Fresh Picks
With Coachella dominating the cultural conversation over the weekend, festival season is in full bloom. During Weekend One (April 11-13), the iconic Cali festival featured showstopping performances from Megan Thee Stallion, Tyla, Missy Elliott, Mustard, Shoreline Mafia, T-Pain, Three 6 Mafia, Glorilla, 4batz, Thee Sacred Souls, Tink, Ty Dolla $ign, Rema, Amaarae, BigXthaPlug, Muni Long and Travis Scott — who mounted a fantasy world with his headlining set, which included a mash-up of his own “Modern Jam” and Drake’s “Nokia.”
Outside of Coachella, live music remained the center of conversation in hip-hop and R&B. On Thursday (April 10), Mary J. Blige played her first solo headlining show at New York City’s Madison Square Garden, featuring opening sets from Mario and Ne-Yo, and guest appearances by Fabolous, Jadakiss and A Boogie wit da Hoodie. The following day (April 11), dancehall legend Vybz Kartel played his first U.S. shows in over 20 years with his first of two sold-out Barclays Center dates in Brooklyn, N.Y. Like Blige, Kartel brought out several guests, including Spice, Rvssian, Blak Ryno, Jah Vinci and Busta Rhymes. Over at the Blue Note, Saba hosted a six-show mini-residency in support of his latest project, From the Private Collection of Saba and No ID.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from kwn’s newest bedroom banger to Saint Lamaar’s smooth Lizzen remix. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: kwn, “Do What I Say”
Billboard‘s R&B Rookie of the Month for March has unleashed her first solo single of 2025 following successful team-ups with Kehlani (“Worst Behaviour”) and Jordan Adetunji (“Too Many Women”). On the self-written and produced track, kwn further leans into the sensual, dominant lane she’s established with her releases over the past few years. “Paint your nails the way I like ’em/ Uh-huh, s–t/ I might paint mine too/ ‘Cause I know a place I can hide ‘em/ And it’s inside you, ohhh,” she croons in the disarming first verse, immediately pulling her audience into the bedroom making each of them her subjects. With her glossy vocals gliding across the track’s hip-hop percussion and vibrant guitar riffs makes for a smart extension to the colors and sounds she dabbled in on 2022’s Episode Wn EP. — KYLE DENIS
Lihtz, “Margaritas”
This joint is way different than the funny and creative “Simple Souls” pop song Lihtz dropped a few weeks back, but it shows off the Philly artist’s versatility. He’s switching in and out of flows on “Margaritas” just as he switches in and out of genres. I feel like Lihtz is gonna be someone to pay attention to this summer. — ANGEL DIAZ
Jastin Martin, “Again – ’24 (Extended)”
Jatin Martin’s elongated version of fan favorite “Again” is filled with emotional, unpacking the mental exhaustion of loving someone who keeps letting you down. Over a moody, guitar-laced beat, she paints a portrait of repeated heartbreak, singing, “Why did you come ’round again/ Just to let me down again.” But, there’s now a newfound strength in Jastin as she admits the cycle has changed her, saying she turned “to a savage” to protect her peace. By the end, she draws a hard line: “Nah, I’m straight homie,” she declares — setting a boundary and reclaiming her power. This track is a slow-burning, late-night anthem for anyone who’s ever had to choose themselves to finally break free from a relationship they knew was no good. — CHRISTOPHER CLAXTON
Sabrina Claudio, “Before It’s Too Late”
Sabrina Claudio kicked off 2025 with the tender “Need U to Need Me” in March, and she returned with the airy “Before It’s Too Late” on Friday (April 11). Time is the resource we’re all looking to somehow find more of, but it just can’t be bought. Claudio harps on the relatable topic, whether it’s a significant other, parent, or friend, everyone worries about not making the most of what we have left. The R&B singer-songwriter’s dreamy vocals provide a warm blanket to the electronic guitar riff, which is accompanied by a cinematic visual capturing a romantic getaway ride into the countryside. — MICHAEL SAPONARA
4batz, “n da morning”
4batz’s “n da morning” plays like a hazy love spell with equal parts bedroom confession and emotional affirmation. Anchored by the recurring line “In the morning, when you wake, girl I be on it,” the track exudes intimacy, trust, and an all-consuming pull to devotion. When 4batz sings “we locked in,” it’s a quiet declaration of loyalty — no outside noise, just a bond that stretches from dusk to dawn. “n da morning” is a soft track for anyone wrapped up in something that feels deeper than just the night before and the night ahead. — C.C.
YL & Subjxct 5, “Bobyahead2dis”
From the upcoming tape RRR & 2oo4 Presents…Only Ones Taxin and produced by Jersey producer Subjxct 5, “Bobyahead2dis” features NYC’s own and RRR co-founder YL raps about trying to make it in the city that never sleeps during these trying times. If the rest of the tape sounds like its lead single, then you should have no problem putting this in your summer rotation. — A.D.
Lizzen & Saint Lamaar, “Sweet Thing (Work It Out) [Remix]”
Just a short while after breaking through with “Buss At You,” rising R&B star Saint Lamaar slides on the remix for Lizzen’s “Sweet Thing.” “I think I sent you love/ Girl, let me pick you up/ You look so good, don’t make no sense, that s–t ridiculous/ I’ll be the shoulder you can cry on, tell your issues, love,” he croons in his verse, perfectly matching the lovey-dovey energy Lizzen exudes on the original cut. His slightly hoarse, charismatic tone pairs well with soulful timbre, making for a duet that recalls the rugged sheen of early-’00s hip-hop and R&B collaborations. – K.D.
Annie Tracy, “To Love and Be Loved”
Annie Tracy’s “To Love and Be Loved” is a glowing ode to the kind of love “where all your troubles melt away.” From the very first few lines — “These words they won’t come out” — Tracy captures that overwhelmed, heart-on-fire feeling of trying to describe something too big for language. But even without the perfect words, the emotion radiates through. The track moves from hushed vulnerability to full-on celebration, soundtracking both the stillness of being understood and the joy of nights spent dancing, laughing, and getting lost in each other’s company. — C.C.
From the final Dreamville Fest to a beautiful, memory lane-traversing headlining set from J. Cole, this weekend belonged to North Carolina. And after Duke’s devastating loss on Saturday (April 5), that’s the least the universe could do.
In addition to Cole, Dreamville Fest 2025 headliners included Lil Wayne (with Hot Boys and Big Tymers), 21 Savage and Erykah Badu. Tems, Coco Jones, Wale, and GloRilla all delivered stellar sets, while Dreamville stars Ari Lennox, JID, Earthgang, Omen, Cozz, Lute and Bas paid tribute to the label’s history and legacy with each of their performances. Although Cole did not drop new music from his highly anticipated The Fall Off album, two other stars confirmed forthcoming LPs. DJ Swamp Izzo revealed that Playboi Carti’s Baby Boi album is finished, and Ab-Soul spoke to Billboard about Soul Burger: The Odyssey, a separate project from his 2022 LP that continues his tribute to the late Doaeburger.
On the charts, Drake is up to No. 3 on the Hot 100 with “Nokia” following the release of its official IMAX music video. On the Billboard 200, Ariana Grande’s Eternal Sunshine: Brighter Days Ahead deluxe album returned to No. 1, besting Carti’s Music (No. 2) and Lil Durk’s newly released Deep Thoughts (No. 3).
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from a poignant gospel-infused duet to Jai’Len Josey’s bouncy new single. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Eric Roberson feat. BJ the Chicago Kid, “Where You Gonna Go”
Grammy-nominated crooners Eric Roberson and BJ the Chicago Kid for a gorgeous, soulful new single. Produced by Rodney Jones, the Detroit hip-hop-inflected and gospel-infused track explores moving with life when you’re supposed to instead of forcing harmony where there is only dissonance. “Sometimes you gotta go where love will find you/ I’m not saying leave what you love behind you/ But listen to life and move when it’s time to/ ‘Cause you don’t know nothing of who you were yesterday, but everything of who you are today,” he preaches in the first verse. Marking his first musical release of 2025, “Where You Gonna Go” is a promising start to Roberson’s year. — KYLE DENIS
Ray Vaughn, “DOLLAR Menu”
Ray Vaughn has boldly compared his upcoming album to being his version of good kid, m.A.A.d city, and Kendrick Lamar’s influence can be felt on gripping singles like “DOLLAR Menu.” The TDE rapper recalls the days of starving because “last night I had sleep for dinner.” Vaughn narrates his come-up and reflects on navigating the stresses of his relationships with his parents. He even uses a threatening voice note from his mom to close out the track as she urges her son to pay back some cash he owes. Look for the Long Beach native to paint a picture of his life’s story with The Good The Bad The Dollar Menu when it arrives on April 18. — MICHAEL SAPONARA
Ab-Soul, “Untitled”
Produced by none other than Roc Marciano, Soulo couldn’t wait to share this song dedicated to his late friend Armon “Doeburger” Stringer that will more than likely be appearing on his upcoming project Soulburger: The Odyssey. It’s not available on streaming yet, so the only way to listen to it is on his Instagram account and YouTube for now. Soul’s fans like the track so much, they’re in the comments clamoring for an entire tape from the Carson wordsmith and the Long Island producer on some West meets East sh—t. RIP Doe Burger. — ANGEL DIAZ
Destin Conrad & Teezo Touchdown, “The Last Time”
Destin Conrad & Teezo Touchdown was an unexpected collaboration but based on this new track this won’t be “the last time” they link up. The duo lay their emotions bare with their slow-burning reflection on love that just won’t let go. Over a moody beat, they trace the highs and lows of a relationship stuck on repeat, where every ending feels like déjà vu. The chorus’ aching “D–n, d–n, d–n” says it all —frustration, regret and the weight of knowing things won’t change. Even as they acknowledge the cycle, the pull remains too strong to resist. Their voices glide effortlessly, blending pain with melody in a way that lingers long after the song fades — a sad effect of a relationship gone sour. — CHRISTOPHER CLAXTON
Jai’Len Josey, “New Girl”
To introduce her Tricky Stewart-helmed debut studio album, Serial Romantic, rising R&B star Jai’Len Josey has unleashed its lead single, “New Girl.” Produced by Josey, Herothaproducer, Madness & Michael Barney, “New Girl” blends the bouncy piano chords of ballroom and house with flashes of U.K. garage to decorate the track’s R&B foundation. “Don’t be afraid of my loving, boy/ Giving all of my might / You’re liking what you’re seeing/ So come on, baby, put the fire deep in,” she sings, expertly curating a vibe for the thrill of a new connection this summer. — K.D.
PinkPantheress, “Tonight”
PinkPantheress launches into her next era with an addictive bop. The singer’s first attempt at using a U.K. bassline is a successful one. She even takes a more mature approach while talking about her carnal desires and exploring more explicit themes surrounding romance. “Tonight” boasts a sly Panic at the Disco sample and PinkPantheress takes it back to Bridgerton for a royal party in the visual, which features everything from sweaty makeouts to pillow fights and more. Her upcoming Fancy That mixtape drops on May 9. — M.S.
Sauce Walka & That Mexican OT, “Samsung Screenz”
Produced by Big Duke, Sauce Walka and That Mexican OT deliver another great song that makes me wonder what a collab project from them would sound like. “Samsung Screenz” features that signature smooth Texas sound along with a catchy hook with Sauce and OT in rare form as they continue to show off their chemistry like they did on songs like “Now & Later” and “Check Please.” — A.D.
SAILORR, “Down Bad”
SAILORR dives deep into emotional uncertainty on “Down Bad,” a raw and intimate take on unreciprocated love. She paints a picture of late-night calls, fleeting intimacy, and the lingering ache of being someone’s second choice. The verses mix frustration with longing, capturing the push-and-pull of a relationship that never quite feels secure. All SAILORR wants is matching tattoos, stolen moments, and rides with no destination. Her list of “something that can last” adds weight to the heartbreak, making each lyric hit even harder. “Down Bad” is a bittersweet anthem for anyone caught between holding on and letting go. — C.C.
Joe Kay, Arin Ray & Blackway, “Frontin & Crushin”
Joe Kay, DJ and founder of Soulection, unveiled his debut EP — If Not Now, Then When? — last week (April 4), and it’s stacked with collaborations with several ascendant voices in R&B. Cincinnati singer Arin Ray and Ghanian-American rapper Blackway team up with Kay for “Frontin & Crushin,” a sonic encapsulation of the beginning stages of a crush. Not quite infatuation or obsession, the feeling these three artists sing of is something a bit more innocent, surprising and fleeting. “I saw you comin’/ She got an aura ’bout her something I respect/ We was frontin’, then crushin’ bad/ It was a feeling that I never would forget,” they sing in the intro over Kenzo Slice, Koko and UNKWN’s Afrobeats-indebted production. — K.D.
BigXthaPlug & Bailey Zimmerman, “All the Way”
In a time of division, BigXthaPlug wants to bring us all together. The Dallas native gives fans a taste of country trap with the arrival of his Bailey Zimmerman-assisted “All the Way” single. BigX and Zimmerman might seem like an unlikely duo, but it’s a clean mesh as they ruminate about fractured relationships over guitar strings and kicking drums. BigX has long teased his foray into country and the upcoming EP is set to feature some of his superstar friends, like Morgan Wallen, Post Malone, Shaboozey and Luke Combs. — M.S.
SiR & Maeta, “Out of My Hands”
SiR and Maeta explore love, regret, and the weight of fate on “Out of My Hands,” a soulful duet about a relationship slipping through their fingers. SiR is wrestling with emotional uncertainty, admitting, “maybe one day or someday, [he] won’t wanna run.” Maeta’s perspective adds to the heartbreak, reflecting on love that once felt limitless but now feels out of reach. With dreamy production and emotionally rich vocals, “Out of My Hands” is a stirring ballad about the struggle to hold on when the relationship becomes just a series of chances, and love alone isn’t enough. — C.C.
With the first days of spring finally gracing New York City, the summer is just a few breaths away — which means dancehall riddims and reggae grooves are about to be heard on every block from Flatbush to the Heights.
After picking up some hardware at February’s MOBO Awards, Vybz Kartel picked up two more trophies at last month’s International Reggae & World Music Awards (March 30), taking home the Peter Tosh Award for recording artist of the year and concert of the year honors for last Decemeber’s Freedom Street extravaganza. New York will experience their version of Freedom Street when Kartel graces Brooklyn’s Barclays Center on April 11 and 12. On Tuesday (April 1), Worl’ Boss dropped the official DJ Khaled-starring “God Is Greatest” music video to reflect on his whirlwind journey since his release from prison last summer. Spice, who many hope will join Kartel at his New York shows next month, picked up a major win of her own with her victory at Red Bull Culture Clash London 2025 (March 7-8).
On the reggae side, we lost a legend. Jamaican singer Cocoa Tea passed on March 11 after going into cardiac arrest shortly after a recent six-month battle with pneumonia and his 2019 lymphoma diagnosis. Known for classics like “Rikers Island” and “Young Lover,” Cocoa Tea often infused poignant sociopolitical messaging into his hits, bolstering his cross-generational impact.
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Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:
Freshest Find: Joé Dwèt Filé & Burna Boy, “4 Kampé II”
Late last year, the original version of Joé Dwèt Filé’s “4 Kampé” appeared in our weekly Trending Up column, which tracks the myriad songs and trends that are catching the industry’s attention. Just a few months later, the Haitian zouk-konpa singer has reinvigorated his global hit with an assist from Grammy-winning Afrobeats superstar Burna Boy. “Deja konnen mwen pral brile sa/ Excuse-moi, veux-tu danser konpa/ Mwen pat konn fanm ayisyen dous konsa/ Ou met mande, mwen se yon neg naija,” he croons in the intro, dipping into Haitian Creole to set the scene and introduce himself to a lady he’d like to dance konpa with. Burna Boy’s and Filé’s tones are an excellent match; their rich lower registers nicely contrast with the track’s seductive background guitars.
Ding Dong feat. Skeng & Kaka Highflames, “Street Jump”
Last month, “Badman Forward Badman Pull Up” singer Ding Dong announced his forthcoming debut album — 20 years after “Badman” became an intergenerational and international anthem. Keeping with the spirit of dance that’s grounded his entire career, Ding Dong calls on Kris Kross’ 1992 Hot 100 chart-topper “Jump.” Not only does he reimagine that song’s timeless hook into a more dancehall-flavored affair, but he also recruits dancehall superstar Skeng and rising Jamaican dance-turned-artist Kaka Highflames to bring their own delightfully manic energy to the track. When it comes to dance anthems that actually make you want to dance, few can stand shoulder to shoulder with Ding Dong.
Protoje, “Big 45”
Protoje isn’t one to inundate us with an incomprehensible amount of releases, but when he does drop music, it’s always worth the wait. He teased “Big 45” for several weeks before finally unveiling the official track, which boasts booming bass and sultry reggae groove courtesy of The Indiggnation and Winta James. Protoje’s rap-sung cadence pairs perfectly with their soundscape, effortlessly capturing the full-bodied sound of the peak sound system era.
Aidonia & Di Genius, “Agony”
“She waah agony oh she waah agony/ Early morning me a sleep and she a bother me/ She waah agony oh she waah agony/ Gyal waah wood, me give har the mahogany,” rhymes Aidonia at the onset of his new Di Genius-helmed single, “Agony.” Making the word “agony” shorthand for boning is certainly a choice, but if any deejay can make it work, it’s Aidonia with his sticky flow and devil-may-care delivery.
Yaksta, “Unconditional Love”
For his contribution to Crawba Production’s new Reggae Alive compilation, Jamaican singer Yaksta delivers a sweet, easy-rocking midtempo about the breadth of his unconditional love for his special someone. “I got this unconditional love/ And it’s only for you, baby/ No else but you,” he croons over steady classic reggae guitars and drums — a perfect soundtrack to a breezy summer evening. With an equally tender and earnest vocal performance, Yaksta infuses Crawba’s soundscape with the reverence that unconditional love often mirrors.
Mr. Vegas & Etana, “Trapped”
One of the best parts of trap dancehall is how the genre’s sparse, spooky snares allow artists the space to muse about society’s endless ills. “Trapped,” the new Rick Wizard-produced single from Mr. Vegas and Etana does just that. The two stars trade heady, heavy verses that zoom into the psyche of a child living in a fear and neglect-ridden household that only primes them for darker horrors. “Trapped, careless mumma wah mek you do your own pickney dat/ Yuh know sey di man a touch har and yuh nuh tell him fi stop/ Yuh turn yuh back pan har when di demon attack,” Mr. Vegas begins the song, immediately setting a chilling scene of child abuse and the nuanced conversations around it.
Pamputtae, “Rum Sexy”
To make a long story short, all Pamputtae needs is some rum to buss a wine. Though “Rum Sexy” has percolated on YouTube for a few years, the Jermaine Bailey-helmed track is finally on DSPs. A well-executed soca track that would sound right at home on any pre-game playlist for the road, Pamputtae’s animated delivery and bright tone are as effective as ever on this track.
Chronic Law, “Altar”
“If yuh pray, Jah will answer/ No weh yuh own anuh weh u can sponsor/ Have nuff things fi gave thanks for/ So me pray inna eh booth like altar,” Chronic Law sings at the end of the opening chorus of his new single, “Altar.” One of the hottest acts in dancehall, Chronic slows things down for a quieter, introspective moment in which he ruminates on the throughlines of prayer and his connection to God that have coursed through his life. Hungry Lion Records grants him the space to do so with an almost-morose mixture of trap snares and synths that invites listeners to focus on his soul-baring lyrics.
Najeeriii & Franc White, “Uptown”
Najeeriii doesn’t necessarily rewrite the trap-dancehall template — in fact, he explicitly leans on its most frequently used tropes here — but he does put his own stamp on it. Expected to appear on his forthcoming debut album, Book of Bob, “Uptown” finds Najeerii delivering a club anthem that sources its idiosyncracies from the way his youthful tone and nimble flows accentuate different pockets of Zini Record’s pristine beat.
Skeete, “Dem Dead”
Nottingham-hailing Afro-dancehall and R&B artist Skeete dropped his new 10-track mixtape Excuse My Language last month (March 20), and the saucy genre-melding set is every bit as global and unapologetic as its title suggests. Among the standouts is the tape’s penultimate track, “Dem Dead,” a fast-paced track that fuses the energy of ’90s dancehall with the melodic flourishes and warm electronic synths of ’10s R&B-informed hip-hop. He dexterously weaves in and out of different flows and dialects, never wavering in how comfortable he sounds playing the role of a dangerous uptown lothario.
It’s the end of March, and suddenly it’s already a quarter of the way through 2025. How did that happen? We’re not sure, but there’s been plenty of good music from Africa to get us through so far.
After collaborating with Nigerian superstar Burna Boy and renowned Ghanaian producer GuiltyBeatz, Jorja Smith gets (back) together with South African DJ/producers Major League Djz on the hypnotic Afro house banger “Come With Me.” And alté producer Genio Bambino has been helping rising Nigerian stars from DEELA to Moyoswlrd cultivate their sound — with the latter recently releasing her eclectic eight-track EP First Ep!c.
Not only that, but a couple of veterans return with new albums — particularly Ruger and Joeboy, both of whom have singles that made the cut this month — while now-reliable hitmakers Khaid and Young Jonn also put out new tracks worth hearing.
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We’ve highlighted 10 of our favorite new songs by African acts that have come out roughly within the last month. Check out our latest Fresh Picks, and enjoy some springtime tunes with our Spotify playlist below.
NSG, “A.L.Y.B.H.B.”
British Afroswing collective NSG knows we’re about to be outside bumping “A.L.Y.B.H.B.,” from its latest album The Big 6. The irresistible track’s singalong “hey, ho!” and titular “act like you’ve been here before!” chants, paired with LP producer 4Play’s groovy, sun-soaked rhythm, is sure to become the next go-to banger at day parties this spring and summer.
Efosa & Sparbz, “SKIN”
British-Nigerian singer-songwriter Efosa and his right-hand producer/manager Sparbz heat things up again on their latest sexy number “SKIN.” “Your waistline tells a story/ Whine on me till the night’s complete/ Lemme whisper in your ear/ ‘Baby, leave with me,’” Efosa croons in the second verse. His soothing voice draws listeners dangerously close, while Sparbz’s spine-chilling synth riffs heighten the erotic sensation.
Moyoswrld, Mofe. & Genio Bambino, “Pocket Money”
Alté artist Moyoswrld links with one of the scene’s most esteemed producers, Genio Bambino, and viral “Prince of Egypt” singer Mofe. on the kaleidoscopic “Pocket Money” cut from her latest EP First Ep!c. Moyoswlrd and Mofe. swap verses about being deep in their bag over Genio and Zamir’s frenetic production, characterized by laser beam-like synths and a booming bassline that makes listeners feel like they’re zooming through the track’s one-minute, 23-second runtime.
Kelvyn Boy, “Break It”
Ghanaian Afropop star Kelvyn Boy is getting the baddies to “Break It” down for him on this sensual dancefloor-filler. If your name is Ayisha, Kilisha, Amina, Abena, Maria or Monica, you better “go down (break it)” to Anel Worldwide’s bouncy beat, like Kelvyn Boy calls them out to do on the chorus.
Major League DJz feat. Jorja Smith, “Come With Me”
Jorja Smith is no stranger to collaborating with African musicians, from showing off her chemistry with Burna Boy on the sensual “Gum Body” from his 2018 album African Giant and the sweltering 2019 single “Be Honest” to linking with GuiltyBeatz on the slinky “All Of This” in 2021 (which South African DJ/producers like Major League Djz remixed).
So it comes as no surprise that the soulful English singer reunited with Major League Djz on “Come With Me.” The amapiano ambassadors trade their signature sound for an Afro house-focused approach, while Smith anchors the buoyant track with her comforting, resonant vocals. “We knew we wanted to step into the electronic space in a way that still felt authentic to who we are, and this track was the perfect balance,” Major League Djz says in a press release, adding that the duo had “been wanting to work with Jorja on an original track for a while and now the timing feels perfect.”
Khaid, “FOR YOU”
Still young, Khaid has cornered the market in super-melodic Afropop with a string of extremely catchy singles over the past few years, and “FOR YOU” adds to that lineage with a breezy paean to a lover who remains just out of reach. The song’s video seems to position it as one designed to showcase, or kick off, a dance craze — but the young singer’s vocals are just as enticing, hopefully heralding a new full project from him.
Ruger, “Toro (A Colors Show)”
The “Asiwaju” hitmaker’s voice is one of the most distinctive on the scene right now, with his almost understated delivery sometimes overshadowing his lyricism. But here it’s the overall melodies that shine through, similar to some of his bigger singles, as he leans into the laid-back vibe to croon over the hook rather than delving too deep into the topic of a broken relationship.
Zlatan feat. FOLA, “Get Better”
A contemplative cut that is almost a prayer over the understated production, the track centers largely on FOLA’s plaintive hook, which buffers Zlatan’s more aspirational and energetic verses. The two blend voices effortlessly near the end, and produce another step forward in each of their respective careers.
Joeboy, “Taxi Driver”
Joeboy’s latest album, Viva Lavida, picks up where his 2023 effort Body & Soul left off, showcasing the Nigerian singer’s silky smooth voice and layered vocal production. This track is a standout on what is generally another great album from him, with features from the legend Olamide and rising voice Qing Madi, among others, and this one layers a classic Afrobeats drum pattern with a plodding groove, letting his voice lead the charge.
Young Jonn, “Only Fans”
At this point, the super-producer has fully made the successful transition to leading artist, with his 2024 Jiggy Forever album pulling together the long string of bangers he’s released into one cohesive place last year. “Only Fans” now continues that streak with an almost luxurious new hit, more in the pocket than some of his more uptempo songs like “Sharpally” and “Xtra Cool,” but one that serves as a deserved victory lap given the past decade of Jonn’s work. Performing as an artist now, in addition to his lauded production, he’s here to stay.
For the first time in what feels like a century, the temperature in NYC broke 80 degrees — time to break out Amerie’s “Why Don’t We Fall In Love”! Funnily enough, the Grammy-nominated singer is back this week with her first new song in seven years. But before we get into that track, let’s recount the past week in hip-hop and R&B — one filled with several controversy-streaked MCs making major moves.
The evening before Lyrical Lemonade announced that Young Thug would be headlining the third night of their forthcoming Summer Smash Festival (June 22) — marking his first live performance since his release from jail last fall — the NFL sent out a memo banning the “nose wipe” gesture in touchdown celebrations. Thugger, alongside rappers like Future, popularized the gesture and its accompanying slang, further cementing how central to the culture Young Thug continues to be. The “Digits” rapper has yet to comment on the ban, but maybe he’ll allude to it at Summer Smash.
Last Friday (March 28), Academy Award-winning actor and Grammy-winning rapper Will Smith dropped his first LP in 20 years, on which he addressed his marriage to Jada Pinkett Smith and, yes, the infamous Oscars slap. On the other end of the hip-hop spectrum, Lil Durk dropped a 17-track set as he remains behind bars awaiting trial for murder-for-hire charges related to the 2022 killing of Saviay’a “Lul Pab” Robinson. As Chicago and Philly enjoyed marquee releases from hometown stars, ATL mourned yet another pillar of their iconic 2010s trap scene: According to a report in the Atlanta Journal-Constitution and details from Atlanta Police, Scooter died after sustaining injuries while attempting to flee police.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Amerie’s comeback to YG’s silence-breaking triumph. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: YG feat. Buddy & The Gang, “2004”
“When I was young, I got raped by a b–ch twice my age/ Picked me up from school to meet at hers and got laid/ Ever since that day, I never looked at s–t the same/ F—-d up in the brain, p—y what I blame,” spits YG over a jazzy beat built by DJ Swish, Ya Boy N.O.I.S. & SmokeyBeatz. It may only be the tail-end of March, but you’ll likely be hard-pressed to find such a hard-hitting pair of couplets to open a rap song this year. Assisted by Compton rapper-singer Buddy, YG holds ample space for one of the most complicated and nuanced discussions when it comes to Black men, masculinity and hip-hop: the sexual abuse of young boys by older women.
Expertly weaving through the double consciousness that comes with existing as a survivor within a culture that, at times, celebrates the early sexual development of young boys as proof of their manhood, “2004” further cracks open a conversation that’s taken several turns recently — from the backlash Boosie Badazz got for promising to gift his underage son time with sex workers for his birthday to Phonte’s heartbreakingly revelatory verse on Black Milk’s 2023 LP. — KYLE DENIS
NAV feat. Playboi Carti, “Unlimited”
The Opium-XO bond strengthens. Carti pops up to power OMW2 Rexdale’s headlining track as he teams up with NAV for “Unlimited.” The Atlanta native mixes up his deep-voiced flows over the uplifting melody before passing the baton to NAV, who brags about making $10 million from VLONE and jokes he could “go deep-voice just like I’m Carti.” Carti fans might be familiar with the “Unlimited” beat as it was previously Offset’s track, but was missing from the Migos rapper’s last project and somehow ended up in NAV’s hands. The Weeknd pops up to deliver a grand finale, lending his croon to the cinematic outro. — MICHAEL SAPONARA
Coco Jones, “You”
Coco Jones is back with another single from her highly anticipated album Why Not More? “You” is a heartfelt celebration of love that feels like fate. She reflects on finding someone who restores her faith in love, describing the connection as effortless and healing. With poetic lyrics and soulful vocals, she compares their bond to rare and perfect pairings, like “a drink in the Sahara,” emphasizing how refreshing and necessary this love feels. More than just romance, “You” is about gratitude, trust and the joy of feeling truly seen. — CHRISTOPHER CLAXTON
Crimeapple, “Sabado Gigante”
The lead single off Crimeapple’s latest tape Jaguar on Palisade 3, “Sabodo Gigante” highlights why the Jersey rapper remains one of the game’s most underrated artists. Produced by Loman, the song has an infectious hook and features Crime spitting lines like, “Sous chef, I used to prep the onion,” which could make it into the next season of The Bear. Stop sleeping on Rap Game Don Francisco. — ANGEL DIAZ
Mahalia feat. Masicka, “Different Type of Love”
Between her recent collaborations with Lila Iké and Bayka, Mahalia is prepping what’s sure to be the year’s sultriest dancehall-R&B project — and her new single, “Different Type of Love,” is further proof that she has something excellent in store for the summer. Assisted by Jamaican dancehall star Masicka — who’s enjoying a massive hit of his own right now with “Whites” — Mahalia’s flirtatious tone floats across a beat that blends steady dancehall drums with a synth line that recalls the harp on Brandy and Monica’s “The Boy Is Mine.” With two verses from Masicka, “Different” feels more like a true collaboration than the scores of rent-a-rapper moments that inundate the mainstream scene; the two artists perfectly match each other fly and capture the energy of a frisky night out. — K.D.
Mynameisntjmack, “Lemon/Ginger”
It’s easy to get lost in the haziness of Mynameisntjmack’s music. The Virginia native returned with his Bookmark 2 project on Friday, which finds him recounting his turbulent journey from the East Coast to Los Angeles while looking to cash in on his music dreams. “Lemon/Ginger” finds him introspectively reflecting on his travels and the pressures of trying to make it from friends and family while stretching a dollar. There’s a certain discipline needed to never get too high from the wins but not too low from the losses along the way. Now on tour with Tommy Richman, it’s all starting to pay dividends for the L.A.-based rhymer. — M.S.
Ivory Scott & Tink, “Control it”
Ivory Scott has been shaping the sound of today’s music, writing for superstars like Beyoncé, Latto and Fabolous. Now, he’s stepping out on his own with his debut album, Mud. A standout track from the project is Ivory Scott and Tink’s “Control It,” a seductive anthem about confidence, power and fiery connection. The repeated line “control it” underscores the track’s theme of dominance and desire, with Scott and Tink asserting their authority in the relationship. Lyrics like “You a boss, you so cold, you a cough” reflect deep admiration and respect for their partner. The track blends sensuality with confidence, capturing an irresistible chemistry that’s impossible to ignore. — C.C.
Amerie, “Mine”
Where there’s springtime, you’ll find Amerie. The DMV crooner is back with her first new music since her 2018 double-single “4AM Mulholland”/”After 4AM,” and it’s a winner. Co-written with Troy Taylor, who also produced the track, “Mine” is a soaring ballad accented by her trademark upper register, twinkling harp-like strings, and subtle bassline peppered with syncopated finger-snaps. “The way your lips fill in tonight, the way they pressed against mine/ The way you pulled me closer, closer, under the moonlight/ This is how it could always be, you and me/ More than friends, we could be everything,” she delicately coos in the intro. — K.D.
Naomi Sharon, “Can We Do This Over”
Naomi Sharon returns with her first single of 2025 to kick off her anticipated follow-up era to Obisidian. Dealing with an emotionally unavailable partner is a tireless obstacle to climb — and the First Lady of OVO vulnerably opens up about her own experience, as her stirring vocals capture what can be a helpless feeling. Still, Sharon remains direct and steadfast in not playing these games and running in a circle, as her silky flow ventilates the warm acoustic production. Even though our hopes of a guest appearance on Drake and PND’s $$$4U didn’t materialize, her sophomore album’s arrival should be marked on every R&B fan’s calendar. — M.S.
Ari Lennox, “Soft Girl Era”
Ari Lennox is fully embracing her Soft Girl Era, and to celebrate her birthday, she dropped her new single, “Soft Girl Era.” The track serves as a celebration of luxury, self-care and embracing a carefree, feminine energy. Produced by hitmakers Jermaine Dupri and Bryan Michael Cox, The track embodies the idea of prioritizing your own comfort and well-being while indulging in the finer things in life. With playful confidence, Ari declares that she’s here for the “soft girl” lifestyle — pampered, relaxed, and loving every minute of it. Lyrics like “a million dollars in the mirror” and “Ain’t tryna do nothing but look pretty in here” capture the essence of self-worth, while the track’s carefree vibe encourages women to revel in their worth and enjoy the luxury of being unapologetically themselves. — C.C.
Xowié, “Nobody’s Fool”
Recently named Apple Music’s Up Next in South Africa artist for April, rising star Xowié has unleashed the lead single from her forthcoming EP ALLO (A Little Long Overdue). “Nobody’s Fool” finds Xowié using a neo-soul-steeped soundscape to pick up the pieces and build herself up after allowing a disappointing romance to “waster her time.” Frank and vulnerable, her restrained vocal performance is the perfect pairing for Sundae Beats’ lush, ethereal soundscape. — K.D.
It’s Billboard Women in Music week, so let’s go ahead and give the ladies their flowers. On Saturday (March 29), Emmy winner Laverne Cox will host the 2025 Billboard Women in Music event, honoring aespa, Ángela Aguilar, Erykah Badu, Glorilla, Gracie Abrams, JENNIE, Megan Moroney, Meghan Trainor, Muni Long, Tyla and Doechii. With Badu earning the Icon Award, Big Glo being named this year’s Powerhouse honoree, Muni Long snagging the Rising Star Award and Doechii — who recently bagged her first Hot 100 top 10 hit with “Anxiety” — landing the Woman of the Year title, this year’s event will celebrate the breadth of women running hip-hop and R&B.
Outside of Women in Music, Ye kept the hip-hop world on its toes by dropping a link to his Bully album, Jack Harlow and Doja Cat joined forces for a new bop featuring a cameo-filled music video and Casey Wasserman — the chairman of the 2028 L.A. Olympics organizing committee — teased a possible Kendrick Lamar performance at the forthcoming Games. Oh, and Playboi Carti notched the biggest Billboard 200 debut of his career, as well as 30 concurrent Hot 100 entries, thanks to his culture-dominating Music LP.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from JT’s summer-ready banger to Nettspend and Xaviersobased’s new link-up. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: JT, “Ran Out”
After taking the world by star with City Cinderella and cemeting herself as a solo artist, JT is back with some more heat. “Ran Out,” an infectious, Y2K-nodding banger in the nonchalant, self-assuered spirit on “Okay,” introduces the Miami MC’s new era, complete with an artsy music video starring famed content creator Quenlin Blackwell. Perfectly timed to grow into a summer anthem, “Ran Out” finds JT reviving the irresistible, slightly whiny delivery of the OG City Girl days while building on her penchant for hooks constructed out of flipping the meaning of a word or phrase multiple times. “Had to stay down, bitches ran out/ My card ain’t work, so I ran out/ The time for these niggas done ran out/ I’m still gettin’ money, I ain’t running out,” she spits in the second half of the hook over bass-heavy production from Ben10k, Danes Blood & 254Bodi. — KYLE DENIS
Nettspend feat. Xaviersobased, “Impact”
Brace for “Impact,” a pair of Gen-Z’s burgeoning rap stars have linked up. Virginia meets NYC as Nettspend and Xaviersobased connect for a glimmering track. Nett’s syrupy AutoTune-laced melodies pace “Impact” with a catchy chorus while Xavier fills in the blanks and closes out his verse relaying his “Saks in the mornin’, Neimans in the evening” shopping habits. Rap’s next generation is carving out its own lane, despite the genre’s elder statesmen begrudgingly lending co-signs. — MICHAEL SAPONARA
FLO feat. Chy Cartier, “Get It Till I’m Gone (Remix)“
FLO & Chy Cartier’s “Get It Till I’m Gone (Remix)” is a bold, empowering anthem about reclaiming power after being taken for granted in a relationship. Rather than wallowing in heartbreak, the song flips the script by showcasing confidence and self-worth, with the artists making it clear that they won’t settle for less. The remix adds a fiery intensity, with Chy Cartier’s verse turning up the heat, proving that walking away is the ultimate flex. With its catchy hooks and unapologetic vibe, “Get It Till I’m Gone” serves as both a declaration of independence and a warning to anyone who fails to appreciate the ladies of FLO and Chy Cartier. — CHRISTOPHER CLAXTON
Droogie Otis feat. Boldy James, “Everything Designer”
Madlib and Your Old Droog are dropping a tape this year, which was news to me until I came across this song. And when you think about it, their styles mesh well together. There’s nothing quite like witty bars over Madlib loops, and MCs like Droog and Boldy have raps like that for days. — ANGEL DIAZ
Jada Kingdom, “G.A.D.”
After spending last year sparring in instantly iconic clashes and ruling fetes with global hits like “What’s Up (Big Buddy),” Jamaican dancehall fusion artist Jada Kingdom is back with a terrific new single ahead of her forthcoming EP. Inspired by local slang that unfairly compares women to drugs, Jada flips the slight on its head, spitting, “Word on the street is girls are drugs/ Dem search fi di tightest buff/ Addicted to the squeeze and clutch/ Wan spend it all pon a serious f–k.” As addictive as she paints women to be, Jada is also primarily concerned with infusing a feminist streak in her reimagning of local slang. “Every gyal man a show me love/ Nah fall fi none, mi put mi feelings up/ Just a girl in a money man’s world/ Mi a have my way, but muss!” she proclaims over the electric guitar-infused Zimi Recrods production. — K.D.
Lil Durk feat. Jhené Aiko, “Can’t Hide It”
Lil Durk tied the knot with India Royale last year, and he opens up about marriage with his Deep Thoughts single. “Can’t Hide It” arrives amid the rapper’s murder-for-hire case as Durk remains behind bars while continuing to flood the streets with music. The raunchy yet romantic track invites Jhené Aiko, who purifies the air and floats above with her celestial vocals while Durk taps into his more melodic side. He even harmonizes alongside the R&B singer turning “Can’t Hide It” into a duet. Look for Smurk’s Deep Thoughts album to be released on Friday (March 28) via Alamo Records. — M.S.
Wolfacejoeyy, “Petty”
Wolfacejoeyy’s “Petty” is a playful yet toxic anthem about turning heartbreak into a competition. Instead of expressing vulnerability, he matches his ex’s energy by flexing his lifestyle, flaunting material success, and even mentioning her best friend. The song captures the ego-driven nature of modern relationships, where social media, status, and revenge take priority over honest emotions. With its smooth, melodic flow and catchy hooks, “Petty” masks frustration with a carefree attitude, making toxicity sound effortlessly cool. — C.C.
Shoreline Mafia, “Back in Bidness”
Shoreline could not have picked a better time to make a comeback as the West Coast is currently in somewhat of a resurgence, thanks largely to Kendrick Lamar and his friends over at TDE. This song and video remind me of when Capone-N-Noreaga came back after War Report with the Reunion album. Shoreline hasn’t dropped an album since 2020’s Mafia Bidness, but this is a perfect lead single to get folks ready for the return. — A.D.
Nija, “32nd Floor”
Three-time Grammy-nominated songwrite Nija is back with a new joint, finally giving us the follow-up to last year’s “Unruly.” When we in the hotel lobby, all of them people ‘round me/ Keep calm, but as soon as we go up, boy you know you got me/ Keep it on the 32nd Floor,” she croons over Eliasodt and Mike Hector’s joint production. The privacy of the penthouse suite is a tired-and-true setting for music’s greatest love escapafes, and Nija doesn’t disappoint with her sultry, guitar-inflected take on the concept ahead of her forthcoming new project, her first since 2022’s Don’t Say I Didn’t Warn You. — K.D.
TheARTI$T, “Ghost”
TheARTI$t’s “Ghost” captures the raw, haunting aftermath of a love that burns out too soon. With vivid imagery of California sunsets and moonlit drives, the song turns heartbreak into a ghostly presence that lingers long after the love is gone. The ARTI$t’s confusion and longing are palpable as they reflect on what went wrong, leaving them to navigate an emotional void. “Ghost” perfectly blends nostalgia with the painful reality of being left with nothing but memories. — C.C.
Reign, “Lowjacc”
Brooklyn rapper Reign delivers a formidable, fiery tape with It’s Up Forever — and “Lowjacc” is a standout on a project filled with them. Across Dizzy Banko’s high-octane production, Reign spits an impressive stream-of-consciousness verse that finds him balancing talking a big game with dropping incomparable nuggets of wisdom. “What you think we trap for? Push a f–king RAV4/ Run this town you gotta build a f–king rapport/ Live on a prayer and call up a f–king task force/ You know the vibes, what the f–k you gotta ask for?” he spits. — K.D.
If the “I am music” tag isn’t playing on a loop in your head, clearly you missed one of the year’s buzziest album drops over the weekend. In the wee hours of Friday morning (March 14), Playboi Carti finally unveiled his highly anticipated third studio album, Music, after five years of seemingly endless teases, standalone singles, guest appearances, and festival performances. Shortly after its release, the Atlanta rapper’s new LP became Spotify‘s most-streamed album in a single day in 2025 so far. Needless to say, Carti is on top right now.
Outside of King Vamp staking a strong claim to the rap throne, Ye delivered yet another head-scratcher of a moment when he dropped a new song via X on Saturday (March 15). Titled “Lonely Roads Still Go to Sunshine,” the new track apparently features vocals from Diddy and North West, much to the chagrin of her mother (and Ye’s ex-wife) Kim Kardashian.
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On the legal side, UMG filed a scathing motion to dismiss Drake‘s lawsuit over Kendrick Lamar‘s “Not Like Us” on Monday (March 17). The motion reads that Drake “lost a rap battle that he provoked and in which he willingly participated. Instead of accepting the loss like the unbothered rap artist he often claims to be, he has sued his own record label in a misguided attempt to salve his wounds. Plaintiff’s Complaint is utterly without merit and should be dismissed with prejudice.”
The new filing comes the same day Lamar’s SZA-assisted “Luther” enjoys a fourth week atop the Hot 100, the longest-running chart-topper for both artists.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Lil Nas X’s new Neptunes-esque banger to JayDon’s ode to ’00s R&B. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Rexx Life Raj feat. Mick Jenkins & BLK ODDYSY, “Take Me to the Sunlight”
“Sometimes I write and start to follow my feelings/ Could play the victim but these views will make me a realist/ I’m a Black man but still I understand I got privilege/ Bro, look at Rafah, where Israelis dropping bombs on a village,” Rexx spits to kick off the first verse of his poignant new collaboration with Chi-Town MC Mick Jenkins and Austin-based act BLK ODYSSY. Starting a song with a commentary on the intricacies of positionality and privilege between people of color is already ambitious, but “Take Me to the Sunlight” assembles three artists who are unwaveringly committed to that lyrical exercise. Over a simple, pensive beat, Rexx and Mick deliver verses that temper political commentary with relatable, personal narratives, while BLK ODYSSEY delivers a haunting hook. “Where is heaven for the ones who look like me?/ Tryna believe in something that I can’t see/ Take me to the sunlight,” he coos. — KYLE DENIS
V Don & Boldy James, “Split the Bill”
I know Boldy has been flooding the market over the last year or so, but I can’t ignore him linking up with the criminally underrated V Don who makes some of the hardest beats out. You can say Boldy’s subject matter is repetitive, but that’s like saying you get tired of Pusha’s coke raps, or Picasso’s Cubism era. There aren’t too many rappers that spit as effortlessly as the Detroit and when you couple him with a producer like V Don, you can expect high-quality rap music like the lead single from their upcoming tape Alphabet Highway. — ANGEL DIAZ
Aminé, “Familiar”
Aminé isn’t going to be told what to create. He’s always going to be a trailblazer — and that’s not only because he’s from Portland. It’s nearly springtime, so the 30-year-old is out of hibernation and has a new album on the way. Aminé taps into some of his toxicity while exploring more of an electro-pop sound on “Familiar.” The rapper grapples with the internal tug-of-war of knowing he has to let a former flame go, but there’s a part of him refusing to come to grips with the reality. It’s a strong single to kick off his rollout, and we only wish the sub-two-minute sprint had more distance before crossing the finish line. — MICHAEL SAPONARA
Jazlyn Martin & TheARTI$t, “Have It Your Way”
Jazlyn Martin is kicking off 2025 with “Have It Your Way,” a soulful duet featuring The ARTI$T that dives deep into themes of love, trust and devotion. The smooth, heartfelt track captures the essence of surrendering to love — letting go, following each other’s lead and embracing the emotional depth of a committed relationship. Martin’s verses glow with admiration, as she describes her partner as her guiding force, someone she trusts completely. The ARTI$T counters with raw vulnerability, admitting that while opening up isn’t easy, their partner provides the reassurance they need. “Have It Your Way” is a soulful declaration of selfless love, proving that sometimes, the strongest connections come from simply letting go. — CHRISTOPHER CLAXTON
Zyah Belle feat. Ben Reilly, “About Time”
Between Madness’ pulsating synths and snares, Zyah Belle’s flirtatious timbre, and the song’s general focus on finally making your move after a heated night on the town, “About Time” is tailor-made for summer rooftop functions — and they can’t come soon enough. Canadian rapper Ben Reilly effortlessly rides the beat, making for a welcome male counterpart to the perspective Zyah presents throughout the sultry track. — K.D.
Diany Dior, “Thick”
Diany Dior is an emerging rapper hailing from The Bronx, and if there’s anything about BX residents, it’s that they don’t need a proper outside introduction, just press play and you’ll see what they’re about really quickly. Dior isn’t resting on her laurels with a solid Big Dior debut project in 2024, as she’s right back to work before Q1 expires. The 23-year-old returned with a catchy single for the ladies sporting a more voluptuous figure. Dior shrewdly interpolates Missy Elliott’s “Work It” anthem and repeats the track’s title on an earworm of a chorus that bounces off the blaring production, which is sure to get listeners’ hips gyrating toward an Uptown dancefloor — just in time for the warmer weather coming. — M.S.
Wiz Khalifa, “Aerials Freestyle”
This column is usually for less established acts like Wiz, but this recent run he’s been on is taking us back to the days when the only way you could hear new music was on YouTube, Soundcloud, and rap blogs, so we must keep acknowledging it. The Pittsburgh rapper’s bringing the feeling back, and even sampling the titular System of a Down banger from 2001. Let the bong rip and hit play on some real stoner music. — A.D.
4batz, “Mortal Kombat”
4batz’s “Mortal Kombat” explores the intense, toxic cycle of a tumultuous relationship marked by constant arguments. This couple fights frequently but can’t seem to stay apart, with the chorus emphasizing the recurring nature of their battles—one partner always returns, despite the conflict. Ultimately, “MORTAL KOMBAT” is a track about the struggle to navigate love and conflict in a toxic relationship, choosing to fight for something real despite the challenges — a message we can all relate to in one way or another. — C.C.
JayDon, “I’ll Be Good”
With a melody and structure that screams ’00s Ne-Yo, “I’ll Be Good” is an instant earworm. The track, which samples Usher’s 2001 deep cut “How Do I Say,” arrives alongside the announcement of JayDon’s signing to Ursh and L.A. Reid’s mega label, in partnership with Larry Jackson’s gamma. JayDon — who voiced young Simba in the 2019 photorealistic remake of The Lion King — delivers a terrific vocal performance, intimately capturing the process of taking accountability while asking for forgiveness. At just 17 years old, he sings with the emotional heft of a crooner twice his age: ““Girl, if you find it in your heart/ Then I’ll be good/ I’ma try/ I’ma do better, better,” he pledges. — K.D.
Lil Tecca, “Dark Thoughts”
Lil Tecca is getting in his pop bag. On its face, “Dark Thoughts” feels like it would be more of an ominous tune, but Tecca’s trying to provide the soundtrack to a night out on the rooftop bars. Instead of pushing them away, Tecca embraces his “Dark Thoughts,” but bounces them off a glossier bassline that calls back to The Neptunes’ production on tracks like Hov’s “I Just Wanna Love U” or ‘90s R&B and the shiny suit Bad Boy camp. He assured us there was no plan B with his robust Plan A project in 2024, but the next era is taking his artistry to new heights – just enjoy the ride. — M.S.
Casper Sage & Amindi, “NuDivision”
“NuDivision” reflects on the growth that comes from separation, with the title symbolizing both a divide and the potential for something new. Lines like “switching, blocking light” and “clouds keep moving” embody the obstacles and emotional ups and downs they face. Nonetheless, there’s an underlying hope for rekindling what was once lost, with the repeated refrain of “nu-division” signaling a new chapter. Sage and Amindi’s verses show the balance of pain and optimism, highlighting the complexity of love’s evolution. — C.C.
Lil Nas X, “Hotbox”
Lil Nas X fell victim to “snippet culture” with recent releases, but he absolutely sticks the landing with “Hotbox” — and could have his next hit on his hands, which should springboard him into his Dreamboy era and set the tone for a major 2025. Pharrell’s impact on modern pop music can’t be escaped, with “Hotbox” nodding to P’s classic “Frontin” and a pink-splashed visual is expertly curated to fit Nas X and the track’s aesthetic. Coming up as a faceless member of Nicki Minaj’s Barbz army, even the pink pool feels intentional as a call back to Minaj’s “Super Bass” video. Well played, Lil Nas, well played. — M.S.
The sun is sticking around a bit longer, the temperatures are rising bit by bit — it looks like spring really is on the way! It’s been a relatively quiet March so far after a particularly jam-packed February, but if anyone is keeping up that momentum, it’s Doechii.
On Monday (March 10), Billboard named the Grammy-winning Tampa MC its 2025 Woman of the Year, making her the first female rapper to earn the honor since Cardi B in 2020. Over the weekend (March 8) — after getting stamps of approval from fashion giants Anna Wintour and Thom Browne during Paris Fashion Week — Doechii collected an incomparable co-sign. Ms. Lauryn Hill brought the “Denial Is A River” rapper to the stage for a joint performance of her 1998 Billboard Hot 100 No. 1 hit, “Doo Wop (That Thing)” during her her headlining set at the Jazz in the Gardens Festival.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Madison McFerrin’s house-soul banger to GELO’s GloRilla-assisted “Tweaker” follow-up. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
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Freshest Find: Madison McFerrin, “Ain’t It Nice”
SanFran multihyphenate and daughter of jazz legend Bobby McFerrin, Madison McFerrin is ready to begin a new era. “Ain’t It Nice,” a sleek house-infused soul track that explores the allure of new infatuation across a swirling mixture of groovy drum loops and twinkling synths, finds McFerrin flaunting her intimate understanding of vocal dynamics and pacing. Instead of immediately firing off the chesty belts that house often evokes, McFerrin opts for soft coos and lush background harmonies — like the ones in the bridge — that eventually help her sneak into the rafters of her range by the song’s close. — KYLE DENIS
GELO & GloRilla, “Can You Please”
GELO recruited his “Memphis twin” GloRilla for his “Tweaker” follow-up with “Can You Please,” who continues to shred every track she lends a guest verse to. The middle Ball brother is now 2/2 with a meteoric start to his rap career. “Tweaker” set the bar high with his top 40 debut hit and GELO continues his 2000s New Orleans rap pastiche run. It remains to be seen if “Can You Please” will match the virality that “Tweaker” hand to earn GELO the first rap hit of 2025. Next up, he’ll be taking his talents to the festival stage with his Rolling Loud performance debut in California next weekend. — MICHAEL SAPONARA
Aaron Page, “Pretty Girls Like R&B”
Houston-based R&B singer Aaron Page channels smooth nostalgia and modern romance on his latest track, “Pretty Girls Like R&B.” The song thrives on a mix of passion, devotion, and material flexing, with Page weaving through memories of late-night connections and heartfelt gestures. “Wanna vibe with you like Jodeci love,” he croons, setting the tone with a nod to the ‘90s R&B icons known for their raw, sensual love songs.
Beyond the allure of attraction, Page reflects on moments of intimacy like holding her hair when she was sick and proving his loyalty through lavish gestures (“Brought the Maybach out to Kamp for you”). His reference to Drake’s Take Care signals an openness to emotional depth, evoking the vulnerability that made Drizzy’s 2011 album a staple for lovers and heartbreakers alike. “Pretty Girls Like R&B” taps into the kind of love story that resonates with those who cherish both old-school romance and modern-day ambition. — CHRISTOPHER CLAXTON
Curren$y & Harry Fraud feat. Wiz Khalifa, “Airport Industries”
What year is it? Did we wake up and go back in time to the Blog Era? While Curren$y has stayed consistent when it comes to dropping music and posting miniature diecast car content on his hobby page, Wiz has been on a freestyle run of the likes we haven’t seen in a while. This generation’s rap Cheech & Chong link up with one of the game’s most potent horticulturalists in Harry Fraud for a smokey number that sounds better when it’s a sunny day and you have one lit and one rolled already. — ANGEL DIAZ
Icewear Vezzo feat. Big Sean & Skilla Baby, “Worth Something”
Undefeated, Icewear Vezzo’s latest EP — which dropped last Friday (March 7) — is another thrilling collection of Detroit-set street tales. On “Worth Something,” he recruits Big Sean and Skilla Baby, two of his city’s biggest rap stars, for some A1 trap storytelling. “In the Nap with Milly ‘nem, just popped a Tesla, now I’m geeked/ Turned a dream into reality, that’s why I’m laughin’ in my sleep/ Cooked the Vezzo in the lab and now my hands, it smell like bleach/ Rather go to trial than cop no plea, we just cop bags and Louis V,” he spits in his opening verse, opting for a reflective tone that pairs well with Hawkey’s skittering snares. — K.D.
Turbo & Gunna, “Classy Girl”
Turbo and Gunna have been one of the best rapper-producer duos in hip-hop, and it’s been that way for some time now. They reunited on an anthem for the ladies just in time for International Women’s Day with “Classy Girl.” Gunna’s life of luxury allows him to bless the women in life with opulent experiences that most can only dream of. “Pеnthouse suite, we been livin’ on the road/ I’m in Bottega matchin’ slippers to your robe/ And I been runnin’ through a bankroll,” he raps over the bouncy production. It’s almost time for another project from the pairing. — M.S.
Dylan Sinclair, “Lemon Trees” (Motherland Sessions)”
Toronto’s own Dylan Sinclair brings a new depth to his For the Boy in Me album with Motherland Sessions, a live EP paying tribute to his Filipino heritage. Stripping back the production, Sinclair leans into a more intimate, organic sound — especially on “Lemon Trees,” a soulful reflection on love, ambition, and timing. Sinclair’s smooth vocals glide over the laid-back beat as he wrestles with the push and pull of commitment. “I’ll hold you down,” he promises in the chorus, offering devotion while grappling with his own hesitations. He paints his love interest as his “queen” and the “girl of my dreams” and contrasts that adoration with the realities of personal ambition and the fear of settling down too soon; Sinclair lets the tension linger, never forcing an easy resolution. “Lemon Trees” is a tender, honest take on romance. — C.C.
Skepta & PlaqueBoyMax, “Less Is More”
Streamer PlaqueBoyMax’s series “In the Booth With” is one of the more unique online series, helping bring fans into the recording booth with their favorite rappers. Max had U.K. rap legend Sketpa come through recently to lay down a track, and of course, it’s a banger. Big Smoke lays some game down to start off his verse, rapping, “London City is dark and cold/ Don’t take picks with the members screaming that gang if you aren’t involved/Wanna be a ‘G’ better be fully active, gotta do the road with your heart and soul/They wanna know if the street life worth, I told them the answer’s no,” as PlaqueBoyMax delivers a smooth sample flip of the Judy Bailey Quartet’s “Colours Of My Dreams.” — A.D.
Larrenwong, “Out the Frame”
Former NFL player Warren Long has been operating as rising R&B star Larrenwong for some time now, and his new 4th & Long EP is another winning entry in his growing catalog. Standout cut “Out the Frame” finds him moving from the field to the bedroom, crooning “I know that it’s been fun and games/ But you better hold tightly/ Because I go crazy when I’m inside.” At one point, he even nods to Usher, spelling out his name just like the Grammy-winner did on 1997’s “Nice & Slow.” — K.D.
Dende, “Need U Like”
Fresh off signing with Def Jam, rising R&B talent Dende keeps the momentum going with his latest single, “Need U Like.” Through vivid metaphors, Dende paints a picture of unwavering devotion, comparing his connection to his partner to classic, inseparable duos. The verses push that passion even further, with bold declarations of loyalty — he’d spend his last dollar, defy the impossible and rewrite history just to prove his love. Yet, underneath the grand gestures, there’s an emotional core: a promise to heal the wounds of past heartbreak and ensure his partner never feels unappreciated again. With its smooth production and raw lyricism, “Need U Like” is Dende at his best — vulnerable, confident, and completely lost in love. — C.C.
Lady London, “Is You Krazy?”
Walk around the streets of NYC for an hour, and you’re likely to hear one version of someone yelling, “Is you crazy?” Lady London is back with her first single of 2025, and she’s disgusted with the nerve and audacity of these men from around the way. “Cop me the Rollie, cop me the Wraith, and when you see me, you copy and paste,” she raps over Hitmaka’s thumping production. Next up, the Howard University alum is heading out on the road to open for Coco Jones on the North American leg of her Why Not More Tour. — M.S.
We made it! Awards season is finally over. With the Brits and the Academy Awards holding their respective ceremonies last week, the 2025 awards cycle has ended. Whether you’re still not over Beyoncé‘s Cowboy Carter victory or reeling from Wicked’s Oscar losses, you have a few weeks to grieve and celebrate before we start all over again.
At the Brits (March 1), Charli XCX swept with five wins, capping off her career-shifting Brat era. Raye took home best R&B act for a second consecutive year, Stormzy won best hip-hop/grime/rap act and singer-songwriter Myles Smith was named Rising Star. The following night (March 2), Cynthia Erivo and Ariana Grande opened the Oscars with a goosebump-inducing medley of “Somewhere Over the Rainbow” from The Wizard of Oz, “Home” from The Wiz and “Defying Gravity” from Wicked, honoring the staggering legacy of the classic American story. Erivo’s rendition of “Home” previewed Queen Latifah‘s performance of “Ease On Down the Road” later in the ceremony. The hip-hop legend and Oscar-nominated actress played The Wiz anthem in honor of the late Quincy Jones, the first Black composer nominated for best original song.
And, of course, Oscar host Conan O’Brien found a way to joke about the Kendrick Lamar–Drake beef.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from RealestK’s heartfelt new ballad to Fridayy and Meek Mill’s emotional collaboration. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Avenoir, “Art of War”
South African-born, Alberta-raised R&B singer-songwriter Avenoir is yet another rising Canadian star looking to pick up the $$$4U torch and run with it. Teaming up with longtime collaborator and fellow producer YMC, “Art of War” finds Avenoir settling into a sparkling alt-R&B fantasia complete with ebullient synths and lush keyboard chords cradling his breathless falsetto. “Don’t use a soft tongue when you speak of love/ Curse the mouth that speaks the flame on us/ Show devotion, never hide the truth/ Love is war and that’s just principle,” he croons at the end of a single stream-of-conscioussness verse, which quickly gives way to a Prince-esque instrumental breakdown in the outro. — KYLE DENIS
Fridayy & Meek Mill, “Proud of Me”
Fridayy and Meek Mill are bonded by the loss of their fathers. While Meek’s dad passed when he was a kid and Fridayy lost his pops over FaceTime last year, the pain never subsides. Even when his album was turned in, the Philly-bred singer pulled up on Meek in NYC at the 11th hour, and greatness came out of that 12-hour studio session with the powerful “Proud of Me.” Meek broke his writer’s block and delivered an early guest verse of the year candidate. “Scared to show up at your grave ’cause I might try dig you out/ Like you know I did this shit for you/ Never heard you say it back, still be like, ‘I miss you too,’” he raps, sending shivers through the spines of every listener around the globe. — MICHAEL SAPONARA
Jaz Karis & Kenyon Dixon, “LYTM (Remix)”
South London R&B star Jaz Karis dropped “LYTM Remix,” featuring multi-GRAMMY nominee Kenyon Dixon. Originally produced by Camper for her debut album Safe Flight, “LYTM” — which stands for “Love You That Much” — is about knowing when to love someone from a distance. Kenyon Dixon adds a new layer to the track, reflecting on his verse, “Sometimes the best way to love someone is to step back, even when it hurts.” The song captures the bittersweet pain of letting go when love still lingers but staying would mean repeating the same mistakes. From the start, there’s a sense of powerlessness — “It’s out of my hands, it’s out of the question/ ’Cause you were the one who made the decision.” A mature, soul-stirring take on heartbreak, “LYTM Remix” is a reminder that sometimes walking away is the ultimate act of love. — CHRISTOPHER CLAXTON
Wiz Khalifa & LaRussell, “I Might Be”
Wiz has been back in his blog era bag lately with all the music he’s been dropping. This track is no different, as he and the Bay’s LaRussell go off about their come-up and consistent hustle, over this smoothed out Mike G Beatz production for all the playas with popped collars and good weed out there. Make sure to play this in the morning when you’re getting to the money. — ANGEL DIAZ
1900Rugrat & Lil Yachty, “Bussin Baby”
Well over a decade since changing the rap game as a pioneer of Chicago drill, Chief Keef’s influence traveled south to burgeoning rhymers like 1900Rugrat. 19 teams up with Yachty for “Bussin Baby” and with Lil Boat being an artistic chameleon, he has no issue meshing with the eerie trap production. Rugrat bats second, and references his turbulent relationship with his mother, who kicked him out of the house while growing up. “Ma dukes kicked me out soon as that money hit, swear she miss me,” he raps. South Florida got another one. — M.S.
Johnny Venus & 6LACK, “So Beautiful”
“So Beautiful” paints a vivid picture of infatuation and deep attraction, blending romantic admiration with an almost addictive longing. Johnny Venus sets the tone with a chorus that expresses an overwhelming desire to stay connected, comparing love to a drug he can’t resist. His verses reinforce the urgency of living in the moment, emphasizing that time is fleeting and there’s no point in holding back feelings. 6LACK’s verse builds on this theme, exploring the intensity of a relationship that feels both exhilarating and consuming. He acknowledges the risks of falling too deep but embraces the possibility of something extraordinary. His lyrics balance vulnerability with confidence, expressing a willingness to commit while letting his partner choose their own path. The song’s repeated hook reinforces the sheer admiration felt for the subject, describing them as “so, so beautiful,” both physically and emotionally. — C.C.
Fatboi Sharif & Driveby, “Battlestar Galactica”
I once watched Driveby do some s–t during a beat set on a Jersey City rooftop that I’ve never seen before. It’s still hard to describe, but he was building a beat live, and had this motion sensor machine that allowed him to speed up and slow down the beat without touching it. So, when I peeped that he was doing a project with fellow Jersey native Fatboi Sharif, I had to show love. I’ve never watched the show, but I’m positive this is what the space in Battlestar Galactica sounds like. — A.D.
RealestK, “Deja Vu”
Toronto native RealestK delivers a downcast, plaintive reflection on the phenomenon of seeing and recognizing your true love for who they are at multiple points throughout your life. “Is it me, or is it parts of me that I can never understand?/ Too many things in life where I might need a helping hand/ And all you wanna do is play all these games/ And put it all on me,” he coos over an ethereal soundscape of swirling synths and strings. His gentle voice plays well against how spacious the mix feels, but his haunting ad-libs truly round out his disarming introspection. — K.D.
Juhovah, “Rooftop Dinner”
You never know when you’re going to meet “the one” in life, but preparation is key. Juhovah ruminates about the woman of his dreams and wants to make sure his paper is properly stacked before it’s go-time. “Don’t reach for the check, lady, I’m a big tipper,” he raps. The North Carolina native can switch lanes with ease between trunk-rattling bars and moody R&B. After pressing play on “Rooftop Dinner,” make sure to check out his impressive 2024 project Soft Girl Era. — M.S.
Aqylia, “Wolf”
“Wolf” captures the emotional exhaustion and betrayal in a toxic relationship. Aqylia calls out their partner for manipulative behavior, stating, “You playing in my face now/ Don’t pull me on your way down.” The chorus uses the “crying wolf” metaphor to describe how the partner’s lies make trust impossible, with lines like, “You and truth are incompatible.” In the second verse, the partner’s actions are so unreliable that they would “leave me for dead” if Aqylia let her guard down. The bridge exposes how the partner craves drama and attention, creating emotional strain. By the end, Aqylia refuses to fall for the lies, making a final statement of strength. The song is a powerful declaration of self-worth over manipulation, a track that everyone dealing with a tough relationship can use as motivation. — C.C.
Ray Vaughn, “Cemetery Lanterns”
Back with a hard-hitting, percussive cut helmed by The Rayo and Kyu Steed, rising TDE star Ray Vaughn has delivered yet another knockout single ahead of his forthcoming The Good, The Bad & The Dollar Menu EP. “What’s the point of a rep if you dead by a summer?/ You think them n—as gon’ love you like momma or brother, huh?/ You think the hood gon’ cry for you like your niece will?/ Your big homie cold if he telling you you should keep still,” he venomously spits, positing tough questions about the dark underbelly of gang culture amidst a gripping narrative that furthers his progression as an MC and writer. — K.D.
African female artists have been killing it this month. A week after Ayra Starr dropped her new single “All the Love,” she became the first African female artist to win best international artist and first female artist to win best African music act in 16 years at the 2025 MOBO Awards. And Tems‘ record-breaking domination continues, with her becoming the first Nigerian to win two Grammys, after taking home the trophy for best African music performance with her “Love Me JeJe” single, becoming the first African woman to be involved in MLS ownership when she joined San Diego FC’s ownership group as a club partner, performing at Aston Martin’s 2025 F1 livery unveiling in London and becoming the first African female artist to have a song hit 1 billion Spotify streams with Future‘s “WAIT FOR U,” also featuring Drake.
Just days after Tems made Spotify history, Tyla became the first unaccompanied African soloist to enter Spotify’s Billions Club with her 2023 breakout smash “Water,” and she’s been making a major foray into the fashion world by covering British Vogue and signing an endorsement deal with Nike. And Qing Madi — who’s been featured on countless publications’ Artists to Watch lists this year, including Billboard‘s — asserts her dominance while diving deeper into the intricate matters of the heart with her debut album I Am the Blueprint. “You can tell that this is coming from a teenager, someone who’s lived a certain life and is trying to open her heart to the public,” she told Billboard in her recent African Rookie of the Month interview.
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British-Nigerian quiet storm icon Sade‘s power remains potent, as Rema sampled “Is it a Crime?” on his latest single “Baby (Is it a Crime),” which he confirmed was coming when he was photographed leaving Amoeba Records in Hollywood, Calif. with the English band’s Promise vinyl. “Baby (Is it a Crime)” peaked at No. 3 on U.S. Afrobeats Songs and No. 4 on World Digital Song Sales.
And there is plenty more that has happened in an action-packed month, with big new singles from the likes of Black Sherif, L.A.X., Shallipopi and an energetic new EP from Seyi Vibez, among others. We’ve highlighted 10 of our favorite new songs by African acts that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with our Spotify playlist below.
Rema, “Baby (Is It a Crime)”
Three months after Rema set the internet ablaze with his sizzling snippet of “Baby (Is It a Crime)” — which samples Sade’s 1985 smooth jazz classic “Is it a Crime?” — he finally dropped the full single. Produced by P. Prime, Sade’s soulful, timeless vocals weave in with Rema’s suave, refreshing vocals in this sultry Afrobeats banger as he reminds his lover that he treasures her and will even shower her with treasures (“Buy you a Birkin matching my AP color,” he sings in the third verse). “I’m a huge fan of Sade. I like the peace her vocals give me. I was just in the studio, and I talked to my boy like, ‘Let’s see how we sample some of her stuff.’ Played around with a couple of stuff until we found this one,” the Heis hitmaker told Complex on the 2025 Grammys red carpet.
Qing Madi, “Feeling Alright”
Qing Madi expresses unwavering love on her “Feeling Alright” standout track from her debut album I Am the Blueprint. As a young woman navigating money and fame, Madi reflects how much heedfulness and resilience romance requires over Wademix and Ozediku’s feelgood production. “It’s an anthem about loyalty and the quiet strength found in standing by a friend or significant other, irrespective of the circumstances,” she explained on Instagram.
Beeztrap KOTM, Sarkodie & Kwesi Arthur, “BANG BANG BANG”
Beeztrap KOTM makes the club go “BANG BANG BANG” with fellow Ghanaian rappers Sarkodie and Kwesi Arthur. He interpolates R. Kelly’s 1996 Grammy-winning hit “I Believe I Can Fly” while flaunting his larger-than-life moves, and Sarkodie and Arthur’s distinct flows float over Kwame Agger’s spirited drill production.
Lojay, “Somebody Like You”
Lojay – who earned his first Grammy nomination this year for best African music performance with Chris Brown’s “Sensational,” also featuring Davido – searches for a different kind of validation by chasing “Somebody Like You,” the first single from his forthcoming debut album. His “Monalisa” collaborator Sarz’s sublime Afropop production sets up Lojay’s “Summertime in Abuja” opening line as he reminisces on past heartbreak and clings on to “the hope of healing and finding love again,” he said in a press release.
Ruger, “Jay Jay”
Ruger likens his slick, Lothario schemes to Nigerian football legend Augustine Azuka “Jay-Jay” Okocha’s Machiavellian dribbling and stepover tactics on his new single “Jay Jay.” The Afropop star cautions any girl who’s trying to get with him that he’s only here for a good time, not a long time, especially with the first lyric: “If ah girl worry me, I delete her/ Put her inside the bin bag.” But his right-hand producer Kukbeatz’s playful beat complements Ruger’s tongue-in-cheek bad boy nature.
Seyi Vibez, “SHAOLIN”
The Nigerian street MC returned with an insistent new EP, Children of Africa, and “SHAOLIN” is the undeniable breakout of the set. The track is bursting at the seams with barely-contained energy, a microcosm of his entire career to this point, and it has a frantic video that accompanies it perfectly.
L.A.X., “Lockdown”
L.A.X.’s sound is always defined by its musicality, and the layered guitars and horns on this track continue that tradition. “Lockdown” itself is a song about the highs and lows of love and the depth of emotion that comes with it; as a singer, he’s defining his lane with each release, showcasing a feel for melody that sets him apart from many of his peers.
Black Sherif & Fireboy DML, “So It Goes”
Black Sherif has been on a heater with his singles lately, as he gears up for his forthcoming album IRON BOY, and this collaboration with Fireboy DML softens some of his rougher edges without losing the depth of feeling he manages to convey consistently. Fireboy’s melodic flow complements him perfectly, too, and the hook is a memorable addition to his growing catalog.
ODUMODUBLVCK & Victony, “PITY THIS BOY”
A track that shows off another side of ODUMODUBLVCK, who has so far in his career defined himself through frenetic energy and breakneck verses, “PITY THIS BOY” finds him taking a deep breath and sitting in the pocket more, showcasing the versatility in his flows. And Victony — who broke out with the distinctive earworm “Soweto” in the last few years — helps to underline that vibe; the two have some of the most recognizable voices in the world of African music right now, and this link up puts a spotlight on each of them.
Shallipopi, “Laho”
There’s something sinister yet alluring about the feel of “Laho,” a track that almost oozes and seeps into the consciousness. Shallipopi exudes cool over the beat, not trying to do too much with it, which is what makes the listener keep coming back for more. He’s one of the more creative talents on the scene right now, and just about every release is worth dissecting at this point.