EDITORIAL
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LeBron James will have to endure a long offseason of people questioning his greatness from the comfort of their couches and game controllers despite willing the seventh-seeded Los Angeles Lakers to the Western Conference Finals. The Denver Nuggets, the top-seeded team in the Western Conference, swept the Lakers in their best-of-seven series and some NBA fans are unfairly making LeBron James the fall guy.
LeBron James, who turns 39 this year, spent years carrying the Cleveland Cavaliers on his shoulders and doing so at an elite level for years. After two decades of basketball, wear and tear is natural and the high-flying exploits aren’t there every night but all of the greats have off nights.
James didn’t have an off night on Monday, leading all scorers with 40 points and remaining on the floor for the entire game. James supporting cast of Davis and Reaves did what they could but they were outmatched by Nikola Jokic, who led all Nuggets scorers with 30 along with 13 assists and 14 rebounds, and Jamal Murray, who poured in 25 points and was electrifying in the WCF.
You don’t even need to be a fan of James or his team to realize what he was able to do while pushing the age of 40 is incredible. There are a few NBA players who spent 20 seasons in the league and many of them are in the Basketball Hall of Fame. James will join those ranks once he decides to hang up his sneakers for good and hopefully, he holds off on doing so after the bitter sting of the loss settles down.
The comparisons to the great Michael Jordan are inevitable and people making a case for LeBron being an inferior player will have all their stats ready for an imaginary showdown neither man asked for.
The jeers from the armchair athletes of the world will cease to matter and besides, anyone who needs to take off their shoes and then put them in their laps to tie them can’t rightly call LeBron James a bum.
But they’re certainly going to try.
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Photo: Getty
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Source: rarrarorro / Getty
It’s 2023, and the NAACP Board of Directors has issued a travel advisory for Florida, citing that the state is “hostile toward African Americans.” Considering MAGA-friendly Governor Ron Desantis’ blatantly racist legislation aimed at the “woke,” often a replacement for the n-word in far-right circles, where is the lie?
On Saturday, May 2020, the NAACP issued its damning travel advisory. Part of it reads, “Florida is openly hostile toward African Americans, people of color and LGBTQ+ individuals. Before traveling to Florida, please understand that the state of Florida devalues and marginalizes the contributions of, and the challenges faced by African Americans and other communities of color.”
In the past year, Desantis has overseen the kneecapping of AP African American Studies courses for high school students, banned the teaching of critical race theory and has signed four bills that restrict LGBTQ rights including an expansion of the infamous “Don’t Say Gay” law.
Added NAACP President & CEO Derrick Johnson, “Under the leadership of Governor Desantis, the state of Florida has become hostile to Black Americans and in direct conflict with the democratic ideals that our union was founded upon. He should know that democracy will prevail because its defenders are prepared to stand up and fight. We’re not backing down, and we encourage our allies to join us in the battle for the soul of our nation.”
Another feasible question is, when is Texas going to be added to that travel advisory list? History has shown that one way to handle blatant racists in power is to hit them in the pockets.
See some of Twitter’s reactions to the NAACP’s chess move in the gallery.
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Donald Trump will not go away quietly in the night, especially if major news networks continue to give him a platform to tout his MAGA philosophies at will. The former Swindler-In-Chief will appear in a town hall hosted by CNN, and the timing looks just a little curious.
As pointed out by the homies Crooks and Liars, CNN announced that the network will open its channels to host the town hall that puts Donald Trump back into the national spotlight. Despite the fact that the business mogul is embroiled in several legal tie-ups, Trump still holds sway over the Republican Party and the rabid MAGA base who want to see him returned to power.
More from CNN:
“CNN This Morning” anchor Kaitlan Collins will moderate the event at St. Anselm College, which will air at 9 p.m. ET on May 10 and will feature the former president taking questions from New Hampshire Republicans and undeclared voters who plan to vote in the 2024 GOP presidential primary.
This will be Trump’s first appearance on CNN since the 2016 presidential campaign.
Trump is positioning himself to become the Republican Party nominee for the 2024 presidential race and seems to be the frontrunner according to some analysts. If successful, the race could be a repeat of 2020 as President Joe Biden announced plans to run for reelection.
The timing of this town hall might ring curious to some as CNN just fired anchor Don Lemon, a known critic of Donald Trump. Looks a little funny in the light if you ask us.
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Photo: Getty
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Source: Brian Feinzimer / Getty
You just knew Van Jones couldn’t let a historic moment like a former President being indicted just go by without putting his tap dance shoe in his mouth. The known Op is getting cooked on Twitter after he caped for Donald Trump having to sit and listen to the judge during his arraignment.
By now you should know that Trump was charged with 34 felonies, and pled not guilty. Which is his right.
But Van Jones went out of his way to show sympathy for the racist and bigoted former POTUS known for tax evasion and acting like a whole donkey on social media—the receipts are out there.
“He looks sad, he looks like the weight of it is hitting him,” said Van Jones on CNN prior to the revealing of the charges. “Just as a human being, I don’t take joy…I don’t like the prison system…I don’t like this process … doesn’t mean that accountability is not owed, we don’t know what he is going to be charged wit…but at that moment that is not a conqueror, that is a granddad having a very bad day.”
Sounds like Jones wants to give Trump a hug. Trump is also the same guy who came for the presiding judge in the case’s daughter and wife. Does he feel bad about Alvin Bragg and his family being put in harm’s way? Also, it’s a safe bet Cheeto wouldn’t spit on Jones if he was on fire.
The audacity of Jones expressing the sads about the start of Donald Trump actually being held accountable for just some of his illegal activity quickly led to another slander session from Twitter. Jones should be used to this—like when it was revealed he worked on Trump’s police reform plan on the quiet.
Peep some of the best slander in the gallery.
8. Relevant
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Jill Biden, the First Lady of the United States, made waves this week after she made a most unusual request in the wake of LSU’s victory over Iowa in the NCCA women’s basketball championship game. Dr. Biden said that she would suggest to President Joe Biden that both teams appear at the White House for the customary visit presented to national sports champions, which caused a stir online.
Jill Biden was in attendance at the final game featuring the victorious Louisiana State University Tigers and the Iowa State University Hawkeyes this past Sunday. Without a doubt, both teams were electrifying to watch en route to the championship contest with Iowa’s Caitlin Clark putting on a scoring clinic any time she stepped on the floor.
However, Clark’s heroics weren’t enough to defeat the strong team effort from LSU and, of course, the moment people can’t stop talking about is LSU player Angel Reese giving Clark a bit of her own “Can’t See Me” medicine.
As ESPN reports, Dr. Biden spoke at the Colorado State Capitol in Denver on Monday and extended the invite to both teams.
“I know we’ll have the champions come to the White House; we always do. So, we hope LSU will come,” Biden said. “But, you know, I’m going to tell Joe I think Iowa should come too, because they played such a good game.”
Reese retweeted the news of the potential Iowa invite and captioned the tweet “A JOKE,” which echoed a sentiment shared by many online. Typically, the champions, including the players, coaches, and staff, are invited to the White House for a further celebration of their epic wins. As far as it’s been reported, a runner-up has never been extended an invite to the White House.
What we can say with confidence is that women’s basketball is just as vital as men’s basketball and March Madness didn’t disappoint on either side. Reese is also leaning into the discussion by not backing down from her gesture and saying she hopes to keep growing women’s basketball. Kudos to that.
Check out the reaction to First Lady Jill Biden extending invitations to LSU and Iowa to the White House below.
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Photo: Maddie Meyer / Getty
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Swarm, the new Amazon Prime series from Janine Nabers and Donald Glover, inspired a flurry of conversations around so-called “stan culture,” parasocial relationships, and the obsessive nature of some music fans. While the series doesn’t necessarily hide from running parallel to the fandom that surrounds a certain Houston, Texas superstar, the program actually serves as an examination of the deeper and often dark side of obsession.
With the promise that this piece will remain spoiler-free as possible, Swarm, which stars the excellent Dominique Fishback in the role of Andrea “Dre” Greene, is at times a very uncomfortable watch.
The opening episode, “Stung,” was directed by Glover and written by Nabers and the director. There exists heavy-handed “wink wink nudge nudge” references to Beyoncé and the BeyHive, but it becomes more about the singular mission of Dre to get next to the show’s fictional pop star, Ni’Jah, a powerhouse artist and performer who commands the so-called “Swarm” — a collection of fans who will ride on anyone who dares the critique their fave.
Naturally, the satirical sendup of fandoms seen within the series mirrors much of what plays out on social media with mega-popular stars. Names on social media that reference the stars the users revere, devoted fans draped in merchandise from the artist, and an abject willingness to defend the honor of the celebrities by verbally attacking critics with ferocity. As most are discovering, Dre handles the enemies of Ni’Jah with murderous intent which highlights the show’s brutal horror elements.
Since the show’s March 17 air date, much has been made of Glover’s intentions with the program including some believing Swarm is a subtle, if unfounded, continuation of his hatred for Black women. Yes, Glover did express some interesting thoughts about what he expected of Fishback in the role of Dre in a Vulture feature story with Fishback, which asked her to channel an animalistic quality. But does that mean he harbors hatred for Black women? It isn’t for us to say.
Other observers noted that Glover seemingly depicted Black women in a bad light or lacking complexity in the hit series Atlanta, and then there is the fact that Glover isn’t married to a Black woman. This isn’t meant to be a defense against the claims of hate but certainly detracts from the fact Glover largely got out of the way after the first episode and let his team handle the rest.
The decision by some to criticize and center Glover instead of Nabers, a talented playwright, and producer in her own right, steals some of the thunder away from the writing room, Fishback, and the dozens of actors and crew members who worked on the show. That same light is also taken from the efforts of established Black women writers on the show such as Karen Joseph Adcock, fledgling writers like Malia Obama, and rising writers such as Kara Brown along with Chloe Bailey and her performance.
Is Swarm perfect? Perhaps not. At its core, the series could simply stand as an indictment of “stan culture” and perhaps also that of the seedy underbelly of social media overall. In addition, it displays a Black woman completely disheveled and in need of loving care
It is heartbreaking at times to see how loss and the lack of others not leaning in to surround Dre with love and understanding affects her mental well-being. What we can say overall is that there is nothing on television quite like Swarm at the moment and it deserves a watch even if just for the sake of satisfying one’s curiosity.
Swarm is currently airing on the Amazon Prime streaming service.
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Photo: Amazon Prime Video
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On Saturday night (March 18), the New York City stop of Key Glock’s Glockoma 32-city tour celebrated the February release of his highly anticipated Glockcoma 2 album, but it wasn’t without flaws. Pain-staking patience was required to enjoy the show at the the Knockdown Center in Queens as the crew battled massive wait times switching between show openers Tia Corine, Jay Fizzle, Kenny Muney, and the headliner.
However, it wasn’t enough to ruin the overall experience. Each artist dazzled fans with high-energy performances, showcasing why they were handpicked to join the late, great Young Dolph’s independent label Paper Route Empire.
First up to hit the stage was Jay Fizzle, a cousin to the late Dolph, who appeared 40 minutes earlier than expected from the promoted 8:00 pm showtime. Those interested in watching the performance saw the ski-mask-wearing rapper perform “Standin On Top Of Sh*t” and “Hood Rich.”
By this point, plumes of weed smoke filled the air as the crowd waited 30 minutes for Kenny Muney to arrive. Dressed in a purple puffer, the rapper kicked off his set with “Ashtray” before flinging a wad of cash into the air during “Big Muney Sh*t.” He took off his coat to jump in the crowd for a more intimate performance of “Lowkey.”
Tia Corine also performed while fashionably dressed in a gothic outfit with a blonde mullet. Her set started with the hit single “FreakyT,” a fan favorite. Her voice energetically bellowed through the speakers with “FYK” until her DJ ruined her set on “Dipset.” By this time, she was noticeably annoyed but powered through during “Boogie,” “Pancake,” and “Lotto.” The set wrapped with an encore of her opener.
Key Glock’s set was a painful 40-minute wait that involved a complicated stage breakdown as a hypeman repeatedly promised he was “on his way” to the show. Just as the complaints of leg pain echoed across the crowd, the houselights dimmed, and stage lights suddenly turned on, when a focused Glizzock emerged. It was showtime.
His performance formula is simple: don’t talk too much and just let the music do all the work. To say it was a clever strategy is an understatement.
Glockoma 2’s “Chromosomes” opened the show, the first of 20 songs carefully selected from his vast catalog while cleverly themed video graphics flashed in the background. The crowd remained invested as he performed “Work,” “Bottom of the Pot,” and “On My Soul,” but pure fandom erupted when “Jigsaw” dropped. The crowd pushed closer to the stage as a giant white head darted laser beams out of its eyes with smoke. At this point, the audience joined in tandem with Key Glock as both rapped in the chorus for the remainder of his show, including on standouts “I’m Just Sayin,” “Like Key,” “Juicemane,” and “Dough.”
To hear these songs and not see Young Dolph beside him to recite his parts left a void that was felt all night. This cued Glock to take a well-timed break to pay homage to his mentor with “Get Paid,” “Preach” and “Water on Water on Water.” It was the closest anyone could get to experiencing the fallen rapper live on stage again. The crowd celebrated to pay their respects.
Finally, the show was nearing its end as “Mr. Glock” and “White Russian” whiplashed the audience back to high-energy mode, before wrapping with a closer from “Frozone” by the late Big Scarr. The crowd was pleased, proving that Paper Route Empire remains dedicated to upholding Young Dolph’s legacy by delivering high-quality performances. And they did just that.
Written By D.L. Chandler , Senior Editor Posted 3 mins ago @dlchandler123 D.L. Chandler is a veteran of the Washington D.C. metro writing scene, working as a journalist, reporter, and culture critic. Initially freelancing at iOne Digital in 2010, he officially joined the iOne team in 2017 where he currently works as a Senior Editor […]
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Ben Stiller publicly defended his Tropic Thunder movie recently, which garnered controversy over Robert Downey Jr. appearing in blackface in the film among other issues.
The actor and writer was mentioned in a tweet about the film last Tuesday by a Trump supporter who goes by “Benny Sings.” The individual wrote: “Please stop apologizing for doing this movie. It was and still is funny AF… Even funnier now with cancel culture the way it is. It’s a MOVIE. Ya’ll can just get over it. I was DYING laughing when I first saw it back in the day and so was everyone else.”
In an included text statement, the user noted that the Wayans Bros didn’t apologize for White Chicks in which they appeared as two white women. Stiller would respond afterward, writing: “I make no apologies for ‘Tropic Thunder.’ Don’t know who told you that. It’s always been a controversial movie since when we opened. Proud of it and the work everyone did on it.”
The 2008 comedy movie, which features Stiller and Downey Jr. along with Jack Black, drew a swarm of backlash on its release mainly for Stiller’s role as Tugg Speedman, who played a character in the fictional film-within-the-film Simple Jack that disability advocates felt mocked them. They pointed to the usage of the R-slur in particular in their criticisms.
Downey Jr. would also face some backlash for his role as Australian method actor Kirk Lazarus, who opts to darken his skin to play a Black soldier. The Iron Man actor did express his reservations about taking the role while appearing on The Joe Rogan Experience podcast in 2019, which would wind up earning him an Oscar nomination for Best Supporting Actor the following year. “Sometimes, you just have to go, ‘Yeah I effed up,’” he said.
Stiller appeared to apologize for that or claimed to in another tweet in 2018 prompted by Olympic medalist Shaun White appearing as Simple Jack for a Halloween costume. “Actually Tropic Thunder was boycotted 10 years ago when it came out, and I apologized then. It was always meant to make fun of actors trying to do anything to win awards. I stand by my apology, the movie, Shaun White, And the great people and work of the @SpecialOlympics,” he wrote.
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FOX News is all but confirmed as an alleged propaganda network. Not that anyone should be surprised, but recently revealed court documents show that the network’s anchors knew guests like Rudy Giuliani were spreading lies, and they continued to hand them megaphones anyway.
The documents (actually texts) are thanks to Dominion’s lawsuit against the network. In texts shared between racist FOX talking heads Tucker Carlson, Sean Hannity and Laura Ingraham, they confirm that they’re clearly aware the guests they have on their shows are right-wing “lunatics.”
Reports CNN:
The most prominent stars and highest-ranking executives at Fox News privately ridiculed claims of election fraud in the 2020 election, despite the right-wing channel allowing lies about the presidential contest to be promoted on its air, damning messages contained in a Thursday court filing revealed.
The messages, included in a legal filing as part of Dominion Voting System’s $1.6 billion lawsuit against Fox News, showed that Tucker Carlson, Sean Hannity, and Laura Ingraham brutally mocked lies being pushed by former President Donald Trump’s camp asserting that the election was rigged.
In one set of messages revealed in the court filing, Carlson texted Ingraham, saying that Sidney Powell, an attorney who was representing the Trump campaign, was “lying” and that he had “caught her” doing so. Ingraham responded, “Sidney is a complete nut. No one will work with her. Ditto with Rudy [Giuliani].”
Also in the docs were references to a source who claimed to know of election fraud due to “time travel.” Nah, we’re not kidding—that is their source.
While MAGA Twitter is doing all types of gymnastics to try to dismiss these latest revelations, FOX News is trending for all the wrong reasons. Like seriously, why is that network still getting press credentials?
Peep some of the more potent Sly Fox News slander and observations of the elite hypocrisy in the gallery.
1. Standards?