Executive Turntable
Page: 19
The National Independent Talent Organization (NITO) has hired its first MD: Nathaniel Marro from New York’s Entourage Talent Associates. Having worked closely with Entourage founder Wayne Forte for over a decade, during which he worked on the management team for Tedeschi Trucks Band, Marro is now tasked with expanding NITO membership and advocating for policy […]
Datwon Thomas has been named to the newly created role of executive producer, talent, for Dick Clark Productions (DCP). In his role, which takes effect immediately, Thomas will be part of DCP’s in-house talent team, collaborating on talent strategy, relations, bookings and creative, leveraging his experience from his 13-year stewardship of VIBE. Thomas will work out of both the New York and Los Angeles offices.
Thomas will also assume the role of editor-at-large of VIBE, supporting big-picture strategy for the brand. In addition, he will maintain his role as PMC’s vice president, culture and media, building diversity initiatives and programs for the company.
“I am thrilled to start this new chapter in my media and entertainment career,” Thomas said in a statement. “My time as editor-in-chief of VIBE has been incredibly rewarding. I would like to thank my staff of all eras for their hard work and support. Entering this new role is a valued achievement and one I take as an honor. I have been consulting with the DCP team for years, and during that time, my love of the rush of live television has grown. I look forward to getting even more involved in all aspects of great projects with amazing talent.”
“We’re very excited to have Datwon bring his experience and unmatched expertise in hip-hop and R&B to DCP,” Jay Penske, chairman, founder and CEO, Penske Media, and CEO, Dick Clark Productions, said in a statement. “His deep relationships and innate creative sensibilities will be instrumental in shaping the future vision of DCP’s world class portfolio of shows.”
Most recently, Thomas served as VIBE’s editor-in-chief. During this time, he pioneered new initiatives for hip-hop and R&B media and created platforms to showcase and discover emerging and established artists.
Since 2019, Thomas has worked closely with the DCP team as a consulting producer for flagship programs including the American Music Awards, Billboard Music Awards, Academy of Country Music Awards and Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest.
Prior to VIBE and PMC, Thomas held positions as the editor-in-chief of hip-hop’s street authority, XXL Magazine, and founder/editorial director of XXL Presents Hip-Hop Soul, among other posts.
If it’s Friday, you know it’s time for another spin around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across the global music industry.
Tom Connaughton is out as Spotify’s managing director in the UK and Ireland, he announced this week on social media. The British-born executive joined the streaming giant in March of 2018 as head of artist and label marketing before getting a quick promotion three months later to his most recent role, which centered on driving content strategy and artist partnerships in the two powerful markets. He came to Spotify after seven years at Vevo, including two as senior vp of creative content & programming. In that role, he had responsibility for artist and label relationships across the U.S., U.K. and eleven different international markets and was based in New York at the time.
Earlier this week, Spotify chief Daniel Ek outlined an aggressive round of job cuts at the company, however a spokesperson for the company declined to comment when asked if Connaughton’s exit was related in any way. He has spent a good chunk of the last year on paternity leave, a perk that was the subject of a recent Fortune profile, and in his LinkedIn announcement, which was gracious and positive in tone, said he’s looking forward to “taking some time out to spend with my young family.” He added in his note: “The UK and Ireland is a massive market for Spotify, and the business today is unrecognisable to what it was when I first joined. That’s all been made possible by the incredible people that I’ve had the pleasure of working alongside. They all care so deeply about giving a platform to artists and creators, and to providing an amazing user experience for all of us to enjoy.”
As Music Business Worldwide noted in their coverage, Connaughton is the second market honcho to exit following last week’s departure of Jenny Hermanson as MD of the Nordics.
Warner Chappell Music tapped Jessica Entner to be its first vice president of creative sync strategy, a multi-faceted role focused on business development, partnerships and working directly with agencies and brands to realize WCM writers’ creative goals. Based in Los Angeles, she reports to Keith D’Arcy, WCM’s senior vp of sync and creative services. Entner arrives with roughly 24 years of industry experience under her belt, dating back to stints at Maverick Publishing, FM Rocks, Elias Arts and Massive Music, among others. Since 2016, she has helmed JEM, a music company focused on guiding creative strategy and production for advertising agencies and brands. “The media landscape is changing, and the creative needs of our clients in advertising, branding, and promotion are changing with it,” notes evp of global synchronization Rich Robinson. “Jessica is the perfect person to work with both our music partners and our songwriters to navigate these shifts and deepen the strategic relationship between music creators and brands.”
Elliot Grainge’s 10K Projects, which recently became a standalone label under Warner Music, named Max Gore to chief financial officer and promoted Blake Brown-Grakal to general counsel and Samuel Cohen to general manager. All three execs are LA-based. Gore swivels over from WMG, where he most recently served as vp of finance and operations at WMX. Brown-Grakal, a former drum tech for Ringo Starr’s band, joined 10K in 2020 as an associate director of business and legal affairs. Cohen has been with the label since 2017 and has worked across A&R, marketing and biz dev. “As we look forward to a new phase of growth at 10K, reinforcing our core executive team is crucial,” said Grainge. “Max brings with him well over a decade of finance experience, the majority within the Warner system. Blake’s facility in communicating with artists and their teams on business matters has been a game-changer for us over these past three years. And Sam has been at 10K since the very beginning, helping to guide every chapter of our development at the label.”
300 Entertainment promoted Lallie Jones to vp of marketing and Josh D’Amore to senior vp of digital and streaming. Jones — who was 300 Entertainment’s first employee, starting in 2015 as co-founder Lyor Cohen’s executive assistant — has overseen marketing campaigns for artists like PinkPantheress, $NOT and Phony Ppl, while D’Amore manages the commerce, digital strategy and streaming operation for the label. “Lallie and Josh are both incredibly valuable members of the 300 Entertainment team,” 300 co-presidents Selim Bouab and Rayna Bass said. “They have been a vital part of some of our biggest success stories, and will undoubtedly play crucial roles in many more to come.” –Dan Rys
Indie distributor TuneCore appointed Brian Miller as the company’s new chief revenue officer — a role last filled by the company’s now-CEO Andreea Gleeson. As CRO, Miller’s M.O. will be to spearhead revenue growth strategies, securing strategic partnerships and developing innovative ways to expand-and-retain TuneCore’s roster of artists and labels. Miller arrives from Angi (formerly Angie’s List), where for nearly three years he was chief growth officer at the popular DIY home services platform. Before that he spent six years in various executive roles at handyman-finding site Handy HQ, which was acquired by Angi in 2018. “Brian’s hands-on experience scaling SaaS businesses, forging dynamic partnerships and leading growth strategies—along with his passion for developing independent artists—make him an invaluable addition to our senior management team as we innovate to drive artist growth,” said Gleeson.
BMI promoted Tim Pattison to senior director of creative, effective immediately. In this New York City-based role, Pattison scouts and signs new songwriters and publishers, plus acts as point-person for various writer-focused showcases including the monthly Acoustic Lounge, the funnily titled Speed Dating for Songwriters, and showcases at Austin City Limits, SXSW and others. Since joining BMI in 2015, Pattison has handled writer/publisher relations for a slew of BMI stars, namely Doja Cat, Ice Spice and Yung Gravy, among others. Prior to BMI, the Ohio University and NYU alum held positions at Spirit Music Group and Fat Possum Records.
All in the Family: Penske Media’s venerable Dick Clark Productions hired veteran executive Sara Kantathavorn as senior vice president of talent strategy and promoted Jeremy Lowe to vp of talent and partnerships. Kantathavorn arrives after a five-year stretch at Apple Music, where she rose to head of global talent development and managed and developed the streaming service’s roster of hosts worldwide. Prior to Apple, she served in vp-level roles at Viacom Digital Studios and Revolt TV. Lowe’s roots run deep at DCP, where he started as an intern in 2009 and was most recently an executive director of marketing and talent partnerships. He and Kantathavorn will work closely together to help shape the DCP talent strategy across its events, which include The Billboard Music Awards, Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest and the Academy of Country Music Awards. “Sara’s experience leading talent teams and strategy coupled with Jeremy’s enthusiasm and passion for artist discovery make for a winning combination,” said Jay Penske, CEO, chairman and founder of Penske Media. “Talent will always be at the core of everything we do at DCP.”
London-based booking agency One Fiinix Live added veteran agent John Pantle to the team, effective immediately. Pantle joins after a five-year stretch at Sound Talent Group, where he was partner and handled a coming-with-him roster that includes Hatsune Miku, Julieta Venegas and Radwimps, among others. Prior to STG, he spent nine years at APA and three at UTA. “This business was built on creative ideas, entrepreneurship and personalities and John has all these attributes,” said One Fiinix Live founder and CEO Jon Ollier, who personally books the company’s biggest client (rhymes with Ned Beeran). Pantle will be based in Los Angeles but work London hours.
ICYMI:
Paul Vogel (pictured) will step down as Spotify’s chief financial officer on March 31, 2024 … Daniel McCartney and Brandon Frankel joined 33 & West, the L.A.-based booking agency … Luis Fernández is the new chairman of NBCUniversal Telemundo Enterprises … and Paul Hitchman was promoted to COO at AWAL.
Shane McAnally’s publishing, management and artist development company SMACK backed Molly Bouchon to be its director of marketing & artist development, effective immediately. Bouchon joined SMACK in 2019 as director of digital. In her new role, Bouchon will continue her digital work across SMACK and add SMACKRecords to her list of responsibilities. Bouchon will now oversee label marketing and social strategy, press/partner pitching and distribution for SMACKRecords artists. “Molly has made herself an integral piece of everything we do at SMACK. She has a unique role that interfaces with all the divisions here and works with them all at a high level. This promotion reflects her high quality of work within those roles and expands it with the addition of SMACKRecords,” say Robert Carlton, president of SMACK.
Musicians On Call, the non-profit bringing live music to hospitals, announced the inaugural members of its national Music Industry Advisory Board. The members of MOC’s Music Industry Advisory Board are: Jessica Abel (G7 Entertainment Marketing), Adrienne Assip (Epic Records), Erin Burr (RIAA), Alex Ciasnocha (Warner Music Nashville), Hayden Coplen (Wasserman Music Los Angeles), Stephanie DeMarco (Spotify), Laura Fuller (FlyteVu), Kristen Reed (Universal Music Group), Rachel Inglesino (Jonas Group Entertainment), Sydni Joseph (Big Plan Holdings), Derek Roberge (Sony Music Entertainment), Torianne Valdez (Musicians On Call), Liliana Villarreal (iHeartRadio).
Radio, Radio: Cumulus Media is elevating Collin Jones to president of Westwood One, starting New Year’s Day, taking over for a departing Suzanne Grimes. Jones joined Cumulus in 2011 and later helped with the acquisition of Westwood One before eventually becoming evp of corporate strategy and development. Grimes has overseen Westwood One’s vast network of radio stations since 2015 and was integral in pushing the company into podcasting. She has the dual title as evp of corporate marketing at Cumulus … iHeartMedia restructured its Markets Group to introduce five new division presidents overseeing the company’s region, metro and community divisions. At metro will be Kristin Foley, Chris Soechtig and DJ Hodge. Over in the region division, Bernie Weiss and Paul Corvino will lead … Then, iHeart announced two other division presidents would be departing: markets group president Scott Hopeck and division president Kim Guthrie … Warner Music Nashville‘s national director of radio, Chris Fabiani, is leaving the label in the new year. He joined WMG in 2020 following a decade with UMG.
Last Week’s Turntable: Former Vevo CEO Lands at Lyrics Platform
Paul Vogel will step down as Spotify’s chief financial officer on March 31, 2024, the company announced Thursday (Dec. 7). As the streaming giant searches for a replacement, Ben Kung, vp of financial planning and analysis, will take on expanded responsibilities to support “the company’s realignment of its financial leadership team,” the announcement stated. Vogel […]
Geffen Records has a new dance label, Disorder. The label is being launched Thursday (Dec. 7) by Geffen in partnership with longstanding electronic music executive David Dollimore. Based in London, Disorder will sign DJs, producers, artists, brands and labels.
Dollimore has a long history as a dance music tastemaker, working at London’s lauded Ministry of Sound (where he started as an intern) for 15 years and helping develop the careers of artists including Eric Prydz, Duke Dumont, Axwell, Benny Benassi, MK and Avicii. When Ministry of Sound was acquired by Sony Music UK in 2016, Dollimore became president of RCA Label Group, which clocked dance hits from artists including CamelPhat, London Grammar and Jade Thirlwall during his tenure.
“Disorder will be an incubator for the future of dance music and redefine the landscape as we see it,” Dollimore said in a statement. “This label will be a portal to the underground club world, distilling future trends for mass consumption. We will be leading a generation forging alternative routes to the top, outside the confines of dated traditional structures. The Disorder artist will resonate in fashion, culture, lifestyle and entertainment, across multiple platforms, forming a newgen of future visionaries within the field.”
The first project from Disorder is WHP Records, an imprint created in collaboration with The Warehouse Project, the tastemaking Manchester-based dance events brand that’s been putting on shows in and beyond the city since 2006. Founded by Richard McGinnis and Sam Kandel, The Warehouse Project sells more than 300,000 tickets every winter season. WHP Records is intended to transmit the sounds of its events to the world.
“Having spent the last two decades dedicated to finding and breaking talent, we can’t believe it has taken us this long to make this jump but David was the one person we wanted do it with,” McGinnis and Kandel said in a joint statement. “Being able to work with artists in a whole new way, providing tangible support in the live space alongside equitable partnerships, with David and Tom who share our passion for this culture is an exciting new chapter for us.”
“Together,” added Dollimore, “[Geffen Records president] Tom March, Rich, Sam and the impressive team at The Warehouse Project and I, have the network, the platform and the global infrastructure with Universal to make this one of the most successful partnerships in dance music.”
March has his own storied history with electronic music, having started his career in dance music PR and working with artists including Avicci, Alesso, The Chemical Brothers, Tiesto, Deadmau5, Jax Jones, DJ Snake, Zedd, Meduza, Swedish House Mafia and Becky Hill.
“At Geffen we are always looking to partner with our industry’s most successful and innovative entrepreneurs,” March said in a statement. “I couldn’t be more excited to partner with David as he heads back to what I consider him to be the best in the world at — signing and A&R-ing dance music. Between us, we have worked with many of the great names in the last twenty years of electronic music. I am so happy to be joining forces with him now.”
Daniel McCartney and Brandon Frankel have joined 33 & West, the L.A.-based booking agency founded in 2018 by JJ Cassiere, Matt Pike and Dan Rozenblum. McCartney, a former agent at UTA, will join 33 & West as an agent with his current roster, while Frankel will serve as marketing and branding lead. Both are scheduled to start on Jan. 8.
A mainstay in the music industry, McCartney brings a decade of experience from his time at UTA, having worked with acts such as Young Thug, Demi Lovato, Mod Sun, Burna Boy, and grandson. Prior to UTA, he spent seven years touring with his band. Frankel brings nearly 20 years of music marketing and touring experience to 33 & West following past roles at Atlantic Records, CAA and, most recently, The Windish Agency, where he worked in brand partnerships and marketing for renowned artists such as Diplo and alt-J prior to its acquisition by Paradigm.
“I’ve long admired what 33 & West have built and was so impressed with their success and growth in only a few years,” said McCartney. “For an independent agency to do full-service (music, touring, film, TV, comedy), it allows us to compete at a high level, which is something important that our clients need.”
In his new role, Frankel will lead 33 & West’s tour marketing and branding division, strategizing to propel the agency’s current roster — which includes Santa Fe Klan, Dance Gavin Dance and Devo — further along in their careers.
“I couldn’t be more excited to join 33 & West, an agency so deeply committed to the long-term visions of their clients,” said Frankel. “I look forward to collaborating with our stellar team to create opportunities that spotlight artists at key career moments.”
The new hires is part of a rapid expansion at 33 & West as of late. The company’s agent roster also includes Shan Patrick, Ian Fintak, Russell Brantley and Peter DeSantis, who serves as head of talent and music crossover.
“Now more than ever, managers and artists are seeing that they don’t need to be at one of the big three letter companies to be successful,” said Cassiere. “We provide a service for artists to represent them properly — we’re not trying to be a big multimedia company or stray away from the real goal which is artist representation.”
Cassiere added, “Being an independent agency, and now being able to provide the services that the other companies do provide, allows us to deploy a very hands-on white glove approach though a very boutique experience. And we know our clients want that type of experience and want to grow their careers with us.”
Luis Fernández has been appointed chairman of NBCUniversal Telemundo Enterprises. Fernández, who previously served as president of Telemundo’s news division, Noticias Telemundo, from 2015-2021, will report directly to Cesar Conde, chairman of NBCUniversal News Group. “Throughout his extraordinary career, Luis has time and again shown visionary leadership, building and growing the most successful Spanish language […]
Paul Hitchman has been promoted to COO at AWAL, the company announced Tuesday (Dec. 5). Hitchman is based in AWAL’s London office, where he oversees the independent distribution and label division’s U.K. team and international offices along with its global operations. He will continue reporting to CEO Lonny Olinick, with whom he works closely, along […]
Happy December? It’s time for another Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across the global music industry.
Italian music data platform Musixmatch appointed Rio Caraeff to chief business officer. In his new role, Caraeff will lead business and revenue-driving initiatives and will be responsible for managing relationships with clients, partners, IP owners and other stakeholders at the company, which offers multiple solutions for displaying lyrics in search results, in apps and elsewhere. Caraeff is best known as co-founder and former CEO of music video platform Vevo, where he worked from its 2009 official launch until late 2014. Prior to building Vevo into a video powerhouse, he held a bevy of executive roles at UMG, Sony Pictures and Capitol Records, among other places. In recent years, Caraeff has served as chief commercial officer at spacial audio firm Syng and chief content officer at AR Headset maker Magic Leap. Musixmatch has backing by TPG, Micheli Associati, P101 Venture, United Venture and Piton Capital. “Rio is deeply passionate about the entire music ecosystem and his energy and excitement about his work has enabled his success at some of the most innovative and influential companies in our industry,” said Max Ciociola, Musixmatch founder and CEO.
Jake Kozarec was promoted to partner at Fortress Talent Management, a leading agency representing elite composers and music supervisors including Howard Shore, Philip Glass and Gustavo Santaolalla. Kozarec has been a Fortress mainstay since 2016 and has overseen the careers of composers Lorne Balfe (Top Gun: Maverick) and Matthew Margeson (Kingsman: The Secret Service), among others. “He shares the same values we do – hard work for our clients, good taste and judgment, and integrity – and was a perfect fit from the moment he joined the company,” said Fortress founders Robert Messinger, Rich Jacobellis and Randy Gerston. “We are very excited to see what the future holds.”
Many Fortress clients likely belong to the Guild of Music Supervisors, which just announced their new board of directors and changes to its leadership team. Lindsay Wolfington and Heather Guibert are the guild’s new president and vp, respectively, replacing Joel C. High and Madonna Wade-Reed in the roles. Wolfington and Guibert’s board includes newcomers Jonathan Leahy and Robin Urdang, along with returning members Joel C. High, Howard Pair, Todd Porter, Aminé Ramer, Jennifer Smith, Andrea von Foerster and Wade-Reed, the former vp.
Radio, Radio: Lazy slouch Ryan Seacrest will carry on as host of iHeartRadio‘s On Air with Ryan Seacrest and America’s Top 40 with Ryan Seacrest until the end of 2027, according to a recently minted contract. He’ll also continue working closely with both CEO Bob Pittman and COO/CFO Rich Bressler on major initiatives and hosting several events, namely the iHeartRadio Music Festival … “Rude” Jude Angelini was let go from SiriusXM on Nov. 16 after 19 years as host of The All Out Show on Eminem’s Shade 45 channel. He had been at the satellite giant longer than Howard Stern, who joined up two years later. “I knew I wasn’t a fit for the channel anymore,” he told The Detroit News following his unceremonious firing. “I was in an impossible situation.” … NPR hired Collin Campbell as its new senior vp of podcasting strategy and franchise development. Based in Culver City, Campbell arrives from Gimlet Media, where he was executive editor for new show development. His public radio bonafides include a stint at WNYC, where he helped create The Takeaway and Freakonomics Radio.
ICYMI:
BBR Music Group senior vp of promotion Carson James and senior director of A&R Chris Poole had their positions eliminated by parent company BMG … Day After Day Productions announced the appointment of Christianne Weiss, former APA agent and vp and head of its adult contemporary music division, to serve as svp and head of touring … Diddy stepped down as chairman of REVOLT in the wake of three three sexual assault lawsuits … Former SM Entertainment chief Nikki Semin Han launched a new U.S.-focused K-pop company … and Atlantic veteran Riggs Morales joined the team at Def Jam Recordings as executive vp of A&R.
Amazon without Jillian Gerngross? That’s the new-normal after the respected exec vacated her role as general manager and director of Amazon Music for Europe, Australia and New Zealand after 12 and a half years at the wider company. “It is hard to believe that I have spent nearly 30% of my life with one company,” she observed in a LinkedIn post announcing the move, while thanking Paul Firth, Ryan Redingtoon and Steve Boom for their “unending mentorship and support.” Gerngross scored an Amazon internship in 2010 and soon made it official as a senior marketing manager of traffic for Amazon Fashion. After that dalliance in fashion, she moved over to Amazon Music in March 2013 and never left, taking roles in artist relations, customer engagement and marketing before nabbing her most recent title three years ago. For her efforts, Billboard recognized Gerngross as one of this year’s International Power Players. After her last day at Amazon, she joined tech firm Nothing as vp of marketing.
Entertainment company Neon Coast, founded by music industry entrepreneur and Kane Brown manager Martha Earls, has appointed Janie Whitefield as director of digital. Whitefield will oversee digital strategy for Neon Coast management clients including Brown, Restless Road, Dylan Schneider, Nightly and more. Whitefield previously spent four years as creative director at Venture Music.
Opus 3 Artists absorbed the staff and artists of Magnum Opus Artists into its vocal division, starting in the new year. Caroline Woodfield will hand over the reigns of the division to Nathan Wentworth in April, while MOA artist manager Trevor Newman will return in the same role. Opus 3 Artists’ roster includes instrumentalists, vocalists, conductors, composers, chamber music ensembles, and touring chamber and symphony orchestras. The firm is part of an alliance headed by the San Francisco Conservatory of Music which includes sister artist management company Askonas Holt and recording label Pentatone.
Day After Day Productions founder & CEO Seth Shomes has announced a number of new hires and promotions at his rapidly growing agency, including the appointment of Christianne Weiss, former APA agent and vp and head of its adult contemporary music division, to serve as svp and head of touring at DADP. She brings to DADP artists including the Pointer Sisters, El Debarge and Starship, among others expected to make the move in the future. Weiss is a graduate of Columbia College.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Weiss will serve as the company’s “boots on the ground,” running the LA office and overseeing its staff, she explained.
“Seth has just done an amazing job with training the young agents that he recruits. It’s a well-oiled machine and I’m here to help expand upon that and help to hire some support staff that I think is some of the best talent that I’ve seen in a long time,” she tells Billboard.
Based in the company’s Los Angeles office, Weiss will be instrumental in servicing DADP’s diverse artist roster including 2023 Rock Hall of Fame Inductees Missy Elliott and The Spinners; as well as Ludacris, Flo Rida, Brian Wilson and many more.
Shomes also announced the promotion of Alan Rogozin as DADP general manager; promoted Aidan Flynn, Jordan Dempsey, and Marcus Greenstein to agents; and upped Erin Patterson to director of marketing.
“We’re continuing to have an upward trajectory where we’re servicing the clients in the best way possible,” says Shomes, who founded DADP in 1996, worked the Agency Group and later UTA from 2014 until 2021, leaving UTA to relaunch DADP. Shome’s equity partner in DADP is Ron Burkle’s Yucaipa Companies.
“Our clients are excited what we’re doing for them. We’re honored to be representing them and I love that we’re starting our new people at a assistant level and getting them quickly up to an agent level when they show the aptitude. So it shows a real opportunity for growth within Day after Day.”
Rogozin joined DADP at the start of 2023 and previously served as the company’s head of contracts and data and has worked at The Agency Group (TAG) and at United Talent Agency (UTA) after TAG’s acquisition. Rogozin holds an MBA in Music Management from William Paterson University and will continue to be based in New Jersey.
Flynn, Dempsey and Greenstein will be based in Los Angeles. Patterson will be based in Nashville and was most recently a marketing coordinator at the company. Finally, the company continues to expand with the hiring of five new coordinators, including Olivia Bentley, Marisa Flores, Jordan Golenberg, Andrea Parrish and Justin Scott-Young.
Prior to the most recent promotions and new hires, Michelle Scarbrough joined DADP as a Senior Agent after working at ICM for more than two decades.
Seth Shomes
Tim Norris