Dream Setlists
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All bets are off as Taylor Swiftâs feverishly anticipated The Eras Tour â her first roadshow unbeholden to a particular album release â prepares to embark March 17 in Glendale, Arizona.Â
It stands to reason that Swift would heavily showcase the heap of music sheâs produced since her record-setting Reputation Stadium Tour wrapped in 2018 â those projects being Lover (2019), Folklore and Evermore (2020), Fearless (Taylorâs Version) and Red (Taylorâs Version) (2021), and Midnights (2022).Â
But as the Eras Tour has been promoted by Swift as a âjourney through all of my musical eras,â itâs understood that each of her 10 studio albums will be highlighted in some manner. Couple that with the fact that Swift has not publicly performed more than 70 new or previously unreleased songs since her last tour a whopping half-decade earlier, and Swiftiesâ imaginations have rightfully run wild. What on Earth will the setlist look like?
Weâve already put forth what her dream Eras setlist could resemble. But what about all thatâs left on the cutting room floor? There are dozens upon dozens of songs that likely wonât be performed (at least with any regularity) on this tour, even if many would make for wondrously intimate moments or booming show-stoppers. Â
So thatâs what we have here: all the songs Swift probably wonât play this spring and summer, but should sincerely consider â at least for a night or two. Weâve chosen two cuts per album; letâs break it down as we all count the minutes to opening night.
âMaryâs Song (My, My, My)âÂ
From: Taylor Swift (2006)
Swiftâs hierarchy for self-titled revisits likely goes something like this: âTim McGraw,â âOur Song,â âShouldâve Said No,â âTeardrops on My Guitarâ ⌠then a big drop-off ⌠then everything else. But oh, my, my, my, what a moment this would be. As she told Billboard about a million years ago, Swift wrote âMaryâs Songâ when she first moved to Nashville, and her new neighbors were an older couple whoâd been together since they were children. Itâs a song of hope and innocence, and itâs adored by the ride-or-die fans, none of whom have heard Taylor play it live since 2008. To bring it back 15 years later, with so much more texture and maturity in her voice, would be unforgettable.Â
“A Place in This World”
Image Credit: Jeff Kravitz/FilmMagic
From: Taylor Swift (2006)
At the end of the day, arenât we all just girls trying to find our place in this world? This vulnerable track, written when Swift was a young teen still living in Pennsylvania â driving with her mom back and forth to Nashville in search of a record deal â plays like a diary entry, glancing back to the very outset of her career. Swift has only played the track once since 2009 (in Pittsburgh in 2018), and weâd love to see another acoustic solo roll-out, from the now-33-year-old woman whoâs very much cemented her spot.Â
âThe Way I Loved Youâ
From: Fearless (2008)
Of course, âLove Story,â âYou Belong With Me,â âFifteenâ and the title track will earn their keep before the deeper cuts off Fearless, but how about working âThe Way I Loved Youâ into a medley, reintroducing that big, impassioned chorus into the mix? Itâd make for a banner throwback, especially since Taylor hasnât played the song since the Fearless Tour wrapped in 2010. And it would surely separate the newer fans from the elder diehards.Â
âThe Best DayâÂ
From: Fearless (2008)
On Sunday, May 14, Swift will be in Philadelphia â the closest thing to a true hometown show, as she grew up an hour west of the stadium. You know what else Sunday, May 14 is? Motherâs Day. If Taylor doesnât roll out this nostalgic cut, written for her mom, there is no justice in the world of live entertainment. And fans would be seeing a real rarity, as sheâs only played the highly emotional song â which sheâs previously said is the most difficult to sing in her whole catalog â a half-dozen times live.Â
âDear JohnâÂ
From: Speak Now (2010)
For maximum emotional carnage, Swift would do well to slip âDear Johnâ between âMineâ and âMeanâ and tear down the house with her towering ballad of reflection and regret. At the first sound of that slow guitar trill, fans would grip each other and sob through the soaring chorus, which Swift hasnât performed live since 2012. Nowâs the time!
âOursâÂ
Image Credit: Ed Rode/Nashville Rising/Getty Images for Nashville Rising
From: Speak Now (Deluxe Edition) (2010)
Then, if she wanted to build the crowd back up â and re-establish some belief in true love â sheâd knock out âOurs,â the sweet and steadfast deluxe-version tune. Thereâs no way a solo acoustic version of âOursâ would make regular setlists, but as Taylor played the song once on the Reputation tour, letâs hope for at least one spot this time, too. If any shrewd boyfriend brought a ring to the stadium, waiting for the right moment to propose, this would be it.
âTreacherousâÂ
From: Red (2012)
As the Red catalog ballooned to 30 songs (including vault tracks) in 2021, thereâs only so much Swift can play from the magnum opus: âAll Too Well,â âWe Are Never Ever Getting Back Togetherâ and âI Knew You Were Troubleâ all feel like locks, and maybe we get âNothing Newâ on the nights Phoebe Bridgers opens. But remember on the Red Tour in 2013, when during the breathtaking âTreacherousâ bridge, the stageâs center ramp began to lift and Taylor toed across it, rising higher and higher in melancholic triumph? Yeah, letâs find a way to get that feeling again.Â
âHoly GroundâÂ
From: Red (2012)
Letâs pretend the hyper-catharsis of a stadium singing all 10 minutes of âAll Too Wellâ has just died down. Everyone, Swift included, has emptied their emotional tanks. They need a song to pump them back up â and then the band begins the familiar guitar chug of âHoly Ground,â painting the room in a new, re-energized shade of crimson. Itâs a light, fun and vibrant rocker, boosted by the breezy backing vocal, which of course would be sung by all in attendance: âblew away, blew away, oh, oh.â
âOut of the WoodsâÂ
From: 1989 (2014)
Of all the songs on this list, âOut of the Woodsâ might be the closest to actually appearing semi-regularly in the Eras set, as it was indeed a single (the sixth off 1989, but still). Either way, the propulsive thump of this electro-pop banger would be such a killer retread. And if sheâs really marking eras on this tour, why not include the first track she ever made with superproducer pal Jack Antonoff, whoâs become such a fixture in her catalog ever since?Â
âYou Are in Loveâ
Image Credit: Michael Tran/FilmMagic
From: 1989 (Deluxe Edition) (2014)
Thereâs plenty from Swiftâs planet-smashing pop crossover that sheâs more or less obligated to play. At least snippets of âShake It Off,â âBlank Space,â âWildest Dreamsâ and âBad Bloodâ are all likely to make appearances. But anyone who saw the 1989 tour in 2015 knows how spectacular this romantic bonus cut became when Taylor played call-and-response with the titanic crowd: âYou can hear it the silence (silence) silence (silence).â Maybe Iâm biased, as my wife walked down the aisle to this song, but I canât imagine anymore being upset if âYou Are in Loveâ was somehow worked back in.Â
âDancing With Our Hands TiedâÂ
From: Reputation (2017)
As the globe-trotting Reputation Stadium Tour was, of course, Swiftâs last roadshow, the album likely stands to receive as little attention as any this time around. Thatâs too bad, because spectacular tracks like âDancing With Our Hands Tiedâ probably wonât make it â a shame, considering the acoustic version from the last tour was so affecting. Weâd love to see it return, for at least a few nights.Â
âKing of My Heartâ
From: Reputation (2017)
Swifties will remember the monster treatment âKing of My Heartâ received on the last tour, with oversized tribal drums, full-troupe choreography and a golden throne looming behind. While the song will likely be excluded in favor of âDelicate,â â⌠Ready For Itâ and/or âLook What You Made Me Do,â all weâre asking for is the awesome acoustic rendition Taylor whipped up for a lucky coupleâs engagement party surprise in 2019.Â
“I Think He Knows”
From: Lover (2019)
As 2020âs pandemic-spoiled Lover Fest was never able to showcase all the sugar-pop wallops of Swiftâs seventh LP, Lover should get plenty of love on this tour. But âI Think He Knowsâ will likely be left off, especially since Midnightsâ âLavender Hazeâ â which features a similar melody in its chorus â will surely be included. But hereâs hoping for at least a mash-up, mainly so we can hear Swift pull off that killer bridge, which crests from the breathy flirt âwhere we gonna goâ into the belting âI think he knows!â The image is good enough for goosebumps.Â
“Paper Rings”
Image Credit: Theo Wargo/GI for iHeartMedia
From: Lover (2019)
While âPaper Ringsâ doesnât get a ton of love from Swifties when stacked against powerhouses like âCruel Summerâ or âDeath by a Thousand Cuts,â itâs such a delightful, candy-coated bop. And with a little live rock nâ roll magic â bigger guitars could morph it into a pop-punk winner â âPaper Ringsâ would be a beast, and an easy blast of romantic levity between the more heartsick anthems.
“Illicit Affairs”
From: Folklore (2020)
Considering 99.9% of Swifties have never seen anything from world-beating Folklore performed live in-person, thereâs surely other songs Swift will get to first â âCardigan,â âMirrorball,â âAugustâ and âBettyâ all being obvious contenders. But hereâs hoping she engages in the stark drama of walking with her guitar to center stage, strumming a few clandestine chords and crooning: âMake sure nobody sees you leave.â Oh, the shrieks of unadulterated, adultery-related joy and rapture that would follow.Â
“The Lakes”
From: Folklore (Deluxe Edition) (2020)
Same thing: âThe Lakes,â a bonus track, is undoubtedly low on the priority list, but were Taylor to bust out that doleful, melodramatic poetry before such a massive crowd, it would be an unforgettable, intimate moment. As soon as the scratchy strings began, itâd be emotional bedlam in every section.Â
ââTis the Damn Seasonâ
From: Evermore (2020)
Letâs be real, Swift is almost certainly not going to spend her spring and summer playing a song about weather so cold it fogs up the windshield glass. But hey, if Bruce Springsteen can play âSanta Claus Is Cominâ to Townâ in May, why should Taylor restrict herself? The truth is ââTis the Damn Seasonâ is a subtle banger, and if Swift was out in the center of the stadium, unraveling this ballad of homecoming trysts solely on her guitar, itâd be epic.Â
âNo Body, No CrimeâÂ
Image Credit: Neilson Barnard/Getty Images
From: Evermore (2020)
Yes, this would only work for one of the nine shows HAIM is opening, but imagine Taylor welcoming her pop-rock pals back to the stage for this felonious feature, jamming on some rediscovered twang. If Swift wanted to play something from Evermore that wasnât so sad or draped in frosty atmosphere, this would be a heap of fun â assuming everyone is cool with getting away with murder.
âWouldâve, Couldâve, ShouldâveâÂ
From: Midnights â 3am Edition (2022)
Since all of Midnights is surely on the table for this tour, the odds of getting anything off the 3am Edition appendix are likely very low. But if Taylor was to roll out anything, âWouldâve, Couldâve, Shouldâveâ has to be the obvious choice. Not only is this pseudo-sequel to âDear Johnâ the most popular track off the extension (based off internet buzz and streaming totals), but the hypnotic chug of the drum sample and her monster bridge â maybe the most affecting on all of Midnights â would soar in the stadium. You can already hear the diehards wailing with abandon: âLiving for the thrill of hitting you where it hurts/ Give me back my girlhood, it was mine first!âÂ
âBigger Than the Whole Skyâ
From: Midnights â 3am Edition (2022)
Oh, whatâs that â âBigger than the Whole Skyâ is too soft, slow and ethereal to factor into a stadium set? Wrong! Picture this: Itâs late in the show, the entire stadium is dark. But thereâs one spotlight fixed on Taylor as steps onto the crane apparatus that lifts her 100 feet in the air and carries her around the stadium. The track begins to play, 60,000 LED wristbands twinkle in white to create the starry sky. And Taylor sings with sorrow, mourning the lost relationship: âGoodbye, goodbye, goodbyeâŚâ Maybe they fit a keyboard on the platform so she can play along. The power of that moment would rival any of the booming hits.Â
Janet Jackson is an unshakeable icon â unbreakable, even. The past few years reminded us just how grand her legacy is. In 2019, she was inducted into the Rock and Roll Hall of Fame and enjoyed her Metamorphosis Las Vegas residency. Last January, the fiercely private star allowed the world into her personal journey with A&E and Lifetimeâs Janet Jackson two-part documentary. And in December, she announced her 2023 Together Again Tour.Â
A 33-date trek across North American arenas/amphitheaters, it kicks off on April 14 in Hollywood, Fla. and follows both 2017âs socially conscious State of the World Tour and her four-month, 18-show 2019 Metamorphosis residency in Las Vegas. With a truly staggering catalog filled with chart-topping albums and singles, itâs difficult to tell what tunes Miss Jackson will choose.Â
Will she revive her previous ideas from 2020âs Black Diamond World Tour (which was canceled due to the pandemic) or completely scrap them? How will she celebrate this Mayâs 30th anniversary of her blockbuster fifth album Janet? Will she forgo her usual offerings of â80s classics and replace them with deep cuts? Aside from Ludacris as the opening act, who will be the special guests?
There are many questions as to how sheâll fill up a standard two hours, but we attempt to answer them all below with our dream setlist for the Janet Jackson: Together Again tour â a journey through over three dozen of the pop and R&B legendâs classic tracks, deep cuts, features and collaborations. Now, letâs get to grooving!Â
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