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Events

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Tuesday night’s (Sept. 12) 2023 MTV Video Music Awards had a little something for everyone, from Olivia Rodrigo‘s explosive “Vampire/Get Him Back!” medley to the night’s emcee, Nicki Minaj, previewing an unnamed Pink Friday 2 track and performing “Last Time I Saw You,” to Karol G‘s neon-drenched “Oki Doki/Ta OK” performance, Doja Cat‘s spooky “Attention/Paint the Town Red” trifecta and the show-closing all-star hip-hop 50th anniversary tribute featuring DMC, Doug E. Fresh, Grandmaster Flash and the Furious Five, LL Cool J, Lil Wayne and Minaj.

The long, long night swung from country to hip-hop, pop, Latin and rock, with Kelsea Ballerini performing the world premiere performance of “Penthouse,” Fall Out Boy playing their updated Billy Joel cover of “We Didn’t Start the Fire,” Shakira‘s mind-bending, hip-shaking medley of hits before accepting her landmark Video Vanguard Award and a strong showing from K-Pop acts Stray Kids (“S-Class”) and Tomorrow X Together with Anitta (“Back For More”).

Peso Pluma represented for Regional Mexican music with an arresting run through his track “Lady Gaga,” NLE Choppa roped in Nelly for a medley of his “Ain’t Gonna Answer” and his take on the St. Louis legend’s “It’s Getting Hot,” while Metro Boomin’ flooded the zone with Future, A Boogie Wit da Hoodie, Swae Lee and Nav for the first broadcast performances of “Superhero (Heroes & Villains)” and “Calling.”

Italian rockers Måneskin returned to the VMA stage with slightly more clothes to rip through their new single, “Honey (Are U Coming?),” while Lil Wayne stacked up his new single, “Kat Food,” with a medley that also featured “Back That Azz Up” and “Uproar” and Global Icon Award winner Diddy presented a medley of his biggest hits, including “I’ll Be Missing You/Bad Boys For Life/I Need a Girl.”

Speaking of killer career overviews, Demi Lovato previewed her new Revamped album, with rocked-up versions of “Heart Attack/Sorry Not Worry/Cool For Summer,” on a night when Cardi B and Megan Thee Stallion performed their new NSFW single “Bongos” live for the first time and Anitta danced across the stage to “Used to Be/Funk Rave/Grip.”

Check out all the night’s main stage performances below.

NLE Choppa feat. Nelly — “Ain’t Gonna Answer/It’s Getting Hot”

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Olivia Rodrigo — “Vampire/Get Him Back!”

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Anitta — “Used to Be/Funk Rave/Grip”

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Lil Wayne — “Back That Azz Up/Uproar/Kat Food”

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Cardi B & Megan Thee Stallion — “Bongos”

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Demi Lovato — “Heart Attack/Sorry Not Sorry/Cool For Summer”

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Doja Cat — “Attention/Paint the Town Red/Demons”

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Shakira — “She Wolf/Te Felicito/TQG/Objection (Tango)/Hips Don’t Lie/Bzrp Music Sessions, Vol. 53”

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Nicki Minaj — “Last Time I Saw You” (plus snippet of unnamed new song)

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Diddy (feat. King Combs, Keyshia Cole)– “Ill Be Missing You/It’s All About the Benjamins/Last Night/Mo’ Money, Mo Problems/Bad Boys For Live/I Need a Girl”

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Stray Kids — “S-Class”

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Peso Pluma — “Lady Gaga”

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Metro Boomin feat. Future, Swae Lee, A Boogie Wit da Hoodie, Nav — “Superhero/Calling”

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Karol G — “Oki Doki/Tá Ok”

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Fall Out Boy — “We Didn’t Start the Fire”

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Tomorrow X Together feat. Anitta — “Back For More”

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Måneskin — “Honey (Are U Coming?)”

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Kelsea Ballerini — “Penthouse”

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Hip-Hop 50th Anniversary Medley feat. Lil Wayne, Nicki Minaj, LL Cool J, Run-DMC, Slick Rick, Doug E. Fresh and Grand Master Flash & the Furious Five

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At around 4 a.m. last Saturday an unusual thing happened at Burning Man. The event, typically an all-hours hubbub of music, art cars, laughter, weeping, whirring bikes, bass drops and other assorted cacophony went silent.  

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The only sound was the rain.  

The now infamous near-inch of rain that turned the annual desert gathering into global news as it transformed Nevada’s typically bone-dry Black Rock Desert into a gloopy expanse of thick, slippery mud. Mud that stuck to shoes in three-inch slabs. Mud that made it impossible to peddle a bicycle — Burning Man’s primary mode of transportation — or drive any type of vehicle without getting stuck or, worse, slice ruts in the roads making driving difficult once the ground dried. I’ve been to Burning Man eight times — for fun, for adventure, for work. I’d never seen anything like it.

Hoping to save the roads for the mass exodus of 73,000 people that typically happens on Sunday and Monday, a no-driving order was put in place, and everyone was told to stay off the road to the event’s lone gate. (“PLEASE don‘t be that person,” pled the Wet Playa Guide published on the Burning Man website.) No more Burners were let in, and those already on-site were advised not to leave. Some tried to drive away, and those without four-wheel drive and all terrain tires failed. Some, (yes, famously, like Diplo and Chris Rock), got out on foot, walking the six miles from the event site — a seven square mile swath of flat, expansive desert — to the sole paved road that leads back to civilization. Most of us just put on warmer clothes and adjusted to our new reality. 

Burning Man festival

Katie Bain

Rumors swirled that we might all be stuck there for a few extra days, or maybe a week, or possibly longer, if it kept raining. The ground would need 12-24 hours after the last rain to become drivable, we were told. The burning of the man — the event’s namesake ritual that typically happens Saturday night before people start heading home — was postponed, as fire trucks couldn’t get to the structure and the wood was too damp to burn. The shuttle service meant to return 20,000 Burners back to Reno and San Francisco was suspended. We were advised to conserve food, water and fuel. Between public service announcements, Burning Man’s FM radio station played Phil Collins‘ “Another Day in Paradise” and, looking at the flooded tents and Burners with plastic grocery bags duct taped around their shoes, one couldn’t help but laugh. Or cry. Or both.  

There’s essentially no cell service at Burning Man. The event is made up of hundreds of camps, small settlements serving as temporary homebases to groups of Burners, and while some have Wi-Fi and Starlink, the Burning Man guidebooks notes that is is “highly discouraged.” Burning Man’s much-touted 10 principles — a sort of ethical guide for how to exist at the event — includes “immediacy,” which is of course hard to achieve when doom scrolling or answering emails on one’s phone.   

This forced disconnection with the outside world is a feature, creating a sense of presence by cutting Burners off from what many refer to as “default reality.” But as news about what was going on got out, some information also got back in.  

“We’re on the front page of CNN,” a fellow camper told me Sunday morning as we gingerly navigated a plywood walkway laid over the gloop. Thanks to (false) rumors about an outbreak on the playa, we heard “ebola burning man” was trending on fellow Burner Elon Musk’s social media platform recently renamed X. We heard Burning Man 2023 was being called “a national emergency,” that FEMA was coming. When I logged onto Wi-Fi at the tent that sells ice, I got 23 texts from family members, friends and colleagues asking if I was safe. If I was scared. If I was OK. “You picked a great year to skip Burning Man,” texted my dad, who was alarmed to then learn I was actually there.  

I was there, and I was OK. Generally, we all were. It’s likely people were having breakdowns in the privacy of their tents and RVs as travel plans changed, workdays were missed, and the next few days of our collective existence became a question mark. But also, uncertainty is exciting, and why go to Burning Man but for an unconventional experience? There was a buzz in the air during the hours and days when we weren’t quite sure what would happen — it was sometimes faced with tears and frustration, and other times laughter, dancing and tequila shots.  

Burning Man festival

Katie Bain

Every Burning Man tests the mental, emotional and physical limits of its attendees. This year, tickets were unusually easy to get, with many people skipping this go around after calling 2022 their hardest Burn ever. Last year, temperatures hit around 106 degrees, which in comparison made the rain feel like a reprieve. It also — like the extreme heat the year before — demonstrated that the real emergency is the climate crisis. That point was well emphasized by the climate activists that briefly blocked the road into Burning Man as this year’s event started to protest the private jets that shuttle rich Burners in and out of the event and attendees’ prolific use of single use plastic and generators.  

The rain did change a few things. The speed of Black Rock City, as the Burning Man site is called, slowed from the swift clip of the electric bikes zipping around the playa to a walking pace. A few parties, talks and DJ sets were interrupted. Art cars decorated like dragons and spaceships stayed parked at their respective camps. A man at a nearby RV suffered a mild injury when some buried cables got wet. (He received medical help immediately and was ultimately fine.) There was also one death at the event that was unrelated to the weather. People who’d planned to leave early (Burning Man typically ends on Sunday) couldn’t. The event’s airport, the hub for those aforementioned private jets, was closed. But no one went into a panic, and no systems broke down, they just adapted.  

Meanwhile, the media portrayed it as a disaster. But it never felt that way on the ground. Maybe people were hoping for it in some perverse way. That’s predictable with anything related to Burning Man, though — it’s an event that’s hard to understand and easy to judge among those who’ve never been.  

What most Burners know — and what’s probably lost to the outside world amid the hyperbole of drug use and dusty dancing — is that the event is a major test of self-reliance. Tickets only grant access to the access road in and use of the provided porta-potties. Attendees must bring everything else — their own food, water, shelter, garbage bags, you name it. A “survival guide” is sent to all attendees along with their tickets. All programming is conceived of, paid for and hosted by attendees. Taking care of yourself and others is intrinsic to the experience. So while we may have been stuck there longer than expected, after an extra day or two there was little threat of Burning Man going down in flames — or floods. In short: For most of us, besides the threat of missing an extra day of work, we adapted, and we were fine. 

“I’m never worried about Burners,” a Bureau of Land Management officer told me in 2021, during the unofficial rogue Burn, which was organized by attendees after the official event was canceled due to the pandemic. “Burners have their sh– together.” 

Oh, did I mention my tent flooded? “Communal effort” is among the 10 principles at Burning Man. A nearby RV adopted us, and later the camp rallied to cook up tacos for 200. Minus the momentary silence, a lot of sound camps didn’t stop playing music, and a lot of people never stopped partying. One DJ launched his Saturday afternoon set with “Purple Rain,” attracting a large crowd — many of them wearing just socks on their feet, and many barefoot — that danced in the mud. Those not keen on dancing dropped in on impromptu workshops teaching relaxation breathing techniques. One camp transformed itself into a medical facility. Around the city I was offered water, Gatorade, mezcal, stuffed animals, a popsicle. More than one person observed that if they’d been watching all this on the news, they’d have been disappointed to miss it.  

If viewers at home saw tens of thousands of stranded Burners eating tacos and dancing in mud, would they have stopped laughing at us? Probably not. And’s that’s fine. The outside world makes fun of Burning Man because Burning Man is easy to make fun of — especially when 73,000 of us clad in faux fur jackets and shoes with plastic bags duct taped to them are indefinitely trapped in a remote mud pit. It was funny to the people at home, but it was f—ing hilarious to us.  

Burning Man festival

Katie Bain

Eventually the parties and events wound down, and after two more showers on Sunday, the rain stopped too. By then, Burners with burly enough trucks and RVs started making their way out, despite the no driving order. If there was discord at the event, it was between the faction that immediately left and those that stayed behind. With “radical self-reliance” as another Burning Man principle, it’s hard to say there was a real right or wrong.  

By Monday afternoon, the sun was out, and the roads were dry and deeply rutted in areas, although even the littlest Hondas and Hyundais were leaving with no problems. (“I will not let Burning Man break me!” a woman driving an RV announced out the window as she slowly departed.) Many camps were partially or fully dissembled by the time the man burned Monday night, when the playa had dried enough so that all the art cars were able to surround the burn site, as is tradition. “If we can burn the Man, we have won,” some longtime Burners recalled the event’s late founder, Larry Harvey, often declaring.

It took me 16 hours to get from camp to Los Angeles on Tuesday. By the time I got home, many of the Burners I follow on Instagram were posting about how this year was their favorite ever.  

As of today (Friday, Sept. 8), there’s not much left out there in the desert. People who needed to leave early due to the rain are returning to the event site, where they’ll have until Saturday to take apart their projects, tear down their camps and remove their things (an opportunity specific to this year, given the situation). An email update sent yesterday by the Burning Man organization notes that all but one of the vehicles stuck in the mud within the closure area “have been liberated.” 

Burning Man doesn’t have a merch stand. While one typically returns home with a few trinkets, it’s cheesy and very Burner-ish but generally also true to say that the real takeaways are the inspiration and the memories. But the experience, mind-blowing the first time, changes you a little less with each outing. One can become inured to the dragons and the spaceships. The rain brought unique challenges that gave the experience fresh opportunities, new forms of fun and renewed potency. It’s hard to call that a disaster.

Wimbledon 2023 wrapped on Sunday (July 16), and the music stars were out in full force to enjoy thrilling matches at the world’s oldest tennis tournament. This year’s Wimbledon Championships, the 136th edition, featured some stunning victories. Twenty-year-old Carlos Alcaraz of Spain won the gentlemen’s singles title, beating renowned tennis star Novak Djokovic of Serbia. […]

If you’ve always wanted to have brunch with Charlie Puth, and if you want to support the Grammy Museum’s Grammy in the Schools education programs, you can do both at the same time on Sunday, July 16 when Puth performs at VERSE LA.
Puth is set to perform in the Grammy Museum’s second-ever Sunday Brunch With… program. Jason Mraz headlined the first, which was held on April 2 in the same restaurant. Tickets for Puth’s show are $350 each — same as they were for Mraz.

Guests will eat a three-course brunch while listening to music performed by Grammy in the Schools education program alumni. Following the meal, Puth will perform for 45 minutes. The brunch begins at noon, Puth’s performance begins at 1:30 p.m.

Tickets include an open bar and a three-course brunch (vegetarian, vegan, gluten free and dairy free options available), along with complimentary valet parking. Tickets are partially tax deductible; receipts will be issued following the event.

Sunday Brunch With… is presented by City National Bank with support from Porsche Cars North America, Inc. This series is also supported by VERSE LA, which is owned by long-time Grammy Museum supporter and 13-time Grammy-winning mixer, Manny Marroquin.

Marroquin won three Grammys on Feb. 5 — record of the year for Lizzo’s “About Damn Time,” best rap album for Kendrick Lamar’s Mr. Morale and the Big Steppers and best Latin rock or alternative album for Rosalía’s MOTOMAMI.  

Puth has been nominated for four Grammys, though he has yet to win. He has landed four top 10 hits on the Billboard Hot 100, including Wiz Khalifa’s No. 1 smash “See You Again,” on which he was featured.

The Grammy Museum’s music education programs annually impact more than 35,000 K-12 students and teachers across the U.S.

For tickets and more information on Charlie Puth’s performance, click here.

Busta Rhymes, MC Lyte, Chloe x Halle and more were honored at the seventh annual Culture Creators Innovators & Leaders Awards Brunch on Saturday (June 24) at the Beverly Hilton Hotel in Beverly Hills, Calif.
Hosted by journalist Gia Peppers, the Culture Creators Brunch not only celebrated the achievements of Black leaders in the entertainment industry but also commemorated the 50th anniversary of hip-hop. And there was no better way to kick off the event than by honoring MC Lyte as the first icon award recipient. Kash Doll and Lady London gave the veteran MC her flowers, commending her for how she “paved the way, broke barriers and shattered glass ceilings” for women in hip-hop in a “male-dominant music industry,” Doll said, and explaining the the metaphor “light as a rock.”

“It’s explaining how heavy your impact has been in my life and in my career,” London said. But when Lyte got up on stage and accepted her award, she caused the audience to roar with laughter when she commented on how “heavy” it was and passed it back to London.

“Thank you for the sisterhood and the friendship, it really means a lot to me,” she told the ladies who introduced her. “Thank you to this wonderful community of hip-hop for me, made up of artists, producers, videographers, dancers, DJs who break records, who have pushed the limits to get the genre where it stands today. Someone asked me, ‘Did I think hip-hop would make it this far?’ No, but here we are.”

Ryan Press, president of North America at Warner Chappell Music, presented the technology award to Troy Carter, whom he hailed as a “visionary, connector, entrepreneur, father, husband and friend” who “has made it his mission to push the boundaries of what’s possible in the music business and amplify the voices of creators and indie artists.” Before becoming co-founder and CEO of music and tech company Q&A, Carter was CEO/chairman of Atom Factory, the multi-dimensional branding, entertainment and artist management company. He also previously managed Eve, Lady Gaga, John Legend and more and was Spotify’s global head of creator services.

“It’s very, very special just being in this room of people who have really moved the needle, people who actually bended and shaped culture in so many crazy ways,” Carter said in his acceptance speech. He went on to specifically thank “my big brother Will Smith who taught me to always show up and to never let anyone box you into what they think you are,” “to the great Clarence Avant who taught me about fighting for the next generation and being gracious with my time and generous with my knowledge,” “to Russell Simmons who showed us that hip-hop could transcend television, fashion and finance,” “to the late Chris Lighty who encouraged me to stay in the game,” “to Eve who taught me about betting on potential,” “to the incredible Lady Gaga who taught me about endless possibilities” and “to Daniel Ek who always pushed me to think bigger when I thought I was thinking big.”

Culture Creators founder Joi Brown had the honor of awarding Chloe x Halle with the innovators of the year trophy, applauding them for “capturing our hearts and our minds with their fearless, fierce artistry” and becoming “symbols of strength and role models for young women, knocking down barriers and proving that dreams can be realized.” Chloe accepted on behalf of the duo because Halle’s flight from Paris was canceled.

“For us as little girls singing covers on YouTube and performing around our hometown of Atlanta, we were just doing what we loved. And that turned into Chloe x Halle, which over the past years has evolved into this whole thing. I remember we would discuss, ‘OK, are we going to go as Chloe x Halle, or are we going to come up with some group name or The Bailey Sisters?’ We couldn’t decide, but now, we’re Chloe x Halle,” she explained, later delving into how they’ve expanded the boundaries of their artistry “with me releasing my solo album, touring the country as a solo artist, and my sister inspiring young girls everywhere as Ariel in Disney’s The Little Mermaid. But we know that whenever we’re together as Chloe x Halle, it’s special. One of our favorite quotes is ‘Individually we are a drop, but together we are an ocean.’ Whether we’re doing our solo music or acting projects on our own, we are forever Chloe x Halle because our sisterhood is a forever thing.”

But Busta touched the entire ballroom when it was finally time for him to receive the second icon award, just 24 hours before he would receive the lifetime achievement award at the 2023 BET Awards on Sunday. After Big Daddy Kane and Mona Scott-Young praised him for having “the greatest flow in hip-hop” and being “the man, they myth, the dragon,” they said respectively, the lighting-fast rhymer was at a loss for words.

“I get a lot of love because I’m a giver of love…. But I don’t get awards … not in this form. So it’s a little overwhelming for me because, Mona would know, a lot of times I would ask, ‘How much longer I gotta wait?’” he said while growing emotional and finding the words to describe the indelible impact of Black people across every industry. “We are the founders of civilization, the makers and the owners of the planet, the gods of the universe. Our culture is the greatest. And with that being said, even when they gave us nothing, we created every culture.”

Busta also revealed he was releasing a new album “in the next eight weeks,” which would mark his first album in three years since 2020’s Extinction Level Event 2: The Wrath of God. He also shouted out his new Hitmaka-produced single “Beach Ball,” featuring Bia, but rather than continuing to “plug and promote” his own music, he preached about the modern-day music industry’s dependence on social media algorithms, follower counts and other numbers dictating the art.

“Don’t get me wrong, I get it and I understand ’cause we all gotta be swift and changeable in order be remainable. But don’t allow that to dictate the soul,” he said while being met with a round of applause. “What I want is for the execs to come back to being a human first. Yea, we gon’ capitalize off the algorithm. But how many Biggies, Tupacs, Nas and Busta Rhymes is y’all gon’ miss if their algorithm ain’t jumping? The people dictated what the culture did, not the computer. Let’s get back to that y’all. ‘Cause I’m always going to be there to give you the friendly reminder that the computer can’t dictate sh– Busta Rhymes got goin’ on. I’mma bust its a– regardless!”

Other honorees included Karl Kani, Candace Rodney, Flau’jae Johnson, Stephen Hill, Laurieann Gibson and Chris Robinson.

Jerry Seinfeld and Jim Gaffigan are hitting the road, and this time, they’re not just going out for coffee. After first meeting in 2016 for an episode of Seinfeld’s Comedians in Cars Getting Coffee, the two comics have now announced plans to team up for a four-date joint arena tour. The stint will find Seinfeld […]

Lea Michele will have to take a week off from Broadway’s Funny Girl after testing positive for COVID again. The production announced on Instagram that the singer/actress will sit out the production through May 23, with Julie Benko playing the role of Fanny Brice until Michele is able to return; Ephie Aardema will step in […]

President Joe Biden will host the stars of the Broadway revival of Parade at the White House on Tuesday (May 16) at an event that will mark Jewish American Heritage Month. According to the Associate Press, the gathering will also highlight the Biden administration’s efforts to combat the rising tide of antisemitism across the nation. […]

Striking members of the Writers Guild of America have said they will not picket next month’s Tony Awards telecast, clearing a thorny issue facing show organizers and opening the door for some sort of Broadway razzle-dazzle on TV.
The union last week denied a request by Tony organizers to have a waiver for their June 11 glitzy live telecast. It reiterated that in a statement late Monday (May 15), saying the guild “will not negotiate an interim agreement or a waiver for the Tony Awards.”

But the guild gave some hope that some sort of Tony show might go on, saying organizers “are altering this year’s show to conform with specific requests from the WGA, and therefore the WGA will not be picketing the show.” What is being altered was not clear, but it may be to allow a non-scripted version of the Tonys to go on; Ariana DeBose was slated to host the show for a second year in a row.

The strike, which has already darkened late-night TV shows like The Tonight Show Starring Jimmy Fallon, The Late Show With Stephen Colbert and Saturday Night Live and delayed the making of scripted TV shows, was jeopardizing theater’s biggest night, one that many Broadway shows rely on to attract interest with millions of people watching.

The union — representing 11,500 writers of film, television and other entertainment forms — has been on strike since May 2, primarily over royalties from streaming media. While the guild doesn’t represent Broadway writers, it does represent writers who work on the Tonys telecast.

Tony organizers faced a stark choice after the request for a waiver was rejected: either postpone the ceremony until the strike ends or announce winners in a non-televised reception that would ask nominees to cross picket lines. The decision Monday means the possibility of a third way: A non-scripted show that leans heavily on performances.

That is largely what happened during the 1988 awards, which were broadcast during a Writers Guild of America walkout. Host Angela Lansbury and presenters speaking impromptu and with performances from such shows as A Chorus Line and Anything Goes.

Before the Writers Guild of America decision, a two-part Tony ceremony had been planned, with a pre-show of performances streaming live on Pluto, and the main awards ceremony broadcasting live on CBS and streaming live to premium-level Peacock members.

The big first awards show during the current strike was the MTV Movie & TV Awards, which had no host and relied on recycled clips and a smattering of pre-recorded acceptance speeches. The strike has also disrupted the PEN America Gala and the Peabody Awards, which celebrate broadcasting and streaming media, on Monday canceled its June 11 awards show.

The iconic Tiffany & Co. has reopened it flagship store in New York on 57th Street and Fifth Avenue, and to celebrate, they threw a party with several notable musicians and celebrities in attendance for the opening-night festivities.
Jimin took a break from promoting his debut solo album FACE and showed up to the Tiffany blue carpet in a black-on-black tuxedo ensemble with stain lapels, a diamond-encrusted flower brooch and leather shoes. Later in the evening, Jimin was joined by Pharrell Williams, who arrived in a multicolored ensemble, leather pants, chunky boots and angular sunglasses. The pair smiled for a photo together — a welcome treat for BTS ARMY who are anxiously awaiting the arrival of the K-pop group’s yet-untitled collaboration with Pharrell, which the all-star producer teased in 2022.
Katy Perry, meanwhile, was an attraction at the Tiffany & Co. reopening — she took to the stage in a fitted strapless gown (in Tiffany blue, of course) to perform a series of smashes from her catalog, including her breakthrough hit “I Kissed a Girl,” “Never Really Over” and “Firework.”
Elsewhere on the blue carpet was Anitta, who fiercely posed in an undone tuxedo and white button-down look; Zöe Kravitz, who took a sweet candid with friend Hailey Baldwin; newlyweds Brooklyn and Nicola Peltz Beckham; and actress Florence Pugh. Anya Taylor Joy, Blake Lively, Tiffany Haddish, Jacob Elordi and Tracee Ellis Ross were also among the famous faces in attendance.
See all the celebrities and musicians at the Tiffany & Co. flagship reopening in the photos below.

Zoë Kravitz & Hailey Bieber

Image Credit: Jamie McCarthy/GI for Tiffany & Co.

Zoë Kravitz and Hailey Bieber attends as Tiffany & Co. Celebrates the reopening of NYC Flagship store, The Landmark on April 27, 2023 in New York City.

Katy Perry

Image Credit: Jamie McCarthy/GI for Tiffany & Co.

Katy Perry performs onstage with the Rockettes as Tiffany & Co. Celebrates the reopening of NYC Flagship store, The Landmark on April 27, 2023 in New York City.

Anitta

Image Credit: Jamie McCarthy/GI for Tiffany & Co.

Anitta attends as Tiffany & Co. Celebrates the reopening of NYC Flagship store, The Landmark on April 27, 2023 in New York City.

Jimin

Image Credit: Taylor Hill/GI

Jimin attends the reopening of The Landmark at Tiffany & Co 5th Avenue on April 27, 2023 in New York City.

Mark Ronson

Image Credit: Dimitrios Kambouris/GI for Tiffany & Co.

Mark Ronson DJs as Tiffany & Co. Celebrates the reopening of NYC Flagship store, The Landmark on April 27, 2023 in New York City.

Barbara Palvin, Dylan Sprouse & Jacob Elordi

Image Credit: Jamie McCarthy/GI for Tiffany & Co.

Barbara Palvin, Dylan Sprouse, and Jacob Elordi attend as Tiffany & Co. Celebrates the reopening of NYC Flagship store, The Landmark on April 27, 2023 in New York City.

Anya Taylor-Joy

Image Credit: Dimitrios Kambouris/GI for Tiffany & Co.

Anya Taylor-Joy attends as Tiffany & Co. Celebrates the reopening of NYC Flagship store, The Landmark on April 27, 2023 in New York City.

Tiffany Haddish

Image Credit: Dimitrios Kambouris/GI for Tiffany & Co.

Tiffany Haddish attends as Tiffany & Co. Celebrates the reopening of NYC Flagship store, The Landmark on April 27, 2023 in New York City.

Blake Lively

Image Credit: Cindy Ord/GI for Tiffany & Co.

Blake Lively attends as Tiffany & Co. Celebrates the reopening of NYC Flagship store, The Landmark on April 27, 2023 in New York City.

Jimin & Pharrell

Image Credit: Jamie McCarthy/GI for Tiffany & Co.

Jimin and Pharrell attend as Tiffany & Co. Celebrates the reopening of NYC Flagship store, The Landmark on April 27, 2023 in New York City.

Gabrielle Union, Dwayne Wade & Tracee Ellis Ross

Image Credit: Jamie McCarthy/GI for Tiffany & Co.

Gabrielle Union, Dwayne Wade, and Tracee Ellis Ross attend as Tiffany & Co. Celebrates the reopening of NYC Flagship store, The Landmark on April 27, 2023 in New York City.

Brooklyn Peltz Beckham, Florence Pugh & Nicola Peltz Beckham

Image Credit: Jamie McCarthy/GI for Tiffany & Co.

Brooklyn Peltz Beckham, Florence Pugh, and Nicola Peltz Beckham attend as Tiffany & Co. Celebrates the reopening of NYC Flagship store, The Landmark on April 27, 2023 in New York City.