin’ ’bout that green house you said that we’d buy when/ We get at all these millions that we get from ridin’.”
Paris Texas, “Everybody’s Safe Until…”
You can always be sure that Paris Texas will do things their way. On “Everybody’s Safe Until,” the pair dig into the intrusive thoughts about their own insignificance atop bouncy live drums, as they run away from themselves in an artfully simplistic visual. The single comes ahead of their debut album, MID AIR.
Foggieraw, “Psalm 62”
Foggieraw used the power of social media to secure Alicia Keys’s blessing for the use of her 2003 hit “You Don’t Know My Name” for his new track “Psalm 62.” In March, the DMV artist teased the song on Twitter, asking his followers, “okay guys I’ve tried everything in my power to get this out… maybe y’all could kindly ask miss alicia on my behalf lol.” Three months and nearly 60,000 likes later, Foggieraw met Keys, she cleared the sample (her first time doing so for this song) — and “Psalm 62” got its official release, via Republic Records.
Ambré, “Muse Freestyle”
The intro to her new EP, who’s loving you?, “Muse Freestyle” sees Ambré posing the title question of the five-song project. “who’s loving you? is a question I’m asking myself and asking the audience,” the New Orleans artist said in a press release. “What does it feel like? What does it sound like to be loved? I wanted to create something that felt like b-sides or deep cuts, almost like a mixtape. Still very intentional but it was very easy to make.”
SoFaygo, “BEAUTIFUL ROCKSTAR”
“I am a beautiful rockstar/ I got some folks in my life I love, so I do this s–t with my heart in it,” sings the beautiful rockstar himself, SoFaygo. The Atlanta artist delivers this high-energy song as a bonus track on his latest EP, GO+, though he first teased it on Instagram Live in December 2021. “Beautiful Rockstar” also samples Jhené Aiko and H.E.R.’s 2020 hit “B.S.”
JAHKOY, “Man On Fire”
JAHKOY is a walking flame. On “Man On Fire,” the Toronto singer exaggerates his emotions and likens them to a fire. “[The song] is about when a guy feels a spark with a woman, but not only is there a spark, it slowly turns into what becomes a full-fledged fire,” he told Billboard. “The feelings become so ignited that he is now a walking flame.”
The sky is clear and Fresh Picks is here. This week, we’ve got an array of sounds to get you through the week and beyond — from the R&B stylings of Maeta and Col3trane to rap anthems by Sexyy Red and Statik Selektah. Don’t forget to share the wealth and check out our June picks so far in the Spotify Playlist, linked below.
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Maeta, “Cool Cat”
Maeta includes a cover of Queen’s 1982 cut “Cool Cat” — recently given a bump in exposure by an Amazon Prime ad — on her new EP, When I Hear Your Name. The Roc Nation newcomer adds her falsetto to the funk-rock song, making for a standout track alongside other impressive album cuts, including “Sexual Love” with James Fauntleroy, “ASMR” and “See You Around.”
Sexyy Red, “SkeeYee”
When Sexyy Red hollers “SkeeYee,” that means pull up. The St. Louis rapper has another hit on her hands with the track from her new mixtape, Hood Hottest Princess. She also shared a video to the song, in which her and GloRilla get lit at a strip club.
Sam Tompkins, “Time Will Fly”
After making a splashy entrance alongside Jnr Choi on the 2022 Hot 100 hit “To the Moon,” U.K. singer-songwriter Sam Tompkins blitzes listeners with his poignant single “Time Will Fly.” Tompkins aims for heartstrings as he ruminates about his humble beginnings over the melancholy soundscape. Up against the shot clock, Tompkins’ determination fuels his musical dreams, as he looks to take the next step in his burgeoning career.
Statik Selektah feat. Conway, Ab-Soul & Bun B, “Ain’t Too Much to It”
For this 10th studio album Round Trip, Statik Selektah loads up 20 tracks for his ravenous hip-hop fanbase. Armed with a crew of heavy bar-spitters (Logic, Joey Bada$$, Russ, & Benny The Butcher), Statik Selektah’s lush production and funky soul samples anchor the lyrical collection. Statik’s knack for clever pairings makes Round Trip an even better ride, as he puts together Ransom and AZ on “Historic” along with Conway the Machine, Ab-Soul and Bun B on “Ain’t Too Much To It.”
Tay Iwar, “Summer Breeze”
The title is self-explanatory, and boy, does it not disappoint. Tay Iwar captures the essence of summer on this recent offering, the trailing saxophone melodies and reverberating keys wrapping around Iwar’s perfectly wispy vocals.
Col3trane, “Moderation”
According to many, moderation is the key to a balanced life. On his latest R&B-pop cut, Col3trane agrees. The U.K. artist dips medicine in honey, delivering an important life lesson amidst summertime production and a relatable storyline.
It’s the last day of May, which means summer is around the corner. As the hottest season of the year approaches, we’ve got you covered with the very best of emerging R&B/hip-hop talent. This week sees the return of rap standouts J Hus and Kenny Mason, while blossoming acts like grouptherapy. and Khamari are making their way to the R&B centerstage.
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Check out all of this month’s picks with our Spotify playlist, linked below.
Freshest Find: Khamari, “Cherry Picking”
Boston-made artist Khamari has made a splashy album debut with A Brief Nirvana. The 11-track project is the multi-instrumentalist’s gripping introduction to the world, with cuts like “Cherry Picking” embracing the quiet and vulnerable. Centering songwriting and the texture of his brain-tickling voice, Khamari is captivating, eliciting emotion and forgotten memories with each track.
J Hus, “It’s Crazy”
J Hus returns with a vengeance on his new drill-adjacent track “It’s Crazy.” Released with a frenetic video, the U.K. rapper peers directly into the camera, questioning, “Why you wanna see the evil in me when I wanna live my life peacefully?” The new song marks a new era of music for J Hus — and is hopefully the precursor to a new album.
grouptherapy., “Nasty”
L.A.-based best friend trio grouptherapy. are reveling in their youth. On “Nasty,” the collective is embracing their resilience and self-acceptance: “We all felt a need to let our id speak and embrace our nastier side; whether that be sexy and seductive or slick like an oil spill,” they share in a press release. “This is grouptherapy. on our pimp shit.”
Cochise, “Hydroplane”
“Hydroplane” is the climactic intro to Cochise’s new EP No One’s Nice to Me. He enunciates more than usual on the opener track, rapping, “I’m counting out this money, while I’m counting up my blessings,” over cinematic strings and glimmering keys.
Kenny Mason, “Dracula”
Kenny Mason’s new Coupe-produced track “Dracula” further proves that he is one to watch. The Atlanta artist likens himself to the infamous vampire, but with platinum teeth and thirsting for bags of money. Mason went full rapper mode for “Dracula” though his knack for effortlessly fusing rap and grunge is what makes him a standout amongst the next class of artists.
audrey mika, “satuRday”
Thank god for Saturdays: the day of the week that lacks the scaries of Sundays and the anticipation of Fridays. Audrey Mika agrees, the cheery singer embracing the beauty of the weekend feeling being spread throughout less exciting days of our lives. The cut is uplifting and perfect for those lazy summer afternoons, equipped with a bouncy percussion line and Mika’s soft rasp.
$NOT, “Easter Pink”
An ode to Cam’Ron and Y2K style, $NOT delivers “Easter Pink”: a perfectly summer single, made to be blasted with all the windows down. The MBWAV instrumental is perfectly nostalgic as $NOT coolly raps, “Wanna be my friend again? Ride around up in the Benz/ Drivin’ up into night ’til we hit the mornin’.”
It’s come to the end of May, which can only mean one thing: Summertime has arrived. And with it, we have a new crop of songs by a slew of African artists that are set to dominate playlists across several continents for the next few months.
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Whether it’s amapiano, Afropop, R&B, neo-soul, highlife or just uncategorizably beautiful music, there’s more that’s come out this month that we could include here. But to try to help you cut through that flood of feel-good vibes, there are a few songs that have particularly caught our ears — by the likes of Teni, Tyla & Ayra Starr, Asake & Olamide, Kizz Daniel, Kwesi Arthur and Oxlade & Flavour.
We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with us by listening to our Spotify playlist below.
Tyla & Ayra Starr, “Girl Next Door”
Africa’s Gen-Z It-girls Tyla and Ayra Starr come together to caution their wandering lovers not to leave them for the “Girl Next Door” in their first collaboration. Both artists somehow keep their cool, as Tyla touts her many options and Ayra warns, “And you know I won’t waste no time/ I can have another you by 9.” But their passionate plea in the repeating chorus (“Don’t you leave me for the girl next door, girl next door”) revs up the sizzling amapiano-meets-R&B beat (courtesy of producer P.Priime) that’s prime for getting any party started this summer.
Tay Iwar & Twelve XII, “Undercover Lover”
Tay Iwar injects his silver-tongued, neo-soul sound into “Undercover Lover,” which finds him and fellow Nigerian artist Twelve XII detailing their dalliance with a beautiful woman. Lyrics like “Somethin’ good for the moment/ Just for the moment” and “Her personality no matter at all/ ‘Cause she’s lookin’ so fine” make it crystal clear they’re not looking for anything serious, and the groovy, atmospheric production further emphasizes the chill vibes.
Teni, “No Days Off”
Teni has taken “No Days Off,” as evident by her latest single. The Nigerian artist raps about her homies (Tobi, Bunmi, Brenda and Wale), hometowns (Lagos and Atlanta) and everything else in her life that she’s had to leave to the sidelines for her career. In a press release, Teni explains that “No Days Off” started as a freestyle and “was made everywhere in the world – that’s why it really is called ‘No Days Off.’ It was made in Lagos, it was made in LA, some parts of it were also made in Cape Town.” She invites listeners to her own world by enveloping them in a kaleidoscopic sound comprised of airy synth melodies and frenetic Afropop percussion that will have anyone yelling, “Motherf–ker, will you come on play that sh– back!” by the end of the track.
Asake & Olamide, “Amapiano”
Asake links up with his YBNL Nation boss Olamide on this scorching “Amapiano” club banger. He salutes the South African house genre for being a “big vibe” while adding his own spin to it, from the lively violin and saxophone to the larger-than-life crowd vocals. Meanwhile, Olamide flexes his mesmerizing flow when he raps, “One thing I know, I’m happy I know/ Amapiano, all of my P I know.” “Amapiano” will accompany Asake’s previously released singles “Yoga” and “2:30” on his upcoming sophomore album, Work of Art, due June 16 via YBNL Nation and EMPIRE.
Nonso Amadi, “Paper”
Amadi reflects on his personal and artistic growth “from seeds to a flower, uncoiling naturally for you,” according to a press release, on his debut album When It Blooms. On the highlight track “Paper,” the Canadian-based Nigerian singer makes the case for why he deserves a bigger bag. And regardless of renowned Nigerian producer London’s scintillating, playful percussion, Amadi’s clearly not playing when it comes to his paper as he sings, “Tell me why the hell you calling/ I don’t wanna know what you’re talking/ When I see the cash am all in.”
Iyanya & BNXN, “Sinner”
A seductive song in both lyric and feel, this collab between Iyanya and BNXN has an alluring aspect to it that is hard to get out of your head — and a falsetto hook that is somehow even more of an earworm than the verses, perfect for a late night vibe that still keeps you moving. Also check out BNXN’s single “Pray” — its choral and orchestral feel fills the soul, and it just barely missed out on inclusion here.
Oxlade & Flavour, “OVAMI”
Oxlade already landed a huge hit this year with “Ku Lo Sa,” and “OVAMI” is in a similar vein, with his soulful vocals soaring above the production. Bringing in veteran vocalist Flavour to add a different element to the second verse was another smart move; Flavour had another great song in the last two years with “Levels,” and he fits in seamlessly here. Essentially a love song, it transcends with its irresistible melodies.
Kwesi Arthur, “Penny”
This one from the Ghanaian rapper is a laid back groove about the come up, thinking back to the days when he didn’t have any cash and now looking around and realizing that not only are those distant memories, but that there isn’t really a limit to how far things can go. What makes this one stand out is that the sentiment doesn’t feel flamboyant or boastful, but more matter-of-fact — this is going to happen, but let’s just keep in mind how far we’ve come.
King Promise, “Terminator”
An ode to finding peace in life — despite what the title may imply — “Terminator” is a melting pot of styles and languages, with a simple overriding message clearly articulated in the second verse: “And my happiness comes first/ I never come life to stress, yeah.” The Ghanaian nails the mix of production and lyricism that gets the feel across almost effortlessly — that being the goal, in the end, of course.
Kizz Daniel, “Shu-Peru”
The perennially upbeat Nigerian Afropop singer came through with another fun groove for the summertime, flipping Salt-N-Pepa’s “Shoop” in the process. As a thesis statement for an artist, does it get more appropriate than Kizz singing: “We are the happy people / We are the world”? It fits him perfectly.
We’re well into May, and the summer heat just keeps coming. From electronic and house-tinged cuts by Overmono and Emotional Oranges to irresistible rap songs by way of Monaleo and Jermtown, we’ve got everything you need to start off the warmer months right with indie and emerging artists from across the globe.
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Check out our Spotify playlist that includes all our fresh picks from this month, and don’t forget to share the wealth.
Freshest Find: Victoria Monét feat. Buju Banton, “Party Girls”
Victoria Monét is on a roll. The cult-favorite singer joined forces with dancehall mainstay Buju Banton on a single that packs more than enough heat for a summer filled with nights out. The multi-hyphenate flaunts her plethora of talents, unfurling routines of hypnotic moves from scene to scene in the visual dedicated to the “party girls lightin’ up the world.”
Overmono, “Cold Blooded”
If electronic music isn’t really your speed, Overmono is here to ease you in. On “Cold Blooded,” the UK duo builds on an Afrobeats-esque drum pattern and R&B melodies, combined with gritty synths and a classically electronic instrumental bridge with chopped and filtered vocals.
Jermtown feat. FELIX!, “2002”
Michigan’s Jermtown comes together with Massachusetts rapper FELIX! on the carefree “2002.” The Sara Kawai and Ayeitsnate-produced beat carries Detroit sensibilities while the two rappers do their part by staying true to the city’s laidback cadence. In a black and white video reminiscent of Pusha T and Kanye West’s “Diet Coke” the up-and-coming pair stroll around a white-washed studio firing off punch-line filled verses.
Emotional Oranges feat. Nonso Amadi, “Not Worthy”
“I’m the reason we fell through,” declares “A.” of Emotional Oranges on the opening line of “Not Worthy.” The beautifully self-depricating cut is a series of admissions set to a smooth house-infused instrumental as “V.” delivers a string of harmonies throughout the three-minute cut.
Obongjayar, “Just Cool”
Wanna feel cool? Obongjayar has the perfect thing. This groovy cut is perfect for that iconic movie scene where the awkward teen protagonist embraces their true self, as the London-based artist declares, “Do what you want/Just leave me be/Do what you want/Just give me peace.”
Aaron May, “Stay Humble”
It’s May season, both literally and figuratively as Houston artist Aaron May has returned with his new single “Stay Humble.” The boom-bap rap song finds the rapper spitting about hustling and grinding his way to success. “Stay Humble” is the first glimpse into May’s upcoming project which is slated to release later this year.
Josh Levi, “Birthday Dance”
Josh Levi will bust a move at any given time. On his new single “Birthday Dance,” the singer slows it down, urging his lover to dance for him. The song is an addition to his 2022 EP Disc Two.
DD Osama, “Better Days”
Channeling Y2K romantic rap by way of warm guitar chords, NYC drill rapper DD Osama delivers a tender moment on his debut project, Here To Stay. The 16-year-old artist taps into his poetic side, showing a knack for introspection far beyond his age.
Monaleo, “A– Kickin’”
Despite announcing her pregnancy last month, Monaleo is showing no signs of slowing down. “Monaleo, big bully/taking names, a– kickin’,” she raps. The track will appear on her upcoming album Where the Flowers Don’t Die.
Bandmanrill, “Mr. D.C.T.”
Bandmanrill adds a Jersey Club spin to Crystal Waters’s 1991 track “Gypsy Woman.” The Newark native has been a rising voice and is helping bring the genre into the mainstream with his youthful energy and uptempo tracks.
Happy Monday! We’ve got ten fresh new tracks to get you pumped for (and help you survive) the new week ahead. From steamy singles by Phabo, BLK ODYSSY and Taylor Belle to uptempo anthems from JELEEL! and tobi lou, this week’s column has everything you need and more.
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And of course, don’t forget to share the wealth with our Spotify playlist, linked below.
Freshest Find: JELEEL!, “COME HERE!”
JELEEL!’s energy is undeniable. The Rhode Island rapper has a knack for stage diving and doing back flips at his shows. His hyper attitude is also reflected in his music, as he’s found a pocket rapping over glitchy, chaotic beats to get his bars off. “COME HERE!” is one of the more cohesive tracks from his recent debut album REAL RAW!, where he spits about attracting women and his fast and furious cars.
Phabo, “Casamigos”
Phabo is on a mission when he’s in the sheets. His steamy, neo-soul new single is inspired by the freaky activities that often follow indulging in the titular popular tequila brand. The San Diego-born singer even practices his Spanish on the track, singing “Casamigos reposado/ Nos tiene comportando salvajemente (got us behaving wildly).”
BLK ODYSSY, “ODEE”
BLK ODYSSY oozes confidence on his spacey new single “ODEE.” The Austin-based artist sings about his extravagant lifestyle to impress women, saying his wrist and drip are “odee.”
OhGeesy feat. Bino Rideaux & 03 Greedo, “Games”
OhGeesy and his boo are “connected like a Bluetooth.” The L.A. rapper teams up with Bino Rideaux and 03 Greedo to rap about not playing games in a relationship and wanting to be held down by their shorties. Laced with spaced-out 808s, L.A. bounce sounds and bed creaks, “Games” is a mix of trap R&B with a West Coast flare.
Danielle Ponder, “Roll the Credits”
Emotion is at the forefront of Danielle Ponder’s new single “Roll the Credits.” “[The] song [is] about spirituality in all of its forms and our ability to find God in all things if we are paying attention,” writes Ponder in a press release. The singer takes to San Juan, Puerto Rico for the song’s video, where she channels nature’s spirits, letting her old-school, bluesy vocals ring in the forest and city streets alike.
Latir, “To My Dear Anxiety (Acoustic Demo)”
In the most stripped-back and vulnerable moment of his EP Daydreams & Desires, Latir writes to his own anxiety. Thickly layered reverb surrounds the poetic singer’s voice and guitar, as he unfolds sweet falsettos and belts filled with desperation. The deep cut presents his raw talent, invoking emotion throughout its three minutes.
Taylor Belle, “SAY MY NAME”
On “Say My Name,” Taylor Belle taps into nostalgia, with a camcorder-style visual and Destiny’s Child song title. But there’s nothing dated about the singer’s flow and production, presenting a sensual single that feels both current and classic.
tobi lou, “Sorry I’m Late”
Nigeria-born, Chicago-raised artist tobi lou has garnered significant buzz thanks to his hyperactive sound and playful energy. “Sorry I’m Late” is no exception, as the rapper delivers a single that’s perfectly chaotic for all of our summer shenanigans.
Kirby feat. Rapsody, “Eve Gene”
“Black woman/ Unprotected in this world/ Is she loved, is she treasured, is she hurt?” On “Eve Gene,” Memphis singer-songwriter Kirby eloquently unravels the power and pain of her identity, adding on social media that the track helped her heal, and she hopes it does the same for her listeners. “I hope my non poc friends & family listen to this song and are reminded to hold space for the black women in their lives,” she adds. Featuring neo-soul production elements and a raw verse from revered MC Rapsody, the cut carries a vital message and is essential listening for the week and beyond.
kwes. feat. Sampha & Tirzah, “Open Up”
The critically acclaimed U.K. film Rye Lane not only boasted a captivating storyline, but an equally striking soundtrack. On “Open Up,” musical savants Sampha and Tirzah team up, their complimentary tones and lyrics intertwining to capture the heartwarming humanity of the Raine Allen Miller-directed film.
As the world breaks out their NSYNC “It’s Gonna Be May” memes, we’re breaking out ten of our favorite new releases in R&B and hip-hop from the last seven days. This week R&B dominates, with a handful of tracks to daydream to from Amaria, ASTN, rum.gold, Baby Rose and more. But rap lovers, don’t fret. We’ve got vibe-worthy cuts from Jharrel Jerome and KAMAUU, while Rico Nasty and Lola Brooke are here to hype you up for the week.
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Freshest Find: Rico Nasty, “Turn It Up”
Rico Nasty is here to wake you up. On “Turn It Up,” the rambunctious rapper draws on her early style, delivering gut-punching bar after bar in her signature raspy delivery. The single doesn’t miss a beat, as Rico trespasses, cleans and trashes a family’s home in the 1950s flashback music video.
Amaria, “Will It Last Forever?”
Singer-songwriter Amaria shows that there’s power in the calm. On her second EP, All for You, the burgeoning artist, producer and instrumentalist displays the vastness of her artistry, with closing track “Will It Last Forever?” making us wish it would.
Donalee, “Lifted”
Let Jamaican-born, South London raised singer Donalee put you in a trance with “Lifted.” True to its title, the single exudes elevating energy through Donalee’s ethereal tone, atmospheric layers and visual lyricism.
Baby Rose, “Water”
Possessing one of the most unmistakeable voices in today’s R&B scene, Baby Rose sets the tone for the summer’s quiet moments on her latest album, Through and Through. The perfect accompaniment for summer downpours and early morning showers, “Water” captures the steady fluidity of life’s most precious liquid through Rose’s touching lyrics and melodies.
rum.gold, “Forever in a Song”
Mastering the art of simplicity, “Forever in a Song” stays true to rum.gold’s sound and bold messaging. The track features earthy piano, a simple drum pattern and airy harmonies leaving plenty of room to soak in the melancholic nostalgia.
Jharrel Jerome, “Chinatown”
Emmy award-winning actor Jharrel Jerome is in his music bag. “Chinatown” is an airy and thoughtful rap offering from the rapper-actor’s upcoming project Someone I’m Not, which is slated to release later this year.
ASTN, “How Soon”
“How soon is too soon to move on?” That’s the million dollar question for ASTN who, on his new single, is ruminating about how to move on post-breakup. Leading with vulnerability, the 24-year-old sings with pure emotion over a guitar-laden instrumental laced with fluttering synths.
Aáyanna, “Won’t Cry”
Like ASTN, Atlanta-based singer Aáyanna is also getting over a breakup. On “Won’t Cry,” she grapples with her emotions, questioning if her relationship was ever real and promising to hold back tears. “I wrote ‘Won’t Cry’ after a breakup with someone I thought I’d spend the rest of my life with. I questioned our relationship, and if we were just idealizing each other,” she says in a press statement. “I even questioned myself, because I only acted in the way I thought love was supposed to look like. I didn’t grow up seeing a healthy version of that in a romantic relationship, so all I could do was guess.”
Lola Brooke, “Just Relax”
Lola Brooke says “Just Relax.” Flipping Black Sheep’s “The Choice Is Yours,” the Brooklyn rapper comes out with her booming, gritty vocals as she bridges generations. The song’s video also pays homage through Lola’s street style seen throughout different shots. There is also a cameo by Black Sheep member Andres “Dres” Vargas Titus.
KAMAUU feat. Tobe Nwigwe, “don’t play with my money”
Maryland artist KAMAUU makes it known that things will get ugly if you play with his money, his art and/or his heart. Teaming up with Tobe Nwigwe, the two join forces for the uptempo rap song that appears on his latest debut album Lacuna in the House of Mirrors.
As we get closer and closer to warmer weather, the song of the summer debate heats up. One of Billboard‘s front runners is Rema‘s “Calm Down” remix with Selena Gomez, but it’s not the only Afrobeats track that’s bound to bring people to the dancefloor all summer long.
The winner of our Song of the Summer Face-Off bracket game last year — Harry Styles‘ “Watermelon Sugar” — has found its African counterpart: Suté Iwar’s “SHUGA PEACH.” Listeners can sink their teeth into this juicy song, or sip on “Casamigos (Pour It In My Cup),” courtesy of Afro B and Sukihana. There’s also the breezy “Trumpet” from Olamide and Ckay, as well as Asake‘s amapiano dance floor banger “2:30” and the effortlessly gorgeous debut single from Inkabe Zezwe. But Davido‘s latest album, Timeless, ensures endless vibes that he explores through various triumphant sounds — and we clearly couldn’t get enough of it, considering we shouted out multiple tracks. Just try getting through the summer without dropping “In the Garden,” “Na Money” or “U (JUJU),” just to name a few.
We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with us by listening to our Spotify playlist below.
Davido feat. Skepta, “U (JUJU)”
Davido and Skepta got their girls covered in the utterly enchanting “U (JUJU)” collaboration, from the former’s latest album, Timeless. The Afrobeats superstar worries if he’s stuck under a woman’s spell when he sings in the mesmerizing chorus, “You dey do me like juju, dey worry me” (a nice nod to Ice Prince’s 2011 track “Juju”), and promises her anything she so desires. Meanwhile, the British-Nigerian grime MC commends his partner for sticking by his side and reassures her he won’t leave hers.
Sukihana & Afro B, “Casamigos (Pour It in My Cup)”
British-Ivorian DJ/singer/songwriter Afro B and American rapper Sukihana craft a refreshing summer vibe with “Casamigos (Pour It in My Cup).” While blending his instantly party-starting vocals with her seductive, smooth melodies that slip right off her tongue, “Casamigos” isn’t just an ode to George Clooney’s ultra-premium tequila brand, but just a little taste of warmer weather and the frivolousness that it brings. Once the song’s amapiano production (courtesy of Team Solut and co-producer Oghenekevwe Bojeghre) takes hold of the song toward the end, it’ll have everyone in a chokehold.
L.A.X, “Zaza”
Afrobeats star L.A.X only provides the best vibes, as confirmed by his new album No Bad Vibes. On its highlight track “Zaza,” he expresses his feelings for a woman while gassing her up (“On the dance floor you fire them/ On the finish line you finish them,” he boasts in the pre-chorus) – all while staying true to his characteristically laidback demeanor. “Zaza” will have any listener whining their hips to its mesmerizing, chugging beat pattern (courtesy of Clemzy).
Suté Iwar, “SHUGA PEACH”
For those craving another “Watermelon Sugar”-like summer anthem, look no further than Suté Iwar’s “SHUGA PEACH” highlight track from his new album, ULTRALIGHT. The Nigerian singer’s mouth waters at the sight of a “golden lady,” whom he later describes as his “favorite late-night craving” because… well, you get the picture. Iwar wrote on his Bandcamp page that ULTRALIGHT is a “journey that takes you through a range of emotions, from the high energy and excitement of life to the introspection and self-reflection that comes with it.” Listeners experience that entire range in the 3:51 runtime of “SHUGA PEACH,” as its tender keys and sultry saxophone runs accentuate Iwar’s carnal desires, while a wavy guitar and meditative beats introduce his self-aware rap about commitment in the track’s latter half.
Uncle Waffles, Tony Duardo, Jelly Babie & Chley, “Babiee”
Ahead of her historic Coachella performance this month, rising amapiano star Uncle Waffles set a moody, yet mesmerizing tone on her new Asylum project. On the highlight track “Babiee” – alongside Tony Duardo, Jelly Babie and Chley – listeners tiptoe into Waffles’ world with the guidance of a pitter-pattering synth loop that’s supplemented by steadily building percussion. Babie seizes the song’s peak by praising two of South Africa’s house genres, bacardi and amapiano, before chanting hers and Waffles’ stage names until “Babiee” fizzles out in a hypnotic rhythm.
Davido feat. Morravey, “In the Garden”
A simple major-key guitar line, a stripped down drum pattern with a supplementary amapiano log drum and a positive vibe underlines this breezy, beautiful track from Timeless — but it is the power of Morravey’s voice that elevates this track into something special, and possibly the best song on the entire album. It’s at heart a wistful love song, but the driving hook — “I’ll change your status, yeah” — adds a coy determination to take the initiative, while Davido’s verse adds another layer of catchiness to a song that has the capacity to dig into your head and never leave.
Davido feat. The Cavemen. & Angélique Kidjo, “Na Money”
One of the best things about Davido’s Timeless album is how seamlessly he weaves together different styles, and “Na Money” is among the best examples, blending highlife with amapiano through this collaboration with Nigerian highlife duo The Cavemen. and iconic Beninese singer Angélique Kidjo. The result is a driving, upbeat song about the intersection of love and money, with a joyful hook and highlife horns underscoring the production. A standout for its departure from the rest of the record.
Asake, “2:30”
Asake has leaned deeply into amapiano in many of his biggest songs, and this latest single, which should be on his forthcoming next album, really drives home the point in an ode to the party life. Log drums propel the verses, while a typically-choral hook gives it some of the space and majesty that has come to define Asake’s biggest records. The only complaint — voiced with some humor by his fans online — is that the actual audio of the track isn’t even 2:30 long. And yet!
Inkabi Zezwe (Big Zulu & Sjava), “Umbayimbayi”
South African rappers and singers Big Zulu and Sjava have linked up for a joint album under the duo moniker Inkabi Zezwe, with “Umbayimbayi” as the first single off that project — and from the opening notes the song unfurls as a gorgeous piano-based ballad that sonically cuts to the soul. The song has already been certified platinum in their home country, which is hardly surprising given its vibe — the Hammond organ flourishes as the song floats to its finish, emphasizing the emotion just as much as the duo’s voices. A special record.
Olamide feat. Ckay, “Trumpet”
A Nigerian hip-hop legend teaming up with one of the most successful young Nigerian singers of the past few years, this track was always going to catch the ear — and its plaintive piano base over some Afrobeats drums gives it an instantly catchy vibe. That it’s essentially a barely-disguised ode to beautiful women and the things they do makes the title amusing, but it’s a great, understated record (sonically, at least) and an absolute earworm.
