Fresh Picks
It’s Billboard Women in Music week, so let’s go ahead and give the ladies their flowers. On Saturday (March 29), Emmy winner Laverne Cox will host the 2025 Billboard Women in Music event, honoring aespa, Ángela Aguilar, Erykah Badu, Glorilla, Gracie Abrams, JENNIE, Megan Moroney, Meghan Trainor, Muni Long, Tyla and Doechii. With Badu earning the Icon Award, Big Glo being named this year’s Powerhouse honoree, Muni Long snagging the Rising Star Award and Doechii — who recently bagged her first Hot 100 top 10 hit with “Anxiety” — landing the Woman of the Year title, this year’s event will celebrate the breadth of women running hip-hop and R&B.
Outside of Women in Music, Ye kept the hip-hop world on its toes by dropping a link to his Bully album, Jack Harlow and Doja Cat joined forces for a new bop featuring a cameo-filled music video and Casey Wasserman — the chairman of the 2028 L.A. Olympics organizing committee — teased a possible Kendrick Lamar performance at the forthcoming Games. Oh, and Playboi Carti notched the biggest Billboard 200 debut of his career, as well as 30 concurrent Hot 100 entries, thanks to his culture-dominating Music LP.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from JT’s summer-ready banger to Nettspend and Xaviersobased’s new link-up. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: JT, “Ran Out”
After taking the world by star with City Cinderella and cemeting herself as a solo artist, JT is back with some more heat. “Ran Out,” an infectious, Y2K-nodding banger in the nonchalant, self-assuered spirit on “Okay,” introduces the Miami MC’s new era, complete with an artsy music video starring famed content creator Quenlin Blackwell. Perfectly timed to grow into a summer anthem, “Ran Out” finds JT reviving the irresistible, slightly whiny delivery of the OG City Girl days while building on her penchant for hooks constructed out of flipping the meaning of a word or phrase multiple times. “Had to stay down, bitches ran out/ My card ain’t work, so I ran out/ The time for these niggas done ran out/ I’m still gettin’ money, I ain’t running out,” she spits in the second half of the hook over bass-heavy production from Ben10k, Danes Blood & 254Bodi. — KYLE DENIS
Nettspend feat. Xaviersobased, “Impact”
Brace for “Impact,” a pair of Gen-Z’s burgeoning rap stars have linked up. Virginia meets NYC as Nettspend and Xaviersobased connect for a glimmering track. Nett’s syrupy AutoTune-laced melodies pace “Impact” with a catchy chorus while Xavier fills in the blanks and closes out his verse relaying his “Saks in the mornin’, Neimans in the evening” shopping habits. Rap’s next generation is carving out its own lane, despite the genre’s elder statesmen begrudgingly lending co-signs. — MICHAEL SAPONARA
FLO feat. Chy Cartier, “Get It Till I’m Gone (Remix)“
FLO & Chy Cartier’s “Get It Till I’m Gone (Remix)” is a bold, empowering anthem about reclaiming power after being taken for granted in a relationship. Rather than wallowing in heartbreak, the song flips the script by showcasing confidence and self-worth, with the artists making it clear that they won’t settle for less. The remix adds a fiery intensity, with Chy Cartier’s verse turning up the heat, proving that walking away is the ultimate flex. With its catchy hooks and unapologetic vibe, “Get It Till I’m Gone” serves as both a declaration of independence and a warning to anyone who fails to appreciate the ladies of FLO and Chy Cartier. — CHRISTOPHER CLAXTON
Droogie Otis feat. Boldy James, “Everything Designer”
Madlib and Your Old Droog are dropping a tape this year, which was news to me until I came across this song. And when you think about it, their styles mesh well together. There’s nothing quite like witty bars over Madlib loops, and MCs like Droog and Boldy have raps like that for days. — ANGEL DIAZ
Jada Kingdom, “G.A.D.”
After spending last year sparring in instantly iconic clashes and ruling fetes with global hits like “What’s Up (Big Buddy),” Jamaican dancehall fusion artist Jada Kingdom is back with a terrific new single ahead of her forthcoming EP. Inspired by local slang that unfairly compares women to drugs, Jada flips the slight on its head, spitting, “Word on the street is girls are drugs/ Dem search fi di tightest buff/ Addicted to the squeeze and clutch/ Wan spend it all pon a serious f–k.” As addictive as she paints women to be, Jada is also primarily concerned with infusing a feminist streak in her reimagning of local slang. “Every gyal man a show me love/ Nah fall fi none, mi put mi feelings up/ Just a girl in a money man’s world/ Mi a have my way, but muss!” she proclaims over the electric guitar-infused Zimi Recrods production. — K.D.
Lil Durk feat. Jhené Aiko, “Can’t Hide It”
Lil Durk tied the knot with India Royale last year, and he opens up about marriage with his Deep Thoughts single. “Can’t Hide It” arrives amid the rapper’s murder-for-hire case as Durk remains behind bars while continuing to flood the streets with music. The raunchy yet romantic track invites Jhené Aiko, who purifies the air and floats above with her celestial vocals while Durk taps into his more melodic side. He even harmonizes alongside the R&B singer turning “Can’t Hide It” into a duet. Look for Smurk’s Deep Thoughts album to be released on Friday (March 28) via Alamo Records. — M.S.
Wolfacejoeyy, “Petty”
Wolfacejoeyy’s “Petty” is a playful yet toxic anthem about turning heartbreak into a competition. Instead of expressing vulnerability, he matches his ex’s energy by flexing his lifestyle, flaunting material success, and even mentioning her best friend. The song captures the ego-driven nature of modern relationships, where social media, status, and revenge take priority over honest emotions. With its smooth, melodic flow and catchy hooks, “Petty” masks frustration with a carefree attitude, making toxicity sound effortlessly cool. — C.C.
Shoreline Mafia, “Back in Bidness”
Shoreline could not have picked a better time to make a comeback as the West Coast is currently in somewhat of a resurgence, thanks largely to Kendrick Lamar and his friends over at TDE. This song and video remind me of when Capone-N-Noreaga came back after War Report with the Reunion album. Shoreline hasn’t dropped an album since 2020’s Mafia Bidness, but this is a perfect lead single to get folks ready for the return. — A.D.
Nija, “32nd Floor”
Three-time Grammy-nominated songwrite Nija is back with a new joint, finally giving us the follow-up to last year’s “Unruly.” When we in the hotel lobby, all of them people ‘round me/ Keep calm, but as soon as we go up, boy you know you got me/ Keep it on the 32nd Floor,” she croons over Eliasodt and Mike Hector’s joint production. The privacy of the penthouse suite is a tired-and-true setting for music’s greatest love escapafes, and Nija doesn’t disappoint with her sultry, guitar-inflected take on the concept ahead of her forthcoming new project, her first since 2022’s Don’t Say I Didn’t Warn You. — K.D.
TheARTI$T, “Ghost”
TheARTI$t’s “Ghost” captures the raw, haunting aftermath of a love that burns out too soon. With vivid imagery of California sunsets and moonlit drives, the song turns heartbreak into a ghostly presence that lingers long after the love is gone. The ARTI$t’s confusion and longing are palpable as they reflect on what went wrong, leaving them to navigate an emotional void. “Ghost” perfectly blends nostalgia with the painful reality of being left with nothing but memories. — C.C.
Reign, “Lowjacc”
Brooklyn rapper Reign delivers a formidable, fiery tape with It’s Up Forever — and “Lowjacc” is a standout on a project filled with them. Across Dizzy Banko’s high-octane production, Reign spits an impressive stream-of-consciousness verse that finds him balancing talking a big game with dropping incomparable nuggets of wisdom. “What you think we trap for? Push a f–king RAV4/ Run this town you gotta build a f–king rapport/ Live on a prayer and call up a f–king task force/ You know the vibes, what the f–k you gotta ask for?” he spits. — K.D.
If the “I am music” tag isn’t playing on a loop in your head, clearly you missed one of the year’s buzziest album drops over the weekend. In the wee hours of Friday morning (March 14), Playboi Carti finally unveiled his highly anticipated third studio album, Music, after five years of seemingly endless teases, standalone singles, guest appearances, and festival performances. Shortly after its release, the Atlanta rapper’s new LP became Spotify‘s most-streamed album in a single day in 2025 so far. Needless to say, Carti is on top right now.
Outside of King Vamp staking a strong claim to the rap throne, Ye delivered yet another head-scratcher of a moment when he dropped a new song via X on Saturday (March 15). Titled “Lonely Roads Still Go to Sunshine,” the new track apparently features vocals from Diddy and North West, much to the chagrin of her mother (and Ye’s ex-wife) Kim Kardashian.
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On the legal side, UMG filed a scathing motion to dismiss Drake‘s lawsuit over Kendrick Lamar‘s “Not Like Us” on Monday (March 17). The motion reads that Drake “lost a rap battle that he provoked and in which he willingly participated. Instead of accepting the loss like the unbothered rap artist he often claims to be, he has sued his own record label in a misguided attempt to salve his wounds. Plaintiff’s Complaint is utterly without merit and should be dismissed with prejudice.”
The new filing comes the same day Lamar’s SZA-assisted “Luther” enjoys a fourth week atop the Hot 100, the longest-running chart-topper for both artists.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Lil Nas X’s new Neptunes-esque banger to JayDon’s ode to ’00s R&B. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Rexx Life Raj feat. Mick Jenkins & BLK ODDYSY, “Take Me to the Sunlight”
“Sometimes I write and start to follow my feelings/ Could play the victim but these views will make me a realist/ I’m a Black man but still I understand I got privilege/ Bro, look at Rafah, where Israelis dropping bombs on a village,” Rexx spits to kick off the first verse of his poignant new collaboration with Chi-Town MC Mick Jenkins and Austin-based act BLK ODYSSY. Starting a song with a commentary on the intricacies of positionality and privilege between people of color is already ambitious, but “Take Me to the Sunlight” assembles three artists who are unwaveringly committed to that lyrical exercise. Over a simple, pensive beat, Rexx and Mick deliver verses that temper political commentary with relatable, personal narratives, while BLK ODYSSEY delivers a haunting hook. “Where is heaven for the ones who look like me?/ Tryna believe in something that I can’t see/ Take me to the sunlight,” he coos. — KYLE DENIS
V Don & Boldy James, “Split the Bill”
I know Boldy has been flooding the market over the last year or so, but I can’t ignore him linking up with the criminally underrated V Don who makes some of the hardest beats out. You can say Boldy’s subject matter is repetitive, but that’s like saying you get tired of Pusha’s coke raps, or Picasso’s Cubism era. There aren’t too many rappers that spit as effortlessly as the Detroit and when you couple him with a producer like V Don, you can expect high-quality rap music like the lead single from their upcoming tape Alphabet Highway. — ANGEL DIAZ
Aminé, “Familiar”
Aminé isn’t going to be told what to create. He’s always going to be a trailblazer — and that’s not only because he’s from Portland. It’s nearly springtime, so the 30-year-old is out of hibernation and has a new album on the way. Aminé taps into some of his toxicity while exploring more of an electro-pop sound on “Familiar.” The rapper grapples with the internal tug-of-war of knowing he has to let a former flame go, but there’s a part of him refusing to come to grips with the reality. It’s a strong single to kick off his rollout, and we only wish the sub-two-minute sprint had more distance before crossing the finish line. — MICHAEL SAPONARA
Jazlyn Martin & TheARTI$t, “Have It Your Way”
Jazlyn Martin is kicking off 2025 with “Have It Your Way,” a soulful duet featuring The ARTI$T that dives deep into themes of love, trust and devotion. The smooth, heartfelt track captures the essence of surrendering to love — letting go, following each other’s lead and embracing the emotional depth of a committed relationship. Martin’s verses glow with admiration, as she describes her partner as her guiding force, someone she trusts completely. The ARTI$T counters with raw vulnerability, admitting that while opening up isn’t easy, their partner provides the reassurance they need. “Have It Your Way” is a soulful declaration of selfless love, proving that sometimes, the strongest connections come from simply letting go. — CHRISTOPHER CLAXTON
Zyah Belle feat. Ben Reilly, “About Time”
Between Madness’ pulsating synths and snares, Zyah Belle’s flirtatious timbre, and the song’s general focus on finally making your move after a heated night on the town, “About Time” is tailor-made for summer rooftop functions — and they can’t come soon enough. Canadian rapper Ben Reilly effortlessly rides the beat, making for a welcome male counterpart to the perspective Zyah presents throughout the sultry track. — K.D.
Diany Dior, “Thick”
Diany Dior is an emerging rapper hailing from The Bronx, and if there’s anything about BX residents, it’s that they don’t need a proper outside introduction, just press play and you’ll see what they’re about really quickly. Dior isn’t resting on her laurels with a solid Big Dior debut project in 2024, as she’s right back to work before Q1 expires. The 23-year-old returned with a catchy single for the ladies sporting a more voluptuous figure. Dior shrewdly interpolates Missy Elliott’s “Work It” anthem and repeats the track’s title on an earworm of a chorus that bounces off the blaring production, which is sure to get listeners’ hips gyrating toward an Uptown dancefloor — just in time for the warmer weather coming. — M.S.
Wiz Khalifa, “Aerials Freestyle”
This column is usually for less established acts like Wiz, but this recent run he’s been on is taking us back to the days when the only way you could hear new music was on YouTube, Soundcloud, and rap blogs, so we must keep acknowledging it. The Pittsburgh rapper’s bringing the feeling back, and even sampling the titular System of a Down banger from 2001. Let the bong rip and hit play on some real stoner music. — A.D.
4batz, “Mortal Kombat”
4batz’s “Mortal Kombat” explores the intense, toxic cycle of a tumultuous relationship marked by constant arguments. This couple fights frequently but can’t seem to stay apart, with the chorus emphasizing the recurring nature of their battles—one partner always returns, despite the conflict. Ultimately, “MORTAL KOMBAT” is a track about the struggle to navigate love and conflict in a toxic relationship, choosing to fight for something real despite the challenges — a message we can all relate to in one way or another. — C.C.
JayDon, “I’ll Be Good”
With a melody and structure that screams ’00s Ne-Yo, “I’ll Be Good” is an instant earworm. The track, which samples Usher’s 2001 deep cut “How Do I Say,” arrives alongside the announcement of JayDon’s signing to Ursh and L.A. Reid’s mega label, in partnership with Larry Jackson’s gamma. JayDon — who voiced young Simba in the 2019 photorealistic remake of The Lion King — delivers a terrific vocal performance, intimately capturing the process of taking accountability while asking for forgiveness. At just 17 years old, he sings with the emotional heft of a crooner twice his age: ““Girl, if you find it in your heart/ Then I’ll be good/ I’ma try/ I’ma do better, better,” he pledges. — K.D.
Lil Tecca, “Dark Thoughts”
Lil Tecca is getting in his pop bag. On its face, “Dark Thoughts” feels like it would be more of an ominous tune, but Tecca’s trying to provide the soundtrack to a night out on the rooftop bars. Instead of pushing them away, Tecca embraces his “Dark Thoughts,” but bounces them off a glossier bassline that calls back to The Neptunes’ production on tracks like Hov’s “I Just Wanna Love U” or ‘90s R&B and the shiny suit Bad Boy camp. He assured us there was no plan B with his robust Plan A project in 2024, but the next era is taking his artistry to new heights – just enjoy the ride. — M.S.
Casper Sage & Amindi, “NuDivision”
“NuDivision” reflects on the growth that comes from separation, with the title symbolizing both a divide and the potential for something new. Lines like “switching, blocking light” and “clouds keep moving” embody the obstacles and emotional ups and downs they face. Nonetheless, there’s an underlying hope for rekindling what was once lost, with the repeated refrain of “nu-division” signaling a new chapter. Sage and Amindi’s verses show the balance of pain and optimism, highlighting the complexity of love’s evolution. — C.C.
Lil Nas X, “Hotbox”
Lil Nas X fell victim to “snippet culture” with recent releases, but he absolutely sticks the landing with “Hotbox” — and could have his next hit on his hands, which should springboard him into his Dreamboy era and set the tone for a major 2025. Pharrell’s impact on modern pop music can’t be escaped, with “Hotbox” nodding to P’s classic “Frontin” and a pink-splashed visual is expertly curated to fit Nas X and the track’s aesthetic. Coming up as a faceless member of Nicki Minaj’s Barbz army, even the pink pool feels intentional as a call back to Minaj’s “Super Bass” video. Well played, Lil Nas, well played. — M.S.
The sun is sticking around a bit longer, the temperatures are rising bit by bit — it looks like spring really is on the way! It’s been a relatively quiet March so far after a particularly jam-packed February, but if anyone is keeping up that momentum, it’s Doechii.
On Monday (March 10), Billboard named the Grammy-winning Tampa MC its 2025 Woman of the Year, making her the first female rapper to earn the honor since Cardi B in 2020. Over the weekend (March 8) — after getting stamps of approval from fashion giants Anna Wintour and Thom Browne during Paris Fashion Week — Doechii collected an incomparable co-sign. Ms. Lauryn Hill brought the “Denial Is A River” rapper to the stage for a joint performance of her 1998 Billboard Hot 100 No. 1 hit, “Doo Wop (That Thing)” during her her headlining set at the Jazz in the Gardens Festival.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Madison McFerrin’s house-soul banger to GELO’s GloRilla-assisted “Tweaker” follow-up. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
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Freshest Find: Madison McFerrin, “Ain’t It Nice”
SanFran multihyphenate and daughter of jazz legend Bobby McFerrin, Madison McFerrin is ready to begin a new era. “Ain’t It Nice,” a sleek house-infused soul track that explores the allure of new infatuation across a swirling mixture of groovy drum loops and twinkling synths, finds McFerrin flaunting her intimate understanding of vocal dynamics and pacing. Instead of immediately firing off the chesty belts that house often evokes, McFerrin opts for soft coos and lush background harmonies — like the ones in the bridge — that eventually help her sneak into the rafters of her range by the song’s close. — KYLE DENIS
GELO & GloRilla, “Can You Please”
GELO recruited his “Memphis twin” GloRilla for his “Tweaker” follow-up with “Can You Please,” who continues to shred every track she lends a guest verse to. The middle Ball brother is now 2/2 with a meteoric start to his rap career. “Tweaker” set the bar high with his top 40 debut hit and GELO continues his 2000s New Orleans rap pastiche run. It remains to be seen if “Can You Please” will match the virality that “Tweaker” hand to earn GELO the first rap hit of 2025. Next up, he’ll be taking his talents to the festival stage with his Rolling Loud performance debut in California next weekend. — MICHAEL SAPONARA
Aaron Page, “Pretty Girls Like R&B”
Houston-based R&B singer Aaron Page channels smooth nostalgia and modern romance on his latest track, “Pretty Girls Like R&B.” The song thrives on a mix of passion, devotion, and material flexing, with Page weaving through memories of late-night connections and heartfelt gestures. “Wanna vibe with you like Jodeci love,” he croons, setting the tone with a nod to the ‘90s R&B icons known for their raw, sensual love songs.
Beyond the allure of attraction, Page reflects on moments of intimacy like holding her hair when she was sick and proving his loyalty through lavish gestures (“Brought the Maybach out to Kamp for you”). His reference to Drake’s Take Care signals an openness to emotional depth, evoking the vulnerability that made Drizzy’s 2011 album a staple for lovers and heartbreakers alike. “Pretty Girls Like R&B” taps into the kind of love story that resonates with those who cherish both old-school romance and modern-day ambition. — CHRISTOPHER CLAXTON
Curren$y & Harry Fraud feat. Wiz Khalifa, “Airport Industries”
What year is it? Did we wake up and go back in time to the Blog Era? While Curren$y has stayed consistent when it comes to dropping music and posting miniature diecast car content on his hobby page, Wiz has been on a freestyle run of the likes we haven’t seen in a while. This generation’s rap Cheech & Chong link up with one of the game’s most potent horticulturalists in Harry Fraud for a smokey number that sounds better when it’s a sunny day and you have one lit and one rolled already. — ANGEL DIAZ
Icewear Vezzo feat. Big Sean & Skilla Baby, “Worth Something”
Undefeated, Icewear Vezzo’s latest EP — which dropped last Friday (March 7) — is another thrilling collection of Detroit-set street tales. On “Worth Something,” he recruits Big Sean and Skilla Baby, two of his city’s biggest rap stars, for some A1 trap storytelling. “In the Nap with Milly ‘nem, just popped a Tesla, now I’m geeked/ Turned a dream into reality, that’s why I’m laughin’ in my sleep/ Cooked the Vezzo in the lab and now my hands, it smell like bleach/ Rather go to trial than cop no plea, we just cop bags and Louis V,” he spits in his opening verse, opting for a reflective tone that pairs well with Hawkey’s skittering snares. — K.D.
Turbo & Gunna, “Classy Girl”
Turbo and Gunna have been one of the best rapper-producer duos in hip-hop, and it’s been that way for some time now. They reunited on an anthem for the ladies just in time for International Women’s Day with “Classy Girl.” Gunna’s life of luxury allows him to bless the women in life with opulent experiences that most can only dream of. “Pеnthouse suite, we been livin’ on the road/ I’m in Bottega matchin’ slippers to your robe/ And I been runnin’ through a bankroll,” he raps over the bouncy production. It’s almost time for another project from the pairing. — M.S.
Dylan Sinclair, “Lemon Trees” (Motherland Sessions)”
Toronto’s own Dylan Sinclair brings a new depth to his For the Boy in Me album with Motherland Sessions, a live EP paying tribute to his Filipino heritage. Stripping back the production, Sinclair leans into a more intimate, organic sound — especially on “Lemon Trees,” a soulful reflection on love, ambition, and timing. Sinclair’s smooth vocals glide over the laid-back beat as he wrestles with the push and pull of commitment. “I’ll hold you down,” he promises in the chorus, offering devotion while grappling with his own hesitations. He paints his love interest as his “queen” and the “girl of my dreams” and contrasts that adoration with the realities of personal ambition and the fear of settling down too soon; Sinclair lets the tension linger, never forcing an easy resolution. “Lemon Trees” is a tender, honest take on romance. — C.C.
Skepta & PlaqueBoyMax, “Less Is More”
Streamer PlaqueBoyMax’s series “In the Booth With” is one of the more unique online series, helping bring fans into the recording booth with their favorite rappers. Max had U.K. rap legend Sketpa come through recently to lay down a track, and of course, it’s a banger. Big Smoke lays some game down to start off his verse, rapping, “London City is dark and cold/ Don’t take picks with the members screaming that gang if you aren’t involved/Wanna be a ‘G’ better be fully active, gotta do the road with your heart and soul/They wanna know if the street life worth, I told them the answer’s no,” as PlaqueBoyMax delivers a smooth sample flip of the Judy Bailey Quartet’s “Colours Of My Dreams.” — A.D.
Larrenwong, “Out the Frame”
Former NFL player Warren Long has been operating as rising R&B star Larrenwong for some time now, and his new 4th & Long EP is another winning entry in his growing catalog. Standout cut “Out the Frame” finds him moving from the field to the bedroom, crooning “I know that it’s been fun and games/ But you better hold tightly/ Because I go crazy when I’m inside.” At one point, he even nods to Usher, spelling out his name just like the Grammy-winner did on 1997’s “Nice & Slow.” — K.D.
Dende, “Need U Like”
Fresh off signing with Def Jam, rising R&B talent Dende keeps the momentum going with his latest single, “Need U Like.” Through vivid metaphors, Dende paints a picture of unwavering devotion, comparing his connection to his partner to classic, inseparable duos. The verses push that passion even further, with bold declarations of loyalty — he’d spend his last dollar, defy the impossible and rewrite history just to prove his love. Yet, underneath the grand gestures, there’s an emotional core: a promise to heal the wounds of past heartbreak and ensure his partner never feels unappreciated again. With its smooth production and raw lyricism, “Need U Like” is Dende at his best — vulnerable, confident, and completely lost in love. — C.C.
Lady London, “Is You Krazy?”
Walk around the streets of NYC for an hour, and you’re likely to hear one version of someone yelling, “Is you crazy?” Lady London is back with her first single of 2025, and she’s disgusted with the nerve and audacity of these men from around the way. “Cop me the Rollie, cop me the Wraith, and when you see me, you copy and paste,” she raps over Hitmaka’s thumping production. Next up, the Howard University alum is heading out on the road to open for Coco Jones on the North American leg of her Why Not More Tour. — M.S.
We made it! Awards season is finally over. With the Brits and the Academy Awards holding their respective ceremonies last week, the 2025 awards cycle has ended. Whether you’re still not over Beyoncé‘s Cowboy Carter victory or reeling from Wicked’s Oscar losses, you have a few weeks to grieve and celebrate before we start all over again.
At the Brits (March 1), Charli XCX swept with five wins, capping off her career-shifting Brat era. Raye took home best R&B act for a second consecutive year, Stormzy won best hip-hop/grime/rap act and singer-songwriter Myles Smith was named Rising Star. The following night (March 2), Cynthia Erivo and Ariana Grande opened the Oscars with a goosebump-inducing medley of “Somewhere Over the Rainbow” from The Wizard of Oz, “Home” from The Wiz and “Defying Gravity” from Wicked, honoring the staggering legacy of the classic American story. Erivo’s rendition of “Home” previewed Queen Latifah‘s performance of “Ease On Down the Road” later in the ceremony. The hip-hop legend and Oscar-nominated actress played The Wiz anthem in honor of the late Quincy Jones, the first Black composer nominated for best original song.
And, of course, Oscar host Conan O’Brien found a way to joke about the Kendrick Lamar–Drake beef.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from RealestK’s heartfelt new ballad to Fridayy and Meek Mill’s emotional collaboration. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Avenoir, “Art of War”
South African-born, Alberta-raised R&B singer-songwriter Avenoir is yet another rising Canadian star looking to pick up the $$$4U torch and run with it. Teaming up with longtime collaborator and fellow producer YMC, “Art of War” finds Avenoir settling into a sparkling alt-R&B fantasia complete with ebullient synths and lush keyboard chords cradling his breathless falsetto. “Don’t use a soft tongue when you speak of love/ Curse the mouth that speaks the flame on us/ Show devotion, never hide the truth/ Love is war and that’s just principle,” he croons at the end of a single stream-of-conscioussness verse, which quickly gives way to a Prince-esque instrumental breakdown in the outro. — KYLE DENIS
Fridayy & Meek Mill, “Proud of Me”
Fridayy and Meek Mill are bonded by the loss of their fathers. While Meek’s dad passed when he was a kid and Fridayy lost his pops over FaceTime last year, the pain never subsides. Even when his album was turned in, the Philly-bred singer pulled up on Meek in NYC at the 11th hour, and greatness came out of that 12-hour studio session with the powerful “Proud of Me.” Meek broke his writer’s block and delivered an early guest verse of the year candidate. “Scared to show up at your grave ’cause I might try dig you out/ Like you know I did this shit for you/ Never heard you say it back, still be like, ‘I miss you too,’” he raps, sending shivers through the spines of every listener around the globe. — MICHAEL SAPONARA
Jaz Karis & Kenyon Dixon, “LYTM (Remix)”
South London R&B star Jaz Karis dropped “LYTM Remix,” featuring multi-GRAMMY nominee Kenyon Dixon. Originally produced by Camper for her debut album Safe Flight, “LYTM” — which stands for “Love You That Much” — is about knowing when to love someone from a distance. Kenyon Dixon adds a new layer to the track, reflecting on his verse, “Sometimes the best way to love someone is to step back, even when it hurts.” The song captures the bittersweet pain of letting go when love still lingers but staying would mean repeating the same mistakes. From the start, there’s a sense of powerlessness — “It’s out of my hands, it’s out of the question/ ’Cause you were the one who made the decision.” A mature, soul-stirring take on heartbreak, “LYTM Remix” is a reminder that sometimes walking away is the ultimate act of love. — CHRISTOPHER CLAXTON
Wiz Khalifa & LaRussell, “I Might Be”
Wiz has been back in his blog era bag lately with all the music he’s been dropping. This track is no different, as he and the Bay’s LaRussell go off about their come-up and consistent hustle, over this smoothed out Mike G Beatz production for all the playas with popped collars and good weed out there. Make sure to play this in the morning when you’re getting to the money. — ANGEL DIAZ
1900Rugrat & Lil Yachty, “Bussin Baby”
Well over a decade since changing the rap game as a pioneer of Chicago drill, Chief Keef’s influence traveled south to burgeoning rhymers like 1900Rugrat. 19 teams up with Yachty for “Bussin Baby” and with Lil Boat being an artistic chameleon, he has no issue meshing with the eerie trap production. Rugrat bats second, and references his turbulent relationship with his mother, who kicked him out of the house while growing up. “Ma dukes kicked me out soon as that money hit, swear she miss me,” he raps. South Florida got another one. — M.S.
Johnny Venus & 6LACK, “So Beautiful”
“So Beautiful” paints a vivid picture of infatuation and deep attraction, blending romantic admiration with an almost addictive longing. Johnny Venus sets the tone with a chorus that expresses an overwhelming desire to stay connected, comparing love to a drug he can’t resist. His verses reinforce the urgency of living in the moment, emphasizing that time is fleeting and there’s no point in holding back feelings. 6LACK’s verse builds on this theme, exploring the intensity of a relationship that feels both exhilarating and consuming. He acknowledges the risks of falling too deep but embraces the possibility of something extraordinary. His lyrics balance vulnerability with confidence, expressing a willingness to commit while letting his partner choose their own path. The song’s repeated hook reinforces the sheer admiration felt for the subject, describing them as “so, so beautiful,” both physically and emotionally. — C.C.
Fatboi Sharif & Driveby, “Battlestar Galactica”
I once watched Driveby do some s–t during a beat set on a Jersey City rooftop that I’ve never seen before. It’s still hard to describe, but he was building a beat live, and had this motion sensor machine that allowed him to speed up and slow down the beat without touching it. So, when I peeped that he was doing a project with fellow Jersey native Fatboi Sharif, I had to show love. I’ve never watched the show, but I’m positive this is what the space in Battlestar Galactica sounds like. — A.D.
RealestK, “Deja Vu”
Toronto native RealestK delivers a downcast, plaintive reflection on the phenomenon of seeing and recognizing your true love for who they are at multiple points throughout your life. “Is it me, or is it parts of me that I can never understand?/ Too many things in life where I might need a helping hand/ And all you wanna do is play all these games/ And put it all on me,” he coos over an ethereal soundscape of swirling synths and strings. His gentle voice plays well against how spacious the mix feels, but his haunting ad-libs truly round out his disarming introspection. — K.D.
Juhovah, “Rooftop Dinner”
You never know when you’re going to meet “the one” in life, but preparation is key. Juhovah ruminates about the woman of his dreams and wants to make sure his paper is properly stacked before it’s go-time. “Don’t reach for the check, lady, I’m a big tipper,” he raps. The North Carolina native can switch lanes with ease between trunk-rattling bars and moody R&B. After pressing play on “Rooftop Dinner,” make sure to check out his impressive 2024 project Soft Girl Era. — M.S.
Aqylia, “Wolf”
“Wolf” captures the emotional exhaustion and betrayal in a toxic relationship. Aqylia calls out their partner for manipulative behavior, stating, “You playing in my face now/ Don’t pull me on your way down.” The chorus uses the “crying wolf” metaphor to describe how the partner’s lies make trust impossible, with lines like, “You and truth are incompatible.” In the second verse, the partner’s actions are so unreliable that they would “leave me for dead” if Aqylia let her guard down. The bridge exposes how the partner craves drama and attention, creating emotional strain. By the end, Aqylia refuses to fall for the lies, making a final statement of strength. The song is a powerful declaration of self-worth over manipulation, a track that everyone dealing with a tough relationship can use as motivation. — C.C.
Ray Vaughn, “Cemetery Lanterns”
Back with a hard-hitting, percussive cut helmed by The Rayo and Kyu Steed, rising TDE star Ray Vaughn has delivered yet another knockout single ahead of his forthcoming The Good, The Bad & The Dollar Menu EP. “What’s the point of a rep if you dead by a summer?/ You think them n—as gon’ love you like momma or brother, huh?/ You think the hood gon’ cry for you like your niece will?/ Your big homie cold if he telling you you should keep still,” he venomously spits, positing tough questions about the dark underbelly of gang culture amidst a gripping narrative that furthers his progression as an MC and writer. — K.D.
African female artists have been killing it this month. A week after Ayra Starr dropped her new single “All the Love,” she became the first African female artist to win best international artist and first female artist to win best African music act in 16 years at the 2025 MOBO Awards. And Tems‘ record-breaking domination continues, with her becoming the first Nigerian to win two Grammys, after taking home the trophy for best African music performance with her “Love Me JeJe” single, becoming the first African woman to be involved in MLS ownership when she joined San Diego FC’s ownership group as a club partner, performing at Aston Martin’s 2025 F1 livery unveiling in London and becoming the first African female artist to have a song hit 1 billion Spotify streams with Future‘s “WAIT FOR U,” also featuring Drake.
Just days after Tems made Spotify history, Tyla became the first unaccompanied African soloist to enter Spotify’s Billions Club with her 2023 breakout smash “Water,” and she’s been making a major foray into the fashion world by covering British Vogue and signing an endorsement deal with Nike. And Qing Madi — who’s been featured on countless publications’ Artists to Watch lists this year, including Billboard‘s — asserts her dominance while diving deeper into the intricate matters of the heart with her debut album I Am the Blueprint. “You can tell that this is coming from a teenager, someone who’s lived a certain life and is trying to open her heart to the public,” she told Billboard in her recent African Rookie of the Month interview.
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British-Nigerian quiet storm icon Sade‘s power remains potent, as Rema sampled “Is it a Crime?” on his latest single “Baby (Is it a Crime),” which he confirmed was coming when he was photographed leaving Amoeba Records in Hollywood, Calif. with the English band’s Promise vinyl. “Baby (Is it a Crime)” peaked at No. 3 on U.S. Afrobeats Songs and No. 4 on World Digital Song Sales.
And there is plenty more that has happened in an action-packed month, with big new singles from the likes of Black Sherif, L.A.X., Shallipopi and an energetic new EP from Seyi Vibez, among others. We’ve highlighted 10 of our favorite new songs by African acts that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with our Spotify playlist below.
Rema, “Baby (Is It a Crime)”
Three months after Rema set the internet ablaze with his sizzling snippet of “Baby (Is It a Crime)” — which samples Sade’s 1985 smooth jazz classic “Is it a Crime?” — he finally dropped the full single. Produced by P. Prime, Sade’s soulful, timeless vocals weave in with Rema’s suave, refreshing vocals in this sultry Afrobeats banger as he reminds his lover that he treasures her and will even shower her with treasures (“Buy you a Birkin matching my AP color,” he sings in the third verse). “I’m a huge fan of Sade. I like the peace her vocals give me. I was just in the studio, and I talked to my boy like, ‘Let’s see how we sample some of her stuff.’ Played around with a couple of stuff until we found this one,” the Heis hitmaker told Complex on the 2025 Grammys red carpet.
Qing Madi, “Feeling Alright”
Qing Madi expresses unwavering love on her “Feeling Alright” standout track from her debut album I Am the Blueprint. As a young woman navigating money and fame, Madi reflects how much heedfulness and resilience romance requires over Wademix and Ozediku’s feelgood production. “It’s an anthem about loyalty and the quiet strength found in standing by a friend or significant other, irrespective of the circumstances,” she explained on Instagram.
Beeztrap KOTM, Sarkodie & Kwesi Arthur, “BANG BANG BANG”
Beeztrap KOTM makes the club go “BANG BANG BANG” with fellow Ghanaian rappers Sarkodie and Kwesi Arthur. He interpolates R. Kelly’s 1996 Grammy-winning hit “I Believe I Can Fly” while flaunting his larger-than-life moves, and Sarkodie and Arthur’s distinct flows float over Kwame Agger’s spirited drill production.
Lojay, “Somebody Like You”
Lojay – who earned his first Grammy nomination this year for best African music performance with Chris Brown’s “Sensational,” also featuring Davido – searches for a different kind of validation by chasing “Somebody Like You,” the first single from his forthcoming debut album. His “Monalisa” collaborator Sarz’s sublime Afropop production sets up Lojay’s “Summertime in Abuja” opening line as he reminisces on past heartbreak and clings on to “the hope of healing and finding love again,” he said in a press release.
Ruger, “Jay Jay”
Ruger likens his slick, Lothario schemes to Nigerian football legend Augustine Azuka “Jay-Jay” Okocha’s Machiavellian dribbling and stepover tactics on his new single “Jay Jay.” The Afropop star cautions any girl who’s trying to get with him that he’s only here for a good time, not a long time, especially with the first lyric: “If ah girl worry me, I delete her/ Put her inside the bin bag.” But his right-hand producer Kukbeatz’s playful beat complements Ruger’s tongue-in-cheek bad boy nature.
Seyi Vibez, “SHAOLIN”
The Nigerian street MC returned with an insistent new EP, Children of Africa, and “SHAOLIN” is the undeniable breakout of the set. The track is bursting at the seams with barely-contained energy, a microcosm of his entire career to this point, and it has a frantic video that accompanies it perfectly.
L.A.X., “Lockdown”
L.A.X.’s sound is always defined by its musicality, and the layered guitars and horns on this track continue that tradition. “Lockdown” itself is a song about the highs and lows of love and the depth of emotion that comes with it; as a singer, he’s defining his lane with each release, showcasing a feel for melody that sets him apart from many of his peers.
Black Sherif & Fireboy DML, “So It Goes”
Black Sherif has been on a heater with his singles lately, as he gears up for his forthcoming album IRON BOY, and this collaboration with Fireboy DML softens some of his rougher edges without losing the depth of feeling he manages to convey consistently. Fireboy’s melodic flow complements him perfectly, too, and the hook is a memorable addition to his growing catalog.
ODUMODUBLVCK & Victony, “PITY THIS BOY”
A track that shows off another side of ODUMODUBLVCK, who has so far in his career defined himself through frenetic energy and breakneck verses, “PITY THIS BOY” finds him taking a deep breath and sitting in the pocket more, showcasing the versatility in his flows. And Victony — who broke out with the distinctive earworm “Soweto” in the last few years — helps to underline that vibe; the two have some of the most recognizable voices in the world of African music right now, and this link up puts a spotlight on each of them.
Shallipopi, “Laho”
There’s something sinister yet alluring about the feel of “Laho,” a track that almost oozes and seeps into the consciousness. Shallipopi exudes cool over the beat, not trying to do too much with it, which is what makes the listener keep coming back for more. He’s one of the more creative talents on the scene right now, and just about every release is worth dissecting at this point.
After an explosive start to the year between the Grammys, Super Bowl, SNL 50 and NBA All-Star Weekend, the worlds of hip-hop and R&B have finally given us some time to catch our breath.
On Saturday evening (Feb. 22), the NAACP hosted the 56th Image Awards, where Emmy-winning host, actress and singer Keke Palmer, was crowned entertainer of the year. In the music categories, Beyoncé took home outstanding female artist and outstanding album for her Billboard 200-topping Cowboy Carter. Chris Brown emerged as the most-awarded recording artist of the night with three victories, including outstanding male artist and outstanding soul/R&B song for “Residuals.” Continuing the overlap between 2025 Grammy winners and this year’s Image Awards triumphs, Doechii took home outstanding new artist and Kendrick Lamar scored two wins for “Not Like Us.” Notably, the Cynthia Erivo-led Wicked soundtrack won outstanding soundtrack/compilation album, while Tamela Mann snagged both gospel/Christian trophies.
As the NAACP led a weekend of celebration, the hip-hop/R&B community also had to hold space for moments of mourning. Impressions singer Jerry Butler passed last Thursday (Feb. 20); The Notorious B.I.G.’s mother, Voletta Wallace, transitioned the following day (Feb. 21); and on Monday (Feb. 24), a spokesperson for soul icon Roberta Flack confirmed the Hot 100-topping, Grammy-winning artist died that morning.
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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Rico Nasty’s comeback to Nardo Wick and 21 Savage’s latest link-up. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Ayoni, “2”
Built around jazzy piano chords, a pounding bass line and a sultry electric guitar, Ayoni’s latest track is a smoldering warning to those who dare test her gangster. “Simultaneously/ You were seeing her and loving me/ And now you’re here/ Lying at my front door,” she croons at the song’s onset, employing a haunting, almost sinister timbre that amplifies the cinematic nature of the track’s narrative. As the story progresses, Ayoni reserves the chorus for a moment of direct address: “I left the same time as you/ You thought you knew what I’d do/ But two could play too/ I could play you.” The scorned woman trope has gifted us with timeless R&B records going back to the Motown days, and Ayoni has found herself with a worthy addition to that canon. — KYLE DENIS
Jastin Martin, “28 Degrees In Houston”
Rising R&B star and Houston native Jastin Martin is back with her first track of 2025: “28 Degrees In Houston” is a heartfelt expression of longing, vulnerability and emotional dependency, particularly in moments of cold-weather solitude. Her smooth vocals and raw lyricism inject her explorations of relationship-minded emotions — missing someone, needing their presence, and reminiscing about past shared emotions, etc. — with gravity sourced from real-life experiences, ultimately making for a relatable joint that emphasizes the “B” in R&B. — CHRISTOPHER CLAXTON
AzChike, “Whatx2”
Years of grinding have paid off for AzChike, who parlayed his ScHoolboy Q guest appearance and a “Peekaboo” alley-oop from Kendrick Lamar into a recent label deal with Warner Records. Chike continues to build on his momentum with his major label debut single “Whatx2.” The AzCult frontman rides the West Coast bounce in laid-back fashion, and while others are getting hip to the wave, he’s long been a believer in the movement. “She said, ‘You one of them ones,’ I’m like, ‘I’m already knowing,’” he boasts. — MICHAEL SAPONARA
Joy Postell, “Show Me”
Baltimore’s Joy Postell and producer Mighty Mark have a jam on their hands with R&B cut “Show Me.” The song has a ’90s vibe, which goes perfectly with the dating commercial VHS tapes the singer has been posting on her YouTube channel to promote it. First, there’s Vanessa, the Cancer baddie; then there’s Stacy, who’s 100 percent muscle; and finally, there’s Linda, the entrepreneur. If you’re into this song, then you’ll dig “Play Nice (Mighty Mark Remix)” from last year. — ANGEL DIAZ
Durand Bernarr feat. T-Pain, “THAT!”
Back with a new album — and his first full-length project since he earned his very first Grammy nod earlier this month — Durand Bernarr continues his unpredictable, and rewarding, artistic evolution. Featuring collaborations with GAWD and T-Pain, Bloom continues Bernarr’s commitments to exploring the breadth of what progressive R&B can sound and feel like. “That” is a tender duet built around ethereal strings, finger-picked guitar and a distinctly ’00s melody that feels plucked from a Kirk Franklin & the Family arrangement. T-Pain’s trademark Auto-Tune adds some crackling verve to the generally laid-back soundscape, but it’s the way his tone marries with Bernarr’s that makes for a silky-smooth sound whether they’re harmonizing or singing in unison. — K.D.
Busta Rhymes, Akon & Vybz Kartel, “Crazy”
A Busta Rhymes-Akon-Vybz Kartel track was not on my 2025 bingo card! Since The Worl’ Boss made his return to the public, he’s been on a mission to drop the best music possible. Kartel even teased upcoming collaborations with Cardi B, Nicki Minaj and Drake in the near future. When it comes to “Crazy,” the trio goes wild, nearly losing their minds but also celebrating how great life is. The track reflects on freedom and ultimately delivers a bold message — they can’t be stopped. — C.C.
Chxrry22, “Just Like Me”
Chxrry22 is coming through with the female empowerment bops. “Just Like Me” keeps the First Lady of XO’s momentum rolling, following a cameo on The Weeknd’s Hurry Up Tomorrow album. Riding a bass line mixed with the keyboard-laden bounce of Pharrell’s “Frontin,” Chxrry has no issue boosting her man’s ego, but just know she’s one step ahead of the game. Ultimately, the Toronto singer comes around to realizing she likes them “Just Like Me.” The 23-year-old is primed to deliver her anticipated debut album this year. — M.S.
Rico Nasty, “Teethsucker (Yea3x)”
Rico Nasty has always felt a bit ahead of the times, and this could be the moment the mainstream finally syncs up with her. Introducing both her new Fueled by Ramen era and forthcoming Lethal LP — her first project since 2022’s Las Ruinas — “Teethsucker (Yea3x)” is more of the rambunctious rock-rap we’ve come to love from the DMV MC. After expressing her desire to “pop out like a titty,” Rico spits, “Not with the bull, we not bool/ I keep a tool at your medul, just hit the pool/ He got the best f–kin face, I think I’ma use him for a mule,” effortlessly maneuvering a raucous soundscape courtesy of Rayman on the Beat & Imad Royal. — K.D.
J. Cole, “cLOUDs”
“Just wanted to share,” Cole wrote via his Inevitable blog. “Made this a few days ago, then I added a second verse and was like, ‘Man I got a blog now, I can put whatever I want up there.’ I didn’t have a title 20 minutes ago when I decided to really put this up. But now I got one…” Thanks to his blog, we now have “cLOUDs”— a deep, introspective reflection on aging, change and the state of the world, layered with sharp lyricism and intricate wordplay. The song navigates life’s uncertainties, standing firm in values, and resisting the artificial influences of modern society. It’s a powerful mix of self-awareness and social critique, making it a deeply thought-provoking listen. — C.C.
Nardo Wick feat. 21 Savage, “HBK”
Nardo Wick and 21 Savage spar for the first time since colliding on Wick’s “Who Want Smoke?” breakout hit. Savage steals the show on “HBK” with another menacing feature to continue his potent run of guest appearances. The duo channels WWE superstar Shawn Michaels’ Heartbreak Kid persona, while 21 paints the picture of traveling to rival territory to hook up with a woman but knows he’s still gotta watch his back. “She stay by the opps, so when we f–k, I grip my gun,” he raps. Is there a better ad-lib in hip-hop right now than the Atlanta rhymer’s “p—y?” — M.S.
With the NBA All-Star tournament, SNL 50 and a potentially pivotal new joint album from Drake and Partynextdoor all coinciding on the same weekend, hip-hop continued its months-long chokehold on the apex of pop culture. Oh, and it was also Valentine’s Day Weekend, which gave us additional love-minded projects from Flau’jae, Jacquees & DeJ Loaf and Marvin Sapp.
Amid a shift in format, NBA All-Star Weekend featured performances from major names across hip-hop and R&B, including introductory performances from Grammy-winning Cali natives Raphael Saadiq (Feb. 15) and H.E.R. (Feb. 16). DJ Cassidy turned the halftime show into a special Bay Area edition of his “Pass the Mic Live!” series featuring appearances by E-40, Saweetie, Too $hort and En Vogue. Of course, All-Star Weekend couldn’t let such a major sports-meets-music moment pass without tapping Gelo, the biggest breakout hip-hop star of 2025 so far, to make his live TV debut with a performance of his Billboard Hot 100 hit “Tweaker” (No. 29). Other hip-hop and R&B performers over the weekend included LaRussell, Goapele, PJ Morton, 2 Chainz and Flo Rida.
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In 1981, the Funky Four Plus One became not just the first rap group to ever perform on SNL, but the first rap group to perform on American television. 44 years later, the iconic sketch comedy program enlisted several stars across hip-hop and R&B to help celebrate its 50th anniversary, including Lil Wayne, The Roots, Bad Bunny, Post Malone, T-Pain, Ms. Lauryn Hill, Wyclef Jean and Snoop Dogg.
And then there was Drake. And Partynextdoor. On Valentine’s Day (Feb. 14), the dynamic OVO duo braved the aftermath of Kendrick Lamar‘s victory-lapping Super Bowl LIX halftime show performances and launched their new R&B-focused joint album $ome $exy $ongs 4 U. With “Gimme A Hug” and “Nokia” gaining traction, the new record may have given The Boy a path to redemption.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Kwn & Kehlani’s sexy new remix to AJ Tracey & Jorja Smith’s viral new collab. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: A$AP Twelvyy feat. Lord Sko, “Nina Sky”
Just two days after A$AP Rocky scolded him mid-testimony for nearly revealing the meaning behind AWGE, A$AP Twelvyy dropped his fourth studio album, I Did More With Less (V1). Skewing closer to traditional hip-hop than the ethereal, Houston-indebted soundscapes that Rocky favors, I Did More With Less is yet another formidable showing from one of A$AP Mob’s most underrated members. On standout cut “Nina Sky,” Twelvyy joins forces with fellow NYC native Lord Sko for a braggadocious, shit-talking lyrical exercise that ends in an ode to the Puerto Rican duo who inspired the song’s title; “Both b–ches look alike, call ’em Nina Sky,” Twelvyy spits at the end of his final verse. With their laid-back flows complementing the spacious groove of Wrex Mason’s production, “Nina Sky” is a home run. Let’s keep Twelvyy off the stand and in the booth! — KYLE DENIS
AJ Tracey feat. Jorja Smith, “Crush”
A snippet that lived up to the hype: After a week of build-up, AJ Tracey and Jorja Smith’s Brandy-sampling “Crush” arrived to rave reviews from fans. The twitchy R&G bop finds J-Money even tapping into her rap bag a bit while Tracey lays out his plan to make the good girls go bad. The London rhymer goes a step far vividly describing his plan to watch anime and “take a bite out of her a–cheek.” Netflix and chill just got one-upped. — MICHAEL SAPONARA
Jaylon Ashaun & S!MONE, “5 Minutes”
Jaylon Ashaun and S!MONE reunite for another soulful collaboration with “5 Minutes”, a smooth and intimate track that explores the yearning for just a little more time with someone you love. The song beautifully captures the tension between love and responsibilities, as the couple holds onto their last few moments together, wishing they could pause time. With its heartfelt lyrics and captivating delivery, “5 Minutes” — S!MONE’s first release since her 2024 debut album — should resonate with anyone who’s ever struggled to say goodbye, even if only for a short while. — CHRISTOPHER CLAXTON
Cash Cobain feat. Bay Swag & Rob49, “Trippin on a Yacht”
There’s often interesting lore behind Cash Cobain songs. For “Tippin on a Yacht”, the New York rapper and producer previewed the song during a session with streamer PlaqueBoyMax back in January, and has had fans in his social media comments and replies asking for it ever since. Featuring a New Orleans bounce sample, Cash is joined by Bay Swag and the Nola’s own Rob49 on a song that makes you wish you were in the middle of the ocean, surrounded by baddies. — ANGEL DIAZ
Saint Lamaar, “Buss at You”
“Said, Dracos, ouuu/ Keltecs, too/ 7.62/ I can’t wait to buss at you,” croons Saint Lamaar, a rising R&B star from Columbus, Ohio. When you click play on “Buss at You,” you might be surprised to hear the opening notes of Tamia’s “Can’t Get Enough.” You might be even more surprised to realize that the production from Tamia’s original remains largely unchanged as Lamaar launches into an ode not to a lover, but to his gun. “I be keeping my cool/ Never know when I’m gonna have to shoot/ So I’m watching everything/ And bro watching everything/ And I know we feel the same way,” he croons in this hilarious and infectious song. Lamaar’s voice is surprisingly soulful, and his youthful timbre and slight rasp add interesting textures to the nostalgia baked into Tamia’s 2006 hit. — K.D.
OhGeesy & Saweetie, “Cuttin Up”
It’s a West Coast party as Los Angeles meets The Bay. This might be OhGeesy’s album, but Saweetie steals the show with her sharp assist. “It never rain in California, I’ma make it rain today, throw them ones, hoe,” Saweetie raps on an earworm of a chorus. “Cuttin Up” should make every strip club DJ’s rotation to close out February. — M.S.
Ayra Starr, “All the Love”
Afrobeats princess Ayra Starr delivers a heartfelt and uplifting anthem with “All the Love,” a song about genuine love, loyalty and emotional support in a world where fake love is all too common. She reassures her someone special that her love is real and unwavering, promising to be their safe space when others may not have their best interests at heart. Singing, “But one thing is certain, I’ll be that person/ Wey go be your shoulder, buddy, bestie, anything,” Ayra emphasizes the depth of her commitment — offering not just romance, but true companionship and emotional security. The song contrasts authentic love with the superficiality often found in relationships, urging the listener to let their guard down and accept something pure. With its warm melodies and soul-stirring lyrics, “All the Love” serves as both a love letter and a reminder that real love still exists. — C.C.
kwn & Kehlani, “Worst Behavior”
Chances are you probably saw a clip of Kwn and Kehlani’s scene-stealing 30-second makeout session before you actually heard their new song — but it’s still well worth your time to do the latter. Kwn dropped the original version of her steamy, sensual “Worst Behavior” last fall, and now Kehlani — fresh off three 2025 Grammy nominations — has added her touch to the track. “I’ma turn into a slip and slide, I’ll make sure you’re satisfied/ Meet the record every night/ ‘Cause you do me so good thinking of keeping it/ Say my s–t tastes so good, you tryna sleep in,” she coos, expertly ratcheting up the chemistry and tension between her and Kwn as Sasha Keable’s background vocals add yet another layer of seduction. — K.D.
Toosii, “168 Hours”
There are 168 hours in a week and Toosii is just trying to make the best of every minute. The bouncy production boasts a solemn flair that Rod Wave would’ve snatched up for his next album with ease. The 25-year-old rapper-singer holds his own while pouring out his heart about his dedication to making a certain relationship work no matter the obstacles. Job well done, although we could’ve done without the poop stains bar in the second verse – you got your point across, Toosii. — M.S.
Halle, “Back and Forth”
“Back and Forth” is a sultry, emotionally charged song about love, passion, and emotional conflict in a relationship. Halle explores the push-and-pull dynamic of a relationship where love, frustration, and desire all blend. She expresses her need for love that doesn’t hurt, yet she’s drawn to the emotional highs and lows that come with intense passion. “Sometimes I like when you get angry/ Something about it just reminds me that you care,” she admits, revealing her attraction to the passionate side of conflict, even if it’s not the healthiest. “Back and Forth” captures the complex emotions of a relationship that swings between love and frustration. Halle’s smooth vocals and vulnerable lyrics reflect the struggle of wanting stability while craving passion — even if it’s a bit toxic. — C.C.
Compton, it’s a sweep! At last night’s 67th Annual Grammy Awards (Feb. 2), Kendrick Lamar went home the most-awarded artist of the night, taking home all five categories “Not Like Us” was nominated in. With his victories for best rap song, best rap performance, best music video, song of the year and record of the year, Lamar brought his career total to 22 wins. What’s more? In one night, “Not Like Us” won as many Grammys as Drake has in his entire career.
In non-Lamar Grammy news, Doechii shut down the stage twice. First, she delivered an emotional acceptance speech after winning best rap album for Alligator Bites Never Healed, and she returned to the stage a few hours later for an explosive medley of “Catfish” and “Denial Is a River.” The R&B field wisely avoided a sweep and spread the wealth between Muni Long (best R&B performance for “Made for Me”), Chris Brown (best R&B album for 11:11), SZA (best R&B song for “Saturn”), Lucky Daye (best traditional R&B performance for “That’s You”) and Avery*Sunshine (So Glad to Know You) and NxWorries (Why Lawd?), who tied for best progressive R&B album.
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And, at long last, Beyoncé finally won album of the year, joining Natalie Cole, Whitney Houston and Lauryn Hill as the only Black women ever to receive the honor as lead artists. Cowboy Carter also took home best country album and best country duo/group performance for the Miley Cyrus-assisted “II Most Wanted.”
Drake let Kendrick (and The Weeknd!) enjoy their Grammy moments last night, but he wasted no time making his own moves the following morning. On Monday (Feb. 3), Drizzy confirmed that $ome $exy $ongs 4 U, his long-awaited joint album with Partynextdoor, will arrive on Valentine’s Day (Feb. 14) — less than a week after K.Dot is slated to perform at the Super Bowl LIX Halftime Show.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Doechii’s Grammy victory lap anthem to action to Jessie Reyez’s slinky new jam. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Doechii, “Nosebleeds”
Hours after joining Cardi B as just the second female rapper to win the best rap album Grammy as a soloist, Doechii dropped the soundtrack to her victory lap. Calling on Ye’s 2005 Grammy acceptance speech, the Swamp Princess kicked off her surprise new Jonas Jeberg-helmed track saying, “I don’t know, is she gonna go crazy? Is she gonna go crazy?/ Everybody wanted to know what Doechii would do if she didn’t win/ I guess we’ll never—.” Prancing down the path of Slick Rick, Doechii spends “Nosebleeds” weaving in and out of new flows, each more arresting than the last, and different vocal intonation and affectation to highlight the kaleidoscopic feel of Jeberg’s frenetic production. Reminiscent of 2022’s “Crazy” with an ethereal beat switch tucked at the very end, “Nosebleeds” is a loosie that bodes well for the rest of Doechii’s 2025. — KYLE DENIS
Lord Sko & Curren$y, “Understand”
The prince of Uptown NYC. A throwback to the Golden Era lyricism that once emanated from the pavement of the Big Apple, Lord Sko floats above the skyscrapers on the jazzy “Understand.” He delves into his escapades betting on Italian horses and how he’s spent so much on drugs that his plug became a fan. “It’s just something you can’t understand/ Word is in my palm, my blunt is in the other hand,” he raps. Curren$y feels right at home over the soulful production while flexing about his marble tiles and fountain sitting in his front yard. Look for Sko’s Piff album arriving on March 28. — MICHAEL SAPONARA
Jessie Reyez, “Goliath”
“GOLIATH,” the latest taste of Jessie Reyez’s forthcoming new album, serves as a powerful reflection on selfless love. Reyez showers her partner with appreciation, expressing just how much their love means to her and her deep desire to hold on to it. “GOLIATH” centers on unwavering devotion, portraying a love so strong that she’s willing to fight any battle to protect it. The title is a biblical reference to the giant warrior defeated by David, symbolizing immense challenges or obstacles. When Reyez sings, “I would square up with any Goliath,” she declares her readiness to take on anything for love. Lines like “moonwalk it through any fire” further drive home her commitment — she’s not just facing difficulties, she’s moving through them with ease and confidence. With “GOLIATH,” Jessie Reyez delivers yet another emotionally charged anthem. — CHRISTOPHER CLAXTON
Durand Bernarr, “Impact”
Fresh off his first career Grammy nomination (best progressive R&B album for En Route), acclaimed indie R&B singer-songwriter Durand Bernarr launched “Impact,” the lead single from his forthcoming third studio album, Dur&. Over pulsating synths, Bernarr employs a range-traversing approach to vocal performance that allows his bright falsetto and robust lower register to highlight the darkest and warmest elements of the soundscape Stanley Randolph, Poe Leos and nftnty94 co-created. A funky ode to remembering the link between intention and impact, Bernarr’s latest single keeps his hot streak going. — K.D.
EST Gee feat. Travis Scott & Lil Baby, “Houstatlantaville”
Geeski season has returned. Taking inspiration from Drake’s “Houstatlantavegas,” EST Gee flips a street anthem of his own connecting H-Town, Atlanta and Louisville alongside Lil Baby and Travis Scott for “Houstatlantaville.” Originally just Gee and Baby, a strip club encounter with La Flame in Houston brought him into the fold. Scott bats third after a pair of gritty verses and takes the chance to boast about his lucrative touring. “Every time I touch the stage, that’s two million in the case/ 30-plus shows in the states, I come back with twice my age,” he boasts. The song’s full parent album, Gee’s I Ain’t Feeling You, is also worth the price of admission. — M.S.
Coco Jones & Leon Thomas, “Here We Go (Uh Oh) [Remix]”
“Here We Go” again! Coco Jones is back with a fresh take on her Grammy-nominated hit “Here We Go (Uh Oh),” this time teaming up with Leon Thomas. As she readies for the release of her highly anticipated debut album under High Standardz/Def Jam Recordings, Jones continues to build on the momentum of her 2022 EP What I Didn’t Tell You, which featured the Grammy-winning track “ICU.” On the remix, Leon Thomas steps into the role of the ex, offering a raw and emotional response that adds another layer to the song’s narrative. “Here We Go (Uh Oh) (Remix)” vividly portrays the tumultuous cycle of a toxic, on-again, off-again relationship where neither partner can truly let go. Coco Jones channels frustration as she attempts to break free, but subtle actions — like her ex liking her posts — keep drawing her back in. Leon Thomas, on the other hand, views their tumultuous love as just part of the experience, questioning why she would move on while subtly implying that she’s not completely over him either. — C.C.
Dee Gatti, “Control”
Like Ms. Jackson, everyone has a story about control, including rising Texas R&B singer Dee Gatti. “Too selfish for your own good/ Baby, you change on your own time/ ‘Cause I gave it the best I could/ Ain’t no saving you, I tried/ If I could care any less, I would,” he croons in the pre-chorus over percussive, early ’00s Timbaland-evoking production courtesy of Kofo, Jay Gogna & Arniticus Anderson. With sweeping, histrionic strings perfectly communicating the harrowing stakes of navigating a relationship with a controlling — and maybe even manipulative — partner, “Control” is an excellent addition to Gatti’s 2025 offerings. — K.D.
AzSwaye, “LOTTA”
AzChike represented for the AzCult with his guest appearance on Kendrick Lamar’s GNX album, and AzSwaye takes the baton for the crew into 2025. Swaye’s never been shy about rolling the dice in life and his overindulgences. “You know I talk a lot of s–t/ I’m off drank, I’m off pills/ I’m on a lot of s–t,” he raps over trunk-rattling drums for the menacing “LOTTA.” Raised around West Coast rap royalty – Kendrick Lamar once helped save him following a treadmill accident – Swaye looks to etch his own chapter in the history books. — M.S.
Mahalia feat. Lila Iké, “Pressure Points”
British singer Mahalia teams up with Jamaican artist Lila Iké for the reggae-influenced “Pressure Points,” exploring the complexities of a passionate yet tumultuous relationship. The song blends intense love, longing, frustration, and emotional strain. The opening establishes a desire for balance, with Mahalia’s chorus using “pressure points” to describe the emotional and physical areas where her partner can reach her, urging them to act on their deep connection. Lila Iké’s verse shifts the tone, expressing frustration with the inconsistency of the relationship and calling for more honesty and commitment. Mahalia’s second verse highlights the emotional push and pull, feeling desired when together but cold and uncertain when apart. The bridge, where both artists unite, demands that actions match words, emphasizing that promises are empty without tangible effort. “Pressure Points” captures the emotional complexity of a love that’s both passionate and challenged by mixed signals, emotional distance, and the need for deeper commitment. — C.C.
Between Vybz Kartel‘s blockbuster Freedom Street homecoming concert, Machel Montano‘s historic NPR Tiny Desk set and the slow-burning crossover of new soca anthems like Kes‘ “Cocoa Tea” and Yung Bredda’s “The Greatest Bend Over,” Caribbean music has gotten off to an excellent start in 2025.
On Sunday (Feb. 2), music’s biggest stars will convene in Los Angeles for the 67th Annual Grammy Awards, which will be turned into a fundraiser for relief efforts in the wake of several devastating fires in the greater Los Angeles area. At this year’s ceremony, Kartel (Party With Me), Shenseea (Never Gets Late Here), The Wailers (Evolution), the Bob Marley: One Love soundtrack, and Collie Buddz (Take It Easy) are the nominees for best reggae album. Kehlani‘s “After Hours,” which samples Codell “Skatta” Burrell’s Coolie Dance riddim, is nominated for best R&B song. Just three weeks later, Popcaan, Shenseea, Skillibeng, Spice, Valiant and YG Marley will duke it out for best Caribbean music act at the MOBO Awards (Feb. 18), while the Bob Marley: One Love film will compete in six categories at the NAACP Image Awards (Feb. 22).
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As these ceremonies celebrate the best of 2024, the new year is already heating up with new earworms to soundtrack the forthcoming Carnival season. Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:
Freshest Find: Kranium & Masicka, “Cut the Link”
“You give dem everything dem ask for/ And dem end up turn dem back yeah/ Now I know/ Mankind, you can’t tame them/ Dem wah you die, mi realize/ Dem wah fi own di place where you reside/ Mi cut the link, I know the deal,” Kranium croons in the opening verse of “Cut the Link,” a somber rumination on overcoming leeches and detractors. Produced by TJ Records and featuring an assist from Masicka, “Cut the Link” delivers a dancehall track that deals with raw emotion and real-life struggles, topics that are always welcome and cherished in a sea of gun and gyal chunes. “Cut The Link” marks the third collaboration between Kranium and Masicka, following 2016’s “Beach House” and 2017’s “Fire in the Rain.”
Shenseea, “Puni Police”
In a few days, Shenseea could become a first-time Grammy winner, but her current focus is lambasting the “Puni Police.” “Hot gyal a nuh fi everybody, my yute/ Comment pon mi picture dem, a that a mad you/ You too insecure, so you lose/ That’s why I’mma need you to/ Gimme some room to breathe,” she spits over Di Genius’ siren-evoking riddim. Her self-assured lyrics of self-respect in the face of an overly possessive partner add beautiful color to the ever-evolving portrait of woman-helmed dancehall songwriting. Shenyeng and Di Genius last linked up for two Never Gets Late Here tracks: “Neva Neva” and the Masicka-assisted global hit “Hit & Run.” Clearly, the two artists have A1 chemistry.
Lu City & Didi B, “Petit Bonon”
St. Lucia’s Lu City and the Dominican Republic’s Didi B are a match made in heaven on their sultry “Petit Bonbon” single. A slinky mélange of Afrobeats-inflected dancehall and slight notes of soca drums, “Petit Bonbon” finds the cross-Caribbean collaborators joining forces to tribute an eye-catching young lady who’s reigning over the club on a given night. With a greater emphasis on melody and feeling over rapid-fire wordplay, “Petit Bonbon” is a nice conduit to bring the evening into a slower, more seductive place.
Hector Roots Lewis featuring Johnny Cosmic, “Celebration”
After spending last year basking in the success of the box office-topping Bob Marley: One Love soundtrack, Hector Roots Lewis is back with a brand new single. A modern roots reggae tune produced by Johnny Classic, “Celebration” serves as the fifth single from Lewis’ forth-coming project. “To my brothers in the streets/ To my sisters in the streets/ Leave the guns and leave the knives/ We don’t want no fuss or fight,” he implores over the easy-rocking reggae guitars and breezy percussion, maintaining the peaceful proclamations that decorated Marley’s catalog. Lewis’ voice is incredibly charismatic on “Celebration,” seamlessly switching from warm sustained notes in the verses to more staccato delivery in the outro.
Machel Montano, “Pardy”
After making history by bringing soca music to NPR’s Tiny Desk concert series for the first time ever, Machel Montano hopped on a few more riddims in anticipation of Carnival season. Among his new drops is “Pardy,” a reminder that we all work hard, so we all deserve to party. “All work and no play/ Mi seh, ‘No way’/ We don’t want no part of that/ I need a stress reliever, two drinks in mi hand a gyal in the middle,” he sings in the opening verse, expertly setting the scene for an explosive release in the chorus soundtracked by Badjohn Republic and XplicitMevon’s high-octane drums. Packaged with a music video suitable for all ages and generations, “Pardy” is primed to take over the season in due time.
Lyrikal, “Road Anthem”
At this point, is it really a surprise when Lyrikal drops off another road march anthem? With some help from KesKeyz, the Trinidadian artist debuted “Road Anthem,” a song that accomplishes exactly what its title suggests. “Like the government, we go on di road/ Dem go talk about we for centuries/ There’s no other place that is on this Earth/ There’s no other place, there’s no other place/ I never want to miss this feeling again!” he sings, effortlessly invoking the inimitable energy and rejoiceful spirit of the road during Carnival. Like any great soca artist, Lyrikal is a master at pacing, always allowing the verses enough breathing room to stretch out the song’s ascent into a bombastic chorus.
Foreign Dan, Yung Bredda & Venumm, “Cocoa She Want”
After topping Trinidad & Tobaga’s Apple Music chart with his runaway hit “The Greatest Bend Over” late last year (Dec. 30, 2024), Yung Bredda found some time to link with Foreign Dan and Venumm for “Cocoa She Want.” “She don’t want no Lipton, she don’t want no Milo/ All she askin for is the pure cocoa,” Venumm croons over Foreign Dan’s jaunty production. When the soundscape opts for a sparser percussion line halfway, Yung Bredda flaunts his versatility, weaving in and out of harmony with Venumm as he delivers his own promises to share his “cocoa.”
Jahshii & Pop Style, “E.G.Y.G. (Every Ghetto Yout Great)”
With his new Pop Style-helmed single, Jahshii uses the gritty template of trap dancehall to craft an uplifting anthem for Jamaica’s ghetto yutes. When his impassioned, Auto-Tuned voice creeps into its upper register to proclaim that “every ghetto yout great,” Jahshii reaches an emotional apex rarely visited by his trap dancehall contemporaries. On this track, perhaps more than any of his previous efforts, Jahshii intricately understands how to find the emotion and humanity in an expressly digitized landscape, and he fills those pockets with the kind of gut-wrenching wails that demand not just attention, but close listening too.
Adam O & ARK Productions, “Ms. Masquerader”
With “Ms. Masquerader,” a tribute to the countless beauties on the road, Adam O makes himself at home in the role of ultimate ladies’ man. The St. Vincent and the Grenadines-born artist incorporates more Haitian and Dominican musical influences than your typical soca anthem, but between his raspy vocal performance and live instrumentation by Chryston Floyd (guitar), Konata (percussion) and Geremi Webb (bass), “Ms. Masquerader” stands as a smashing success. It’s a Carnival jam to keep your waistline moving and facilitate a steamy dance or two on the road.
Nailah Blackman & Skinny Fabulous, “Forever”
Both Nailah Blackman and Skinny Fabulous are likely to have yet another dominant year in 2025, and their new “Forever” collaboration is a reminder of why that’s the case. “Carnival, it is my time/ I wanna catch the spirit, it is high time/ Twice is not enough, I need it five times/ For a lifetime,” they plead in unison on the pre-chorus, personifying Carnival as a being that holds the key to a very special kind of unfettered joy and celebration. With CMungal Music, Keiron “Ogoshhoyte” Hoyte, Anson Pro, David “Millbeatz” Millien, Evolution the Band and Johnny Q all contributing to production, “Forever” has notes of all the different traditional and innovative elements that made 2016 such a beloved soca year.
More African artists are coming for the global spotlight in 2025.
Qing Madi, who was featured on Billboard‘s 21 Under 21 list last year and has been featured on Spotify and Genius‘ 2025 Artists to Watch lists, readied fans for her debut album I Am the Blueprint, which dropped Friday (Jan. 31) with her romantic single “Akanchawa” arriving right in time for Valentine’s Day. Darkoo pays homage to P-Square and late 2000s Afrobeats on her new club jam “Focus on Me (All the Sexy Girls in the Club).” And Teni and Black Sherif get in their introspective bag with their new singles “Money” and “Lord I’m Amazed,” respectively.
We’ve also changed the name of our column from “Afrobeats Fresh Picks” to “African Fresh Picks,” to be more inclusive of artists coming out of the continent whose music exists beyond the borders of “Afrobeats.” While we’ve always featured African artists who’ve made alté, amapiano, highlife and more styles of music, we want that to be reflected in the title, too.
We’ve highlighted 10 of our favorite new songs by African acts that have come out roughly within the last month. Check out our latest Fresh Picks, and get the new year started with our Spotify playlist below.
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Darkoo, “Focus on Me (All the Sexy Girls in the Club)”
Following her frothy summer banger “Favourite Girl” — which is nominated for song of the year at the 2025 MOBO Awards — British-Nigerian singer Darkoo gets the new year and all the parties started with “Focus on Me (All the Sexy Girls in the Club.)” The infectious waist-whining anthem samples P-Square’s 2009 hit “Gimmie Dat” for a nostalgic Afrobeats vibe, while the accompanying music video pays homage to the iconic Nigerian duo’s 2007 “Do Me” visual.
Qing Madi, “Akanchawa”
Qing Madi is giving all her love to someone special on “Akanchawa,” which arrived before she released her debut album I Am the Blueprint today via JTON Music. “Akanchawa” is an Igbo word meaning “good hands” or “hands that bring good things,” and she’s beyond grateful to have this love come into her life. And Marvey’s mellifluous production enhances the sweetness of the song.
Nasty C, “For Certain”
Nasty C gave his fans “a little gift” at the end of 2024: the sizzling single “For Certain.” The South African rapper touts his cool factor while reflecting on the importance of legacy when he asks, “What is your reason for breathin’?” and “What you go leave when you leavin’?” in the first verse.
Mabel & King Promise, “All Over You”
After collaborating with Afroswing king Kojo Funds and Ghanaian rapper Black Sherif last year, Mabel teams up with Ghanian singer-songwriter King Promise on the tantalizing record “All Over You.” The duo craves an intimate exploration of one another, as Mabel sings, “That pillow talk is talking, please tell me some more/ Hands on mine, skin to skin, eye to eye.” As a fan of Asake’s right-hand producer Magicsticks, Mabel traveled to Lagos to make the song with him, according to a press release, and he makes his signature log drum-infused percussion and compelling crowd vocals loud and clear on “All Over You.”
DeJ Loaf, Runtown & Libianca, “Up Or Down”
Def Loaf recruits Nigerian singer-songwriter Runtown and Cameroonian-American artist Libianca for “Up Or Down.” Producer Cheekychizzy’s pulsating rhythm sets the tone for the topsy-turvy tune, as the Detroit rapper sings about loyally waiting for someone to come back around. Meanwhile, Runtown wants a girl for a good time but not a long time, and Libianca croons about loving someone with commitment issues.
Teni, “Money”
“They say money don’t buy you happiness/ Money can’t buy you love/ Money don’t fill this emptiness/ But I want all the money in the world,” Teni croons on her latest single, a piano ballad that’s a departure from the bops on her fantastic last album, Tears of the Sun. But the stripped-down song instead serves as a showcase for her vocals and songwriting, a simple yet deeply affecting entry into her growing catalog.
Black Sherif, “Lord I’m Amazed”
The Ghanaian MC continues sketching the story of his life through his latest string of fantastic singles — many of which have appeared in this column — and “Lord I’m Amazed” is the latest in that lineage. This is more contemplative than some of his higher-energy cuts, but it’s exactly that that sets it apart, as Sherif takes a moment to step back and reflect on the blessings in his life and how far he’s come. Even when he departs from his usual flow, no one sounds like him right now, which is the highest praise for an artist of his caliber.
Andy S feat. Sarahmée, “Dracula”
The sheer ferocity that storms through from Côte d’Ivorian rapper Andy S. on this track spans languages — she raps primarily in French — and cultures, as she and Senegalese-Canadian MC Sarahmée rip through this track, bringing high drill energy over an understated beat. The song appears on Andy S.’s brand new EP Born Ready, which is six explosive tracks of all different vibes, and is a fascinating introduction to a bright and promising artist.
Krizbeatz & Tekno feat. taves & Adewale Ayuba, “The Roof”
Veteran producer Krizbeatz took a turn as artist with his new album Daddy Daycare, and he tapped longtime collaborator Tekno to helm this track alongside saves and Adewale Ayuba. The simple hook dominates, but, perhaps unsurprisingly, it’s the production that really takes center stage, pulling from traditional Afrobeats drums, R&B stylings, amapiano log drum accents and electro undertones to craft a constantly-mutating beat that provides the perfect platform for the vocalists to groove over.
Carter Efe & Khaid, “PRAY”
Carter Eye may be best known as a comedian — certainly that’s where much of his social media energy lies — but his forays into music have borne fruit, too, first with the Berri Tiga-assisted “Machala” a few years ago and now most recently with this new cut with Khaid, one of the best young vocalists and hitmakers to emerge in the past two years. There’s not much that Khaid touches that doesn’t become an immediate earworm, and “PRAY” is no different — the rising singer is destined for greatness sooner rather than later, as his catalog keeps growing with hit after hit.