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Fresh Picks

From babies to albums, the past weekend was packed with new arrivals.

On Thursday (Nov. 13), Cardi B announced that she and her boyfriend, New England Patriots wide receiver Stefon Diggs, welcomed their first child together, a baby boy. While his name is still unconfirmed, Cardi’s baby boy joins her three kids with ex-husband Offset: 7-year-old daughter Kulture, 4-year-old son Wave, and 1-year-old daughter Blossom. Fittingly, the Bronx star used “Hello,” a triumphant cut from her new Am I the Drama? LP, to announce the news, which also alluded to her imminent Little Miss Drama world tour kickoff (Feb. 11, 2026).

While Bardi expanded her family, her Drama collaborator, Summer Walker, expanded her discography. On Friday (Nov. 14), the ATL R&B superstar unleashed her third studio album, Finally Over It, a conclusion to the trilogy she began with her 2019 debut studio album, Over It. Featuring an army of guest stars — including Anderson .Paak, Teddy Swims, Doja Cat, Latto, Sexyy Red, Chris Brown, Bryson Tiller, Monaleo, GloRilla, Mariah the Scientist, and more — Finally Over It also flips classics from Beyoncé (2003’s “Yes”) and Mariah Carey (1995’s “Always Be My Baby”).

In less celebratory news, Tyler, the Creator was forced to reschedule this year’s edition of Camp Flog Gnaw, which was slated to take over the Dodger Stadium Grounds last weekend (Nov. 15-16), due to an “incoming atmospheric rain storm.” The festival’s lineup will evolve to accommodate the new dates, but Tyler himself will still take the stage mere weeks after scoring five 2026 Grammy nominations, including album of the year and best rap album with Chromakopia and best alternative music album with Don’t Tap the Glass. Camp Flog Gnaw 2025 will now take place next weekend (Nov. 22-23).

With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Gabriel Jacoby’s soulful new joint to a standout track from Wale’s latest album. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Gabriel Jacoby, “Gutta Child”

Listen to new must-hear songs from emerging R&B/hip-hop artists like detahjae and rum•gold.

11/10/2025

Trending on Billboard

Not much rocked the Caribbean in October like Hurricane Melissa.

The historic storm made landfall in Jamaica (Oct. 28) and Cuba (Oct. 29), wrecked parts of Haiti, and caused heavy rain that resulted in fatal flooding across New York City. With a death toll of 75, as of Tuesday (Nov. 4), the devastation of Hurricane Melissa has spurred immediate action and support from some of Jamrock’s biggest stars. Shenseea, Beenie Man, Sean Paul and Spice have all documented their respective relief efforts via their respective social media channels, and, on Monday, Shaggy spoke with Billboard about what he saw on the ground in the immediate aftermath of the storm.

“We got [to Jamaica] early enough to reach the people, because it took me around six hours to get from Kingston to St. Elizabeth in Black River, which is normally a two-and-a-half-hour drive at most,” the reggae icon told Billboard. “We had to chop [tree] limbs down, move things out the way, and drive through high puddles of [runoff], so we got there in the middle of the night. At that point, all we could do was pass water out, so we had to regroup and drive six hours back to Kingston. The next day, we went to the Junction side of St. Elizabeth, which took us four hours. The square itself was shut down. It was ground zero because it wasn’t livable anymore. Nobody could stay there.”

In addition to Shaggy’s efforts alongside the Global Empowerment Mission, verified aid channels include World Food Programme, Project HOPE, GiveDirectly, American Friends of Jamaica, Food for the Poor and Friends of Caritas Cuba.

In lighter news, Trinidadian soca star Mical Teja made headlines after he shared a picture with his locs cut off, A$AP Rocky once again stoked marriage rumors by referring to himself as Rihanna’s “loving husband,” and Chronixx returned with Exile, his first new album in eight years.

Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:

Trilla-G & V’ghn, “Take Me as I Am”

Trending on Billboard We’re currently focused on next year’s Super Bowl halftime show headliner, but the 2024 master of ceremonies is still at the center of the culture. After the Los Angeles Dodgers defeated the Toronto Blue Jays at the 2025 World Series on Saturday (Nov. 1), the City of Angeles reached for the only […]

Trending on Billboard

While Tyla is dripping in “Chanel” on her latest designer single, the South African star is making movies on the dancefloor with MOLIY on “Body Go” and holding onto remnants of a past relationship with Lojay on “Memories.”

And there’s no stopping what’s coming from Mavin’s golden children Ayra Starr and Rema on their hypnotic collab “Who’s Dat Girl,” which debuted at No. 3 on U.S. Afrobeats Songs this week (chart dated Nov. 1). The single arrives less than one month after Rema popped out as a surprise guest during Starr’s performance at this year’s Global Citizen Festival, where they duetted on Rema’s “Baby (Is it a Crime)” single from earlier this year and his 2022 international smash “Calm Down,” with Starr filling for Sade’s and Selena Gomez’s parts, respectively.

We’ve highlighted 10 of our favorite new songs by African acts that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with our Spotify playlist below.

Lojay & Tyla, “Memories”  

Lojay and Tyla cosplay as exes who are hesitant to let go of their haunted “Memories” of each other on this tantalizing highlight track from the former’s debut album XOXO. But their mellifluous “Eh-la-la-lo, eh-le-ah-no-ah” harmonies sound like a subtle hint that they’re still meant to be together. The Lagos loverboy reunites with his “Monalisa” collaborator, Afrobeats hitmaker Sarz, who brings his Sarz Academy protégé Twitch along for the duet’s sensual Afropop production.   

MOLIY & Tyla, “Body Go”  

Whether you’re in the back of the cab or in a “section full of baddies” at the club, MOLIY and Tyla command you to “dance, whine your body, go down” on their dancefloor filler. The infectious waist-whining rhythm of “Body Go” complements its come-hither lyricism. Months after releasing her U.S. Afrobeats Songs No. 1 “Shake It To The Max (Fly)” remix, the Ghanaian star continues to seize her moment.  

Ayra Starr & Rema, “Who’s Dat Girl”  

Mavin’s marquee stars Ayra Starr and Rema burn brighter together on their “Who’s Dat Girl” banger. Starr flaunts her It-girl status with poise, while Rema’s rapid-fire flow momentarily steals the spotlight from her – only for listeners to realize he’s spending his whole verse gassing up the gyal. And Ragee and The Elements’ dancehall-inspired and Middle Eastern-influenced production gives “Girl” a multicultural edge.

Young Jonn, “Full Control” 

Young Jonn is giving up “Full Control” of his body tonight on his sleek and sultry single, which arrives ahead of his upcoming sophomore album Blue Disco. Producer Yung Willis’ electronic flourishes and subdued log drums help soundtrack Jiggy’s late-night rendezvous. “This one is about owning your space and moving with confidence. After so many collaborations, I wanted to drop something that’s purely me – my energy, my vision, my vibe,” he said in a press release about “Full Control,” which debuted at No. 42 on U.S. Afrobeats Songs. 

Boj & Anaïs Cardot, “After Hours” 

After delivering gorgeous verses on Asake’s “My Heart” and Wizkid’s “Slow” last year, French Gabonese singer Anaïs Cardot lends her lithe, featherlight vocals once more on Boj’s “After Hours” single ahead of his upcoming album Duplicity. Their intimate exchange floats over Genio Bambino’s guitar-driven production, which softens into an old-school R&B synth loop for an extra touch of romance.  

The Cavemen. feat. Pa Salieu, “Gatekeepers”

The high-life masters just released their new album, Cavy In the City, today (Oct. 31), and on this latest single they brought Gambian-British singer Pa Salieu along for the ride. His contribution to the laid back track is less, singing, less rapping, than it is spoken word, adding a contemplative element to a track that is an engaging groove in the context of the overall album. The duo also announced a series of European dates for early next year, where they’ll take the new record on the road.

Shallipopi feat. Gunna, “HIM”

Shallipopi has been on an incendiary run of late, and this time he taps Atlanta MC Gunna for a street-to-street linkup that manages to feel like it lives simultaneously in both artists’ worlds. Shalli has an extended verse to open the track, using his slinking yet confident delivery to set the tone, before Gunna comes through to flow over the Spanish-inflected guitar that animates the brooding beat. It somehow manages to seem like a commercial hit, even though it’s still rooted in the streets. Another high-quality addition to both catalogs.

Flavour & Baaba Maal, “Afroculture”

Flavour — who also produced this song — often has a very distinct style, and this track embodies that, with driving percussion, traditional vocals and classic instrumentation that delivers a largely instrumental intensity that is lush with its different stylings and insistent in getting in — and staying in — listeners’ heads. It’s almost breathless, and feels much shorter than its three-plus minute run time, even as it fits in an avalanche of elements to create its sound. A real triumph, and a joy.

Lil Kesh feat. Balloranking, “TTGG”

Lil Kesh is one of the best and most consistent artists on the scene right now, and his vocals are distinct from anyone else out there. He’s so adept at melody and crafting catchy hooks that his verses can often fly under the radar, but he’s truly well-rounded in so many different ways that each release of his is a must-listen. Balloranking slides through with a different style on his verse, but it fits well within Kesh’s world on this ode to finding ways to get through tough times (which is one way of putting it). 

Joeboy & Shoday, “Ring”

Joeboy is an effortless vocalist, one of the true crooners in the Afrobeats scene, and this is a twist on his usual love song — finally, after playing around with a number of women, he’s met someone who makes him want to cut off all his relationships to dedicate himself to getting married to the woman of his life. Accompanied by a hilarious music video which shows all that drama coming home to roost, this is another ear worm in his ever-expanding catalog of catchy hooks and varied takes on love songs.

Listen to new must-hear songs from emerging R&B/hip-hop artists like The BLK LT$ and María Isabel.

10/27/2025

06/16/2025

Listen to new must-hear songs from emerging R&B/hip-hop artists like Aaron Page and Nemzzz.

06/16/2025

06/11/2025

Listen to new must-hear songs from emerging R&B/hip-hop artists like Jon Vinyl and Flee Lord.

06/11/2025

After several false starts, summer finally seems to have settled in. That means music festivals, various carnival celebrations, and the search for a song of the summer are in full effect.

May featured album releases from dancehall stars like Valiant (Prove Them Wrong) and Ding Dong (From Ding Dong to World Ding), but the month’s buzziest news story arrived in its very last weekend. Vybz Kartel, who recently announced his first world tour in over 20 years, and Moliy, whose global Afro-dancehall smash “Shake It to the Max” recently entered the Billboard Hot 100, were both set to play Trinidad’s One Caribbean Music Festival on May 31. However, due to “non-fullfilment of contractual obligations,” as per Kartel’s management, the King of Dancehall pulled out of the festival just hours before he was set to hit the stage. According to Kartel’s team, the dancehall titan did not receive his full payment before the festival took place.

“Vybz Kartel was formally contracted to perform at [One Caribbean Music Festival] 2025 for a total sum of $1.35 million. To date, $950,000 has been paid directly to the [artist], while an additional $150,000 was disbursed to his legal representative,” the promoter explained. “The remaining balance due was made available in full; however, due to legal and financial regulations in Trinidad and Tobago, the organisers were unable to disburse the final amount in cash.”

As for Moliy, the Ghanaian-American singer pulled out of the event, citing the promoter’s failures to meet “key contractual obligations.”

“Moliy arrived in Trinidad ready and excited to perform, but since landing, her team has not received any communication from the festival organizers,” her management team explained in a press release. “Combined with their failure to meet key contractual obligations, this has made it impossible for the performance to proceed.”

Nonetheless, One Caribbean Music Festival continued as planned, with performances from artists such as Chronic Law, Rvssian and Sizzla Kalonji.

Outside of that festival kerfuffle, Caribbean artists are enjoying a particularly notable moment in the live entertainment space. Beenie Man headlined a blockbuster show at Long Island’s UBS Arena on May 24, and Bounty Killer will headline Brooklyn’s Barclays Center next month (July 5), underscoring Caribbean music’s transition to arena-headlining status in the 2020s.

Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:

Freshest Find: Asa Bantan, “God Is Good”

Though Taylor Swift’s victory in the years-long fight for ownership of her masters dominated last week’s headlines, there were also a slew of head-turning news items in the R&B and hip-hop worlds. Clipse — comprised of Pusha T and No Malice — made its grand return on Friday (May 30) with “Ace Trumpets,” in which […]