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Source: Netflix / Netflix
It has been months since rumors circled that Colman Domingo was being eyed to replace Jonathan Majors as Kang The Conqueror in the Marvel Cinematic Universe, and while that’s still a possibility, the man is keeping himself busy with new and interesting projects.
On Tuesday (Oct. 29), Netflix dropped a new trailer to its new original series, The Madness, which stars Colman Domingo as political media pundit, Muncie Daniels, who finds himself accused of a murder he didn’t commit. After witnessing the murder of an infamous white supremacist (not Trump), Daniels is framed for the killing and can only rely on himself to clear his name while delving into the crazy conspiracy behind the crime.
Of course they’d frame a Black man for the murder of a white supremacist. Watch ya back out there Don Lemon!
According to Hypebeast, Domingo will be joined by the likes of Marsha Stephanie Blake, John Ortiz, Gabrielle Graham and Tamsin Topolski.
The Clement Virgo-directed series will be an eight-episode thrill ride that’s sure to have twists and turns at every angle. So y’all better buckle up because Colman Domingo don’t be signing up for no lame ish.
Per Hypebeast:
“Everything about this conspiracy thriller excited me. It was a unique protagonist, one that I had never seen or experienced,” Domingo told Netflix. “Someone who has very centrist beliefs, and now they’re being thrust into the world to really hard-core believe in something and to reexamine the people that they believed were possible enemies. You realize you have more in common with them than you thought you had in the beginning.”
“I think it says a lot about who we are now and what we’re willing to do, and also to look at who’s really pulling the strings and for whose benefit.”
The Madness premiers on Netflix Nov. 28. Check out the trailer and let us know if you’ll be checking for it come next month in the comments below.
One week after wrapping up the 2024 dates of her GUTS Tour, Olivia Rodrigo has brought the global trek to TVs around the world, as Olivia Rodrigo: GUTS World Tour, the pop superstar’s debut concert film commemorating her first arena headlining run (in support of the album of the same name), was unveiled on Netflix on Tuesday (Oct. 29).
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In a conversation with Billboard the day before the special was released, Rodrigo explained that the GUTS tour — which reached four continents (South America will become the fifth next March) and grossed $186.6 million, according to Billboard Boxscore — represented a moment that she wanted to preserve in the form of a concert film.
“I think I was just so proud of the show — it felt special,” says Rodrigo. “It was happening at the right time for me and my career, and I wanted to capture it. I’m really excited to have a kind of a time capsule — like I could show my kids, ‘Hey, when your mom was 21, this is what she did every night!’ I think that’s gonna be pretty fun.”
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Olivia Rodrigo: GUTS World Tour showcases the full experience of the show, with elaborate set pieces, ample footage of Rodrigo rocking out with her band, close-ups of screaming super-fans and (of course) smash hits like “Drivers License,” “Vampire” and “Good 4 U.” Rodrigo says that she got the idea for the concert film midway through the arena run, which kicked off in February and wrapped up for the year on Oct. 22.
“I made sure that I had a lot of shows to practice with, because I was pretty nervous for the filming,” she explains. “I think we always had an intention of making a concert film. I would go to all these cities, and I love to get breakfast before I go to the show. I would meet all these people in the various states, and they’d be like, ‘Oh, I just wish I could have gotten tickets, I wasn’t able to,’ and it made me sad. And so I’m really excited that maybe people who wanted to go, who weren’t able to get a seat, can watch it now on Netflix, in the comfort of their own home.”
The special was filmed over two nights at Intuit Dome in Los Angeles in August, and Rodrigo says that she is “so happy that we shot it in my hometown.” At one point in the film, Rodrigo salutes In-N-Out Burger as a nod to the local chain, and is met with roars from the L.A. crowd. “We almost cut it out,” she says of the line in the movie. “They were like, ‘People who don’t live in California aren’t gonna get it!’ I’m like, ‘No. Keep it in. It’s part of who I am!’”
Filming in Los Angeles also allowed Rodrigo to feature Chappell Roan, who opened the first leg of the GUTS tour at the start of her own whirlwind breakthrough year. Roan returned as a surprise guest at the Aug. 20 show to perform her hit “Hot to Go!” alongside Rodrigo, the pop stars embracing and ecstatically dancing around the stage midway through the film.
“I’ve heard lots of really loud screaming in my life and the various shows that I’ve done, but I truly don’t think I’ve ever heard a scream as energetic as the scream when I announced that Chappell was coming onstage,” Rodrigo says. “It was just electric, and people were so excited. It felt like such a really special moment, and so I’m really happy that it’s in the film, for us to be able to watch forever.
“And on a more personal level,” Rodrigo continues, “Chappell was a really big part of the GUTS world tour — she opened for the first leg, and really helped me through a lot of it. I’ve known her for a while, and she’s a really wonderful friend of mine, and so I’m happy that she could be included [in the film].”
Olivia Rodrigo: GUTS World Tour is being released one week before a U.S. presidential election in which women’s rights has become a hot-button issue. Rodrigo’s work with the Fund 4 Good, the charitable component of the GUTS Tour that partnered with local organizations to champion girls’ education and support reproductive rights, will continue beyond the arena run and become a core part of her career moving forward. And while the Fund 4 Good is not an explicit part of the concert film, Rodrigo’s work uplifting young women, onstage and off, is demonstrated throughout its run time.
“I created the Fund 4 Good at the beginning of this year, tied to the tour — I wanted to do something that tried to help or make a difference, and this year felt particularly apt,” Rodrigo explains. “We raised a lot of money for abortion funds in America, through grassroots organizations who raise money to provide hotels or airfare, or can cover medical bills, for women who are unable to get an abortion because of financial situations, or because of what state that they live in.”
Ultimately, Rodrigo says, the Fund 4 Good feels like “the most important part” of the entire GUTS tour. “I really hope that people get out there and vote,” she says, “and that we won’t have to have so many abortion funds next year.”
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Actor David Harris, who famously portrayed Cochise in the cult classic film The Warriors, has passed away. He was 75.
According to the New York Times, Harris died in his home in New York City after a battle with cancer, per his daughter Davina Harris.
Harris appeared in films like A Soldier’s Story and Fatal Beauty, and television shows including NYPD Blue, In The Heat of the Night and Law & Order: Special Victims Unit. But it was no doubt The Warriors, released in 1979, that still got him recognized wherever he went.
In The Warriors, a Hip-Hop movie through and through for those that know, the eponymously named gang has to make it all the way back to Coney Island after a big gang meeting in The Bronx goes left when Cyrus—who hoped to unite all the gangs—gets shot and killed after his epic “Can you dig it?!” speech. Keep in mind , there are no cell phones or Ubers, just NYC’s rapid transit and every other gang in the city out to stop them. It was Cochise who proved to be one of the more thorough members of the crew, showing deference to war chief Swan, finding time to party with girls on the way home and willingly throwing hands when it became necessary.
“I was the last Warrior cast,” Harris told The Five Count podcast during an interview. “Walter Hill saw like, I don’t, 300 or 400 actors for Cochise in The Warriors in New York, but he could find Cochise. I was in Minneapolis doing a play and I got back to New York and Walter was still trying to find Cochise. My agent said, Hey man there’s this movie in the city and there’s a part that they’re having a problem casting… I walk into the room, I had two scenes to read for Walter but he took one look at me [and] said, Go down to wardrobe. He found his Cochise.”
Rest in powerful peace David Harris.
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Source: Netflix / Netflix
It’s been more than a year since the sudden passing of legendary TV host Jerry Springer, and while many youngn’s wouldn’t understand why he’s held in such high regard among the older generation, they’ll be able to get an idea as to why he was beloved as a new documentary is set to release in the new year.
According to Variety, Netflix is set to release a two-part documentary dubbed Jerry Springer: Fights, Camera, Action, which is set to release Jan. 7, 2025. The documentary will delve into how Jerry Springer went from a reporter at a local television station to hosting one of the most ratchet and entertaining talk shows of the 90s. It. Was. Amazing. Kids used to skip school, watch the show and risk getting “Cutting Cards” sent to their homes, but y’all youngn’s wouldn’t know anything about that.
The Hollywood Reporter reports:
Per Netflix, the “jaw-dropping” doc will feature “first-hand testimony and revelations from show insiders,” as well as interviews with producers and former guests who help uncover “a murkier picture” of “The Jerry Springer Show” and “the destruction it caused.”
“Fights, Camera, Action” promises to raise “renewed questions about who was responsible, and how far things should go in the name of entertainment.”
“The Jerry Springer Show” ran for 27 seasons, from 1991 to 2018, and became popular due to its trashy, unfiltered approach to controversial topics such as incest, racism and adultery. The guests were characteristically rowdy, often breaking out into fist fights and screaming matches, broken up by security guards. It also became a trend for women in the audience to flash their breasts in exchange for “Jerry Beads,” Mardi Gras-style necklaces with the show’s logo.
Again: It. Was. Amazing.
While most people felt it was staged, scripted and rehearsed, none of that mattered. It was junk food for the brain and we indulged in it every time.
Will you be checking out Netflix’s Jerry Springer: Fights, Camera, Action when it premiers on Jan. 7, 2025? Let us know in the comments section below.
Pianos anchor both Abigail Barlow’s and Emily Bear’s Los Angeles apartments. Self-described “Barbie girl” Barlow, 25, has a shiny magenta lacquered Yamaha U1, as brightly hued as her hair and her bedazzled Stanley mug. The “old-ass” Steinway upright — a refurbished turn-of-the-century specimen purchased from “a random warehouse downtown” — belongs to 23-year-old Bear.
It would be tempting to assume that the two musicians are polar opposites, based on their instruments as well as their backstories. Barlow is a pop singer-songwriter who first dreamed of becoming “a musical theater actrice”; Bear was a wunderkind classical and jazz pianist, a Quincy Jones protegée who played for Beyoncé on the Renaissance tour and was intent on writing film/TV scores. And while both entered the industry in their teens, it wasn’t until a mutual friend introduced them in 2019 that they started writing songs together. Their creative partnership (and friendship) has been, as Barlow says, “just like alchemy,” ever since.
Amid the coronavirus pandemic, Barlow & Bear co-wrote The Unofficial Bridgerton Musical Album, inspired by the book series and hit Netflix drama, which became a viral sensation, racking up 60.3 million on-demand U.S. streams, according to Luminate, and winning the duo the best musical theater album Grammy Award in 2022. (Netflix sued the pair that July for copyright infringement when it put on a live, for-profit performance of the album at the Kennedy Center; the suit was reportedly settled out of court a few months later.) But now, their collaboration is about to hit the mainstream. Barlow & Bear’s music for Moana 2, in theaters Nov. 27, will make them the youngest (and only all-women) songwriting duo to create a full soundtrack for a Disney animated film. Two of their songs — “Beyond,” a soaring showcase for star Auli’i Cravalho (Moana), and “Can I Get a Chee Hoo?” for Dwayne “The Rock” Johnson (Maui) — will, Disney reveals, be submitted for Academy Award consideration.
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Like much of the musical theater-loving world, Walt Disney Music president Tom MacDougall first became aware of Barlow & Bear as a team through Bridgerton. (For Bear, it was also a full-circle moment: As an 8-year-old pianist, she had met MacDougall, who gifted her a Tangled score signed by storied composer Alan Menken that still hangs on her wall.) About three years ago, he met them for lunch to “sort of put it on our radar that he might have a project for us,” Barlow recalls. She and Bear didn’t expect much to come of it — but MacDougall was impressed by the storytelling in their Bridgerton music. “That spirit of deciding to musicalize this thing that wasn’t a musical gave me the confidence they could pull [a Disney film] off,” he says. “If they could conjure up the spirit to create songs where they didn’t exist, I had a good feeling that if we gave them moments to build songs around, they’d be able to deliver.”
Abigail Barlow (left) and Emily Bear
Maggie Shannon
A year later, in 2022, Barlow & Bear met with the creative team for Moana 2 — a sequel to the 2016 animated film about the titular young girl who sets out to save her Polynesian island — which was then planned as a Disney+ streaming series. “Both of us, weirdly, were going through similar struggles to what Moana faces in this new journey,” Bear explains. “It was easy to put ourselves in her shoes and understand that she’s just a young woman trying to find her place in the world, as are we.”
Around the middle of last year, Disney reenvisioned Moana 2 as a feature film — by which point Barlow & Bear were immersed in learning the ropes of composing for Disney, absorbing some imparted wisdom of their Moana composing predecessor, Lin-Manuel Miranda. “He gave me a stack of books about how to structurally craft a lyric not only to be storytelling-accurate, but to roll off the tongue, to fly off the page and into people’s minds and hearts,” Barlow says.
For her part, Bear dove into the treasure trove of foundational material from Moana by their soundtrack teammates, composers Opetaia Foa’i (a Samoan-born singer whose Polynesian music group, Te Vaka, performs on both Moana soundtracks) and Mark Mancina. “They recorded a huge library of logs and skins and vocal samples, so there were grooves that inspired entire songs,” Bear says. “Even if we started or wrote a song on our own, the root of it was still Opie.”
Though Barlow and Bear both admit that working on Moana 2 still feels surreal, they don’t have much time to soak it in: They’re booked and busy, in part because of that Grammy win. But both say the award’s significance to them was more symbolic. “We grew a lot as human beings through the whole [Bridgerton] process, and becoming like, ‘mature, professional girlie’ was something my soul desperately wanted and needed,” Barlow says. Bear agrees. “I’ve done a lot, but mostly as a kid, and for some reason that felt like it didn’t really count. I’ve been working so hard to outrun the ‘prodigy’ label,” she says. “[The Grammy] was really big for me because it was the first time people purely judged me based off music I did as an adult.”
Abigail Barlow (left) and Emily Bear
Maggie Shannon
Their post-Moana 2 slate as a duo includes the forthcoming biopic of Fred Astaire and Ginger Rogers starring Jamie Bell and Margaret Qualley and their first produced stage musical, currently in development with a creative team attached. Bear (who is also an Emmy winner for her score for the PBS documentary Life) has scored two forthcoming films: Anderson .Paak’s feature debut, K-Pops, and Our Little Secret, a Netflix Christmas film starring Lindsay Lohan. Barlow, with a chuckle, says she may soon “release the album I wrote, like, a year-and-a-half ago.”
And then there’s the mystery “little musical idea” that first brought them together, a “very production-heavy” show “bringing you down the rabbit hole of what pop musical theater can be… which is very dear to us,” Barlow says with a knowing grin. It’s a reminder of the excitement they felt when they first met — and still feel in any session together. “We’re in love, musically,” Barlow says, “for real.”
This story appears in the Oct. 26, 2024, issue of Billboard.
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It looks like Superman won’t be flying solo when James Gunn’s Superman: Legacy hits theaters in 2025 as he’ll be having a special friend by his side who’ll be making his own cinematic debut after only existing on print for decades.
According to Deadline, Krypto, the Superdog, is primed and ready to help Superman save the world as Gunn shared the first image of the super-powered K-9 sitting next to the Man of Steel on X yesterday (Oct. 15). While fans didn’t even know Krypto was going to be a part of Gunn’s rebooted DCU, it was welcomed news as the character is beloved and has even gotten his own animated series on Cartoon Network back in 2005. Taking to social media to break the news, Gunn explained how his own rescue dog, Ozu, became the inspiration for Krypto’s involvement in the film as Ozu destroyed almost everything in his home after he was adopted.
Once he saw the kind of havoc a puppy who wasn’t housebroken yet could do, Gunn wondered “’Gosh, how difficult would life be if Ozu had superpowers?’ – and thus Krypto came into the script and changed the shape of the story as Ozu was changing my life.”‘
Krypto arrives on screens in Superman this summer. Krypto was inspired by our dog Ozu, who we adopted shortly after I started writing Superman. Ozu, who came from a hoarding situation in a backyard with 60 other dogs & never knew human beings, was problematic to say the least. He… pic.twitter.com/zw8rVqv0n0
— James Gunn (@JamesGunn) October 15, 2024
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For those who aren’t familiar with Krypto, let’s just say you won’t be mad at the character’s involvement in the upcoming Superman film.
Deadline reports:
In the series, Krypto was Superman’s pet puppy on Krypton before being sent into space before the planet was destroyed. Upon landing on Earth he is a fully grown dog who has similar abilities to those of Superman. Krypto is adopted by 9-year-old Kevin Whitney, whose family thinks Krypto is an ordinary Labrador retriever. But the canine dons the secret identity “Superdog” when he performs heroic deeds and fights evil. Other than Kevin, the only person who knows Krypto’s secret is bratty cousin Bailey, who lies so often that nobody believes his talk about the dog’s powers.
Gunn’s Superman follows the superhero of the same name as he looks to reconcile his Kryptonian heritage with his human upbringing. He is the embodiment of truth, justice and the American way, guided by human kindness in a world that sees kindness as old-fashioned.
Whether they go with the dog’s original origin story remains to be seen, but we’re definitely looking forward to see how Gunn incorporates Supes having a super pet for the first time on the silver screen. We’re sure it’ll be for comic relief, but we know he’ll do some pretty super stuff here and there.
What do y’all think about Krypto, the Superdog, making his cinematic debut? Sound off in the comments section below.
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Beloved Man Of Steel actor Henry Cavill may not be part of the DCU’s Justice League anymore, but the actor will once again lead a five person group that ’80s babies have very fond memories of from their childhood.
According to Variety, Henry “The Calverine” Cavill has just been cast to star in a live-action Voltron film for Amazon MGM Studios, and truth be told, we couldn’t be more excited. Though Voltron doesn’t have the same popularity as say G.I. Joe or Transformers, the American-Japanese franchise was a huge hit for kids, teens and even some adults as the anime itself was considered superior to that of the aforementioned cartoon series back in the 1980s.
Now that Caville will be leading the Voltron Force to fight robotic beasts on behalf of the universe, best believe we’ll be indulging in some sci-fi action once the film hits the big screen some time in 2026.
Variety reports:
Rawson Marshall Thurber is directing the movie from a script he wrote with Ellen Shanman. Thurber most recently wrote and directed Netflix’s 2021 action flick “Red Notice” starring Gal Gadot, Ryan Reynolds and Dwayne “The Rock” Johnson, and 2018’s “Skyscraper,” which Johnson also toplined.
Plot details are being kept tightly under wraps at this time. Producers include Todd Lieberman via Hidden Pictures, Bob Koplar, Thurber and Hobie Films’ David Hoberman.
Cavill will join previously announced star Daniel Quinn-Toye, a film newcomer who has appeared on television in “Badults” and served as Tom Holland’s understudy in “Romeo & Juliet” on the West End this spring.
Will the Voltron film be an origin story? Will the Voltron Force already be at war with their arch nemesis the Evil King Zarkon from the planet Doom? Is Henry Cavill going to be “Keith” from the ’80s cartoon series or a whole new character entirely? We don’t know but we sure as hell can’t wait to find out.
What do y’all think about Henry Cavill being cast in Amazon’s Voltron film? Let us know in the comments section below.
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A few weeks ago it was announced that Kyle Chandler was in talks to star as Hal Jordan aka The Green Lantern, in HBO’s upcoming DC series, Lanterns. Now, that cast seems to be growing as another rising star is set to join the fan favorite superhero group.
According to Variety, DC is rounding out their Green Lantern Corps. for the Lantern series as up-and- coming actor Aaron Pierre (Rebel Ridge) has been cast to star as another famous Green Lantern, John Stewart. While we know female comic book fans will be swooning at the news that the green eye’d bandit will be putting on some superhero tights and flexing his muscles, others are just happy to see that the series seems to be pushing forward as Lanterns has been said to be in the works for quite some time.
Though there is word that Lanterns may not be part of James Gunn’s main cinematic DCU and end up being an DC Elseworlds project (such as Joker and The Batman), it should still be a fun show to watch once it hits HBO sometime in the future.
Variety reports:
The show was picked up for eight episodes at HBO in June. Originally intended as a Max original, the show shifted to HBO as part of a new content delineation plan.
Per the official logline, the series follows “new recruit John Stewart and Lantern legend Hal Jordan, two intergalactic cops drawn into a dark, earth-based mystery as they investigate a murder in the American heartland.”
Lanterns is expected to begin filming in January of 2025 and is said to be akin to True Detective in its overall plot as Hal Jordan and John Stewart investigate a 187 here on Earth. It’ll be interesting to see which villain the two face off with in the series and if they’ll eventually make their way to James Gunn’s DCU.
What do y’all think about Aaron Pierre being cast as John Stewart’s Green Lantern? Let us know in the comments section below.
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It looks like another video game is now about to get the cinematic treatment, but if you were born prior to the 1990s you may not be familiar with the title.
According to Variety, the cult classic ninja game Shinobi is in the early stages of development for the silver screen and has already enlisted Extraction filmmaker Sam Hargrave to helm the project along with producer Marc Platt. As surprising as this choice for a video game turned film is, us ’80s babies aren’t mad as we spent hours on our home entertainment systems slashing and gashing our way through enemies with this game.
Still, we’re not sure if a new generation of gamers and audiences will be as receptive to this as we are given that its popularity isn’t that of say a Super Mario Bros., Mortal Kombat or even Tekken. But with money to be made and other video game films having raked in some big bucks, Universal is looking to bank on an oldie but goodie with their latest project, and at the end of the day it may pay off.
Per Variety:
Universal has enjoyed recent success with video game adaptations, “The Super Mario Bros. Movie” ($1.4 billion) and “Five Nights at Freddy’s” ($290 million). Meanwhile, Sega has scored with Paramount’s 2020 console-to-screen redux “Sonic the Hedgehog” ($319 million) and the 2022 sequel ($405 million). A third “Sonic” movie will be released in late 2024.
Ken Kobayashi (“Sunny,” “Move On”) is writing the screenplay for “Shinobi.” Platt and Adam Siegel will produce through Marc Platt Productions. Dmitri M. Johnson will produce through Story Kitchen. Toru Nakahara will produce through Sega. Mike Goldberg will executive produce alongside co-producer Timothy I. Stevenson. Universal’s senior VP of production development Ryan Jones and director of production development Christine Sun will oversee the project for the studio.
With Shinobi looking like it’s going to be an animated film, we wouldn’t be mad if they went the anime route as it just feels like that type of video game, but hey, that’s just us.
What do y’all think about Shinobi getting its own feature film? Is there any other video game you’d like to see made into a movie? Let us know in the comments section below.
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The Joker 2 hasn’t been in theaters for a full week yet and already it’s considered both a flop and an overall horrible movie, but is it the worst comic book movie of all time? Many people seem to feel so.
According to Variety, Todd Phillips’ Joker: Folie à Deux has become the lowest rated comic book film of all time with a “D” score. With disasters out there like Ghost Rider 2, Madame Web and Morbius, that’s really saying something. Even before the $200 million flop hit theaters, reviews of the film were less than stellar with many panning the sequel as lame, uninspired and even unnecessary given the success of the first film, which earned a “B+” grade upon its release.
Still, Warner Bros. studio saw fit to green light a sequel to the first film as audiences wanted more of Joaquin Phoenix’s iteration of the Clown Prince of Crime, but unfortunately, turning it into a musical with Lady Gaga as Harley Quinn but having most of it in a court room and prison didn’t play out well with moviegoers. Now, everyone hates what Phillips has done with a promising franchise.
Variety reports:
“Folie à Deux” hasn’t received as many positive reviews as the first movie. Variety‘s chief film critic Owen Gleiberman wrote in his review, “’Joker: Folie à Deux’” may be ambitious and superficially outrageous, but at heart it’s an overly cautious sequel. Phillips has made a movie in which Arthur really is just poor Arthur; he does nothing wrong and isn’t going to threaten anyone’s moral sensibilities. In fact, he actually blows the only good thing that ever happened to him — winning the love of Lee’s Harley Quinn — because he denies the Joker in himself. He’s now just a singing-and-dancing puppet clown living in his imagination. Is that entertainment? Audiences, I suspect, will still turn out in droves to see ‘Folie à Deux.’ But when it comes to bold mainstream filmmaking, it’s the scolds who are having the last laugh.”
With a $40 million box office debut and more people slandering the film everyday, it’s safe to say that the film will end up a bust. Whether or not it’ll become a cult classic in coming years is anyone’s guess, but one things for certain, no one’s really f*cking with Joaquin Phoenix’s iteration of The Joker right now.
What did y’all think of The Joker 2? Did you even see it? Let us know in the comments section below.