Fresh Picks
With just over a week to go before Beyoncé turns the Netflix-NFL Christmas Day halftime show into her very own Cowboy Carter rodeo, there’s still tons of new music racing to get heard before the calendar flips over to January 2025.
Between Bossman Dlow (Dlow Curry), Snoop Dogg & Dr. Dre (Missionary) and Roc Marciano & The Alchemist (The Skeleton Key), hip-hop heavyweights kept the new projects rolling in. In addition, R&B sent a sterling representative in Mario, who dropped Glad You Came, his first studio album in six years.
Speaking of Beyoncé, the Billboard staff’s Greatest Pop Star of the 21st Century (So Far), also became the woman with the most RIAA-certified titles in history (103). The impressive news comes the day after husband Jay-Z‘s attorney Alex Spiro spoke out Roc Nation’s New York headquarters, reiterating that the minor rape allegations levied against the rap mogul are “provably, demonstrably false” and “never happened.”
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Jay wasn’t the only rap icon in the news this week; Lil Wayne cleared the air on his friction with Kendrick Lamar after the latter secured the 2025 Super Bowl halftime show and name-dropped Tunechi in his “Wacced Out Murals” verse. In addition, Future — who headlined Rolling Loud Miami’s victorious tenth anniversary alongside Travis Scott and Playboi Carti — sent “Too Fast” to the top of three different airplay surveys (Mainstream R&B/Hip-Hop Airplay, Rhythmic Airplay and Rap Airplay) in the same week (dated Dec. 21). Finally, SZA officially announced that the deluxe edition of her blockbuster SOS LP will arrive on Friday (Dec. 20).
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Sleepy Hallow and Babyface Ray’s new team-up to Tank and the Bangas’ ode to Black womanhood. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Tank and the Bangas, “This Black Girl”
This year, Tank and the Bangas picked up its third career Grammy nod, as “Todo Colores,” its team-up with Ibrahim Maalouf and Cimafunk, is nominated for best global music performance. To close out the year, the funky musical group has unleashed a loving ode to “This Black Girl.” Lead singer Tarriona “Tank” Ball begins things in media res by employing a spoken word-esque cadence in her delivery of, “This Black girl got a attitude/ This Black girl has a defense mechanism too, I feel played at least once a day/ I need the treatment that you give the white girls/ I know my worth,” over Kaidi Tatham’s lush, warm, slighlty ominous soundscape.
Less of a traditional song, this is Tank seizing the soap box for all Black girlhood and womanhood — particularly those whose Blackness can never be confused or obfuscated. Tank’s voice is filled with the conviction of a priest, the tongue-in-cheek diction sourced from intracommunal conversations and the endless hope and indecipherable exhaustion of generations of Black women. “And I’m only gon’ cut that shit once,” she proclaims in the song’s outro. “I ain’t doing it again/ Ooh, that felt powerful y’all/ Ooh, that felt powerful.” — KYLE DENIS
Sleepy Hallow & Babyface Ray, “Top Tier”
The Brooklyn native returned last week with his Read This When You Wake Up album, and Sleepy Hallow reasserted that he isn’t one to be slept on in the drill scene. The woozy “Top Tier” finds SH connecting with Detroit’s own Babyface Ray, as Sleepy ruminates about his near-death experiences — but he’s still here to tell the tales. “They say you toxic, bae, you top tier/ I keep a Glock, ’cause I got shot and life is not fair,” he raps. Ray invades the scene with a shout-out to NY’s Dyckman neighborhood and admits he’s kicked a prescription drugs habit as he’s put the bottle down. — MICHAEL SAPONARA
Mario, “Love Ain’t Perfect”
This year marks the 20-year anniversary of one of the most beloved R&B songs of the ’00s: Mario’s “Let Me Love You.” To celebrate, Mario kept pushing forward and treated fans to his first studio LP in six years, Glad You Came, via his New Citizen imprint through Epic Records. Though the three singles that preceded the album are all strong, “Love Ain’t Perfect” is the set’s hidden gem. “Baby, baby, baby, you turn me on/ Even you play me all day like a radio/ When it feels this good, you can’t let it go,” he croons, succinctly outlining the masochistic allure of an imperfect, but undeniably electric, connection. With BNYX behind the boards and James Fauntleroy helping out on the songwriting side, “Love Ain’t Perfect” is a solid synthesis of classic Mario and where he’s headed next. — K.D.
BossMan Dlow feat. Ice Spice, “Pillsbury Dlow”
BossMan Dlow is everyone’s cup of espresso to get up and be motivated to chase a bag. He caps off his rookie of the year campaign with his Dlow Curry album – an homage to the Golden State Warriors sniper Steph Curry. Nobody expected an Ice Spice appearance on the track, but her feature ended up being a slam dunk, as she slowed down her flow into cruise control mode. “Up and down his algorithm, every pic I post is pain/ I put that on that shit for real, broke hoes don’t even know the name,” she rhymes, while tormenting exes that fumbled her. — M.S.
Kalan.Frfr, “Dice Game”
With GNX keeping the upper reaches of the Billboard 200 and Hot 100 locked up, the West Coast is finishing out its seismic 2024 on top. Though he wasn’t one of the L.A. rappers featured on GNX, Kalan.FrFr is keeping up his Pop Out-assisted momentum with a new bass-heavy banger called “Dice Game.” “I done took the Wock’ a lot of places, never been to Poland/ Man, these niggas got lil’ money, Gary Coleman/ Yeah, either way it go, Rick James, Rick Owens/ Yeah, either way it go, bein’ tough ain’t no motion,” he spits over DTB’s gritty, synth-inflected beat, smartly combing cross-generational and cross-medium reference into one punchline-anchored verse. — K.D.
Sugarhill Ddot & Star Bandz, “Energy”
Two of the best teenage rappers out reconnect for another sexy drill anthem with “Energy,” which feels like a track Dej Loaf and Lil Durk would’ve ripped during their days of collaborating. Sugarhill Ddot and Star Bandz’s chemistry feels palpable and authentic. The duo should probably just lock in for a joint project, as speculation rages on that they could be rap’s junior prom power couple. Ddot and Star pass the mic back and forth living as young, wild and free teens figuring out life on the fly: “Yeah I like yo energy/ You bring out the best in me/ This s–t feel like destiny,” Bandz raps on the previously teased tune. — M.S.
Another week, brings another shocking new legal filing. Following bombshells legal actions involving fellow hip-hop moguls Sean “Diddy” Combs and Aubrey “Drake” Graham, Shawn “Jay-Z” Carter has found himself in the center of a harrowing new suit. In a Dec. 8 refiling of an earlier civil lawsuit against Combs, Carter has been accused of raping a 13-year-old girl in 2000 after that years MTV Video Music Awards. The 24-time Grammy-winner, who was recently named Billboard’s 16th Greatest Pop Star of the 21st Century (So Far), immediately took to social media to vehemently deny the accusations, and the following day (Dec. 9), he filed a motion calling the case “extortionate” and arguing that the accuser should not be allowed to litigate such “heinous allegations” anonymously.
This case is still in the early phases, so there isn’t much to analyze beyond the new filing, Carter’s responses and general reactions to the stunning news. Though the news broke late Sunday night, it quickly became the weekend’s defining hip-hop moment, surpassing both the buzz of Doechii‘s new NPR Tiny Desk performance and Smino‘s new Maybe In Nirvana LP.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Khalid and Normani spinning the block to A$AP Rocky’s fiery new remix. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
THEY., “Straight Up”
If you have a new album dropping on Valentine’s Day next year with a title inspired by one of the most beloved Black romantic comedy-dramas of the ’90s (1997’s Love Jones), you know your singles have to be home runs. With “Straight Up,” the latest taste of the forthcoming Love.Jones, smooth R&B duo THEY. deliver a ’90s-evoking cut built around sultry vocals, pitched-up vocal loops and come-hither lyricism. “Let’s make plans, let’s link up, let’s be ’bout it/ Got you wet, got me drunk, now we drownin’/ Crashing out, pussy good, I’m surrounded/ We on round number four, but who’s countin’?” Drew Love croons in the first verse. Infused with the forward, hip-hop sensibilities of contemporary R&B but steeped in the sensual tension of the genre’s ’90s iterations, “Straight Up” is another hit for THEY. — KYLE DENIS
Hanumankind, Kalmi & A$AP Rocky, “Big Dawgs (Remix)”
This isn’t your average remix in 2024 looking to game the streaming system as Hanumankind recruited A$AP Rocky to take his thrilling ride of “Big Dawgs” to another level. The Mob leader flosses to kick off the track and takes it back to his humble beginnings running around Harlem. “Crackheads by the corner store, bakin’ soda by the stove, mattress on the floor/ Mice and the roaches, my room ain’t have a door, but I had some dope,” he reminisces over the revved-up production. The Indian rapper even slaps a reworked verse into his top 40 Hot 100 hit as he gives a shout-out to Flacko – his first American rap collaboration – and sets the stage for his official debut album in 2025. — MICHAEL SAPONARA
Khalid & Normani, “Personal”
After making history with “Love Lies” back in 2018 — the Love, Simon track was the first duet by two African-American singers to reach No. 1 on Pop Airplay in over 20 years — Khalid and Normani are back with another sultry team-up. This time, the two stars have joined forces for a deluxe cut for Patience, Khalid’s third studio album. Across a hiccuping, Afrobeats-nodding beat courtesy of Digi and Simon Says, they coo in carnal whispers: “Don’t know how I got it, but I’m next to you/ So what you gonna do?/ Put your body on my body, get personal/ So sensual.” Normani continues to show off her personal innovations on Brandy’s vocal playbook, while Khalid displays his growth as a duet partner, offering up a rich, husky complement to Mani’s airier timbre. — K.D.
AzChike, “Love Yo Weapons”
Fresh off his appearance on Kendrick Lamar’s GNX album, AzChike keeps fans’ attention with the menacing “Love Yo Weapons.” “Welcome to the show/ I don’t think we got no seats left,” he greets the newcomers over the haunting production. But it was the slick wordplay flipping Drake’s So Far Gone into a bar that had us hitting replay: “Up this Drake, now he gone/ Hit him from so far,” Az spews. The burgeoning West Coast rhymer certainly didn’t fumble the spotlight with “Love Yo Weapons.” — M.S.
Rhyan Douglas feat. Lekan, “Magic Gurl”
Rhyan Douglas and Lekan have both made incredible strive in 2024, and they’re capping off their formidable runs with an ode to a special “magic gurl.” A slow-burning duet that unfurls across a sparse soundscape comprised off ricocheting background synths, serne percussion and ethereal harmonies, “Magic Gurl” plays with quietness and loudness in a really refreshing way. Rhyan and Lekan both understand the innate dynamism of holding back and they effortlessly demonstrate that across this languid, swirling tune. — K.D.
Chocc, “Did You Mean It”
Cori Broadus, who sings under the alias Chocc, is stepping out from under her father, Snoop Dogg’s, shadow – or smoke cloud. Revealing her vulnerabilities through a reinvented sound mixing moody R&B with glitzy pop, Chocc shines on Journals to Johnny EP standout “Did You Mean It.” The 25-year-old pleads with her fiancee Wayne Duece while grappling if his “I love you’s” were for nothing. “Did you mean it when you say you love me,” Chocc sings while demanding an answer. The couple further peels back the layers of their relationship in a new E! docuseries Snoop’s Fatherhood: Cori and Wayne’s Story, which arrived alongside the project. — M.S.
Decemeber has arrived, and that means we’ll be getting more than a few tastes of the soca anthems seeking to dominate Carnival season next year. But December also means the return of Sting — a notoriously length reggae and dancehall showcase that has been held annually in Jamaica on Dec. 26 since 198. Home to countless iconic moments in the worlds of reggae and dancehall, Sting will return this month with a genreation-bridging lineup, including Tommy Lee Sparta, Turbulence, Teflon, Gyptian, Jamal, Quada, Jahmiel, Bushman, Dwayne Stephenson, Shane O, Macka Diamond, Laden, Skippa, Kant10t, Ace Gawd and more.
“We’re trying to slide away from all the things that may hamper us in the future,” said CEO of Supreme Promotions Tahheer Lain said at the press launch. “So, I’m trying to give the show a softer feel. As much as it’s a rough cut show, I’m trying to soften it because we realise that a lot of our younger artists they may not have the capability, or pattern of thinking as the older artists… one time it was just Sting, now it’s Sting Live.”
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There’s one other major performance set to take Jamaica by storm this month, and that’s Vybz Kartel‘s Freedom Street New Year’s Eve homecoming concert — his first live show since being released from prison after serving a 13-year sentence.
Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:
Freshest Find: Bunji Garlin, “Carry It”
Bunji Garlin is one of the most dependable soca artists that we have, and he already has is eyes set on the 2025 road soundtrack. Self-written and produced by Stemz Productions alongside some live guitar from Kyle Peters, “Carry It” finds Bunji uses the frenetic energy of power soca drums to sing a triumphant story in remembrance of his roots and the unique dynamism that comes the resilience of soca music. “Where can I find that energy, the raw raw magic that comes down from the grass-roots/ Yes ah from a place where soca the resounding power/ Yuh could feel anytime any hour, sunshine or shower,” he proclaims in the opening verse.
Hey Choppi, “Titanic”
With production from Spine and Sucre and writing credits from soca legend Machel Montana, “Titanic” was always destined to be a homerun. Nonetheless, it takes a remarkably committed vocal performance — like that of Hey Choppi — to make sure every last piece falls into place. For his take on the “Kompa Fever” riddim, Choppi builds on Rose and Jack’s iconic Titanic love story with a tender, melodic vocal that plays well against the kompa guitars weaved throughout the soundscape.
Nessa Preppy, “Go Bestie”
To close out November, Badjohn Republic and NMG Music teamed up for the “Yes Please” riddim, which Trinidadian soca star Nessa Preppy absolutely slid across. “Go bestie, go twin/ Go bestie, go twin/ Yuh badder den alla dem/ Yuh hotter den alla dem,” she decalres at the song’s outset, seamlessly switching from a flirty flasetto to a comparatively more commanding chest voice as she sings her support for her bestie as they both enjoy themselves at a given function. “Yes Please” also appears on Nessa’s new Little Miss Arima album, which arrived on Nov. 11 featuring collaborations with Yung Bredda, Lady Lava, Freetown Collective and V’ghn.
Konshens, Silent Addy & 1Mind, “Slow Motion”
For the past decade, Konshens has been a formidable force across dancehall music and this new collaboration with Silent Addy and 1Mind’s Mac Sutphin only reiterates that fact. “Slow Motion” finds the Kingston MC relishing his time spent caught up in the hypnosis of the night’s reigning bad gyal. “How yuh full a style suh? How yuh full a vibes suh?/ What is it about you? How mi jus’ a smile suh?/ Tek di money, tek di money, baby hold a coil nuh/ Cool and deadly, dah love yah nuffi wild up,” he sing-raps over the slow-burninng, synth-laden production. A master when it comes to gyal tunes, Konshens adds another banger to his arsenal with “Slow Motion.”
Malie Donn & Byron Messia, “Alive”
This summer, Malie Donn quickly followed-up last year’s “V6” breakthrough with “Whats Popping,” and now he’s finally unleashed his debut studio album. One of the standout tracks on the album is “Alive,” a collaboration with Byron Messia that trades in a particularly grim brand of gratitiude. The two dancehall stars are, of course, happy with their success and riches, but even the twinkling piano can’t conjure up the warmth that’s noticeably missing from the simmering track.
Shuga, “Love Doctor”
Lovesickness is an emotion that thousands of songs across genres have explored — and Shuga has dropped off one of her own. Set as the lead single from her forthcoming Girl from Montego Bay album, the Donovan Germain-produced “Love Doctor” is inspired by Shuga’s then-boyfriend (now husband). “I’m calling for the love doctor/ ‘Cause tonight, I need some healing/ I’ve got to see the love doctor/ ‘Cause right now I’m in my feelings,” she earnestly sings over gentle reggae guitars in the hook. Grown and tasteful, “Love Doctor” is the kind of intergenerational banger that makes reggae so special.
Jaz Elise, “Unforgettable”
From an opening that recalls the synthesized harp of “The Boy Is Mine” to that whimisical swell of the final chorus, “Unforgettable” is yet another gorgeous release from Jaz Elise. “I won’t take this thing we have for granted/ Feels so good, so natural/ Nuh odda one compare to you, you have it/ A kiss from you, so magical,” she proclaims over a J.L.L. and IzyBeats-helmed soundscape that uses an ebullient horn section to contour its traditional reggae production. Following “Gunman” earlier this year, Jaz Elise is two for two when it comes to 2024 solo releases.
A-Suh Boss, “Chappa Cry”
Beyoncé gifted us her Renaissance album in 2022, and now it’s A-Suh Boss’ turn. For “Chappa Cry,” the opening track of his debut album — also titled Renaissance, to be clear — A-Suh Boss provides a gritty, reflective soundtrack for all the ghetto youths who dream far bigger than their present circumstances. “The house used to leak when rain fall/ Used to dress, guh school inna same shorts/ Life never sweet, dem days hard/ Life change from mi mek di sweepstakes call,” he sing-raps over the Monk Music-helmed production.
Kes, “Cocoa Tea”
Few can hold a candle to Kes when it comes to groovy soca, and “Cocoa Tea” is just further proof why. After dropping off Man With No Door earlier this year — the award-winning soca band’s first studio LP in a decade — Kes has returned with “Cocoa Tea,” an endlessly sweet ode to a love that warms you up like a mug of the chocolate-y beverage. “Darling, heat me up/ Only you alone could put fire back in me soul/ Heat me up/ And they telling me ah should leave that fire alone/ Well, the more they tell me is the more I holding you close,” lead singer Kees Dieffenthaller croons in the pre-chorus before the song explodes into a groovy soca fantasia in the chorus.
Lady Lava & Jordan English, “Baddd B”
For his “Bad B” remix, Jordan English staged a collaboration between Barbados and Trinidad, tapping Lady Lava, who recently received her flowers from Cardi B, for a sizzling guest verse. “Bad B” is English’s take on DJ Vibes, Hit It Records and Supa Nytro’s “Pressure” riddim — a sparse, percusssive number with ample room for MCs to flow over. An easy-rocking, tongue-in-cheek tune sure to set the dance floors ablaze as we enter the new year, look for “Bad B” to have some legs going into the spring.
Not much cut through the five-day Thanksgiving holiday weekend besides Wicked and Moana 2 — but maybe that’s because the hip-hop world is still reeling from Drake‘s shocking court filings alleging Universal Music Group (UMG) — his label — and Spotify of artificially boosting the popularity of Kendrick Lamar‘s blistering Grammy-nominated, Billboard Hot 100-topping diss track “Not Like Us.”
The filings, of course, came amid the still-unfurling rollout for Lamar’s new GNX album, which became his fifth consecutive No. 1 title on the Billboard 200 (dated Dec. 7). More new Lamar music arrived earlier this month by way of J. Cole‘s Inevitable audio series, in which he played two unreleased songs he recorded with the Compton MC back in 2010. On Friday (Nov. 29), just as people started warming up their Thanksgiving leftovers, Cole announced a special one-night-only concert at New York City’s Madison Square Garden celebrating the 10th anniversary of his Billboard 200-topping 2014 Forest Hills Drive on Dec. 16.
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The holiday made this week a bit lighter on new music, but there were still more than a few fresh picks to sort through.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Dante Bowe and Fridayy’s uplifting new duet to 4batz’s response to his Grammy snubs. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Dante Bowe & Fridayy, “Grateful”
The holidays frequently grant us eyebrow-raising collaborations, and sometimes they result in truly great songs. On that front, this year’s offering is “Grateful”: a genre-blending track that marks the union of Grammy-winning Christian music artist Dante Bowe and R&B crooner Fridayy. “And if you never did another thing/ You did enough, you did enough/ You were with me through the lows, and picked me up/ You picked me up,” Fridayy coos in the intro over sparse atmospheric synths that steadily transform into an Afrobeats-nodding percussion line backing Bowe’s powerful, raspy vocal. Sharing a message of gratitude and resilience, “Grateful” is a holiday track that adds a bit of substance to how saccharine the whole enterprise has become. — KYLE DENIS
4batz, “Hood Grammy”
4batz hasn’t won a Grammy just yet, but he’ll be ready for his speech when the moment happens. “Hood Grammy” serves as his manifestation of sorts but also celebrates the early wins in his career as a neighborhood hero with friends and family proud of him for making it out of the trenches and putting on for his city. The Dallas singer’s airy vocals mesh over the sparse yet sparkling production, as Batz adds to his lore heading into his anticipated mixtape set to arrive in the coming months. — MICHAEL SAPONARA
The LOX, “Isley Money”
For their first unaccompanied single as a trio since 2020’s “Loyalty & Love,” The LOX went back to basics. Over a stirring Vinny Idol-helmed beat accented with whimsical strings, Jadakiss, Sheek Louch and Styles P trade verses reminiscing on their past lives and the different ways they used to approach getting money. The introspective track is also a homecoming; the gang is back together, and the three New Yorkers spare no second of the song reminding us of that fact. “We done gave y’all hits, hood s–t/ Dope-ass freestyles, some funny-ass skits/ You probably riding around listening to our shit right now/ Like, ‘I’m glad these n—as from my town!’ Let’s go!” Sheek spits over a soulful loop of an exclamatory riff from The Isley Brothers’ “You’ll Never Walk Alone.” — K.D.
MIKE, “You’re the Only One Watching”
It’s been quite a ride for MIKE fans in 2024 and he’s closing out the year with a two-pack setting the stage for his Showbiz album in January and a world tour to boot. The rapper pays tribute to his late mother, who is his guardian angel watching over him. Jazzy production and a pitched-up sample repeating the track’s title keep MIKE in cruise control. “When I pray, I pray to mama, know she miss MIKE/ She my angel, know I got her on the flip-side/ Huh, I gotta thank you while I’m talkin’ to the big sky,” he raps before a prayer from MIKE’s mom cleanses the outro. — M.S.
41, Jenn Carter & Kyle Richh, “Vibes”
After breaking through with “Bent” last year, each member of 41 has spent 2024 maintaining their momentum. Earlier this year, he cracked the Hot 100 for the first time in his career alongside NLE Choppa (“Or What,” No. 52), and now, Kyle Richh has joined forces with Jenn Carter for the comparatively more romantic “Vibes.” Where “Or What” was concerned with bottling up raw, unfettered horny energy, “Vibes” soundtracks the thought process of determining whether or not a romantic connection is the real deal. “I need you by my side, is you stickin’ wit’ me?/ Is you rockin’ wit’ us or you workin’ wit’ them?” Kyle questions in the chorus of the guitar-accented song before Jenn spits, “‘Cause I got me sleepy, but she wanna see me/ I promise, one call and I’m comin’ to you/ All these feelings, don’t know what to do,” in her verse. — K.D.
Hotboii, “No Feelings”
Hotboii regained his freedom after being detained for over two years when RICO charges against the Orlando rapper were dismissed in September. HB looks to pick up where he left off with the momentum garnered prior to being locked up with “No Feelings.” Hotboii rips the thumping production and swerves through a woozy flow while dissing the case prosecutors attempted to build against him. “That RICO beat, that RICO weak, ain’t got no evidence/ Say who the free? I’m screamin’ bleed like, n—a, f–k that scene,” he spews. Hotboii’s confidence certainly isn’t lacking in his comeback tour either. — M.S.
In a year of some of the brightest African music stars dropping some of the best work of their careers, this month saw Nigerian superstar Wizkid throw his hat into the ring.
“Mama call me, ‘Ayo Balogun, they can never find another you,’” Wizkid sings on the heartfelt closing track “Pray” from his sixth studio album Morayo, which translates to “I see joy” in Yoruba and is dedicated to and named after his late mother. The 16-track project finds the Starboy balancing that joy and grief over impeccable genre-hopping production. And following his 2021 debut album Sounds of My World, Juls, a key hitmaker behind Afrobeats heavyweights like Wiz, Burna Boy and Mr. Eazi, draws inspiration from his travels around the world to unify the Black diaspora through his expert fusion of South Africa’s amapiano, Ghanaian highlife, Jamaica’s dancehall, U.K. rap and more on his sophomore album Peace and Love.
But that’s not all. There have been plenty of great tracks released this month, and several that mix and match genre, instrumentation and tradition in ways that bring out new and innovative sounds, really emphasizing the fusion element of the burgeoning Afrofusion movement — new songs from Fave, Nasty C and Lekaa Beats, King Promise and E’Major all fit the bill in different ways.
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We’ve highlighted 10 of our favorite new songs by African acts that have come out roughly within the last month. Check out our latest Fresh Picks, and kick off Thanksgiving break with our Spotify playlist below.
Fave, “Lose My Mind”
The rising Afrofusion star (real name Godsfavour) remains anchored in her faith on “Lose My Mind” from her second EP Dutty Love. The gospel-tinged record is powered by producer Hylander’s skittering drums and Fave’s unshakable conviction that God will keep her sane and on a steady path. “‘Lose My Mind’ is really just one of my many odes to God. He’s such a wonder,” she told Wonderland.
JayO, “High Heels”
JayO adds extra pep to your long-legged step in “High Heels” from the British Nigerian singer-songwriter’s debut EP WHOSDAT. “The way you look in them high heels/ It’s keeping me on my toes,” he cleverly croons about a woman whose spellbinding composure makes JayO struggle to keep his. Ideally, you would strut to JayO and RZ’s scintillating syncopated beats while wearing your favorite stilettos.
Wizkid, “Bend”
Wizkid reflects on love, the loss of his mother and his musical legacy on his new album Morayo. On the highlight track “Bend,” Wiz taps into a nostalgic flow and commands us to dance with his enticing “Bend your body, kọ jó” hook on the Afrobeats club banger. Helmed by Made in Lagos executive producer P2J (who also produced the majority of Morayo) and Gaetan Judd, “Bend” invites you to get lost in its carefree rhythm characterized by bustling percussion.
Juls feat. Nkosazana Daughter, “Muntuwam”
The British Ghanaian hitmaker celebrates his 10-year musical career with a sonic odyssey across the Black Atlantic on his latest album Peace and Love. Crashing waves and chirping seagulls bookend its closing track “Muntuwam,” where Juls dips his toes in private school piano, a soulful amapiano subgenre that accentuates the South African sound’s jazz roots, and enlists popular South African singer-songwriter Nkosazana Daughter’s to add an authentic, breezy flare. “The meaning of the song is ‘the love is right in front of you, I’m here when you need me,’” he told Wonderland.
Nasty C & Lekaa Beats feat. Tiwa Savage, “One Time”
One month after dropping their genre-bending joint EP Confuse the Enemy, Nasty C and Lekaa Beats ran it back in the studio for the Reloaded version. Tiwa Savage blesses us on the smooth track “One Time,” where the South African MC has Hennessy to thank for an unforgettable night that the Afrobeats queen promises will not happen again, with the sweeping violins in Lekaa’s production heightening the drama.
Lil Kesh feat. Fireboy DML & Ayo Maff, “Vex for You”
Lil Kesh has made a name for himself with a series of brash, high-energy songs, particularly in the past few years, so this one is a change of pace for him: more contemplative, laid back and emotional, with an introspective and almost desperately romantic hook. Ayo Maff and Fireboy both slide in easily with the vibe — thematically, it’s right in Fireboy’s wheelhouse, for one — and help round out Kesh’s latest.
King Promise, “Keep It Sexy”
King Promise has a knack for picking the right beats that both provide a high level of musicality and help support and accent his great vocals, and this latest single is no exception. Produced by Killbeatz, the all-Ghanaian collaboration blends in local highlife and hiplife sounds but has broader aspirations, and Promise’s melodies once again help set him apart from his peers. A fun Western-themed music video adds a different element, too, but it’s really the production that helps make this song stand out.
Wizkid feat. Asake, “Bad Girl”
Following on the heels of their latest link up — “MMS,” off Asake’s latest album Lungu Boy, which was just nominated for a Grammy for best African music performance — two of the leading lights of Nigerian music come back together for another joint track that brings out the best of both of them, with Asake and Wiz doubling each other’s lines on the hook. The two vibe so well together that they trade off effortlessly, which helps make this one feel like a true collaboration rather than two stars sending each other verses. From Wizkid’s latest album, this is a standout on an album that is full of them.
E’Major, “All the Love”
E’Major’s brand is truly fusion in every way: the mix of styles, instrumentation, percussion, flows, harmonies and melodies that he employs varies wildly from song to song, giving him a malleable quality, able to pull off anything he puts his mind to. His latest, “All the Love,” fits right into that canon, and lyrically serves as a love letter, with his vocals at times slipping into near-falsetto and back, bringing a joy into the song that also runs through his catalog.
Kizz Daniel & Adekunle Gold, “Pano Tona”
Another big star collaboration in a year that has been full of them, the song is largely helmed by Kizz Daniel, with a verse that emphasizes his individuality, before Adekunle Gold comes through with one that drips with braggadocio. There’s a magnetism to this song that demands repeated listens — one of the reasons this has taken off since it dropped just a few weeks ago.
Did anyone have a better week than Kendrick Lamar? To cap off one of the best years for any artist, the Compton MC pulled a Beyoncé and surprise-dropped his sixth studio album, GNX. Upon release, the album immediately dominated the new cycle, with Lamar’s latest record simultaneously serving as a love letter to West Coast hip-hop, a treatise on integrity, hypocrisy and celebrity, and a victory rap for his ruthless 2024. Featuring SZA, Roddy Ricch, AzChike and more, expect GNX to shake up the Billboard charts in the coming weeks.
Outside of Kung Fu Kenny’s new drop, the Big Three continued to play their respective hands. J. Cole has continued the rollout of his Inevitable audio series alongside a streaming release for his 2009 Warm Up mixtape, while Drake used XQC’s stream to announce an Anita Max Wynn Tour set to to kick off in Australia on Feb. 9 — the same day K. Dot headline’s the 2025 Super Bowl Halfltime Show.
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The past weekend also brought along a 10-year anniversary reissue of Nicki Minaj‘s The Pinkprint, Juice WRLD‘s final posthumous album (The Party Never Dies) and new releases from Ice Cube (Man Down), Wizkid (Morayo) and Kenny Mason (Angel Eyes).
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from VEDO’s new bedroom banger to Lila Iké and Joey Bada$$’s sultry new duet. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: PxRRY, “Hideaway”
Hailing from Hartford, Conn., rising R&B singer PxRRY is back with an eerie, atmospheric new single titled “Hideaway.” With haunting piano keys and ’90s-evoking melodic choices, PxRRY succinctly showcases his Usher influences as he sings, “You relax and you let me take control/ ‘Cause I know that you like it nice and slow,” nodding to the R&B icon’s 1998 Billboard Hot 100-topping “Nice & Slow.” PxRRY’s earnest voice is wrapped in filters that accentuate the murky synths that decorate Richbreed’s brooding production. For his first solo single since his May re-issue of this year’s FairXchange, PxRRY is laying very strong groundwork for 2025. — KYLE DENIS
Yoshi Vintage & Ab-Soul, “Short Temper”
Yoshi Vintage has come a long way from Flint, Michigan. Starring in season two of Netflix’s Rhythm + Flow, Yoshi capitalized on her competition appearance with the release of her Alpha project. An early standouts features one of her mentors, Ab-Soul, who puts one of the sharpest pens in rap to the test on the hard-hitting “Short Temper.” Don’t let the butterfly neck tattoo fool you, as Yoshi goes toe-to-toe with the lyrical savant while detailing her explosive rage. — MICHAEL SAPONARA
Lila Iké & Joey Bada$$, “Fry Plantain”
The Jamaican new-reggae queen Lila Iké offers another glimpse into her forthcoming album with the release of “Fry Plantain,” a track that surprises listeners with a rugged 90s-style feature from Joey Bada$$. Together, Iké’s gentle reggae flow and Joey’s gritty verses create a captivating blend. “Fry Plantain” is a joyful, sensual celebration of connection, love and cultural roots, with the imagery of frying plantain on a Sunday morning serving as a central motif. The lyrics intertwine food and affection, using cooking as a metaphor for love and care. Throughout the track, Lila and Joey celebrate traditional meals as a symbol of a relationship grounded in warmth and mutual appreciation. Their blend of playfulness and emotional depth adds richness to this soulful and heartfelt piece. — CHRISTOPHER CLAXTON
VEDO, “Take It Slow”
VEDO has a new album coming next year, and “Take It Slow” is the first taste. “Baby, what if time stood still?/ Would you be in a rush? Is this lusting or love?/ And if none of this is real/ Don’t wake me up, I wanna feel your touch forever, babe/ Can we take it slow?” he seductively croons in the chorus over AKel, Vontae Thomas & Keyman twinkling production. Obviously crafted with bedroom activities in mind, “Take It Slow” also doubles as a reminder to soak up the life’s most beautiful moments as they tend to be the most fleeting. — K.D.
Bossman Dlow, “The Biggest Pt. 2”
If you’re a person in need of a natural dose of motivation, Bossman Dlow is the guy for your headphones. The Florida rapper looks to cap off his 2024 Rookie of the Year campaign with “The Biggest Pt. 2” sequel. “I don’t give a f–k about nothing but gettin’ paid,” Dlow bluntly raps about his sole mission in life. Well if he continues to rhyme like these, he’ll have no issue stacking paper or buying more mink fur coats and icy AP watches like those he rocked in the track’s party-starting visual. — M.S.
Zefaan & Timbaland “If It Wasn’t Up to Me”
Who would have expected the legendary Timbaland to team up with rising star Zefaan? This collaboration wasn’t on my 2024 Bingo card, but it’s exactly the unexpected pairing we didn’t know we needed. The duo’s new track, “If It Wasn’t Up to Me,” is a Timbaland-produced exploration of a tumultuous relationship, oscillating between tension and reconciliation. Zefaan’s poignant lyrics tell the story of someone holding a fragile relationship together, clinging to hope despite constant challenges—a feeling many can relate to. With Timbaland’s signature beats driving the narrative, this track is as emotionally resonant as it is sonically captivating. — C.C.
SKEETE, “Don Dada”
With “Don Dada,” Skeete has provided the perfect song to keep the fetes slow-whining as winter’s coldest stretched draws nearer. A sleek blend of dancehall delivery, Afrobeats-nodding drums, and R&B-steeped falsetto, “Don Dada” is slinky, sexy ode to liquor-feuled nights of passion and lust. “Yuh too good from the front, from the back/ Bend it pon di wall, right next to the plaque/ Make her seh ‘Wooiii’/ She call me ‘Don Dada,’” he croons over PB’s slow-bruning guitar-inflected production. Colder weather doesn’t mean the party has to die, it just has to slow down for a bit. — K.D.
Amine & Cardo Got Wings, “Wingz”
Quiet as kept, Aminé has come alive to heat up in the year’s fourth quarter. Never one to boast loudly, but like real Gs, Aminé moves in silence. The Northeast Portland native teams up with Cardo and we’re going to need more collabs from the productive duo in the future. Cardo’s woozy production aided Amine’s syrupy chorus and led to more braggadocios bars from the 30-year-old. “Literally put my city on the map/ I feel like I’m Gucci without all the straps,” he brags in a shout-out to the Rose City. — M.S.
Mack Keane, “All Talk”
“ALL TALK” is one of two tracks from Mack Keane’s mixtape Y? / ALL TALK, inspired by personal journal entries, as shared in his Instagram teaser. The track showcases Keane’s continued evolution in R&B, pairing his velvety vocals with dynamic production elements. Lyrically, it delves into the complexities of relationships and self-worth, capturing an internal struggle marked by fear, indecision, and the pressure to meet others’ expectations. “Try to please everybody, probably why I been freezing up,” Keane sings, reflecting the emotional toll of external demands and the hesitation they create. The song’s interplay of gratitude and regret adds depth, making its message both introspective and universally relatable.
Between the ten-year anniversary of Tyler, The Creator‘s Camp Flog Gnaw festival and Netflix’s announcement that Beyoncé would headline the Christmas Day NFL halftime show in Houston, this was a prime week for those who love the medium of live performance.
Featuring performances from the likes of SZA and Doechii, a shade-throwing DJ set from Mustard and fiery renditions of nearly every song from his Billboard 200-topping Chromakopia LP, Tyler enjoyed a much-deserved victory lap at Dodger Stadium in Los Angeles on Saturday (Nov. 16). Over in Las Vegas, another Billboard chart-topping rap superstar was headlining a festival. Travis Scott played ComplexCon on Sunday night (Nov. 19), which birthed Netflix’s announcement that he would provide new music as the theme song for RAW’s new era on the streamer. Of course, Netflix then one-upped itself with the announcement of Beyoncé’s forthcoming halftime performance, which is expected to feature the live debut of tracks from her historic 11-time Grammy-nominated Cowboy Carter album.
Although live performances dominated the news cycle, new albums from FLO (Access All Areas), Cordae (The Crossroads), Maxo Kream (Personification), Young Nudy (Sli’merre 2), Kash Doll (The Last Doll) and Mary J. Blige (Gratitude) kept the worlds of hip-hop and R&B well-fed.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Destin Conrad’s soul-baring “Nosebleed” to Cordae and Ye’s latest team-up. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Destin Conrad, “Nosebleed”
Destin Conrad kicked off 2024 with his Submissive2 project, and now he’s closing out the year with a new single titled “Nosebleed.” Co-produced by Louie Lastic & Astyn Turr, “Nosebleed” finds Destin crooning of the innately conflicting feeling of being perceived amid love completely overtaking your every thought. “It happens all the timе, your world and mine collide/ And the memory of you stays on my skin/ It doesn’t fade, it gets stronger than it seems/ Creeps into my bloodstream, please, don’t look at me,” he coos over little more than dry, acoustic guitar, his voice taking on the slightly hoarse feel of a person recovering from a fit of tears. Concealing emotions is a deceptively difficult thing to do, and Destin beautifully captures the moments of bargaining when the mask begins to slip. — KYLE DENIS
070 Shake & Courtney Love, “Song to the Siren”
Who expected Courtney Love to pop up on 070 Shake’s Petrichor album? If anyone answered yes then it’s time to play the lottery. Shake and Love pay homage to Tim Buckley with a dark cover of his oft-revisited 1970 classic “Song to the Siren.” The intoxicating collab with the Hole lead vocalist came as a pleasant surprise on the LP, as listeners are left floating to space while simultaneously feeling paralyzed and sinking to the depths of the ocean. “Here I am, here I am/ Waiting to hold you,” Love sings to close out the woozy cover. — MICHAEL SAPONARA
FLO, “Soft”
AAA, British girl group FLO’s debut studio album, has been many years in the making, and tracks like “Soft” prove that sometimes taking your time really does yield stronger results. Under the soulful rule of R&B architects Camper and MNEK, “Soft” finds the trio capturing the ’90s R&B-informed sultriness they spend most of their debut chasing. Airtight, melismatic harmonies smartly contrast with raunchy lyrics like, “‘Bout to make a movie, Spike Lee/ Try me, it’s godly/ That’s why you wanna be inside me.” Titillating start-stop production, rousing string arrangements and sexy snaps and guitar all combine for one of the best R&B deep cuts of the year. — K.D.
Cordae & Ye, “No Bad News”
The Crossroads is all about Cordae pushing his pen like it’s a fan’s first time hearing him rap. When the DMV native revealed Kanye West was on a song called “No Bad News,” some thought it would just be a sample of 808s & Heartbreak deep cut “Bad News,” but that wasn’t the case as Ye helmed hook duties on the joyful track. Cordae takes the baton referencing conversations with an incarcerated childhood friend who’s remaining upbeat even with an extensive sentence. He gives a rare glimpse into his family life while gloating about his daughter being “fly” but keeping the humbleness of her tennis superstar mother Naomi Osaka. Cordae has long looked up to West and “No Bad News” checks off another bucket list item for him. — M.S.
Odeal, “Blame U”
“Gorgeous, gorgeous girl, but you ain’t happy/ Channel all them words of affirmation at night/ ‘Cause someone somewhere’s hoping you ain’t happy/ And that’s me,” proclaims Odeal at the very beginning of “Blame U,” the closer from his latest project, Lustropolis. Co-produced with Ezra Skys, “Blame U” combines understated bass, haunting layers of falsetto, subtle synths and Afrobeats-nodding percussion to soundtrack Odeal coming to terms with the helplessness and hopelessness feels in the aftermath of his relationship’s demise. More of a SAD (seasonal affective disorder) anthem than a cuffing season heater, “Blame U” relishes its coldness, making it all the more alluring. — K.D.
Mudbaby Ru, “Button”
Come for Mudbaby Ru and stay for the Brandon Buckingham cameo. The Arkansas rapper is getting sharper with every song he drops as he continues to hone his skill set that feels like a savvy veteran who’s been at this for much longer than he’s been in the game. A warning message pre-empts the ominous clip featuring Ru with his crew brandishing weapons on the block. “I don’t give a f–k if we cousins/ Everybody in that b—h getting hit,” Mudbaby promises in menacing fashion. “Button,” he shouts like an exclamation point, to make certain bars hit harder and the formula works for Ru again within the addicting tune. The Geffen Records rapper is a definite artist to watch in ‘25. — M.S.
In the wake of Donald Trump’s victory in the 2024 U.S. presidential election and the official unveiling of the 2025 Grammy nominations, hip-hop and R&B have had nary a moment of stillness over the past week.
Notably, Beyoncé leads all artists with a jaw-dropping 11 nods for Billboard 200-topping Cowboy Carter LP, including a look in best melodic rap performance for “Spaghettii” (with Shaboozey and Linda Martell). Muni Long leads the R&B field with one nomination in each of its four categories, while AverySunshine and Durand Bernarr earned their first career Grammy nods (both for best progressive R&B album). On the rap side, Kendrick Lamar predictably dominated, with seven nominations for his Billboard Hot 100 chart-toppers “Not Like Us” and “Like That” (with Metro Boomin and Future). It was also a watershed year for female rappers, with several of the genre’s leading ladies landing nominations, including Doechii (three, including best new artist), GloRilla (two), Rapsody (two), Cardi B (one), Latto (one) and Young Miko (one, best música urbana album).
Grammy nominations didn’t slow down the waves of new music, which included new albums from Ab-Soul (Soul Burger), Ferg (Darold), SahBabii (Saaheem), BabyTron (Tronicles), Real Boston Richey (Richey Rich) and more.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from SahBabii’s electric “Viking” to Mac Ayres’ plaintive “Blue Skies.” Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Ferg feat. Coco Jones, “French Tips”
Darold, Ferg’s latest album, is the latest in a string of 2020s releases that find the brightest stars of mid-2010s/Blog Era hip-hop healing parts of themselves through tough introspection and general maturation. Between Coco Jones’ soulful, sultry vocals, a lift of Brandy’s classic “I Wanna Be Down” and ’90s-evoking production from Mario Winans and Tropkillaz. “When you wet, I start to tingle ’cause it’s too warm/ I ain’t put the condom on ’cause you got me stuck/ I’m pullin’ out, I ain’t ready to shoot the club off,” Ferg spits, simultaneously delivering a classic (slightly X-rated) hip-hop love song and a reminder of one of the remaining available methods to mitigate unwanted pregnancies. — KYLE DENIS
SahBabii, “Viking”
SahBabii was one of the leaders of the melodic rap movement in the mid-2010s, and he’s making another splash with his Saaheem comeback album. SahBabii’s rhymes are raunchier than ever as he raps over ethereal production that soundtracks his deep sea exploration. “Viking” has proven to be one of the early standouts from the project and even earned him a co-sign from Tyler, The Creator, who dubbed the intoxicating track to be “incredible.” He’s still doing things his way and “doesn’t give a f–k who like me.” Welcome back, SahBabii. — MICHAEL SAPONARA
Mac Ayres, “Blue Skies”
For his latest project, Mac Ayres went back to the beginning. With Cloudy, the Long Island-bred crooner compiled some of his most beloved SoundCloud cuts from the past eight years and sequenced them in a tender coming-of-age narrative. “Blue Skies,” the set’s ethereal, Chris Anderson-helmed closer, finds Mac pining for brighter days while balancing the warring energies of wanting to be understood without wanting to beg for acknowledgment. A deceptively heavy song, “Blue Skies” soars thanks in large part to Mac’s structuring of the song; his hushed delivery in the verses perfectly sets the stage for his impassioned belts of “Feels like forever got a hold on me/ Forever got a hold on me my friend” — a pair of lines that put many proper torch songs to shame. — K.D.
Jorja Smith, “Don’t Let Me Go”
A stripped-down instrumental with an acoustic guitar that could score a poignant scene in a movie is only amplified by Jorja Smith’s honeyed vocals. J-Money gets pensive about the pain of letting someone go, but her voice coddles emotional listeners to lay their heads collectively down on a soft cloud rather than a rock. “The wishing wells got all my coins/ But nothing seems to drift me back to you,” Smith sings. “Don’t Let Me Go” arrived as a two-pack featuring help from fellow British singer-songwriter Maverick Sabre, and it appears the tracks were several years in the making before receiving an official release in 2024. — M.S.
Hitkidd & Mello Buckzz, “Pardon Da Body”
Chicago emcee Mello Buckzz has been making waves for quite some time, and her latest collaboration is sure to add to that hype. “Pardon Da Body,” a boisterous link-up with Grammy-nominated producer Hitkidd for his Hitkidd for President album, finds Mello spitting standard braggadocious fare (the “body” in question refers to her figure, her SUV and her racks) over a piano-inflected dance-trap beat. With ample remix potential that can take this song anywhere for a ballroom-minded house set or a Jersey club compilation, “Pardon Da Body” harnesses the power of unbridled fun while keeping Mello front and center. — K.D.
Wolfacejoeyy & A Boogie Wit Da Hoodie, “Dallas”
A Boogie Wt Da Hoodie dances into the sexy drill scene thanks to an invite from fellow New York captain Wolfacejoeyy, who is stamping his 2024 with “Dallas” and a major co-sign from the Bronx native. “Me and Boogie in a town bae, you know it’s going down,” Joey raps in his smooth yet soft-spoken flow. Young Jrue Holiday’s emotive rhymes have allowed him to continue to build off Valentino and have set up 2025 as his time to make a quantum leap to stardom. — M.S.
Ab-Soul, “9 Mile”
Ab-Soul wanted the introduction of his Soul Burger album to feel like the Belly, and he did justice by the Hype Williams classic. Soulo weaves through Soul II Soul’s “Back to Life” while opening up about his elusive yet militant approach. “Ain’t really confrontational but I crave chaos,” he admits. “9 Mile” then pivots to channeling his inner Eminem while calling back to B-Rabbit’s 8 Mile rap battles as Soulo gets candid about his suicide attempt. “I did jump off a bridge on Del Amo Boulevard/ I’m blessed but question why God would have mercy on a junkie,” he wonders. It’s a cinematic opener for the TDE rapper’s best project in a decade. — M.S.
With just days to go before the reveal of the 2025 Grammy nominations, a few of the hottest stars from across Caribbean music could earn their first nomination for best reggae album.
This year, Teejay (I Am Chippy), Masicka (Generation of Kings), Jah Lil (Can A Man Cry), Govana (Legacy), Shenseea (Never Gets Late Here), Gyptian (Guarded), Stalk Ashley (Stalky the Brat), Romain Virgo (The Gentle Man) and Vybz Kartel (Party With Me) are among the artists who have submitted their eligible albums from consideration. Previous nominees such as Spice (Mirror 25), The Wailers (Evolution) and Protoje (In Search of Zion) are also in contention.
If the final slate of nominees once again includes American reggae band SOJA — who’s contending this year with Beauty In the Acoustic — stay tuned for a repeat of the controversy that their 2022 triumph (for Beauty in the Silence) sparked.
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Outside of Grammy news, all eyes are on the United States presidential election (Nov. 5), where Vice President Kamala Harris, who is of Jamaican and Indian descent, could become the first Asian-American and first woman president.
Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:
Freshest Find: Protoje, “Barrel Bun”
On Oct. 18, two-time Grammy nominee Protoje released a collection of tracks previewing the full soundtrack to a forthcoming short film. Stacked with songs specifically written to accentuate the film’s storyline, The Jamaican Situation: Side A houses several knockout tracks — including the fiery “Barrel Bun.” A straightforward, brass-accented reggae jam, “Barrel Bun” finds Protoje calling for radical systemic change in a country marred by government corruption and violence, with Ziah.Push’sstine production beautifully complementing Protoje’s narrator-esque delivery. “It depends pon what you choose/ Fi make it out or make it pon the news/ The system ya rough/ Everybody wicked and tough,” he croons in the chorus, between verses that follow different characters as they fight to survive and live with themselves under varying systems of oppression.
Skip Marley, “Close”
Maxi Priest’s “Close to You” — which topped the Billboard Hot 100 in 1990 — already put the “pop” in reggae-pop, and Skip Marley’s reimagining of the track doubles down on its dancefloor bonafide. Produced by Rykeyz, Marley ups the reggae feel of Priest’s original chorus, his raspy upper register playing well against the groovy percussion that grounds the smoldering verses between each party-ready hook. Marley has already visited the top 10 of the Hot 100 (alongside Katy Perry with 2017’s No. 4-peaking “Chained to the Rhythm”), and “Close to You” has the potential to bring him back there.
Teejay feat. Masicka, “Never Complain”
You know it’s serious business when two of dancehall’s hottest stars join forces. With “Never Complain,” Jamaican powerhouses Teejay and Masicka a menacing dancehall track that finds the former delivering a smooth, coolly confident hook, while the latter spits rugged, rapid-fire verses that offer a peek into how fame and success have altered the outlook of both stars. With slinky guitar riffs providing a lighter complement to the brooding lyricism and overall production, “Never Complain” is a surprisingly texturally rich offering that previews just how incredible a joint project between Teejay and Masicka could sound.
Beach Boii & Simon Said, “Bad Gyal”
Who has the time to be worried about colder weather when Beach Boii and Simon Said are dropping sizzling joints like this one? “Bad Gyal,” a sultry trap-infused dancehall slow-burner, continues the genre’s long-standing tradition of tributing beautiful women, but Simon Said’s relaxed delivery and his and Beach Boii’s lyrics prioritize praising women’s independence as much as they express their desires to be with her. “Anything yuh want, baby girl that’s it/ Gucci from Milan, Louis Vuitton, Français/ Put it pon di Gram, make these hoes upset/ Real bad gyal, so mi know yuh don’t play,” Simon croons over Beach Boii’s string-inflected beat.
Major Lazer & Vybz Kartel, “Nobody Move”
Originally teased back in 2017 — with an additional Lorde feature, no less! — “Nobody Move” is finally here. Released as a part of the 15-year anniversary reissue of Major Lazer’s 2009 debut album Guns Don’t Kill People…Lazers Do, “Nobody Move” finds Kartel interpolating bits of Yellowman’s 1984 dancehall classic “Nobody Move, Nobody Get Hurt.” A far more traditional reggae joint than 2009’s “Pon De Floor” — the last time the two acts linked up for a collaboration with no other guests. It’s a brief track with just one full verse, but it’s prime for easy listening. “Nobody move, nobody get hurt/ Mi feel di vibes, put in di best work/ Jamaica land we love/ I love fi see di gyal dem inna short mini skirt,” Vybz proclaims in a curiously wistful cadence.
Juls, Black Sherif & Projexx, “Timing”
Released as a single from Juls’ Peace & Love album, “Timing” is a world-bridging collaboration between the British-Ghanaian producer, Ghanaian singer Black Sherif and Jamaican artist Projexx. Juls’ ethereal soundscape pulls from Afrobeats as much as it pays tribute to dancehall rhythms and grooves, with Black Sherif’s buoyant energy playing well against the laid-back, reserved approach Projexx takes, each style accenting different pockets of the airy beat.
Jada Kingdom, “Somebody Else”
Jada Kingdom kicked off the year with one of dancehall’s fiercest clashes, and now she’s back with “Somebody Else,” her first release under her new independent entity Kingdom Mab. A characteristically seductive kiss-off, “Somebody Else” finds Twinkle purring her way through an R&B-infused track that balances vulnerability with strength sourced from introspection. “Cause after all the heartbreak, I still gained nothing/ Best of luck, I’m sorry/ It’s too late to want me/ I got my eye on somebody else,” she declares.
Nailah Blackman, “Banana”
Nailah Blackman literally has soca history cousing through her veins — and she does her lineage proud with each successive release. “Banana,” Nailah’s take on the “Double Dip” riddim, brings her over to the power soca as she sings, “A girl no want no soft man/ Gimme a roughneck/ A man to slap it up and/ Gimme some roughness/ Want a man with strong back.” Tailor made for the road, “Banana” is sure to soundtrack some of the wickedest wines in the West Indies and beyond come next Carnival season.
Kenroy Mullings, “Brighter Days”
Analog instrumentation will never go out of style — and Kenroy Mullings is here to remind us of that. A renowned guitarist who works frequently with Buju Banton released his highly anticipated instrumental album, Brighter Days, on Oct. 23, and the title track is one of the strongest offerings. Centered on a sunny guitar melody and accented with ebullient horns and steady, earthy percussion, “Brighter Days” positions itself as the musical equivalent of the first few sun rays breaking through the clouds. There’s hope coursing through every chord, so much so that lyrics feel like a bonus accessory here as opposed to a necessity.
Patrice Roberts, “Kitty Cat”
At the top of October, Trinidadian soca icon Patrice Roberts put her own spin on Suhrawh’s “Cat Attack” riddim. “Yuh have a weakness for sweetness/ Beggin’ for the kitty cat/ So, you have a weakness for sweetness/ I have the sweetness,” she coos over the beat, which sounds just a step or two away from something you might hear on a poppier Brazilian funk track. A tantalizing ode to the power of the kitty and a sultry showcase of both Patrice’s power and sexual prowess, “Kitty Cat” is the perfect song to channel the flirtatious energy of Carnival — even if the season may be over.
Between the Election Day (Nov. 5) and the 2025 Grammy nominations reveal (Nov. 8), the week ahead promises to be one of the busiest in recent memory. The worlds of hip-hop and R&B are sure to be central to both of those events, but major cross-generational news has already made this week a heavy one.
According to his publicist, Quincy Jones, a 28-time Grammy-winning giant across entertainment, passed on Sunday night (Nov. 3) at his Bel Air home surrounded by his family. The producer behind Michael Jackson’s historic LP as well as iconic films such as The Wiz and The Color Purple, Jones’ contributions across music, film, television, and music journalism are immeasurable and his impact will continue to be felt for generations to come.
The news of Jones’ passing comes just days after the shocking conclusion to Young Thug‘s highly-publicized criminal trial. The Hot 100-topping rapper was sentenced to 15 years probation and no prison time after pleading guilty in the long-running case accusing him of leading a violent Atlanta street gang. The decision rocked the hip-hop world, with everyone from Sexyy Red to T.I. reacting to the news. R&B singer Mariah the Scientist, Thugger’s girlfriend, even skipped out on one of her shows on Latto’s Sugar Honey Iced Tea tour to go spend some time with her man.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Jordan Hawkins’ rollicking ode to a “Love So Good” to Big Moochie Grape and Key Glock’s latest link-up. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: J.I the Prince of N.Y, “Get to Know Me”
Nearly a decade after he first appeared on The Rap Game, J.I the Prince of N.Y is still dropping heat. The Brooklyn emcee is always good for a track that seamlessly blends emotional vulnerability with New York braggadocio, and “Get to Know Me” is another winning addition to his catalog. “I know you brushing off ya pain, if you afraid to fall in love can you at least try to love me coldly/ You used to tell me bout ya day, now we dancing in the rain, do you really wanna get to know me?” he somberly sing-raps over a downcast R&B-inflected trap beat, courtesy of DopeBoyz and Buckroll Beats. “Get to Know Me” clearly positions J.I in the lane of A Boogie wit da Hoodie — and, in turn, the legacy of NY rap ballads (shoutout LL Cool J) — but his wordy hooks and stream-of-consciousness verses push him somewhere slightly different. J.I’s new track plays like a rambling apology, sometimes a pre-emptive atonement and other times he knows he’s already too late.
Nippa, “Pride”
London native Nippa has been steadily making waves on both sides of the pond with his slinky mixture of rap and R&B for some time now. “Pride,” a sultry Afrobeats-influenced ode to letting your guard down and giving into love, deserves to be his biggest hit yet. Over lovelorn guitar and a drum pattern that begs every waist in the room to start wining, he sings “Wonder if I try/ Take off my disguise/ Wonder how it feels to be you/ Feeds my ego, play and pick two.” The Louddaaa-helmed track is quite short, which perfectly positions it for endless remixes and extended version to further build out its atmospheric vibe.
Jordan Hawkins, “Love So Good”
Between Leon Thomas’ stunning Mutt LP and the ever-growing rumors of an impending rock album from Beyoncé, the union of rock and R&B has been growing notably stronger this year on the mainstream level — and North Carolina native Jordan Hawkins has something to say. “Love So Good,” a brash, raucous amalgamation of soul, rock, and gospel is a beautiful breath of fresh air. Beginning at the very apex of his falsetto, Hawkins tears through his ode to a life-changing love with an impassioned vocal performance that peppers his slight drawl with histrionic growls, effortlessly matching the rousing energy of the track’s instrumentation. Not too shabby for Hawkins’ first solo single of 2024.
Big Moochie Grape & Key Glock, “Manifest”
Big Moochie Grape is back. The Memphis rapper returned with his Eat or Get Ate 2 sequel project on Halloween. It’s a Paper Route Empire affair on “Manifest” with BMG calling on PRE honcho Key Glock for the braggadocious “Manifest.” Big Moochie manifested this life of luxury with some potent “za” in his pocket and $300,000 worth of ice around his neck. For him, it was always about the dollar signs. “All of these cap-a– rappers trying to fit in,” he raps over Bandplay’s cinematic production. “All I want is money, I don’t need friends.” Glock takes the baton and slows down the pace to balance out Big Moochie’s fervor.
BabyTron, “Nightmare On Yo Street”
Instead of Nightmare on Elm Street, BabyTron’s bringing a nightmare right to your block. With spooky season in full swing, Babytron adds to the terror with “Nightmare On Yo Street.” The Detroit rapper has carved out his own lane with a signature flow that feels like he’s talking directly to you while punching in every haunting bar. “This a f–king gun fight/ Why you bringing a knife,” he asks from the middle of a creepy cemetery in the official visual. It’s a welcomed addition to any ghostly playlist as BabyTron heads into his Tronicles album dropping on Friday (Nov. 8).
Ella Mai, “One of These”
An artist like Ella Mai wouldn’t typically appear in this column with hits on her resume, but “One of These” is an exception to the rule. The British singer may have found her next radio smash with the romantic tribute to her boyfriend and Boston Celtics forward Jayson Tatum. Mustard samples Timbaland’s hollow bounce from CeeLo Green’s “I’ll Be Around” while Ella Mai implores women to get them “One of These.” “Wake up in the morning, he got flowers at my feet,” she sings. Although — there’s just not many 20-something-year-old NBA stars walking the earth who could already waltz to the Hall of Fame.