drake
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Source: Carmen Mandato / Getty / Drake
Drake found out that not everyone loves him the 6.
Could this be the after-effects of his battle and loss to Kendrick Lamar?
Spotted on TMZ Hip Hop, Drizzy did not get a hometown greeting by locals attending a Limp Bizkit concert in his hometown of Toronto.
The proud Canadian was showered with boos when Limp Bizkit frontman Fred Durst announced to the crowd that the OVO General was in the building.
Per TMZ Hip Hop:
Limp Bizkit was performing in Toronto Thursday night — prodding their local audience with the mere mention of Drizzy’s name as a guest in attendance … and it didn’t get over well at all, as the crowd booed the hell of him.
The video never shows Drake appear onstage … but they definitely weren’t happy to hear he was in the building — which left Fred Durst absolutely speechless.
He questioned the hate, saying … “I thought Drake was your homie? What? No? Drake’s my homie.”
The celebrity gossip site reports the boos got even more aggressive, and f-bombs could be heard as Durst continued talking about Drake before going into his next song, “Take a Look Around,” which he dedicated to the 6 God.
To his credit, Drake has been taking his L in stride.
He is still showing up places, dropping new music, and posting on social media at his regular rate.
So if he’s hurting on the inside, he isn’t showing it at all, but we would have to imagine being booed in your hometown stings a lot.
Welp.
We are sure Kendrick Lamar is somewhere laughing at Drake’s current misfortunes.
At least Drake can count on DJ Akademiks to be on his side when it’s all said and done.
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It appears that Twitch is the new mixtape leak. Kai Cenat recently previewed a new track from Drake and Lil Yachty.
As reported on Hypebeast, the New York City native broke the internet once again. On Wednesday, July 24, the popular online personality took to Twitch and premiered a new track from Drake and Lil Yachty. Now referred to as “Super Soak,” the selection finds both MCs floating nicely on a slow-pitched beat, which samples Mr. Hotspot’s “Goodness Gracious.” Drizzy opens the cut with his signature approach of blending singing and rapping together. “I’m watching the moves, I’m playing it close / S.O.D., Super Soak / Rainy days, his and hers, matching coat / Jet is so big, it feel like a boat, staying afloat / I’m watching the moves, I’m playing it close,” he raps.
Lil Yachty follows Drake after the chorus with some moody bars on the second verse. “Twenty times Bottega, you can get what you want / Twenty times Balenci’, you could have it all / I don’t ask no questions ’bout who else involved / Get rid of your troubles (Phew), problem solved.” As expected, Kai Cenat turned up while the song played and proceeded to cut a rug from the comfort of his bedroom. Earlier this week, Adin Ross teased a song called “Promotion” that features Ye, Ty Dolla $ign and Future.
You can see the preview to the Drake and Lil Yachty track below.
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Source: Carmen Mandato / Getty / Drake
Drake can’t catch a break.
Drizzy’s city of Toronto is experiencing torrential rain, which is causing severe flooding and power outages.
Drake took to Instagram to reveal that his luxurious crib isn’t safe from the flood waters. He shared a video via his IG Stories showing dirty, yellowish water flooding into it, with the caption, “This better be Espresso Martini.”
Drake didn’t follow up with any updates, but his post did open the floodgates for folks on X, formerly Twitter, to use the moment to add salt to Drake’s still-fresh wound following his rap battle and defeat at the hands of Kendrick Lamar.
Many people joked that it was Lamar who was the cause of Drake’s weather-related issues he was enduring.
“Kendrick brought the biblical flood to Drake,” one post read.
Another user on X wrote, “First it was the diss records, the concert and the video. Now it’s a flood… Next, Kendrick is about to send the locusts to The Embassy…”
Wh” Is DrakeDrake’sA** Crib Not On A Hill?
Others wondered why DrakeDrake’s was not elevated in the first place, with one person writing, “I’m still shocked that Drake’s house isn’t on top of the highest hill in Toronto. That man has no sense.”
No matter what Drake does, he can’t escape Kung-Fu Kenny’s wrath.
Just recently, Richard Branson, a Black video game developer, dropped a free web video game based on Lama’s scathing-smash hit diss record “Not Like Us.”
In the game, control a pixel sprite version of K.Dot and literally wop wop wop as many owls as they can with a bat.
Damn, Drake.
You can see more reactions to Drake’s mansion flooding and K.Dot using his biblical powers to make it happen in the gallery below.
3. Howling
4. Good question
7. Ha ha ha ha ha
8. Nobody is safe
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Source: Richie Branson / Not Like Us
Are you sick of hearing “Not Like Us?” Well, that’s too damn bad because it just got more legs, thanks to a video game.
Thanks to a black video game designer, Kendrick Lamar’s infectious Drake diss will continue to be the topic of conversations, much to the ire of Champagne Papi.
On Monday, Richie Branson, who describes himself as “just a random brotha who designed games for Bleacher Report and worked for Epic Games as a game designer on a little game called Fortnite,” dropped a free game that turns the moment K.Dot wacks an owl pinata from the song’s visual into a fun video game.
In the web game, players take control of a pixel sprite version of the West Coast rapper and wop wop wop as many owls as they can with a bat.
Branson calls the game a “free love letter to video games and hip-hop,” adding, “I intentionally made the game spike in difficulty above 17, so any score 18 and above should be celebrated.”
This Diss Record Won’t Go Away
To rub more salt in Drake’s still open wound, the song featuring DJ Mustrard’s production is back in the Billboard Hot 100 this week after debuting at No. 1 in May.
Lamar is still riding the high from his “Pop Out” concert, which many have already dubbed one of Hip-Hop’s most culturally significant moments.
Meanwhile, Drake continues to post cryptic messages on Instagram, trying to give his fans and us the impression that he’s fine, but clearly, we think the brother is a bit scarred from his battle with Kendrick Lamar.
Drake, it’s okay to admit you are in the dumps now. It’s a sign of strength, not weakness.
If you want to try the game, you can head here.
2. Another one
3. Well deserved
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Source: Todd Korol / Getty
There doesn’t seem to be an end in sight to the “Not Like Us” wave. DeMar DeRozan has explained his cameo in the video.
As reported by Hype Beast the Sacramento Kings shooting guard recently paid a visit to Fox 40. During his conversation with Sean Cunningham he discussed joining the team after being traded from the Toronto Raptors. He made it clear that he is here to win. “I want to be one of those guys that hits the beam,” he said. “I will work my butt off more than ever to make sure the city gets what it deserves. I just want to win at the highest levels.”
While the focus of the interview was his future with the team he did speak to why he briefly appeared in the “Not Like Us” video. “Kendrick been a friend of mine, family — damn near family, for a long time, for a while. We’re from the same city, we grew up damn near in the same neighborhood,” DeRozan said. “So it’s always been there. It hasn’t always been publicized, but, you know, that’s basically family.” Even though he seemingly has a strong bond with K Dot he says Drake’s music will still airplay at the Sacramento Kings’ Golden 1 Center. “We love Drake. We love Drake. We can always play him” he said.
You can watch DeMar Derozan’s interview below.
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Source: @michaelrubin / Instagram
Fanatics CEO Michael Rubin’s annual all-white party in the Hamptons on July 4th has become the premiere destination if you consider yourself to be a mover and shaker in the sports and entertainment industries. 2024’s basement was packed with celebs who made the guestlist, including Drake.
We’re not kicking the 6 God when he’s down, but we have to mention that Drizzy was at the party when Kendrick Lamar premiered his video for “Not Like Us,” so thus, the jokes are going to write themselves.
As for the party, some the A-listers, B-listers and current Instagram celebs in attendance included Tom Brady, Quavo, Megan Thee Stallion, Kanye West’s ex-wife, Glorilla, Lil Wayne, Jake Paul, Travis Scott, Lil Baby and Druski, among many, many others.
Another thing worth noting is Drake and Megan Thee Stallion being there considering the former well-documented support of the short-statured R&B singer/rapper who shot her in the foot. Also, Drake apparently performed (as did Lil Wayne, too). Now how many people there been siding with Kendrick, at least on the low, though?
Check out who else was at the party, and the jokes aimed at Drizzy’s dome, in the gallery.
1. This also happened…
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Source: @champagnepapi / Instagram
On Monday (July 1), the internet reacted in all kinds of ways when a video of Rick Ross and his crew getting jumped in Vancouver, Canada, by Drake super fans hit the web, and now it seems like the King of the North is practicing a bit of trolling over the incident with his latest social media post.
Following the release of the video, Drake took to his IG page to post a pic and a video of himself and his crew enjoying some outside weather at his mansion as Drizzy raps along to “Northern Touch” by the Rascalz, who hail from Vancouver. Coincidence that Drake is listening to a rap group that represents the city where Ross and company got jumped? Maybe, but we doubt it.
Drake also dropped another video in which he wished his fellow Canadians a “Happy Canada Day” before saying, “Cheers to the whole country” and taking a sip of some adult juice with a slice of lemon in it. Fancy!
50 Cent meanwhile didn’t miss the opportunity to continue to troll his former rival Rick Ross as well with a new video. While Fiddy called it a “very unfortunate situation that took place in Canada” and said, “I hope that brother made it home safely,” he ended his quick reaction by saying Ross should call on Meek Mill’s Dream Chasers crew or the “305 killers” before laughing it off as he’s known to do.
Man we hope this doesn’t lead to North vs. South Hip-Hop war like the East vs. West thing in the ’90s.
What are your thoughts on Rick Ross getting jumped in Canada for playing Kendrick Lamar’s Drake diss song “Not Like Us”? Fair or foul? Let us know in the comments section below.
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Although Vancouver is a long way from Toronto, some fans have connected that Rick Ross running into some static in the Western portion of the northern country is due to the Drake beef. According to a new report Rick Ross and his crew finished rocking a music festival in Vancouver and came across a group who tried to impede his progress through the crowd.
Several accounts posted the breaking news on their respective feeds, including DJ Akademiks, TMZ, and more. According to the reports, Rick Ross was in Vancouver for the Ignite Music Festival on Sunday (June 30) and was heading through the crowd after leaving the stage when the confrontation began around 10:30 local time.
The group, who has not confirmed their affiliation with Drake, at least publicly, were reportedly upset that Ross chose to end his set playing Kendrick Lamar’s “Not Like Us” as a closing track. As the reports go, one of the men trying to block Rozay’s progress reportedly swung at the Miami rapper with Akademiks claiming that a member of Ross’ crew was left unconscious.
Adding to this, blogger page @6ixaktv posted two videos of the fight with Drake liking one of the videos. According to the videos, it looked like the group didn’t want to square up when things were even but the owner of the page says that they have a clip of Ross getting punched.
An interesting thread of discussion also cropped up with many noticing that the men who confronted Ross appeared to be white and using the “N-Word” although, again, the group has not stepped forward to present their identity online.
On X, the reactions to Rick Ross being jumped by Vancouver goons have the Maybach Music Group boss’ name trending. We’ve got reactions from all sides below.
WARNING: The images in the clips below may be disturbing to some so proceed with caution.
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Photo: Mireya Acierto / Getty
3. Too late.
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There is a thin line between competition and conflict and in the ever-evolving landscape of Rap and Hip-Hop, all it takes is a few words or actions to tilt the scale towards beef.
At their best, the beefs gave us quotables and songs that have become a part of our cultural catalogue from KRS-One’s iconic lines on “The Bridge is Over” or Jay-Z’s jab at Nas’ iconic song “The World is Mine” on “Takeover.” At their worst, the beefs led to violent interactions that served as warnings for the future (rest in powerful peace Tupac Shakur, Christopher Wallace and too many more).
Whether you rooted for the underdog or cheered for the villain, here is a list of nine Hip-Hop beefs that altered the way we listened to the culture’s music to this day.
9. Kool Moe Dee and LL Cool J
Considered by many as one of the first instances of rap beef, the two’s feud not only produced some of the biggest rap moments (Kool Moe Dee’s rap Grammy performance and LL’s Jack the Ripper series), but also set a precedent of using rap disses to enlarge both stars’ brand. For LL, he’d become one of rap’s earliest commercial successes, leading the line of success and respect into the 90s and beyond. His rise also foreshadowed a theme with the pioneer’s anger with younger MC’s who felt slighted by the next generation’s hubris.
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8. Lil’ Kim and Foxy Brown
Kim’s ascent into rap in 1996 alongside the Notorious B.I.G. and Junior Mafia brought a new aesthetic for female rappers as she embraced a more sexual and aggressive energy. Unfortunately, competition between her and fellow Brooklyn rapper Foxy Brown became inevitable as the two traded words over the years on various songs including Kim’s verse on Lil Cease’s 1999 song, “Play Around,” “The Notorious Kim”, and Mobb Deep’s “Quiet Storm Remix”. Foxy’s venomous verse on “Bang Bang” proved prophetic, and the violence and residual tension that followed over the years make it one of rap’s most memorable beefs.
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7. Gucci Mane and Young Jeezy
For these two southern MC’s who have since gone on to rectify their differences, their dispute over Gucci’s first commercial record, “So Icy,” ushered in a flurry of diss records back and forth that escalated to alleged violence off the records. Unfortunately, their antics and the energy behind it ushered in a new dimension of dissing enemies, encapsulated by Gucci’s gesture of smoking on the remains of an enemy, a move he’s since condemned.
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6. LL Cool J and Canibus
For Canibus, the rising phenom in rap at the time, being featured on a song with someone as accomplished as LL Cool J was an honor. His initial verse on the posse cut, “4,3,2,1,” however innocent, prompted LL’s furious response, and the records that followed only made LL’s battle rap status grow larger. Canibus’ “Second Round KO” and L’s “The Ripper Strikes Back” also introduced whether fans preferred battle records from overtly lyrical rappers or more commercially renowned artists.
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5. 2Pac and The Notorious B.I.G.
Largely remembered for the shocking claims made by 2Pac against Biggie on the song “Hit Em Up”, the primarily one-sided beef spurred a slew of responses from Biggie and others, both directly and subliminally which fueled the environment that led to their untimely deaths. The behind-the-scenes antics between Bad Boy Records and Death Row only exacerbated the tension and forced former friends to cross all types of lines that rap had yet to see before then.
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4. Jay-Z and Nas
After years of tension and perceived disrespect, Jay-Z and Nas’ early 2000s beef produced two of rap’s biggest diss records, “Takeover” and “Ether,” and simultaneously added to both stars’ classic repertoire of albums and songs. Despite the propensity for violence that existed, both men’s decisions to end their issue and work together represented a rare display of maturity, unlike anything we’d seen at that time for stars of their magnitude.
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3. Ja Rule and 50 Cent
Arguably one of the most influential rap beefs of the early 2000s, 50 Cent’s and Ja’s behind-the-scenes issues spilt onto the national stage when 50 attacked Ja multiple times on his debut album, Get Rich or Die Tryin’. 50’s unrelenting vendetta against Ja and Murder Inc. successfully made him a legend in many eyes and all but erased the stellar run of one of rap’s most influential and successful rap labels. Despite both artists moving on to different endeavours, the beef between them remains one of rap’s most noticeable land mines, going off at least once a year on social media without fail.
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2. Ice Cube and N.W.A
In the eyes of many rap fans including Cube himself, his 1991 diss response “No Vaseline” is arguably the most known and well-crafted. Before rap fans became accustomed to the idea of a 20 v 1 type battle, Cube took it upon himself to diss his former group N.W.A singlehandedly, so much so that they decided not to respond. At the top of his game both critically and commercially, his diss carried the same weight as Jay-Z and Nas with a level of sophistication and execution that has yet to be reached by a diss record since.
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1. Kendrick Lamar and Drake
Much like how Jay-Z and Nas’ beef festered over the years before exploding onto the scene, Kendrick and Drake’s feud following his verse on Big Sean’s “Control” grew, culminating in years of subliminal jabs. Kendrick’s feature on the Future and Metro Boomin’ single, “Like That” forced both sides into the competition and from there, we got more rap disses in a week than we’d ever seen from two competitors. The speed of their releases, rollout strategies and cleverness upped the ante for rap feuds that typically played out over time and showed us the lyrical brilliance of both camps regardless of who you felt was the victor.
Culturally, the response to Kendrick’s song, “Not Like Us” both online and during Kendrick’s Juneteenth concert, continues the communal call-and-response aspect of rap disses that we’ve loved since its inception. In a short amount of time Not Like Us has become a rap anthem and one of the year’s most streamed songs, much like Drake’s Back to Back became a Grammy-nominated song.
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When Biggie Smalls asked, “What’s Beef?” he posed the question at the height of the East Coast/West Coast rap rivalry, which would ultimately result in the death of the Brooklyn MC—as well as Tupac Shakur.
But, does beef always have to end in death? Most Hip-Hop fans would hope not. The very nature of the culture is competitive, and rivalries can be thrilling and entertaining when they stay on wax.
The recent rivalry between Kendrick Lamar and Drake has been one of those quarrels that has reenergized the culture and entertained Hip-Hop fans in a way not seen in years.
SlotsUp online casino and Media Lab Insights recently prepared and shared statistics that detail the legacy of rap beef—by breaking the statistics and songs into eras which are marked by a major event.
“These timelines were used to better understand the development of conflicts, success, and the demand for performance in the hip-hop industry,” the report notes. “Their comparison is focused on three main points: the technical aspect (the average tempo of the tracks (which can be calculated by the amount of bars, and the length), the profitability (the amount of platinum albums), and the risks involved (death rate).”
Researchers at SlotsUp commented on the study. “Until our current era, the more beef was around, the more successful the artists were. Our current era is going against this pattern, with the same amount of deaths and diss tracks as the first era, but with more platinum albums. Over the years, Hip-Hop became less technically demanding, especially after 2004. This study shows that conflicts aren’t always profitable, and violence can be avoided.”
The first era was marked by what the researchers called “The Roxanne Wars” in the mid-1980s. Two of the most significant songs were “Roxanne, Roxanne” and “Roxanne’s Revenge.” However, cultural commentators say that there were up to 30 songs related to the beef. The only major death to come out of that era was Scott La Rock—whose murder has not been directly attributed to the beef. The clear winner of this battle was Roxanne Shante, who went on to a lengthy career and is credited as one of the foundational female MC’s.
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The second era was one of the most deadly. Lasting from 1992 to 1997, the beef sparked the true rise of the diss track. The research shows that diss tracks and deaths more than doubled while platinum albums skyrocketed to 35. The era saw 10 deaths, with three being the most prominent—Eazy E, 2Pac, and The Notorious B.I.G. The winner of this era could be seen as the recently disgraced Sean “Diddy” Combs as his Bad Boy imprint saw some of its biggest success following the death of B.I.G. This era also marked Hip-Hop’s biggest foray into the pop genre with an increase in record sales that would last for more than a decade—before the proliferation of streaming.
The third era, lasting from 1998-2004, featured the beef between Jay-Z and Nas. This era was also the most financially successful with more than 50 platinum albums. “Eminem was significant in this era,” as the study shows that the Detroit rapper released nine diss tracks. The winner of this era continues to be debated. However, the culture benefited from the end of the beef with Jay and Nas making several concert appearances together.
Source: Bethany Mollenkof / Getty
The fourth era: 2005-2008, is one largely of peace—kicked off by the end of the beef between Jay-Z and Nas—two New York rap titans. Also worth noting is the average length of rap songs would begin to get shorter with many getting under the 4-minute mark. The fifth era from 2009-2012, was marked by the release of Kendrick Lamar’s Good Kid, M.A.A.D City. It would be the second era that Eminem would be involved in numerous beefs including with Benzino and Mariah Carey. It was during this era that beef would escalate in southern states with one significant death being that of Slim Dunkin.
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Era number six was from 2013 to 2019. The most significant beef was between Drake and Meek Mill. However, the two would eventually collaborate (again, since they were cool prior to Meek’s Twitter fingers) on “Going Bad.” This era is also marked by continued financial success with more than 40 platinum albums. The murder of Nipsey Hussle would mark the end of this era.
Our current era began with the coronavirus pandemic, which affected the entire world but also highlighted the significance of “beef,” with the good-natured but often tense musical battles as part of the Verzuz series. But without question, Kendrick Lamar’s “Not Like Us,” is thus far the most powerful diss song of the era—but whether or not it’s over is still up for debate, and Drake. Fortunately, K. Dot did his victory lap by bringing gang members together on one stage as a show of unity at the conclusion of his pop out concert on Juneteenth.