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Trending on Billboard After horrendous weather delayed Tyler, The Creator‘s 11th annual Camp Flog Gnaw music festival, the two-day fest finally returned in all its glory this past weekend. Taking over Dodger Stadium Grounds for a fifth year, the weekend included performances from Childish Gambino, Doechii and of course Tyler himself. Kicking things off was […]

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Carlos Vives brought all his energy and the joyful vallenato to the 2025 Coca-Cola Flow Fest in Mexico City on Saturday (Nov. 22), surprising his fans with a tribute to the legendary ranchera singer-songwriter José Alfredo Jiménez.

“It’s a joy to see you, and I want to tell you something that goes like this,” said the Colombian icon from the Sessions Stage before performing an a cappella version of “Para Morir Iguales” by Jiménez, prompting an ovation at the festival — which on its first day gathered 79,000 people at the Autódromo Hermanos Rodríguez, according to figures from promoter Ocesa. (Watch Vives’ a capella performance in a video captured from the show that was shared on X here.)

“Long live José Alfredo Jiménez! Thank you, Mexico!” he added, after making the crowd dance to a handful of songs that included “La Bicicleta,” his 2016 hit with Shakira that topped Billboard’s Latin Airplay chart for six weeks.

The 64-year-old artist had not been included in the festival’s original lineup, but on Thursday (Nov. 20), organizers announced that the alternative Sessions Stage would feature surprise musical acts, including Vives and Colombian band Bacilos.

“This is a cumbia, Mexico. What unites Colombians and Mexicans, what we have in our blood, is a race,” Vives added before performing “Para Robarte Un Beso.”

Later that evening, the Santa Marta native reappeared during Wisin’s set on the main stage to join his voice with the Puerto Rican star’s on “Nota de Amor,” a celebrated fusion of vallenato and reggaeton included on Wisin’s album Los Vaqueros: La Trilogía (2015), which originally also featured Daddy Yankee.

Considered the largest Latin urban music festival, the Coca-Cola Flow Fest brought some of the biggest stars of the genre to its five stages at the Autódromo Hermanos Rodríguez on its first day. Don Omar, Myke Towers, Nicky Jam, Álvaro Díaz, Santa Fe Klan, De La Rose, El Alfa and Jowell & Randy were among the acts that shone in a celebration that extended into the wee hours.

The festival continues Sunday with performances by J Balvin, Young Miko, De La Ghetto, Farruko, Bellakath and Mau y Ricky, as well as a special performance by corridos tumbados superstar Natanael Cano, among others.

Trending on Billboard John Summit announced Friday (Nov. 21) that his Experts Only festival will return for year two in 2026. The news comes after a successful 2025 debut this past September, when the fest happened on Randall’s Island in New York City with a lineup including Summit collaborators and compatriots including Kaskade, Cassian, Green […]

Trending on Billboard Kali Uchis and Blood Orange are among the artists added to Tyler, the Creator’s 2025 Camp Flog Gnaw, following the festival’s postponement to this weekend (Nov. 22-23) due to inclement weather. Geese and emerging rapper Fakemink were also added to the bill after Clairo, Don Toliver, Men I Trust, Sombr, Tems and […]

Trending on Billboard Rolling Loud co-founder Tariq Cherif says they’ve made the “max offer” to Drake to perform at the festival, but no dice. In a livestream with Adin Ross and DJ Akademiks over the weekend, Cherif spoke about Rolling Loud headliners and took a minute to address why Drizzy hasn’t performed at the popular […]

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Ultra Music Festival today (Nov. 12) added more than 70 news acts for the 2025 edition with the announcement of its phase two lineup.

Joining the bill are Martin Garrix and Alesso, who will play b2b in a headlining slot, the first ever headlining performance from Argy b2b Mind Against and Ray Volpe b2b Sullivan King. DJ Snake will perform the U.S. debut of his Outlaw alias in a b2b with TYRM and Joris Voorn and Kololova will also perform b2b for the first time in the States.

Additionally, Ultra will host stage takeovers from legendary Ibiza club Amnesia, The Martinez Brothers’ Cuttin’ Headz, Armin van Buuren’s A State of Trance, Steve Aoki’s 30 years of Dim Mak, Coone’s Dirty Workz, Sara Landry’s Hekate and Germany’s Live From Earth collective.

These additions expands the previously announced phase one lineup that includes Afrojack, Amelie Lens b2b Sara Landry, Armin van Buuren, DJ Snake, Eric Prydz, Illenium, John Summit, Hardwell, Major Lazer, Steve Aoki, Sebastian Ingrosso b2b Steve Angello, Miss Monique, Excision, ISOxo, Boys Noize, OF the Trees, Madeon and many more. See the complete lineup below.

Ultra Music Festival 2026 happens March 27-29 at its longtime home at Miami’s Bayfront Park.

The festival annually closed out Miami Music Week a week-long run of parties, showcases, meetings, mixers and more that draws many in the global electronic music industry to the city. Winter Music Conference returned to Miami Music Week in 2025 after a hiatus, with organizers announcing earlier this week that it will be back in 2026 and happen in a new location at the Kimpton EPIC Hotel in Downtown Miami from March 24–26.

2026 will mark the 36th year of the conference. The next edition is set to feature a programming track tailored for dance industry professionals and a second track for DJs, producers and content creators.

Ultra Music Festival 2025

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Damian Lazarus’ longstanding Day Zero party will debut in Bali in 2026. The Indonesian island’s first edition of the event is set to happy April 17, with the lineup to be announced in the coming months.

The expansion makes an already major year for Day Zero even bigger, as in June Lazarus announced that Day Zero’s first Brazil edition will also happen on Jan. 3 in São Miguel dos Milagres, Brazil, located on the country’s northern coast in the state of Alagoas. Day Zero also returns to its original location in Tulum, Mexico on Jan. 10, 2026 with a lineup featuring Mau P, Seth Troxler, Nicola Cruz, Lazarus himself and many others. The event has happened annually in this location since 2012, taking off in 2018 and 2021.

“There was never a concrete plan for Day Zero beyond our spiritual home in Tulum,” Lazarus tells Billboard of Day Zero’s new editions. “Over the years, however, my team and I have traveled to many far-flung places, exploring new opportunities—often at the invitation of established event producers and promoters. We’ve been deliberate in our expansion, never wanting to rush into anything that didn’t feel completely right for all of us.”

Day Zero Bali will be produced in partnership with the Savaya Group, a production team that puts on dance-focused events in Bali, Jakarta and beyond, and with whom Lazarus crossed paths with during his travels to the island.

“Some years ago, I also began exploring Bali as a potential destination to weave our magic,” he continues. “As I spent more time there, immersing myself in its rich culture, traditions, and cosmic energy, I fell deeply in love with the island. That connection led me to begin a dialogue with the Savaya Group, whom I immediately recognized as the perfect partners to help bring to life the vision I had been nurturing—a spectacular festival set in a truly extraordinary place I discovered.

Lazarus continues that the reason for the two new editions of Day Zero in 2026 is that it “just feels like the correct time to expand, in my soul. The Day Zero team comprises of incredibly talented people who connect in a very special way once a year in Mexico to create an other-worldly experience. We discussed the idea of bringing our love and honorable intentions to other special places and agreed that we were capable of building on what we have created so far; we all heard the call to make this kind of magic in a handful of other places.”

He adds that each site helps inspire the artist he books to play the event, saying that “every location speaks to me in different ways. I have to look at the location and try to imagine what would and would not work in each. I try to create a list of artists whilst walking the site, imagining how we will transform the site and what kind of sound and which kind of artist and personality will shine there.”

He also advises that these will be the only three editions of Day Zero to happen in 2026, given the demands of producing these shows. “We never want to water down our ethics, our care and attention to detail, our sustainability activations, or our performance led, heartfelt connections to mystical indigenous people and traditions.”

Trending on Billboard

All-American Rejects are set to kick off SXSW 2026 at the Music Festival Opening Party hosted at Stubb’s Amphitheater on March 12 in Austin, Texas. The festival and conference has also announced the first slate of artists set to play the iconic event’s 40th anniversary that will take place March 12-18 throughout the city.

The initial list of 100 showcasing artists will include masked lo-fi art-pop musician Milo Korbenski from Brighton, England; experimental electropop and live coding pioneer DJ_Dave out of LA; Mexico City-based and regionally influenced post-punk project La Texana; Brooklyn-based alt-folk songwriter Hudson Freeman; Austin-based Bayonne, the introspective and ethereal electro-pop project of artist Roger Sellers; Indonesian indie trio Grrrl Gang; Irish post-punks Chalk; LA punk-pop buzz band The Sophs; West Coast hip-hop and Bollywood influenced rapper, producer, and songwriter KOAD; Minneapolis-based singer-songwriter runo plum; and Grammy-nominated rapper and Tully founder Joyner Lucas.

“SXSW has been the premiere destination for music discovery for 40 years, helping push pioneering acts like Kendrick Lamar, The White Stripes, Wet Leg, PinkPantheress, Tyler, The Creator, and Billie Eilish, to the next level,” SXSW vp of music Brian Hobbs said in a release. “By bringing the global music industry to Austin, from labels and A&R to publicists to influential journalists and critics, SXSW is a unique opportunity for showcasing artists to build their careers, enter new markets, and learn from fellow artists and industry voices. With an extra night of showcases this year, 2026 is shaping up to be better than ever for artists, industry and audiences.”

For a full list of Showcasing Artists, head here.

SXSW will celebrate its 40th year in 2026 as a condensed festival and conference due to the closure of the Austin Convention Center that is undergoing extensive renovations. The event will be two days shorter than the 2025 edition, with its interactive, film/TV and music programs running concurrently.

The festival has also announced its initial list of Music Showcase Presenters that include returning brands Billboard, NPR Music Stations, Rolling Stone, British Music Embassy, Los Angeles Times’ De Los, BMG, BBC Introducing, and The Line of Best Fit, as well as first time presenters including Willie Nelson’s Luck Reunion, R&B Block Party and Dream Con. The full list of the first 50 Music Showcase Presenters can be found here.

As Billboard reported last month, for the first time, SXSW will feature a fully integrated seven-day schedule across its trio of core programs, with downtown Austin transforming into a creative village anchored by three “clubhouses” — Innovation at Brazos Hall, Film & TV at 800 Congress, and Music at The Downright — designed to simplify navigation and foster collaboration throughout the all-in-one event.

Billboard parent company Penske Media acquired a majority stake in SXSW in 2023 and helped expand its reach to three continents, now hosting flagship events in Austin, Sydney and London.

Trending on Billboard

After a year-long hiatus, Envision Festival is returning to Uvita, Costa Rica this February. Attendees will once again be able to revel in the electronic-focused music, workshops and lush jungle setting that have defined the fest since its 2011 debut. Now, Envision organizers are announcing a host of changes and upgrades designed to optimize the 2026 edition.

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“We have listened, and we have put changes into action,” Envision co-founder Josh Wendel tells Billboard. “We are now ready to share how we are evolving and how we will deliver a better experience.”

On Monday (Nov. 10) Envision organizers unveiled a long list of improvements for the 2026 fest, happening Feb. 23-March 2 at its longtime site in a beach-adjacent swatch of jungle on the Pacific Ocean side of Costa Rica. The festival’s phase one lineup includes Bob Moses, CloZee, Daily Bread, Emancipator, Goldcap, Justin Martin and many others, with more artist to be announced in the coming weeks. Envision also offers a wide array of yoga, movement and sustainability classes, along with other workshops.

The announced changes follow a challenging 2024 edition, which found attendees citing sanitation issues and some attendees reporting that they experienced gastrointestinal illness while at the fest. Envision did not happen in 2025 as organizers regrouped, with Wendel transitioning from his production leadership role to leading the entire event, of which he also became the sole owner.

“After 2024 there were operational challenges we acknowledge that we had to fix, so in 2025 we chose the theme ‘back to our roots,’” Wendel says of the 2026 event’s guiding ethos. ” It was like, ‘What are we doing? Why are we doing it? How are we doing it? It became this deep, introspective journey of dissecting every little element of why I initially started it and the impact that it’s had.”

Originally from Florida and a Costa Rica resident for the last 22 years, Wendel speaks to Billboard from his home in Costa Rica, joking that he’s usually barefoot in the jungle. The updates he and the team developed emphasize that health and safety is Envision’s top priority and note that an audit of the 2024 event revealed multiple reasons for why people experienced GI issues, with “many people [getting] sick from viruses that were brought into the festival by travelers coming to the festival. For many people, moving into the jungle environment of Costa Rica and being exposed to different microbes is enough to trigger GI issues.”

Organizers are unrolling multiple methods for eradicating these issues in 2026. “It’s a hyper-focus on safety, on our medical team and on analyzing every which way that we can do that, including having a medical supervisor and a different medical team,” says Wendel. “You wouldn’t want to put this on the lineup poster, but health and sanitation are our headliners this year.”

As such, 2026 attendees will find separate stations for hand washing and water bottle refills. (While they were also separate in prior years, attendees did not treat them as such, so water will thus become a destination via a dedication water refill station called the Templos de Agua.

“It’s the jungle, and people are coming from all over the world to gather,” Wendel continues. “Obviously there is the self-care component we must continue to message to make sure people practice self-care as we give them the tools to do that. Wash your hands, use hand sanitizer, get some sleep, take care of yourself.”

As such, each festivalgoer will also be provided with a comprehensive guide to staying healthy while in Costa Rica that’s been developed in partnership with local doctors, health professionals and the Costa Rican Ministry of Health.

Another major change is the approach to toilets. Envision 2026 will provide more port-a-potties with more frequent pumping and better placement. Envision 2024 debuted a waterless, off-grid sanitation model using dry-composting toilets. The 2026 fest will improve upon this system by swapping out all tanks prior to guest arrival, so each system is fresh and empty at the start of the event. Carbon filters and improved ventilation will also be installed to reduce bathroom-related odors and increase airflow. A dedicated onsite maintenance team will service toilets more frequently during the fest to optimize cleanliness, hygiene and comfort.

After the festival, waste from these dry-composting toilets will be sealed and transferred to a long-term curing area where it will compost for 12–18 months, ensuring full pathogen elimination before it’s used for off-site organic fertilizer.

Envision has also brought in a new medical director, a Costa Rican doctor whose experience includes working with international film and television productions in the country and who is also part of a team that provides medical assistance to large-scale events in the U.S. This person will also work with a local medical team and in partnership with a local clinic, hospital and Ministry of Health and help hire more local people for the Envision lifeguard team that keeps watch over the festival’s beach area.

Expanded sustainability initiative will include water conservation guidelines and compostable cups, plates silverware and other serveware. Organizers predict that these compostable items will significantly reduce water consumption by eliminating the washing necessitated by a now phased out reusable dish program. Along with the water-free composting toilets, the production team is also installing low-flow showerheads and encouraging short showers for all guests.

“We’re not a luxury hotel,” says Wendel. “It is the jungle, and we are committed to doing everything to make it as convenient and comfortable and as easy as possible.”

Envision is also working closely with community partners and the organization who manages the local water supply to create a new on-site water system that ensure that the fest will have enough clean water and will also reduce the impact of Envision on the water flow of the nearby town. This system has been designed experienced engineers and will include filters, pumps, treatment, storage tanks and water distribution infrastructure.

Envision Festival

Courtesy of Envision Festival

These programs are particularly crucial given that Envision happens in an environmentally sensitive area, with the lush jungle setting, beach access and deep nature immersion provided by the fest being a huge part of its appeal. Envision happens at Rancho La Merced, located less than a mile north of the breathtaking Marino Ballena National Park, a protected marine sanctuary that’s home to humpback whales, spotted and bottlenose dolphins, manta rays, parrotfish and mackerel.

The festival site, which Envision leases from its owners, is itself home to emerging mangrove forests, creeks, freshwater canals, a host of tree and plant species, birds, monkeys and other wildlife.

“People come for the headliners, but then they’re barefoot in the jungle and jumping in that ocean, and doing yoga and drinking from a coconut and seeing monkeys and something clicks,” says Wendel. “People get inspired. The music is like a bait-and-switch.”

But there is of course the push/pull of bringing thousands of people (many of whom are looking to party for a week) to such a ecologically delicate area, an issue many festivals that happen in special places in nature must grapple with. “When you talk about environmental impact, I look at it as 10 steps forward, then one step back, with a little traffic and boom boom bass [during the festival itself], then 10 steps forward,” says Wendel.

Envision has put this into action by reforesting the site, where many of the trees were cut down in the mid-20th century to make space for a cattle pasture. Over the years, Envision has helped plant Ylang Ylang and fruit trees throughout the grounds and at Rancho La Merced and has also planted beach almonds in the campgrounds for shade. Before and after photos from 2014 to 2024 show an impressive expansion of trees and foliage on the site. Organizers have also worked with local organizations to plant in the surrounding area to protect water sources and provide biological corridors throughout the Rancho La Merced property.

Envision Festival

Auudrey

To mitigate the impact of attendees on the festival on the site, the 2026 edition will also reduce capacity by roughly 2,000 people, bringing down overall attendance to approximately 5,500. (The amount of temporary infrastructure built on site will also be reduced.) This decreased headcount also factors in reducing travel from international Envision staff, with the focus being to hire as many local people as possible to mitigate impact, create jobs and keep the event local.

The fest is also leaning into this local component by bringing in more products from local vendors. This will include local produce kombucha brewed in Uvita, beer from nearby Dominical, cacao from local regenerative farms and herbal elixirs, mixers made in the region using native plants and locally grown herbs and compostable plates, cups and containers made in Costa Rica.

All of these changes are coming in tandem with a phase two lineup Wendel calls “by far the most exciting phase two that we’ve ever had.” While he’s tight-lipped about who it might be, he says this lineup expansion will likely be announced this month.

Over Zoom Wendel seems sincerely excited these changes and clear-eyed about the reasons for them. Many event producers often receive severe verbal abuse on social media when elements of an event go wrong, an experience Wendel says was not necessarily pleasant, but ultimately useful.

“Even when the feedback comes off as ugly and emotionally vomiting, I’m never losing sight of who I am or who we are as an organization. It’s about being able to pull out what valuable information I can that can actually make this event better.

“It’s psychological warfare right now, with the amount of anger, frustration and hatred,” he continues. “So [for me] it’s about asking how we can be vulnerable leaders? How can we be honest? How can we be humble? It’s about acknowledging mistakes and being proud of your desire to grow and learn from those mistakes… I’m making the best decisions I can make from the best information I have.”

Trending on Billboard

Australia’s iconic Bluesfest has announced the first round of artists set to perform at its 2026 edition, unveiling a cross-generational lineup led by Split Enz, Earth, Wind & Fire, and The Pogues.

Returning to Byron Bay’s Bluesfest site — the Byron Events Farm — from April 2 to 5 next year, the long-running festival will host a full reunion set from Split Enz. The legendary New Zealand group, featuring brothers Neil and Tim Finn of Crowded House fame, also announced a separate national tour this week. It will mark the band’s first full-scale Australian tour in nearly two decades.

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Joining them are funk and soul trailblazers Earth, Wind & Fire, who last played the event in 2012, and Irish punk-folk icons The Pogues, returning for the first time in 14 years to mark 40 years since the release of their seminal album Rum, Sodomy & the Lash — a tribute to the late Shane MacGowan.

Other international acts on the 2026 bill include Sublime, The Black Crowes, Counting Crows, blues veteran Buddy Guy (on his farewell tour), and Marcus King Band. Local talent includes Xavier Rudd, The Living End, South Summit, Mental As Anything, Skegss, The Dreggs, Pierce Brothers, and Mark Seymour.

The announcement follows a high-water mark for the festival earlier this year. In April, Bluesfest officially confirmed its return for 2026 following one of its strongest post-pandemic editions. Held across the Easter long weekend, Bluesfest 2025 drew more than 109,000 attendees over five days — the festival’s highest attendance since 2019, and the third-biggest turnout in its 35-year history.

“We’re the top-selling festival in the country, and we’ve worked hard to get here,” festival director Peter Noble said in a statement at the time. “We’ve had the highest attendance of any Australian festival since pre-COVID at 109,000 attendances – the third-biggest event we’ve done in the history of the festival… Festivals are back.”

The festival’s second lineup drop for its 2026 event is expected in the coming weeks. Several of the artists announced — including The Pogues, Sublime, and Buddy Guy — will also play exclusive headline shows around the country as part of the Bluesfest touring program.

Bluesfest 2026 takes place from Thursday, April 2, to Sunday, April 5. Tickets and artist information are available at bluesfest.com.au.